THE COMPLETE WORDS AND MUSIG OF FORTY OF COLE PORTER’S BEST-LOVED SONGS Bed Riek Sy MISSISSAUGA LIBRARY SYSTEMCONTENTS Foreword by MOSS HART 1 Let’s Do It 12 from PARIS [1928] You Do Something to Me 7 from FIFTY MILLION FRENCHMEN [1929] What Is This Thing Called Love? a1 from WAKE UP AND DREAM [1929] Love for Sale 25 from THE NEW YORKERS [1930] zz Night and Day 30 from GAY DIVORCE [1982] I Get a Kick Out of You 34 All Through the Night 38 You’re the Top 43 Anything Goes 49 Blow, Gabriel, Blow o4 from ANYTHING GOES [1934)Miss Otis Regrets [1934] Why Shouldn’t I? Begin the Beguine Just One of Those Things from JUBILEE [1935] It’s De-lovely Ridin’ High from RED, HOT AND BLUE [1936] Easy to Love I’ve Got You under My Skin from BORN TO DANCE [1936] Tn the Still of the Night Rosalie from ROSALIE [1937] At Long Last Love from YOU } ER KNOW [1938] Get Out of Town My Heart Belongs to Daddy from LEAVE IT TO ME [1938] Friendship from DUBARRY WAS A LADY [1939} I Concentrate on You from BROADWAY MELODY OF 1940 [1939] Ev’rything I Love from LET’S FACE IT [1941] You’d Be So Nice to Come Home To from SOMETHING TO SHOUT ABOUT [1942] vi 60 64 68 76 80 86 92 95 100 105 109 113 117 123 128 133 137Ev’ry Time We Say Goodbye from SEVEN LIVELY ARTS [1944] I Love You from MEXICAN TAYRIDE (1944) Why Can’t You Behave? Wunderbar So in Love Were Thine That Special Face Where Is the Life That Late I Led? Always True to You in My Fashion from KISS ME, KATE [1948] From This Moment On from OUT OF TITS WORLD [1950] It’s All Right with Me I Love Paris from CAN-CAN [1953] All of You from SILK STOCKINGS [1955] True Love from HIGH SOCIETY [1956] Index of Song Titles, Shows and Movies Summary of Facts about Cole Porter Shows 141 (145 152 155 160 164 170 w77 184 190 196 200 204 207 209Let’s Do It From PARIS Moderato Semplice (not fast) BS ¥7 Bb FT When the lit - tle blue-bird, Who has nev - er said a word, Starts to =. =— ———— _ Pp aiempo _—~ | Sir a Bh Bhaug. BIG Ebm B Faug. Bhs. 7 sing: “Spring, Spring!” When the lit - tle blue-bell In the =~, === -¥ xy f NT Copyright © 1928 by HARMS, INC. a2 Copyright renewedBb ¥7 Bb Bhaug. BS Ebn BP Bhaug. bot - tom of the dell Starts to ring: “Ding, ding!” —— —==z7_ &¥ = lit - tle blue clerk In the mid - dle of his work Starts r tune to the moon up a - bove, It is na-ture,that's all, Sim - ply t= ere == "P| aS Be Faug. tell - ing us to fall in ‘And that’s why : —Refrain (rightly) Be FT Bb 1.Birds do it,_ Bees do it,__ E-ven ed - u-cat - ed 2.Spon - ges, they. say, do it,__ Oy -sters, down Oy - ster 3.-flies in’ the. reeds do it,__ Sen - ti- men -tal cen - ti - 4.-zees in the_ zoos do it,__ Some cou - ra- geous kan - ga - > —— —— Eb6 Ebm6é Bb E7 Bb Ebm Bb Faug. Bb 7 — In Spain, the best up - — Cold Cape Cod clams, "gains their wish, do it, — Mos - qui - toes, Heavy - en for - bid, do it, — Im sure gi - raffes on the __ sly do it,. > > > SS 14Bb Eb6 Ebmé Bb Lith - u- an - i-ans and Letts do it, Let’s do it, E - ven laz-y jel - ly - fish do it, Let's do it, So does ev - ‘ry ka - ty -did do it, Let's do ithe Heav - y hip - po- pot - a - mi do it, Let's do it, ‘The Dutch in old —Am- ster Let's fall in love. EE - lee-tric eels, = 1 might. Let's fall in. love. The most re - fined la - dy__. Lets fall in___— love. Old sloths who hang down from ooo 7 7 rt m7 Bomaj7 Fm? BH EF dam do it, Not to men-tion the Finns Folks in Si - add, do it, ‘Though it shocks ’em, I know, Why ask if__ bugs do it, When a gen-tle-man calls. Moths in your twigs do it,_ Though the ef - fort is great. Sweet gui - nea >AMT Db F7 Faug. Bb ith Think of Si-a-mese twins. Some Ar-gen-tines with-out— shad do it? Wait - er,bring me shad roe. In shal-low shoals, Eng-lish rugs do it; What's the use of moth - balls? And that's why Chinks do it, pigs do its Buy a cou-ple and wait! The world ad-mits bears in_ ee ee Ur t mf = 2S 7 Bb EW Peo- ple say, in Bos-ton e- ven beans do it, soles do it, Gold-fish, in the pri - va-cy of bowls, do it,__ Japs doit, Up in Lap-land all the lit - tle Laps do it, pits do it,_ E- ven pe-kin-es- es in the Ritz do it, OO = —————— 1.2.8. 4. Bom Bhmé 7 BOE Be Faug. Bb 2. Ro-man-tic 3.The dra- gon- 4.The chim-pan- mf un poco atlarg. 16rromM FIFTY MILLION FRENCHMEN ; You Do Something to Me Moderato == Not fast Eb BA I was might - y blue, Thought my life was —_———__ Till the heav - ens ht © 1009 by HARMS, INC. ht renewed WwEb Cm7 Ddim Eb Ebdim Eh BT And I gazed at . Wont you tell me, * Eha Eby Abm Ebm 7 Gm Gm7 ‘Why, when you ap - pear, Some-thing hap-pens ——~| | > ——~ j Gm6 —Fedim Fmé cr Fm BT By And the strang - est feel - ing goes through F poco rit. é ore Refrain - Slowly, with expression Eb D Eb6 Ebmaj.7 D ES some-thing to 18Eb You have Bhaug. Edim7 Bb7 That sim- ply mys-ti - fies = SPF |e EPEFHF why should > the powr to hyp- no - tize neath yourBb Abm —Bb7(6) Do do that voo - doo that do— so well, > > > Eb Ebmaj.7 some - thing > Bb7(6) no - else could = =‘Ss This Thing Called Love? FRoM WAKE UP AND DREAM Moderato 4 - + + bee o be t # i y oe | > = a pte yar F — —— at + a — = c Cidim Cdim Fm6é Bdim + —s — = 5 = = = 4.1 was a hum - drum per - son, lead - ing a life a- 2You gave me days of sun - shine, you gave me nights of 7 ripe fe = : = t + t = t + t t 3 # simply ===: —: Ss E © c7 ¥7 Bb7sus.eb B7 B BhyBb7 4 4. ——- 2 oe : = = + part, When love flew in’ through my win - dow wide And cheer, You made my life an en - chant-ed dream Till | \ : = = feat i be |g apt as bt ©1029 by HARMS, INC. Copyright renewed atFm Fidim G Ay quick-ened my hum-drum heart. Love flew in through my win - dow, some-bod - y else came near. Some-bod-y else came near you, Cm D7 G qr c7 7 Fmé I was so hap-py — then. But af-ter love had stayed a lit - tle while, I felt the win-ter’s chill. | And now I sit and won- der night and day TL ——— Love flew out a - gain why I love you still. 2Refrain - Slow (in the manner of a “Blues”) C7 Fm6 is this thing —— called love? > ‘marked (but not too| fast a7 Gaug7 C —Cmaj.7_— C8 or thing —___ called Just who can solve _ rElRr ir leprae yg [2 ee (simile) Why should it — make ye Gaug.7 a fool of saw you there rma 2 A Abaug. You took my heart Vf Abs tal, 7 Cm6 G7 c7 — and threw it a - way. That's why I ask the Lord___ e ee) Chaim Fmé a7 Gaug7 — in Heav-en a- bove, “What is this thing — called 11 © Fm6 c zo Fm6 c What love?”) Love for Sale rrom THE NEW YORKERS Semplice (wot fast) E Moderato Ab When the on- ly sound in the emp-ty street Is_the d legato a hea- vy tread of the hea- vy feet That be- long to a lone-some cop, Bom ‘Bb © - pen shop. When the moon solong has been PP [PEER ER ER fe b7 7 gaz-ing down On the way-wardways of this way-ward town That her smile be-comes a = ght ©1030 by HARMS, INC. prght renewed 25Refrain (with swinging rhythm and not fast) EB EbG Bom B EG Bhm Ap EFF FIFFIE|F Pape Pape Frowa Tape Eb ANT Db Ebm iz-ing young love for sale. > Faug7 Love that’s fresh and still unspoiled, Love thatSsondy slight-ly soiled, Love ar nes arene ees rer F bebe Ft Lf a Bm Bb EbG Bb Eb will buy? ‘Who would like to FYFE > ol Pape Pare Fy reBb Eb AbT Db Deaug, sam-ple my sup - ply?. ‘Who's pre-pared to pay the price For a trip to Pare Tr FR 7 Ebm Bbm Faug.7 Bhn Bbin? Gb6 ADT par-a-dise? Love for Let the po-ets pipe of love be PT] REL EWE RTS beh mp espress, ——_ - Db In their child-ish way. Tknow evry type of love _Bet-ter far than they. be iF UPR MFLRF ye x B7 Adim Bb7 Ebm @ Edim C7 Ifyouwant the thrill of love, ‘Tvebeenthru the mill of love; Old love, new love, aoe FRE TLE‘B7 Bdim7 Bb75) Eb 6 Bbm E Ev-ry love but true love, Love for sale. Ap-pe-tiz.-ing => > yo pie rit. fa tempo t FF t Fa E > > Pore Pape Teore EbG Bb Eb ab Db a young love for sale. If youwant to buy my wares, Follow me and climb the stairs, >. So ‘molto erese. Faug7 hm Bh? Bho ED _ for sale. Sf broadly = au —_ oo Pes? Edin? Bbm6 Bb eB for sale. —— |e dim. ¢| morendo 28ight and Day From GAY DIVORCE (not fast) Edim Bz EB Like the beat, beat, beat of the tom-tom | When the jun - gle shad-ows ——_ OF . eee eee rr ror 7 Eb BW Edim Bb7 Bb Ebm Like the tick, tick, tock of the state-ly clock, as it stands a-gainst the Like the drip, drip, drip of the rain-drops, When the sum-mer show is Per eee eerie tas ae ee 2 30 Copyright © 1982 by HARMS, INCF Fm Ddim Eb Ebm Bb Dbmé6 — Ebm Bb Bm through; > Refrain re Cm7 9 Bhmaj.7 &T Bb7 Oma? Be Night and day________________ you are the one. re Fo? Bh maj.7 Ebmaj.7 — be-neath the moon and un-der the sun._—._ Wheth-er near to me or 4 It's no mat-ter, darl-ing, where you are, I think of you, Pet Efex = Pits ilBT B Bhmaj7 Bb7 night and day,____________ Day and_ night, > = Ebmaj.7 BG Bi maj.7 BY, —— Bmi7 ‘That this long - ing for you fol-lows wher-ev-er I go? i. EE Cm6 Abm7 Gm7 Ghaim In the roar-ing traf-fics boom,— In the si-lence of my lone-ly room, I Fe TFT F Tame 4 4 ope kt Fm7 BOT Eb a think ‘of you, “night and day. Night and day = > r > == af espr.un-der the hide of me, ‘There's an oh, such a hun-gry yearn- cao - ing burn - ing in- side of me, ____ And its tor-ment wont be = cro = = = = through Till you let me spend my life mak-ing love- to you, day and night, — = = = = = rE LF eas pe rc Bb7BbTsus.eb EY 7 night and day.—G un-der the hide of me, —_—‘There’s. an oh, such a hun-gry yearn- ao, = aa cao - ing burn - ing in-side of me, ____ And its tor-ment wort be = -y— =. = 5 = through Till you let me spend my life mak-ing love- to you, day and night, — t OF feag pe t Bor Bersus.eb ERS ab — night and day. Night and day_" Moderato Fm7 Bb7 Eb6 = much too sad to_be —When Tin out on a Copyright © 1934 by HARMS, INC. told, Fm7 Bb Ad Get a Kick Out of You rrom ANYTHING GOES x Eb My sto-ry is BY Eb BZ But prac-tic“ly_ev/ry-thing— Fm7 Bh7 G ‘The on = ly_ex- ception I know is the —— old en-nui_ =} Fight-ing vain-ly the —a7 qui-et spree— 34cz, Fm ‘Bb7 Eb Gm And I sud-den-ly turn and see— your fab-u-lous face. rT Fe Refrain Fm Bb. B Gm Fm Bb7 I get no kick from cham - pagne. Mere al-co~ hol does - n't So tell me why should it be true I get a kick— out of ———— Some get a kick from co - ttFm7 Bb A Ab bore me ter - rif - ic -"ly = od Gm ing there Tmsure that if I had e-ven one sniff it 7 would 7 Bb? too_____ Yet I get a kick— out of CERT t Bp —— | [SS iF EW Ab, Db Ab Db Ab I get a kick evry time a Iget a kick tho’ it’s 36Bhmé Fm _Bbm6 - vious - ly don’t a- dore tet I get no kick in a plane. 1 get a kick out of ie tet Fle Teer noth-ing to Fly-ing too high with some do.yy ax All Through the Night | FroM ANYTHING GOES Y \ Moderato he = = = Fm F The day_ is my en-e-my,- The night. my friend, For Im al - ways > ERR MER GF) EP oGF P leggtero c7 F Fm F Fm so a-lone. Till the day draws. to an end, But when the sun goes down Tee sigs Terese] Ear [UEP SF Boa? BAT Abmaj.7 Bhm7 my Cm? Ab And the moon comes through, To the mon-o- tone of the evening's drone Im > $F RF te CER FP Tepe Copyright © 1934 by HARMS, INC. 38PeeRe Refrain (not fast) through the night Se mp legato LF ‘All through the so close to me,—— F lt F c7b9) night —__ RteF Az Dm Fhdim7 F7 Bb 7 through the night from a height rpere E76 Eb7(b9) and your love ee - sta-sy, When dawn _ comes to a = nf —— Tre Pe Bom6 = C7_— CTS), «C7 ab Dbs wak - en me, You're nev - er there at all.I know youve for-sak - > c7ba) C7 through the = > night. f en m Till the shad - ows Fiidim7 F7 Bb once a - gain can dream. tPre E75) AT ‘molto espressivo} > af =—You’re the Top rrom ANYTHING GOES aane sie. ere are g@e rae Moderato = ines = Bb7sus.eb words : C pa - thet - ic that al-ways have found— it best, In-stead of get-ting ’em off. my eS E> eee ight © 1934 by HARMS, INC. 43Ab By Eb Fm7 BT pressed. EB Edim Bb7sus. eb Bb7 Eb Cm7 D7 Gm m6 prob-a- bly miss_ Gm6 ¥7 Bh7 unis. Bbaug. not so pret-ty, Atleast it-’ll tell you how great you are.—Eb Bi7b0) Eb Eéim BIT ‘ Te =e — = =" 4. Youre the top! You're the 2.Youre the top! You're Ma- 8. Youre the top! Youre 8 4. You're the top! Youre 2 Col - os - se- um, hat - ma Gan-dhi, Ritz hot tod-dy, Wal - dorf sal’ - ad, js Youre the You're the Youre the You're the = ¢ + 3 # —S = er A a» + = SS SS Ss the Louvre Mu - se- um, Youre a Na - po - leon brand-y, Youre the a Brew- ster bo - dy, Youre the a Ber - lin bal-la Youre the “ > i i =——— = # ; ¥ F y FF w~ # = — Z et == 45mel - o-d sym-pho- ny by_— Strauss, pur - ple light — sum- mer night. in Spain, boats that glide— sleep - y Zui der Zee, nim - ble tread— feet of Fred_ As - taire, bon - net, Shake - speare son - net, Gal? - ry, Gar - bos sal - "ry, pan - ning, Bish - op Man - ning, dra - ma, Whist - lers ma - ma, > Edim —Bb7 BS7(b9) Mick- ey Mouse.— cel - lo - phane._ broc- co - li, Cam - em - bert.-Mo - na Der - by rene Bor great Du Lis - a. win-ner. - do - ni. - ran- te. the Tow’r of a tur - key a night at In - fer - no's a worth - less a toy — bal - loon_ just in the aol- vw Pi- sa, din - ner, Co - ney, Dan-te, check, way, lout_ who i that isAbmaj7 Caug7 C7 F716) Fm7 Gm7 Abmaj7 BU? sus.eb Edim the bot-tom, Youre— the Va 1 BT Bhaug. Eb OEdim Byy7 = Fidim Eb toplIHiok ANY-TEING GOES. -- b a on C Moderato And weve of - ten wound the Since the Pu-ri-tans got a shock— When they land - ed on Plym-outh Rock.— ht ©1994 by HARMS, INC. 49‘An - y shock they should try to stem, qr Cm G7 Cm G D7 ar "Stead of land-ing on Plym-outh Rock, Plym-outh Rock would land on — them. — > > Se > » Refrain (brightly) a7 c 1.In old-en days a glimpse of stock-ing Was looked on as some-thing (2.When) moth-ers pack and leave poor fa - ther Be-cause they de-cide they'd (3:When you) hear that La - dy Men - dl, stand-ing up, Now does a hand-spring > ee— ing, But now, God — An-y - thing — er Be ten - nis ——— An-y - thing — ing up On her — An-y - thing Good authors, too, who once knew bet-ter words Now on- ly use four - let- When Mis- sus Ned Mc-Lean, God bless her,Can get Rus-sianReds to “yes” ‘When Sam Gold-wyn can with great con - vie-tion in - struct An-na Sten in dic- > >>> . apes EF - ter words, writ - ing ———— An-y- thing goes. —her,Then I sup - a An-y- thing goes. + tion, Then An - na ———— An-y- thing goes.E B7 SS Ss The world- has gone mad to- day_ And good’s bad to-day,_ And black’s If driv - ing fast cars you like,-If low bars you like, If old Just think. of those shocks you got- And those knocks you got_ And those A A 5 7 =e = = eae z = = a ay aS SF > + white to-day,-And days night to-day, When most guys to-day That wom-en hymns you like,Or bare limbs you like, If Mase West you like, Or me un- blues you got. From that news you got, And those pains you got— (If an-y A * A ‘ — hme n ‘ = Em7 Cfdim Cdim Chaim = G7 ; prize to-day. Are just sil- ly gi - go - los. dressed you like, Why, no - bo - dy would op - pose, brains you got)_ From those lit - tle ra - di - os. a ) = ‘= a mis as 521 know that {9H} bound to an though Im not a great ro-manc - er ev - ’ry night the set thatS smart-is in - dulg - ing in nud - ist par- Mis - sus R., with all her trim-mins, can broad-cast a bed for Sim- > An- y - thing An - y - thing An - y - thing - swer when {yal pro - - ties in stu - di - - mons ’Cause Frank - lin Fiim c7 8c 6c 2. When goes . 3.When youBlow, Gabriel, Blow rrom ANYTHING GOES ~ Poco agitato ‘unis, (Spoken) Do you hear that play - in? Do you know who's play- in’? - bri-el play- in’, |_—~ Abmé ‘Yes, I hear that play- in’! (Sung) No, who is that play-in'? Why, it’s Ga bri-el, Ga bri-el say- in’, > = “Will you be read-y to go when I blow my horn? Copyright © 1984 by HARMS, INC. 54 = tfRefrain (i " ‘Eb * igorously) Ab Eb Bb7 Blow, a sin-ner, I've been now Fm will-in’ to trim my lamp, So — blow,— A Abo OB LF was low. Ga - bri-el, low, might - y = > = QFE ACT Eb Cm a scamp, ButGm Ab Bb W Eb Eb7 bri- el, low—_____ But now since I have seen the light, Im i> > 7 ——— Fm Eb 7 Bb7 B Cm Eb Ab Ca A by day and Tim good by night, So 4 4 blow,— tre F i iF Eb Gaug7 G7 Cm Em7 Cm Gaug7 G7 Cm SS head - ed for hell, was_ head. = > _~ Foftretelr © D7 G m6 G BOT Eb Eby ell; —___ But when I got to Sa-tan’sdoor I > a er cH es ry 56a cm Fm Gaug.7 Cm Fm heard you blowin’ on your horn once more, So I said, “Sa - tan, fare - welll? —_ Poa = - Fett Ts “= And now Im all read - y to Yes, to fly. —high- { > = > FEF [pas high-er!_____ Cause I've gone__ through brim - stone- ad — and I’ve beenthru the ire, _____ And I’ve purged my soul and my heart too, So | 3 Ta, rotBb Edim Bb7 Cm7—Cdim Bb Kb Cm climb up the moun-tain top— and start- to blow, — > | — St want to join your hap- py band. And aan > Fm C7 Fm G@ Cm Ab a = blow, Prom-ised Land, So >see nm FL Ay, pp iF oF is 58A Miss Otis Regrets 1934 AY Andantino AM dt1 did om 7 Fe B ‘BY Eb Eb7 Fm Miss O-tis regrets shes un - a-ble to lunch to - day, Ma-dam.__—- Miss i |P—— P Bb Bb BY Q-tis regrets she's un - a-ble to lunch to - day.. | = Ros pr ) — Copyright ©1994 by HARMS, INC. 60B Bb7 Rb7— Ab ORT. Ab ¥Fm6 B ‘Eb7 sor-ry to be de - layed, -_— ror Re |, Ma-dam._ Miss O-tis re-gretsshe’s un - a-ble to lunch to - day.. Refrain B Bb7 When she woke up and found that her dream of love was (When the) mob came and got her and dragged her from the She ran to the man who had led her so far a- They strung her up-on that old wil-low a-cross__ the _—_——Bb BOT EB Bh from un -der her vel - vet And mo-ment be-fore she —_———— r rot and shot her lov - er her lov - "ly head and Ma- dam. Miss re -grets she’s un- Ma- dam, “Miss re-grets shes un- Cm6 Bb7 Eb “Eb —— to lunch to - day. to lunch to - day. _- aC 62x Why Shouldn't 2? rrom JUBILEE Moderato = > of, (SEF. c G7 semplice © Go c Dm7 c G7 Ive been so se-clud - ed, Love has e - lud - ee c Dm7 qr c But from know-ing sec-ond hand what I do of it, = t FT cer-tain I could stand a clos-er view of it. OO e t Copyright © 1985 by HARMS, INC. 64Em Baug7_B7 Em stud-ied love dis-creet - ly, But now that I'm com-plete - ly free, ¥ find some kind per - per- son - al - ly, Refrain (Stowly, with tender expression) c Dm7 G7 Why should-n’t I take a chance when ro-mance pass-es by? ryt Ft F [PaWhy should-n't I know of love? Peer RR RF Wren each age has a sage who has 7 up - on this earth love is all that is real - ly worth 7 Er think-ing of? __________ It_ must be fun, lots of = — weet r it 66sure when day is done That the hour is com~- ing when 1 FTF ft Re Te poco'a poco creso. kissed and then— You'll be kissed a - gain!— All deb -u - tantes a —_ "ar rr TE RE dim good, _ And evry star out in far Hol- ly -wood seems to give it a try, mf’ pik espr. should-n’t I?, poco rit.Moderato ow EF c 6 ae fe When they be-gin i BP sempre espr. i 3 é 74 dor, Tt brings back a night _____of_trop-i-cal TPF Ez? FPF GT cms splen - dor, Tt brings back a mem ev - er groan. 7 TENE |) PPE Copyright © 1085 by HARMS, INC. 68Cmaj.7 ce Oe Ym with you once more under the stars down by the shore an or-chestra’s play - And e-ven the palms seem to be sway - ing When they be- gin. TEBhm EAT. ‘Abmaj7 AbG. Ab Ex-cept when that tune. clutch-es my heart. swear-ing to love for-ev - er,_—_—_And_prom-is- ing ay 3 ‘mf pits espr. G Fm? G a c er to. part.. ‘What moments di- vine, OR Fi Fh ee == | — _— what rap-ture __________ Till clouds came along to dis-perse the joys we had a rirey tr ti¥And nowwhenI hear people curse the chance that was wast - ed,—— So a) a PER BPE Re — G7 Cmjo know but too well __________ what they mean, 7 FOR eee Cmaj.7 let them be-gin____________ the be - guine! 3 ———— a ee S molto espr. © 3 love that was once a- fire re-main 3Eg Dm? Em Am Dm? GTsus.c sleep like the dead de-sire I on-ly re-mem - ber. When they be- gin. 3 3 3 7 EEE dim. co a @ 6 ao the be - guine.__ Oh, yes, let them begin the be-guine, make them > > 3 ra Puram lec TET —. S molto espr. Till the stars that were there be-fore —re-turn a - ¥ a? Till you whisper to me once more, “Dar-ling, 1 love — youl—And we ‘When they be-gin When they be- gin guine.Just One of Those Things Nhe pi ae rrom JUBILEE fy Allegretto ¥ As Dor- o - thy Par- ——=— - ker once to her boy - friend, “Fare thee well”. re OPitREF Gm7 7 F Dm Fm qr ‘As Co-lum-bus an-nounced when he knew he was bounced, “It was swell, iF © Dm7__Dfdim C Gm 7 Fimaj.7 F6 - a-belle, — lard said to Hél- 0 - ise, j => = 7 _ = Copyright © 1035 by HARMS, INC. 76Gm6 Ctdim a7 Dm 7 Bb 7, “Don't for- get_ to drop a line to me, please”. As Ju - liet cried _ . > >. , eo Se her Ro-meo'’s ear, — “Ro - meo, why_ not face the fact, my dear?” a > > > > he Refrain (brightly) AT Dm A It was just one— of those things, ‘ AA it Ah > Dmé6 ——Cfdim — of those cra- zy flings, One of those bells that now and then rings, > > te rr = 7 oSone of those —things—___ It was just one of those | * > - > tee eR ere Fly FE Gi FT one— of those fab-u-lous flights, A trip to the ‘ es > ro ¥ Bbsus.eb — Bb7 x = ~ on gos- sa-mer wings, Just one of those things. A = ELE RIE UF aed Vv Bb7 thought a bit of the end of it—When we start-ed paint - ing the town, a = = > TFAbaug. Fm7 - Fm6. Em7 a — Weld havebeen a-ware- That our love af-fair_ Was too hot —tocool down. So good-bye, dear, and a - men! Ex A > = ing we meet now and then. It was great fun, But > c Fidim7 Gm C9 Just one__ of those things. 4 aS _ >: Ebdim it wasIts De-lovely rrom RED, HOT AND BLUE shy foe i Oy NSS Allegretto urge to sing The kind of dit - ty that in- 7 leggiero vokes the Spring, So con-trol your de-sire to curse while I cru-ci-fy the ig ed Copyright © 1938 by Chappell & Co, Ine, 80F Fhdim 7 She: This verse Ive start - Tin Pan-ti - thes-is of mel - 0 -dy;—. So to spare you all Faim Glsusc G7 C im skip the darn thing and sing the re-frain. C7 spoken Mi mi mi_mi, Re re re re, Do sol mi do la si, She:Take it a-way! oe Refrain (very rhythmically) Gauge 0 Faug, F6 4.The night is young, the skies are clear. And if you want. to go (2. Time) march - es on__ and soon its plain. You've won my heart. and Ive (3.The) knot is tied. © and so we take. a few hours off___ to. eat . We) set - tle down. | as man and wife. To solve the rid - dle called > A Fiaim walk-ing dear, lost my brain, ty, do - light - ful, its de - li - cious, its de- wed-ding cake, “mar - ried life” cr DT Gm I un - der - stand. the Life seems so. sweet. —_—that love - ly. cf — It — feels fine to Were onthe crest, we A 82on why youre sen - ti-men - tal, cause so am de-cide_ its in the ~bag_ to get = u- ni - a bride, and hows the groom? Why, hes slight-ly no cares, were just a cou - ple of — hon-ey light - ful,_ it’s de - li - cious, it’s > > can tell at glance_. thet crowd in the pop of as rightBb F Faug. Bb Bbmé this is for ro- mance, You can hear dear Moth - er proud par - son plopped on his perch, Get the sweet beat of that hop in__ our — plush ‘lit -tle plane, Till a bright light through the night at my = win- dow I see_ an ab - surd bird with a c7 Na-ture mur -ing “Let your - self go? So or-gan peel - ing our doom, Here goes__ the — groom!_ Boom! dark-ness co - zi-ly calls, “Ni - ag - ’ra Falls!’ Alls bun-dle hung_ on_ his nose. “Get ba - by clo'’es!’. Those A > > > > > > > F Faug. F6 chick - a- dee, And = when «I kiss— you, just please be How they and how they smile, As © we == go gal - lop-ing well, my love, our day com-plete,. And = what’ =a beau - ti-ful | eyes of yours. are filled with joy_ when Nurse ap-pears- and cries, | A A A a4F Fmaj.7 say to me, “Its de- light - ful,_ its de - i - cious, its de - down the aisle Its di - vine, dear, its di - veen, dear, it's duh - bri - dal suitel Its dr- ream - y, its dr - rou - sy, its de - “tts a boy!2. He's ap-pall - ing, he’s ap - peal - ing, hes a. > > cms D7 Dbaug. o7 lec - ta- ble its de - lir- i- ous, its di - lem-ma, its de - li - mit, vun-der-bar,— it's duh vie - to-ry,_ it's duh ~—val-lop, its duh vin-ner, re - ve-rie, its de - rhap-so-dy,— it's de - re-gal, ifs de-roy-al, pol-ly-wog, hes a par- a- gon, he’s _ —Pop-eye, he’s__ a pan-ic. > > > > @ poco crescendo ‘poco 2.3. a. Gm7 Bhat Bb Caug? its “de-luxe, its mo itS duh voiks,it's de - love - ly. 3, The its de-Ritz, it's de - love - ly. 4. We he’s a pip, he’s de - love - ly. > > "Pronounced “delukes"”ap Ridin’ High From RED, HOT AND BLUE AllegMnop troppo = = F deciso Love had n - ply knocked Luck had dished me till you fished me from—— the soup.dont sput - ter should mut - ter. Refrain (rightly) Cmaj.7 C7 Gm7 G7 Life's great, = Cmaj.7 C7 Gm7 G7 planned. > 87clouds in the sky, iF BoC Em7 AT Chdim7 Dm7 G7 C aby G7 rid - im? Tm orid - iw x = 88Jo - nah, good-bye. FFF Float - ing > star-lit eeil- ing, on the cards Im deal-ing, Gloat - ing be- cause Tim feel-ing so hap- hap-- hap - py, In slap - hap - py. sing songs, Blow horns, beat — gongs,- ic - , ES > > > nev-er_ will die. rid - iwP. Im rid - > >Bb Gm (with tender expression and not fast) I know too well that Tin P dolce ¢ semplice Cm7 think-ing such a thing could be, That Copyright © 1936 by Chappell & Co. Tne FRoM BORN TO DANCE just wast-ing pre - cious time in Bb you — could for me. careBb 7 Bb Gm ETS Tm sure you hate to _hear a -dore you, dear, but —== —__fE D G ay D Bb grant me, just the — not en - tire - ly to blame, For FF Refrain (slowly, with much expression) Am Dm Am You'd be so eas-y to love, Soeass-y to i -dol-ize all Et Fire FPPEP | tPEP RPE Fe oth - ers a - bove, worth the yearn-ing for, =~. ts tPF —= |v FeAm7 D7 Bm Afdim Am - — So swell to keep evry home fire burn - ing for. * = be so grand at the game, So care-free to -geth-er that it does seem a TiaP ERE [CPR R PET rey shame That you cant —_see Your fu - ture in me ‘Cause youd be ee PS _— inf =—_—>—-* x P’ve Got You under My Shin From BORN TO DANCE ¢ Allegretto sostenuto rd wf | o- —==T po00 rit. Refrain (Beguine tempo) Fin? Ebmaj7 Pve got —__ un-der my skin, Ehmaj.7 deep in the heart of me, Ebmaj7 BG in my heart_______ You'rereal-ly a part of me———— nt © 1936 by Chappell & Co. Ine. 95got un-der my TEPTESPTELE P not to give 4 : Davg. Ebmaj7 BSG said to my-self,“This af - fair ney-er will go so well”___ Tat Ta 31 3 Caim why should I try to re- sist when, dar-ling, I know so well sr 7 sie Spe eae ‘marcatoBIT) Bh Ebmaj.7 — eS my skin: sac-ri-fice an-y-thing, come what might, for the sake of hav-ing you near, In spite of a ry ra 2 3, 2 3, poco a poco oresc. ed |appassionato warn - ing voice that comes in the night And re- peats and re-peats in my ear: “Don't you z z 7 z a 3, ya ‘molto crese. Le NG Ehdim know, lit-tle fool, you nev-er can win?. Use your men- > = - — S melts press POP DS? oFWake up to re-al - i- ty.” — a» Abm Eb Bm C7 Guitar time I do, just the thought of youmakes me stop Before I be -gin, “Cause Ive ~ —— Prt Fm Bb7(9b) Eb got you——___ un-der my — skin, fF he VER ft 1 empe °B. Fm BT Eb BT J Fvii vat = or morendo |?PP rok se 98In the Still of the Night FrRoM ROSALIE COX PL ) fe) C9 3 comes S Andantino (in a steady movement, but not too fast) = mp =a = Vs NE NSE Mysteriously oo ie — SSS = In the still of the — night,. = = | CORRELL ELT be PPL lei dim, P a tempo = Zz + = = i SS Fm6é = = = As gaze from my win S dow Re = Hy ih) l=in its flight, My thoughts all stray In the still of the a FURL night, While the world is in slum PR PR. Fler gle Pe Pre ber, Oh, the times with-out num ~- ber, Dar- ling, that I ree FPR tae ‘molto crescendoAppassionato “Do > ZtDisus.g D7 D7sus.¢ Or will this eT subito calmato Like the moon_________—_grow--ing the —== | ——— ha=Ve a l Rosalie a FROM ROSALIE ‘Allegretto con moto _ ~~ ¢ tf ‘When knight-hood was in flow’. and aman wooed a Be - neath her sa-cred bowr rrFlt Ff T ight © 1937 by Chappell & Co, Ine 105Bn? ET Ab G ; t poco a poco |orese. ~ Ph ey piu crese. # crescendo | poco a poco 106Refrain (in slow, strict tempo) Ro - sa- lie, —— one night,——— When stars danced Dé —_FAdim7 gliss, A7 love. So,Ro - Dfdim Em thrill. ing, > sa- lie, Faim And don't tell > me de- cline. Won't you make my life Bb7 = Hho B7 BHT B7_— youre will-ing to be mine, — eeFrom YOU NEVER KNOW Con moto nf cm Fo (with expression and not too slow) Bb love, And though it gives me____joy > 5 AF e ._ Bho BW tense, I can't de - ci_- phe If Tm a lif - er,— Or if it’s Oo ——— “ELFEF rol” —__ FE C7sus.f C7 Db7 C7 just a. first of - fetse, > FEST BIT ER? Ss ry ht ©1938 by Chappell & Co, Ine 109yop Te no sense of val - ues— left at —= play - time af-fair of May - time,Or is it a wind - fail? rT Eee f __ Refrain (slowly, with warm expression) G7 C6 Is it the good tur - tle soup ¥this feel ~ ing [=~Ebdim7 E769) on - ly As-bur-y — Park?. not worth think - ing espressivoGet Out of Town FRoM LEAVE IT TO ME Moderato : ~ ¢ slowly and pensively __Dmé e7 cms D7 G 7 The farce was end - ed, The cur - tains drawn, rae (PB And I at least pre- tend - ed That love was dead and gone. Copyright © 1998 by Chappell & Co, Ine 113D7 Bdim Am BYsus.e B7 - where you come to me as be- fore + Em cr Claim D Cm6 Dz7(bs) my heart and break my heart once mor Refrain (in steady slow tempo, with increasing expression) Gm Gm6 —S = — Get out of town— Be - fore_ it's too late, my love! Get out of town, Be good to me, please.Why wish me harm?_ Why not re - tire to a farm— nf - tent-ed to charm The birds off — the <=. trees?_______ Just dis-ap-pear,_ I care.for you much too much, And when you are near,— >Glose to me, dear, We touch too much. = = Ddim Cm Ebm ‘Bb Guitar tacet thrill when we meet Is so bit-ter sweet That, dar-ling, it’s get-ting me down. Tae pensively ¥7 Fm6 a7 Cm hme a your mark, get set, out of y!! FO, appassionato ye |e [ag z a a t ~ VIR 71 TB Fidim __D7(ob) Bb 116I used to fall__ = Those boys who maul. > ia But now I tell = right ©1938 by Chappell & Co, In. Tn love with all — = Re-fined la - dies. he mf Each young ga - zelle 17I mean Ha-des. phe of Eb BY B Bb Cm Fm G7 since Ive come to care For such a sweet —mil-lion- aire. oe LIF Refrain (slow Rumba tempo) Gaug7 Cm 1.While tear - ing off— A game of golf— may make a play for the (2. Saint) Pat - rick Day, Al - though I may— seen wear-ing green with a Fm6 G7 Ab A Bb Baim But when I do _I dont follow through Cause my heart be-longs_ to In al-ways sharp. When play-ing the harp- ‘Cause my heart be-longs. to. irr 118= I in-vite, A boy some night To oth - er dames. at foot - ball games. May dine on my fine fin-nan had - die, I just a - dore_ long for a strong un - der - grad-dy, I nev-er dream. —, he r e ask-ing for more, | But my heart be-longs. to. —‘Dad-dy. Yes, my mak-ing the team— "Cause my heart be-longs— to Dad-dy.. Yes, my r ve Fe a Ve pil heart be- longs. to Dad-dy, So I sim-ply could-nt be bad. heart be-longs. to Dad-dy, So I sim-ply could-rit be bad. > —~=~ Cc heart be-longs. to Dad-dy, Da-da - da, da-da-da, da-daddy - ad! heart be-longs. to Dad-dy, Da-da - da,da-da-da, da-daddy - ad! : yt ao =z 7 © Se want to warn you, lad -die, Though I know you're per - fect - ly want to warn- you, lad-die, Though I sim~- ply hate, to be = | = Ft eee ‘That my heart be - longs_ to Dad-dy And my That I can't be mean- to Dad-dy__ "Cause my > 7T 1? p | teers on rz. dad-dy, he treats it so well. da- da - da - dad - dy might 7aes Friendship From DUBARRY WAS A LADY Moderato 4.If youre (2. If you're) (3. 1f ‘they) in a up oa black your Here I ———_ If youre ev-er sin’ a Phone to —— youre ev-e: down a Put me —__ cook your mess, S. 0. S.__ If you ev-er__ feel so well, Ring my bell. If you e-er—__ lose your If they ev-er— put “a oS goose, Tum me loose © 1939 by Chappell & Co, Ine. 123hap - py you land in jail, — Tin your bail. teeth and youre out to dine, — Bor-row mine. bul - let through your br - rain, — Til com - plain. — =S—”,”t—S, ‘ (RES = — friend - ship,— s Just a per-fect blend - ship. When friend - ship,— Just a per-fect blend - ship, When friend - ship,— Just a per-fect blend - ship. When _—— ooo oth - er friend-ships have been for- got- Ours will still be hot. - Lah oth - er friend-ships go up in smoke. Ours will still be “oke.” Lah-dl oth - er friend-ships have been fer- git Ours will still be it. Lah-dl ~~ >1&2, 3 c c ah-dle-ah-dle, dig, dig, dig 2.1f youre ~—_ 4.1f you ah-dle-ah-dle, chuck,chuck, chuck 3.1f ‘they (5.1 they) ah-dle-ah-dle, hep, hep,” hep. = lose your crack your lose your shirt, Vl be — hurt catch on fire, Send a wire.If you're - er If you - er — DE mill and get sawed in half, 1 won't laugh! — boat and get lost at sea,__ Write to me. friend - friend - ship, — a per - fect friend - — ship,— friend - ship, — a per - fectmf mp = = = = Refrain- Molto cantabile (but in rhythm) B Ebmaj.7 EG Bhaug. = ——= When-ev - er skies look gray to me z mf Eb Bbsus.eb And trou-ble be - gins eo > => | ao | te ps 128 Copyright ©1939 by Chappell & Co.BT coe Ebmé Bh Abn Ebm Gi When-ev-er the win -ter winds be-come too strong, he 7 Bhaug.7 Bb7 Bb — I con-cen - trate on your oe Ebmaj.7 EbG = Bhaug. ‘When for - tune “nay, nay!” tom Flr Fe de - clare “You're through!” —— SCDW Ebm7 Ebdim Db7 cb Gb Ghdim Gb7 ‘When -ev-er the blues be - come on-ly song, F7 FAS Baug. Beaug. BHT Eb Abs Bb con-cen - trate on 7 Abdim? Bhaug. Eb 130eyes, When {9 sur - _—__— And once a - 3 in-ter - twine. a > > = com sforaa'= F passionately _ Bb9 = Bdim7 BHO B That love's young dream nev - er comesTo prove that ven wise men can be wrong, OTs mf calmato B ¥7 F7 $5 Bhaug.7BP7 I con-cen - trate on you, ho P poco allarg. AbG Eb Fm B>13(94) —— con - cen-trate —_ con - cen- trate = Bi Ebmj.9 EG ‘morendo 132—— be’rything T Love 5 WW | | rrom LET’S FACE IT “qx ( Moderately and smoothly _ > aN of orese. If I were write. you, sweet = ple ae -__spir - in, Abmé A kil-ler dil-ler - 90, Too bad_Im no po - et, = ot a ht © 1941 by Chappell & Co, Ine, 138G7 C7 c7bs) EF? roun - de-lay_ That I wrote last night a - bout he Refrain {stowty, with expression) BI Ebaug.‘Bb Ebaug.7. my sleep c7 Db7 Ebm7 — Edim by G Fair skies of deep Each time ir rer I yearn for you oh so 7 — etCm Bbm7 Eb7(b9) fav’- rite star, My p pit: espressivo —_—_. |v e ; r — ha-ven in heav - en So Cm Abmaj7 9 Bhoug7 BY7 EB __—________Bhg9 Bb love. To >to Come Home To rad SOMETHING TO SHOUT ABOUT Allegrétto commodo tte co . mf It's not that you're fair-er Than a lot of girls just as pleas-in, That I = off my hat as a wor-ship-per at your shrine. y iP + FF [Copyright © 1942 by Chappell & Co. Ine 187Bb? Eb ‘Bb Eb not that you're rar-er Than as - par-a-gus out sea-son, No, my r —— By Rb Cm6 Ebdim Eb Raim D7 G dar-ling, this is the rea - son Why you've Refrain (rather slow with feeling) 7 ten. ten. Am Dmé 7 Am E7 ~ —= = Hs ——— == Youd be so nice____ to. come home ten. N SaaS ona cen’ P a tempo 138Dm7 B7(5h) E7 the breeze high_—__ FF iF chilled ___ by the140Kvry Time We Say Goo rRoM SEVEN LIVELY ARTS Moderato St, yf | —————— = Eb Bhm Allegretto (but not fast) We love each oth - er so deep - ly That 1 Fm? Bh? Eb Eb7 Ebaug. Why should ywar_- rel ev - er, —=—=—— — Bb Gm Bo Gm Bhm Crsusf —C7__—Bhm6_ Fm BAT (slow down to pensive tempo of refrain) ‘Why can’t we_be_e-nough clev-er, nev-er to part? tight © 1944 by Chappell & Co, Ine 141Cm Eb Cm Eb Refrain (Very slowly and pensively) (four beats) Eb Cm Fm7 BIT Ey - ’ry time we say good - bye die a_ lit-tle, 5 Fr Eb BST Gb BLT Eb EA7 k —— i 2—-—+ —j t v t if r Ev - ’ry time we say good - bye I won- der the Think so lit - tle >>They al = low you Eb Cm Eb Cm Eb Cm (ea SS = == When = youre near there’s. such an air of +— + + +- — SF ——": : — z ? ret i t rete a = St = x —E = x Fm7 BI EL Bb Gb BY bee + i Sa + ee is Spring a - bout it, IT can hear a lark some i eit = f ze = ; # a L, ; F = =F ee = # Eb EW fa Ab ‘ Abm Eb Ebdim o - j= = 2S SSS where be - gin to sing a-bout it. There’s no love song SSS 3 rr! = = =: =: 5 t * 1 7 aT a SS a Poprutinn — —- $7 -— ——S= E SS 3Abm6 BIT ELo Ab Abm. fin - er, Yet how strange the change from ma-jor to subito p fT Eb cr M-R7 = -Fm7 Bb Eb Ebdim BT — we say good - bye. Ev-ry sin-gle time > > He (S) esp. —————— a phes an |IT Love You rromM MEXICAN HAYRIDE ‘on moto jj Imag ——~a —===za — _ | poco rit. = = co rit. Fm Db (rather lightly and not slowly) Fm6 cr ? — If a love song I could on-ly writ A song with words and T would ser - Till you'd re - lent and con-sent to be mine. tPF F ht © 1943 by Chappell & Co. Ine, 145F . ‘un pochettino pit, mosso Bem F6 Fmaj.7 Fo las, just an be sur - prised, 2 aaeeel SEES ESET | —=—— |v cr Fdim F calmato smile and po - lite - ly pass i When this, my oor —=aza Gr Gm c7 F (four beats) hear: TELPT EP) BPS a tempo 146«| Bbmé Refrain (in warm movement) C769) 1 ——s A ~ pril breeze.poco a poco orese. Gm7 appassionato Start to > And birds on thebe-longs That's the song of songs, Faim to Cigus.4) C7 all be - longs delicato ‘Poco sostenutoFrom KISS ME, KATE Molto moderato > ts s+ nf Refrain (Stowly) Eb F/69) BIT eat you be - have? On, a 4 1.2. Why Pett Poare Pe Bb G7bs) c7b9) 7 Bb rk —™ Part cant you = have? - tt —S | ry Bhm7 ——_-E7(bs) Ab(bbsus.) Ab G7 G765) — Caug7.C7_—F7 Fm7 BI all the things you told me And the prom-is - es that you gave, Oh, ‘isa y, Copyright ©1918 by Cole Porter. Buxton Hill Musie Corporation, ‘ovner of publication and allied rights throughout the world 152B F769) Bb7 B roars Pera Poa Fr Pare F7(9) Bb7 Eb BY Bb G75) C769) 7 cant you be good Just as you > Prova Papt Bbm7 E7149) Ab(bbsus) Ab G7 G75) Caug7 C7 should?. Wonk you tum that new leaf o-ver, So your ba-by can be your “Noe kk oe cee ree i r — F7 Rm? BAF F769) BT 9 slave? Oh, why cant you be - have?. There's a Tee Platt ree wh ana Para TyreBb Bhaug7 Eb B7 BB Eb BhugZBb 4 —— my old home town. farm know near Where we two can go and : be ( =a. Pare Re Pare tape Tare G765) C769) F7 Bb Bhm7 _E47(b9) —_Ab(bbsus.) Ab try set-tlin’ down.. There I'l care for you for - ev-er, Well, at (2.)¥es, Id care for you for - ev-er, Cause your TT ae ee ie + F7(69) least till you dig my grave, Oh, why a you be~ all in ‘the world I crave, But why cant you be- vey,Wunderbar FroM KISS ME, KATE Tempo di Valse (tively) of the Jung - frau cha - let —saaee Let us drink, Lieb - chen . = In the — moon - light be - nign, > ten. right © 1948 by Cole Porter. Buxton Hill Musie Corporation, er of publintion and allied rights throughout the world 155G Wun - der - bar! > t FF it - lone and handwT, dear, for_—s-your__ kiss. And youre mine, dear!__ Wun - der = subito p ¢ rall.bar!_______ Theres our fav’ - rite star a - — bove roOen What ees i \________ Like our >= —T gy 1 Disus.g g Pee love, 159ee So in Love From KISS ME, KATE Refrain (in steady moderate tempo, not slowly) Fm c7 When I'm close__ PRR PGE but true, Tae LF [t aF a No Strange, dear, dear, — TFiF Et Pratwoys with \great warmth) ip Pt tei Pipk Eb Eb7(b9) Copyright © 1948 by Cole Porter. Buxton Hill Music Corporation, owner of publication and allied rights throughout the world 160Db G7 c o7(b9) Fm love with you ae 7 ‘My arms fold a-bout you, Tete like Breer eee | ter eee B Db Dbmé tre —— Abmaj7 Ab6 — Eb7 —Hb7eusabEb7 ling, why, Soin love_______ with you am = ~ a PR In love with the night mys - aaa |mf" pit espressivo 161Db By? Ab Db ‘Eb night when you first were there, In love with my joy aT leresc. pitt espr. Ab Abmaj7 Ab6 C7 Fm Fm? Fm6 G7 c c7(b9) lir - i- ous When I knew that you could care. PT t Qo Pm. = Fm c7 Fm and hurt me, De-ceive me, De - eerie triers F | rpeleee Capa Cape Paes | Bb Bb my Ebmé 7 F —— , |S passionately) == ‘poco allarg. Ba, 163Were Thine That ‘ Special Face rroM KISS ME, KATE Andantino con moto aoe c Dm7 G7 Am G (quasi recitativo and tenderly) in clas - sic style. = P dole I wrote it with my tongue in my cheek And my lips in a smile. aA Copyright © 1948 by Cole Porter. Buxton Hill Music Corporation, ‘owner of publication and allied rights throughout the world 164c Dm? G7 Am pr 6G)? But of late my po - em has a mean-ing so new, Pp Tt tf RF od we F c G7 c G Em Dm Dm6 E7sus.a E7 my sur-prise, it sud-den-ly ap-plies to my dar- ling, you. a oF molto rit. ‘poco sostenuto SEE Trt Refrain- Slow Fox-trot tempo Am 7 Am =: = E = ee too Were thine that spe - cial face, r = == — PRP Tw Flee elt F = = Am FP Pidim gE SS face which fills my dream - ing. = =+ + oe = i = CrP TT ELF ear ep = SS = 165BYsus.e B7 thine and slen- der, Were tre poco a poco i aeee WN ¥ Em Em7 Emé6 By E the arms ten - der, Were thine tie ———— dolee Were thine ~—the_-— love for Pr ieFE7sus.a ET. these charms ten. Then youll be ten, ted J "same ft RFt BH, sa >, 2 Preys Brgy, Prog Pra Since I reached the charm-ing age of pu - ber-ty | Gat - Tyg TIBI to fin - ger fem-i-nine curls, tor taf (CoP tur en Prrary Prvgiy Copyright ©1949 y Cole Porter Banton Ill Mase Corporati, 0 D owner of publication and allied rights throughout the world 170that’s typ - i-cal - ly al - ways had > Fi Molto meno (much broader) c Dbs c now that a mar - ried ware of my dear, de - part - = o qtRefrain (ively) F F 4.2.8.Where is the life that late led?. Where is it — = 7 ror | nf vagy prxprs Trp verte To-tal-ly dead. _________ Where is the fun > used to find?. Gone with theDm D7 Gm cr Fmij.7 life may all be 2, The = mar - riage game is quite all 3. I've oft been told. of nup - tial > > Gm F6 Boe Bdim c G7 ts i = ss SS SS == v But rais-ing an heir Could nev-er com-pare With rais-ing a bit of Yes, dur-ing the dsy Its ea-sy to play, But oh what a bore at But what do you do, a quar-ter to two, With on-ly a shrew to Se : | i 7 7R77 a = 71D 0 F or subito Pp pronounce: wined.re Gm7 ATsus.d a7 a 8rd time to Final Ending om = Where is the life that late 1.In dear Mi- 2.Where is Re- A —F iP F marcato A Patter (slowly, with overemphasized expression) dm» ten, Gm ao Ay 1a-no,—Where are you, Mo-mo,— Still sell-ing those pic-tures of the scriptures in the bec-ca,— my Bec- ii - wee-kio,— Could still she be cruising that a-mus~ ing Pon-te ten. ; Duo- mo? And Ca-ro - le- na, where are you, Le - na, — Still ped-dling your Vee - chio? Where is Fe - do-ra,_ the wild vi’- ra- go? Its lucky — ATsus.d AT + piz - za in the streets o” Ta - or - mi-na?_ And in Fi - ren-ze,_ where are missed her gang-ster sis -ter from Chi - .ca- go. Where is Ve - ne-tia)— who lovedto > . ——A.- lice, Still there in your pret-ty it - ty bit-ty Pit-ti Pal - ace?_ And sweet Lu - chat so,- Could still she be drink - in’ in her stink-in’ pink pa - laz - 20? _ And love-ly poco rit. G7 c tia, so. young and = gay - ~—e€e,____ What scan - da - lous Li - sa, where are you, Li - — sa? You gave a new ao Dm7 Gr Gm7 7 Back to Refrain do-ins in the ru-ins of Pom - pe-i mean-ing to the Lean-ing Tower of Pi Where is the 175Final Ending allargando ad lib. Bb Gm7 c life that q 4l Prestissimo F <<, S con fuocoAlways True to You ne in My Fa, on rrom KISS ME, KATE & Bright and in strict rhythm = > I know a boy, my fav-"rite gent, He gives me t EPOrr|s r ERTS? (= but not a cent, T couldnev-er love a lad more, eral ri ie c Am7 B7 Em Em7 7 F705) Yet, to be frank, Td be happier if he had more cash Fe Copyright © 1948 by Cole Porter. Buxton Hill Musie Corporation, owner of publication and allied rights throughout the world 7Baug. B7 = Em Gdim Dm? a7 c Dm? in the bank. Each time we try a cttrr ro-man-tie flights, He begs for my ex- clu- sive toe t= My re-ac-tion is to give in. But the ris- in’ cost of > Amé B7 Em Em? 9 A? Dm7 a7 liv- in’ fills my heart with fear, So I al-ways say_to him, Lis-ten, = ~ — > = = HY SSS wf = E = ia a i at == ¥ 178Refrain (graceful fox trot) c — —_ 1. If a cus - tom-tail-ored vet Asks me out for some-thing wet, '2.T've been) asked to have a meal. By a big ty-coon in _ steel,_ (3.There’s a) wealth-y Hin - du priest Whos a wolf, to say the — least, (“From 0) - hi - 0, Mis-ter Thorne_ Calls me up from night 'til morn, > i Ft Fm c Cdim — When the — vet be - gins to pet. 1 ery “Hoo - ray!” — If the meal in - cludes a ~~ deal,___— accept _— When the priest goes too far east,_._-s«tT_— al - 80 — Mis - ter Thorne once cor - nered corn—__—and_ that aint = ad ; o> G7 c Caug. But Im al-ways true to you, . = ———_ 179fash - ion, er, al - ways true to you,__ dar - lin, > > Dm7 I en - joy a ten-der I could nev - er curl my There's a lush from Port -land, From Mil - wau- kee, Mis - ter i Ft— boss of Bos - ton, Mass._ Though his pass is mid - dle class__ daz - zliw dia - mond clip__ Though the clip meant “let ’er rip” rich but sich a bore__ When the bore falls on the floor__ moves me to the Ritz, Mis - ter Fritz is full of — Schlit > > al - ways true to you, dar -- lin, in my fash - ion, > > ~j i ; ' —— o> 181Fm © D7 Fm G7 — eT al-ways true to you, dar - lin, in’ my way. > = man es oil - man - ter Har - ris, - ter Ga - ble, F6 Fm c Cmaj.7 6 7 “Mack” Who is plan - ning to at - tack, If. his “Tex” _ Who is keen to give me checks_ And = his erat, — Wants to give my cheek a pat, if the Clark,— Wants me on his boat — to park, If the 182F AT D7 G Gmaj.7_G7 mad at - tack. means a Cad - kay! cheeks, I fear, mean that sex is stay! Har - ris pat means a Par - is dé! “Oo-la-la'lepoken) Ga - ble boat means a sa - ble Aweigh! —_____ > orese. 1 tf © Caug. F6 Cdim C But Tm al -ways true to you," dar- fin, in my But Im al-ways true to You,— dar- lin, in my Mais Je suis tou-jours fi-dile,— dar - lin in my But Tin al- ways ‘true to you, dar-lin, in my ——~, ren Lid — Tm al - ways true to you, Tin al - ways true to You, ge suis tow = jours fi ~ dite, Tim al - ways “true ‘to you, 1% ———— 2. Tve been ~~ 3.There’s a = = 4 From 0- S ~~ S * Pronvunved Baybay tShouted 183\ From This Moment On ‘Ss FRoM OUT OF THIS WORLD \ Moderately slow of ——_—_—__ aS are close, more nights mo - rose, ‘mp cantabile Copyright © 1950 by Cole Porter. Buxton Hill Musie Corporation, 184 owner of publication and allied righta throughout the worldF CTsus.£ C7 that we're — side =. _—_. by £ 2 side, the fu - ture looks so if P dolce i-bied when we Fz mf accel.e crese. Refrain (lively, but not rushed) Fm = From this = mo - ment > Py, ee tee oI ~ 4 ~ ~ a) ~ w~ ma) ~Db Dbmé Ab Abdim 7 Caug7 c7 this > = 1 Fm C7 sus. c7 4 = a + 2 ===: From this hap py day, + tf. = = tS Ss fe + {yt =~ fet te aa mf — SFE = = Tepe Tepe Tape Tarefrom this > For you've so much,— > 187Got the -~— sweet. lips— = P subito Fm love to touch, — = me — tight, — > — kiss me good - night. C7sus.F c7 From this. = mo -- ment on, > > : >f a 7 aes ' 189Its All Right with Me FRoM CAN-CAN Steadily moving foxtrot > . = = Mae Refrain It's the __wron a [tt Pe time __ and the wrong place tho’ your charm = - ing, itS the wrong face, it i Fe co r Bhmé {his) face gl RRP i ae but "such a charm - ing face___ that it’s > > Copyright © 1953 by Cole Porter. Buxton Hill Musie Corporati 190 ownerof world-wide publication and allied rightswrong song i wrong style | 2 iF Pare Tare treo repre Cm Fm , its the wrong smile, her ‘i . it’ (pery smile _—_ but “such love y e that it’sair Bm Eb Cdim cart know how — hap - py = strange - ly at - tract - ed orbs) - one Im try - ingGTsus.c G7 for - get some - one wrong, game wrong chips, tho? iF Lif Pa Cm your —~ ~ ~ “I ~ ~ 4 ~ ~ 4 ~ Fm lips are tempt - ing, theyte the wrong lips, They're not tT tof —= t ~ “a ~ ml ~ ml] ~ ~ 4 ~ Fe Bb BT Bhms ce fhery lips, but they're such tempt - ing lips ‘ aF9 Fr Bie Bbrsus.eb Bb7 some night you're dear, its tr Abr Fo Fm7 194Mm Moderato I Love Paris FRoM CAN-CAN Tranquillo ¢ Ey - ’ry I look down > wo P tet Copyright ©1953 by Cole Porter, Buxton Hill Musie Corporation, ‘owner of world-wide publication and allied rights on this be her cheers, or whoth-er F6 time - less town, wheth-er ‘Whether soft be her tears, more and te 196Fm6 G7 oF @ G79) Le —_— SN er Refrain (slow fox-trot tempo) Cm I love - i i the spring - time. t oF P legato —~——~ mal ~ aH ~ Pare Foe Fewhen it —driz - ales. > 1 F Lt # To. Fe bor Fm G7 Cm in the sum-mer, when it. sizzles, iF rape Pape Ta Fa Sostenuto Gubilantly) 198G7 © Cdim G7 G7 ATsus.d AT we. Be-cause my love is near. >> Be-cause my love—___ @ tempo — Be-cause my love > ro —— |r Air oT] F 199We All of You FroM SILK STOCKINGS Fox trot tempo nf i BY (with bounce, but not too fast) Bb Af-ter watch-ing her ap - peal from ev -’ry 1 P Theres a i i deal Ive got to ¥ LP Copyright © 1954 by Cole Porter, Buxton Hill Music Corporation, 200 _ownerof publication and allied rights throughout the worldc - tain love - ly lass, Aud it's Fm Fm7 Bly Bhdim7 BT not a pass-ing fan - cy or a fan- cy pass. — —_ ae. 4 St Refrain (slowly, Ab Eb love the 201North and 202e - ven ‘the heart and soul a a rk - Ft small per - cent_ of = SF marcato ‘tp Bhaim BI7 ay 208SO SS True L0ve KKKe rrom HIGH SOCIETY Moderate Valse tempo mf Easy tempo Sun - tanned, moon - ers a-bove par. 7 ¢____ While tf Copyright © 1955 (unpub,) & 1956 by 204 Buxton Hill Musie ComorationRefrain (Rather slow) G c Gdim G to you and you "give t he 205noth - ing 206