Workbook: Memos & Dispatches On Writing
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About this ebook
Since selections first appeared in the New Quarterly and the National Post as part of “The Afterword,” Steven Heighton’s memos and dispatches to himself — a writer’s pointed, cutting take on his own work and the work of writing — have been tweeted and retweeted, discussed and tacked to bulletin boards everywhere. Coalesced, completed, and collected here for the first time, a wholly new kind of book has emerged, one that’s as much about creative process as it is about created product, at once about living life and the writing life.
“I stick to a form that bluntly admits its own limitation and partiality and makes a virtue of both things,” Heighton writes in his foreword, “a form that lodges no claim to encyclopedic completeness, balance, or conclusive truth. At times, this form (I’m going to call it the memo) is a hybrid of the epigram and the précis, or of the aphorism and the abstract, the maxim and the debater’s initial be-it-resolved. At other times it’s a meditation in the Aurelian sense, a dispatch-to-self that aspires to address other selves — readers — as well.”
It’s in these very aspirations, reaching both back into and forward in time — and, ultimately, outside of the pages of the book itself — that Heighton offers perhaps the freshest, most provocative picture of what it means to create the literature of the modern world.
Steven Heighton
STEVEN HEIGHTON (1961-2022)’s most recent books were the novel The Nightingale Won’t Let You Sleep (Hamish Hamilton, 2017), the Governor General’s Literary Award–winning poetry collection The Waking Comes Late (House of Anansi Press, 2016), and the memoir Reaching Mithymna (Biblioasis, 2020), which was a finalist for the Hilary Weston Writers’ Trust Prize for Nonfiction. He was also the author of the novel Afterlands, which was published in six countries, was a New York Times Book Review Editor’s Choice, and was a “best of year” selection from ten publications in Canada, the U.S., and the U.K. The novel was optioned for film by Pall Grimsson. His other poetry collections include The Ecstasy of Skeptics and The Address Book. His fiction and poetry have been translated into ten languages, have appeared in the London Review of Books, Tin House, Poetry, Brick, the Independent, the Literary Review, and The Walrus Magazine, among others; have been internationally anthologized in Best English Stories, Best American Poetry, The Minerva Book of Stories, and Best American Mystery Stories; and have won the Governor General’s Literary Award for Poetry, the Gerald Lampert Award, the K. M. Hunter Award, the P. K. Page Founders’ Award, the Petra Kenney Prize, the Air Canada Award, and four gold National Magazine Awards. In addition, Heighton was a finalist for the Governor General’s Literary Award, the Trillium Book Award, the Pushcart Prize, the Journey Prize, the Moth Prize, and Britain’s W. H. Smith Award. Heighton was also a fiction reviewer for the New York Times Book Review. He lived in Kingston, Ontario. In 2021, Wolfe Island Records released an album of his songs, The Devil’s Share. To listen, visit www.wolfeislandrecords.com/stevenheighton.
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