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The Second R. Austin Freeman Megapack: 19 More Classic Tales of Dr. Thorndyke and Others
The Second R. Austin Freeman Megapack: 19 More Classic Tales of Dr. Thorndyke and Others
The Second R. Austin Freeman Megapack: 19 More Classic Tales of Dr. Thorndyke and Others
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The Second R. Austin Freeman Megapack: 19 More Classic Tales of Dr. Thorndyke and Others

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The Second R. Austin Freeman Megapack collects 19 mystery tales featuring the forensic sleuth Dr. Thorndyke (and others) plus a bonus essay by the author. Included in this volume are:


INTRODUCTION: MEET DR. THORNDYKE, by R. Austin Freeman

THE BLUE SCARAB (1923)

THE NEW JERSEY SPHINX (1923)

THE TOUCHSTONE (1923)

A FISHER OF MEN (1923)

THE STOLEN INGOTS (1923)

THE FUNERAL PYRE (1923)

THE CAT’S EYE (1923)

THE MYSTERY OF ANGELINA FROOD (1924)

THE SHADOW OF THE WOLF (1925)

THE PUZZLE LOCK (1925)

THE GREEN CHECK JACKET (1925)

THE SEAL OF NEBUCHADNEZZAR (1925)

PHYLLIS ANNESLEY’S PERIL (1925)

A SOWER OF PESTILENCE (1925)

REX V. BURNABY (1925)

A MYSTERY OF THE SAND-HILLS (1925)

THE APPARITION OF BURLING COURT (1925)

THE MYSTERIOUS VISITOR (1925)

THE D'ARBLAY MYSTERY (1926)


If you enjoy this ebook, check out the other volumes in the series, covering not only mystery and detective fiction, but science fiction, fantasy, westerns, ghost stories, and classic authors. Search your favorite ebook store for "Wildside Press Megapack" to see the complete list.

LanguageEnglish
PublisherWildside Press
Release dateApr 10, 2014
ISBN9781479408566
The Second R. Austin Freeman Megapack: 19 More Classic Tales of Dr. Thorndyke and Others
Author

R. Austin Freeman

R. Austin Freeman (1862–1943) was a British author of detective stories. A pioneer of the inverted detective story, in which the reader knows from the start who committed the crime, Freeman is best known as the creator of the “medical jurispractitioner” Dr. John Thorndyke. First introduced in The Red Thumb Mark (1907), the brilliant forensic investigator went on to star in dozens of novels and short stories over the next decades. 

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    Contents

    COPYRIGHT INFO

    A NOTE FROM THE PUBLISHER

    THE MEGAPACK SERIES

    INTRODUCTION: MEET DR. THORNDYKE, by R. Austin Freeman

    THE BLUE SCARAB (1923)

    THE NEW JERSEY SPHINX (1923)

    THE TOUCHSTONE (1923)

    A FISHER OF MEN (1923)

    THE STOLEN INGOTS (1923)

    THE FUNERAL PYRE (1923)

    THE CAT’S EYE (1923) [Part 1]

    THE CAT’S EYE (1923) [Part 2]

    THE MYSTERY OF ANGELINA FROOD (1924) [Part 1]

    THE MYSTERY OF ANGELINA FROOD (1924) [Part 2]

    THE SHADOW OF THE WOLF (1925) [Part 1]

    THE SHADOW OF THE WOLF (1925) [Part 2]

    THE PUZZLE LOCK (1925)

    THE GREEN CHECK JACKET (1925)

    THE SEAL OF NEBUCHADNEZZAR (1925)

    PHYLLIS ANNESLEY’S PERIL (1925)

    A SOWER OF PESTILENCE (1925)

    REX V. BURNABY (1925)

    A MYSTERY OF THE SAND-HILLS (1925)

    THE APPARITION OF BURLING COURT (1925)

    THE MYSTERIOUS VISITOR (1925)

    THE D’ARBLAY MYSTERY (1926) [Part 1]

    THE D’ARBLAY MYSTERY (1926) [Part 2]

    COPYRIGHT INFO

    The Second R. Austin Freeman Megapack is copyright © 2014 by Wildside Press, LLC. All rights reserved.

    * * * *

    Version 1.3

    A NOTE FROM THE PUBLISHER

    If you’ve purchased this Megapack, I assume you have already acquired the first volume, so I hope no further introduction is necessary to Dr. Thorndyke and R. Austin Freeman! But if this is your first experience with Freeman’s work, I suggest you start with his opening essay (written in 1941) which is a good introduction to his character, Dr. Thorndyke.

    We had originally intended for this volume to contain all of Freeman’s late stories and novels, but due to the huge size, we are going to expand the series to a third and final volume—The Third R. Austin Freeman Megapack—which will contain the final set of R. Austin Freeman books.

    —John Betancourt

    Publisher, Wildside Press LLC

    www.wildsidepress.com

    ABOUT THE MEGAPACKS

    Over the last few years, our Megapack series of ebook anthologies has grown to be among our most popular endeavors. (Maybe it helps that we sometimes offer them as premiums to our mailing list!) One question we keep getting asked is, Who’s the editor?

    The Megapacks (except where specifically credited) are a group effort. Everyone at Wildside works on them. This includes John Betancourt (me), Carla Coupe, Steve Coupe, Bonner Menking, Colin Azariah-Kribbs, A.E. Warren, and many of Wildside’s authors…who often suggest stories to include (and not just their own!)

    A NOTE FOR KINDLE READERS

    The Kindle versions of our Megapacks employ active tables of contents for easy navigation…please look for one before writing reviews on Amazon that complain about the lack! (They are sometimes at the ends of ebooks, depending on your reader.)

    RECOMMEND A FAVORITE STORY?

    Do you know a great classic science fiction story, or have a favorite author whom you believe is perfect for the Megapack series? We’d love your suggestions! You can post them on our message board at http://movies.ning.com/forum (there is an area for Wildside Press comments).

    Note: we only consider stories that have already been professionally published. This is not a market for new works.

    TYPOS

    Unfortunately, as hard as we try, a few typos do slip through. We update our ebooks periodically, so make sure you have the current version (or download a fresh copy if it’s been sitting in your ebook reader for months.) It may have already been updated.

    If you spot a new typo, please let us know. We’ll fix it for everyone. You can email the publisher at [email protected] or use the message boards above.

    THE MEGAPACK SERIES

    MYSTERY

    The Achmed Abdullah Megapack

    The Charlie Chan Megapack*

    The Craig Kennedy Scientific Detective Megapack

    The Detective Megapack

    The Father Brown Megapack

    The Girl Detective Megapack

    The First R. Austin Freeman Megapack

    The Second R. Austin Freeman Megapack*

    The Jacques Futrelle Megapack

    The Anna Katharine Green Mystery Megapack

    The First Mystery Megapack

    The Second Mystery Megapack

    The Penny Parker Megapack

    The Philo Vance Megapack*

    The Pulp Fiction Megapack

    The Raffles Megapack

    The Sherlock Holmes Megapack

    The Victorian Mystery Megapack

    The Wilkie Collins Megapack

    GENERAL INTEREST

    The Adventure Megapack

    The Baseball Megapack

    The Cat Story Megapack

    The Second Cat Story Megapack

    The Third Cat Story Megapack

    The Third Cat Story Megapack

    The Christmas Megapack

    The Second Christmas Megapack

    The Classic American Short Stories Megapack, Vol. 1.

    The Classic Humor Megapack

    The Dog Story Megapack

    The Doll Story Megapack

    The Horse Story Megapack

    The Military Megapack

    The Sea-Story Megapack

    SCIENCE FICTION & FANTASY

    The Edward Bellamy Megapack

    The First Reginald Bretnor Megapack

    The Fredric Brown Megapack

    The Ray Cummings Megapack

    The Philip K. Dick Megapack

    The Dragon Megapack

    The Randall Garrett Megapack

    The Second Randall Garrett Megapack

    The Edmond Hamilton Megapack

    The C.J. Henderson Megapack

    The Murray Leinster Megapack

    The Second Murray Leinster Megapack

    The Martian Megapack

    The E. Nesbit Megapack

    The Andre Norton Megapack

    The H. Beam Piper Megapack

    The Pulp Fiction Megapack

    The Mack Reynolds Megapack

    The Darrell Schweitzer Megapack

    The Science-Fantasy Megapack

    The First Science Fiction Megapack

    The Second Science Fiction Megapack

    The Third Science Fiction Megapack

    The Fourth Science Fiction Megapack

    The Fifth Science Fiction Megapack

    The Sixth Science Fiction Megapack

    The Seventh Science Fiction Megapack

    The Eighth Science Fiction Megapack

    The Robert Sheckley Megapack

    The Steampunk Megapack

    The Time Travel Megapack

    The Wizard of Oz Megapack

    HORROR

    The Achmed Abdullah Megapack

    The Second Achmed Abdullah Megapack

    The E.F. Benson Megapack

    The Second E.F. Benson Megapack

    The Algernon Blackwood Megapack

    The Second Algernon Blackwood Megapack

    The Cthulhu Mythos Megapack

    The Erckmann-Chatrian Megapack

    The Ghost Story Megapack

    The Second Ghost Story Megapack

    The Third Ghost Story Megapack

    The Haunts & Horrors Megapack

    The Horror Megapack

    The Lon Williams Weird Western Megapack

    The M.R. James Megapack

    The Macabre Megapack

    The Second Macabre Megapack

    The Third Macabre Megapack

    The Arthur Machen Megapack**

    The Mummy Megapack

    The Occult Detective Megapack

    The Darrell Schweitzer Megapack

    The Vampire Megapack

    The Weird Fiction Megapack

    The Werewolf Megapack

    WESTERNS

    The B.M. Bower Megapack

    The Max Brand Megapack

    The Buffalo Bill Megapack

    The Cowboy Megapack

    The Zane Grey Megapack

    The Lon Williams Weird Western Megapack

    The Western Megapack

    The Second Western Megapack

    YOUNG ADULT

    The Boys’ Adventure Megapack

    The Dan Carter, Cub Scout Megapack

    The Dare Boys Megapack

    The Doll Story Megapack

    The G.A. Henty Megapack

    The Girl Detectives Megapack

    The E. Nesbit Megapack

    The Penny Parker Megapack

    The Pinocchio Megapack

    The Rover Boys Megapack

    The Tom Corbett, Space Cadet Megapack

    The Tom Swift Megapack

    The Wizard of Oz Megapack

    AUTHOR MEGAPACKS

    The Achmed Abdullah Megapack

    The H. Bedford-Jones Pulp Fiction Megapack

    The Edward Bellamy Megapack

    The B.M. Bower Megapack

    The E.F. Benson Megapack

    The Second E.F. Benson Megapack

    The Bjørnstjerne Bjørnson Megapack

    The Algernon Blackwood Megapack

    The Second Algernon Blackwood Megapack

    The Max Brand Megapack

    The First Reginald Bretnor Megapack

    The Fredric Brown Megapack

    The Second Fredric Brown Megapack

    The Wilkie Collins Megapack

    The Ray Cummings Megapack

    The Guy de Maupassant Megapack

    The Philip K. Dick Megapack

    The Erckmann-Chatrian Megapack

    The F. Scott Fitzgerald Megapack

    The First R. Austin Freeman Megapack

    The Second R. Austin Freeman Megapack*

    The Third R. Austin Freeman Megapack*

    The Jacques Futrelle Megapack

    The Randall Garrett Megapack

    The Second Randall Garrett Megapack

    The Anna Katharine Green Megapack

    The Zane Grey Megapack

    The Edmond Hamilton Megapack

    The Dashiell Hammett Megapack

    The C.J. Henderson Megapack

    The M.R. James Megapack

    The Selma Lagerlof Megapack

    The Murray Leinster Megapack***

    The Second Murray Leinster Megapack***

    The Jonas Lie Megapack

    The Arthur Machen Megapack**

    The George Barr McCutcheon Megapack

    The Talbot Mundy Megapack

    The E. Nesbit Megapack

    The Andre Norton Megapack

    The H. Beam Piper Megapack

    The Mack Reynolds Megapack

    The Rafael Sabatini Megapack

    The Saki Megapack

    The Darrell Schweitzer Megapack

    The Robert Sheckley Megapack

    The Bram Stoker Megapack

    The Lon Williams Weird Western Megapack

    The Virginia Woolf Megapack

    * Not available in the United States

    ** Not available in the European Union

    ***Out of print.

    OTHER COLLECTIONS YOU MAY ENJOY

    The Great Book of Wonder, by Lord Dunsany (it should have been called The Lord Dunsany Megapack)

    The Wildside Book of Fantasy

    The Wildside Book of Science Fiction

    Yondering: The First Borgo Press Book of Science Fiction Stories

    To the Stars—And Beyond! The Second Borgo Press Book of Science Fiction Stories

    Once Upon a Future: The Third Borgo Press Book of Science Fiction Stories

    Whodunit?—The First Borgo Press Book of Crime and Mystery Stories

    More Whodunits—The Second Borgo Press Book of Crime and Mystery Stories

    X is for Xmas: Christmas Mysteries

    INTRODUCTION: MEET DR. THORNDYKE, by R. Austin Freeman

    My subject is Dr. John Thorndyke, the hero or central character of most of my detective stories. So I’ll give you a short account of his real origin; of the way in which he did in fact come into existence.

    To discover the origin of John Thorndyke I have to reach back into the past for at least fifty years, to the time when I was a medical student preparing for my final examination. For reasons which I need not go into I gave rather special attention to the legal aspects of medicine and the medical aspects of law. And as I read my text-books, and especially the illustrative cases, I was profoundly impressed by their dramatic quality. Medical jurisprudence deals with the human body in its relation to all kinds of legal problems. Thus its subject matter includes all sorts of crime against the person and all sorts of violent death and bodily injury: hanging, drowning, poisons and their effects, problems of suicide and homicide, of personal identity and survivorship, and a host of other problems of the highest dramatic possibilities, though not always quite presentable for the purposes of fiction. And the reported cases which were given in illustration were often crime stories of the most thrilling interest. Cases of disputed identity such as the Tichbourne Case, famous poisoning cases such as the Rugeley Case and that of Madeline Smith, cases of mysterious disappearance or the detection of long-forgotten crimes such as that of Eugene Aram; all these, described and analysed with strict scientific accuracy, formed the matter of Medical Jurisprudence which thrilled me as I read and made an indelible impression.

    But it produced no immediate results. I had to pass my examinations and get my diploma, and then look out for the means of earning my living. So all this curious lore was put away for the time being in the pigeon-holes of my mind—which Dr. Freud would call the Unconscious—not forgotten, but ready to come to the surface when the need for it should arise. And there it reposed for some twenty years, until failing health compelled me to abandon medical practice and take to literature as a profession.

    It was then that my old studies recurred to my mind. A fellow doctor, Conan Doyle, had made a brilliant and well-deserved success by the creation of the immortal Sherlock Holmes. Considering that achievement, I asked myself whether it might not be possible to devise a detective story of a slightly different kind; one based on the science of Medical Jurisprudence, in which, by the sacrifice of a certain amount of dramatic effect, one could keep entirely within the facts of real life, with nothing fictitious excepting the persons and the events. I came to the conclusion that it was, and began to turn the idea over in my mind.

    But I think that the influence which finally determined the character of my detective stories, and incidentally the character of John Thorndyke, operated when I was working at the Westminster Ophthalmic Hospital. There I used to take the patients into the dark room, examine their eyes with the ophthalmoscope, estimate the errors of refraction, and construct an experimental pair of spectacles to correct those errors. When a perfect correction had been arrived at, the formula for it was embodied in a prescription which was sent to the optician who made the permanent spectacles.

    Now when I was writing those prescriptions it was borne in on me that in many cases, especially the more complex, the formula for the spectacles, and consequently the spectacles themselves, furnished an infallible record of personal identity. If, for instance, such a pair of spectacles should have been found in a railway carriage, and the maker of those spectacles could be found, there would be practically conclusive evidence that a particular person had travelled by that train. About that time I drafted out a story based on a pair of spectacles, which was published some years later under the title of The Mystery of 31 New Inn, and the construction of that story determined, as I have said, not only the general character of my future work but of the hero around whom the plots were to be woven. But that story remained for some years in cold storage. My first published detective novel was The Red Thumb-mark, and in that book we may consider that John Thorndyke was born. And in passing on to describe him I may as well explain how and why he came to be the kind of person that he is.

    I may begin by saying that he was not modelled after any real person. He was deliberately created to play a certain part, and the idea that was in my mind was that he should be such a person as would be likely and suitable to occupy such a position in real life. As he was to be a medico-legal expert, he had to be a doctor and a fully trained lawyer. On the physical side I endowed him with every kind of natural advantage. He is exceptionally tall, strong, and athletic because those qualities are useful in his vocation. For the same reason he has acute eyesight and hearing and considerable general manual skill, as every doctor ought to have. In appearance he is handsome and of an imposing presence, with a symmetrical face of the classical type and a Grecian nose. And here I may remark that his distinguished appearance is not merely a concession to my personal taste but is also a protest against the monsters of ugliness whom some detective writers have evolved.

    These are quite opposed to natural truth. In real life a first-class man of any kind usually tends to be a good-looking man.

    Mentally, Thorndyke is quite normal. He has no gifts of intuition or other supernormal mental qualities. He is just a highly intellectual man of great and varied knowledge with exceptionally acute reasoning powers and endowed with that invaluable asset, a scientific imagination (by a scientific imagination I mean that special faculty which marks the born investigator; the capacity to perceive the essential nature of a problem before the detailed evidence comes into sight). But he arrives at his conclusions by ordinary reasoning, which the reader can follow when he has been supplied with the facts; though the intricacy of the train of reasoning may at times call for an exposition at the end of the investigation.

    Thorndyke has no eccentricities or oddities which might detract from the dignity of an eminent professional man, unless one excepts an unnatural liking for Trichinopoly cheroots. In manner he is quiet, reserved and self-contained, and rather markedly secretive, but of a kindly nature, though not sentimental, and addicted to occasional touches of dry humour. That is how Thorndyke appears to me.

    As to his age. When he made his first bow to the reading public from the doorway of Number 4 King’s Bench Walk he was between thirty-five and forty. As that was thirty years ago, he should now be over sixty-five. But he isn’t. If I have to let him grow old along with me I need not saddle him with the infirmities of age, and I can (in his case) put the brake on the passing years. Probably he is not more than fifty after all!

    Now a few words as to how Thorndyke goes to work. His methods are rather different from those of the detectives of the Sherlock Holmes school. They are more technical and more specialized. He is an investigator of crime but he is not a detective. The technique of Scotland Yard would be neither suitable nor possible to him. He is a medico-legal expert, and his methods are those of medico-legal science. In the investigation of a crime there are two entirely different methods of approach. One consists in the careful and laborious examination of a vast mass of small and commonplace detail: inquiring into the movements of suspected and other persons; interrogating witnesses and checking their statements particularly as to times and places; tracing missing persons, and so forth—the aim being to accumulate a great body of circumstantial evidence which will ultimately disclose the solution of the problem. It is an admirable method, as the success of our police proves, and it is used with brilliant effect by at least one of our contemporary detective writers. But it is essentially a police method.

    The other method consists in the search for some fact of high evidential value which can be demonstrated by physical methods and which constitutes conclusive proof of some important point. This method also is used by the police in suitable cases. Finger-prints are examples of this kind of evidence, and another instance is furnished by the Gutteridge murder. Here the microscopical examination of a cartridge-case proved conclusively that the murder had been committed with a particular revolver; a fact which incriminated the owner of that revolver and led to his conviction.

    This is Thorndyke’s procedure. It consists in the interrogation of things rather than persons; of the ascertainment of physical facts which can be made visible to eyes other than his own. And the facts which he seeks tend to be those which are apparent only to the trained eye of the medical practitioner.

    I feel that I ought to say a few words about Thorndyke’s two satellites, Jervis and Polton. As to the former, he is just the traditional narrator proper to this type of story. Some of my readers have complained that Dr. Jervis is rather slow in the uptake. But that is precisely his function. He is the expert misunderstander. His job is to observe and record all the facts, and to fail completely to perceive their significance. Thereby he gives the reader all the necessary information, and he affords Thorndyke the opportunity to expound its bearing on the case.

    Polton is in a slightly different category. Although he is not drawn from any real person, he is associated in my mind with two actual individuals. One is a Mr. Pollard, who was the laboratory assistant in the hospital museum when I was a student, and who gave me many a valuable tip in matters of technique, and who, I hope, is still to the good. The other was a watch-and clock-maker of the name of Parsons—familiarly known as Uncle Parsons—who had premises in a basement near the Royal Exchange, and who was a man of boundless ingenuity and technical resource. Both of these I regard as collateral relatives, so to speak, of Nathaniel Polton. But his personality is not like either. His crinkly countenance is strictly his own copyright.

    To return to Thorndyke, his rather technical methods have, for the purposes of fiction, advantages and disadvantages. The advantage is that his facts are demonstrably true, and often they are intrinsically interesting. The disadvantage is that they are frequently not matters of common knowledge, so that the reader may fail to recognize them or grasp their significance until they are explained. But this is the case with all classes of fiction. There is no type of character or story that can be made sympathetic and acceptable to every kind of reader. The personal equation affects the reading as well as the writing of a story.

    —R. A. F.

    1941

    THE BLUE SCARAB (1923)

    Medico-legal practice is largely concerned with crimes against the person, the details of which are often sordid, gruesome and unpleasant. Hence the curious and romantic case of the Blue Scarab (though really outside our speciality) came as somewhat of a relief. But to me it is of interest principally as illustrating two of the remarkable gifts which made my friend, Thorndyke as an investigator: his uncanny power of picking out the one essential fact at a glance, and his capacity to produce, when required, inexhaustible stores of unexpected knowledge of the most out-of-the-way subjects.

    It was late in the afternoon when Mr. James Blowgrave arrived, by appointment, at our chambers, accompanied by his daughter, a rather strikingly pretty girl of about twenty-two; and when we had mutually introduced ourselves, the consultation began without preamble.

    I didn’t give any details in my letter to you, said Mr. Blowgrave. "I thought it better not to, for fear you might decline the case. It is really a matter of a robbery, but not quite an ordinary robbery. There are some unusual and rather mysterious features in the case. And as the police hold out very little hope, I have come to ask if you will give me your opinion on the case and perhaps look into it for me. But first I had better tell you how the affair happened.

    "The robbery occurred just a fortnight ago, about half-past nine o’clock in the evening. I was sitting in my study with my daughter, looking over some things that I had taken from a small deed-box, when a servant rushed in to tell us that one of the outbuildings was on fire. Now, my study opens by a French window on the garden at the back, and, as the outbuilding was in a meadow at the side of the garden, I went out that way, leaving the French window open; but before going I hastily put the things back in the deed-box and locked it.

    "The building—which I used partly as a lumber store and partly as a workshop—was well alight and the whole household was already on the spot, the boy working the pump and the two maids carrying the buckets and throwing water on the fire. My daughter and I joined the party and helped to carry the buckets and take out what goods we could reach from the burning building. But it was nearly half an hour before we got the fire completely extinguished, and then my daughter and I went to our rooms to wash and tidy ourselves up. We returned to the study together, and when I had shut the French window my daughter proposed that we should resume our interrupted occupation. Thereupon I took out of my pocket the key of the deed-box and turned to the cabinet on which the box always stood.

    "But there was no deed-box there.

    For a moment I thought I must have moved it, and cast my eyes round the room in search of it. But it was nowhere to be seen, and a moment’s reflection reminded me that I had left it in its usual place. The only possible conclusion was that during our absence at the fire, somebody must have come in by the window and taken it. And it looked as if that somebody had deliberately set fire to the outbuilding for the express purpose of luring us all out of the house.

    That is what the appearances suggest, Thorndyke agreed. Is the study window furnished with a blind, or curtains?

    Curtains, replied Mr. Blowgrave. But they were not drawn. Anyone in the garden could have seen into the room; and the garden is easily accessible to an active person who could climb over a low wall.

    So far, then, said Thorndyke, the robbery might be the work of a casual prowler who had got into the garden and watched you through the window, and assuming that the things you had taken from the box were of value, seized an easy opportunity to make off with them. Were the things of any considerable value?

    To a thief they were of no value at all. There were a number of share certificates, a lease, one or two agreements, some family photographs and a small box containing an old letter and a scarab. Nothing worth stealing, you see, for the certificates were made out in my name and were therefore unnegotiable.

    And the scarab?

    That may have been lapis lazuli, but more probably it was a blue glass imitation. In any case it was of no considerable value. It was about an inch and a half long. But before you come to any conclusion, I had better finish the story. The robbery was on Tuesday, the 7th of June. I gave information to the police, with a description of the missing property, but nothing happened until Wednesday, the 15th, when I received a registered parcel bearing, the Southampton postmark. On opening it I found, to my astonishment, the entire contents of the deed-box, with the exception of the scarab, and this rather mysterious communication.

    He took from his pocket and handed to Thorndyke an ordinary envelope addressed in typewritten characters, and sealed with a large, elliptical seal, the face of which was covered with minute hieroglyphics.

    This, said Thorndyke, I take to be an impression of the scarab; and an excellent impression it is.

    Yes, replied Mr. Blowgrave, I have no doubt that it is the scarab. It is about the same size.

    Thorndyke looked quickly at our client with an expression of surprise. But, he asked, don’t you recognise the hieroglyphics on it?

    Mr. Blowgrave smiled deprecatingly. The fact is, said he, I don’t know anything about hieroglyphics, but I should say, as far as I can judge, these look the same. What do you think, Nellie?

    Miss Blowgrave looked at the seal vaguely and replied, I am in the same position. Hieroglyphics are to me just funny things that don’t mean anything. But these look the same to me as those on our scarab, though I expect any other hieroglyphics would, for that matter.

    Thorndyke made no comment on this statement, but examined the seal attentively through his lens. Then he drew out the contents of the envelope, consisting of two letters, one typewritten and the other in a faded brown handwriting. The former he read through and then inspected the paper closely, holding it up to the light to observe the watermark.

    The paper appears to be of Belgian manufacture, he remarked, passing it to me. I confirmed this observation and then read the letter, which was headed Southampton and ran thus:

    DEAR OLD PAL,

    I am sending you back some trifles removed in error. The ancient document is enclosed with this, but the curio is at present in the custody of my respected uncle. Hope its temporary loss will not inconvenience you, and that I may be able to return it to you later. Meanwhile, believe me,

    Your ever affectionate,

    RUDOLPHO.

    Who is Rudolpho? I asked.

    The Lord knows, replied Mr. Blowgrave. A pseudonym of our absent friend, I presume. He seems to be a facetious sort of person.

    He does, agreed Thorndyke. This letter and the seal appear to be what the schoolboys would call a leg-pull. But still, this is all quite normal. He has returned you the worthless things and has kept the one thing that has any sort of negotiable value. Are you quite clear that the scarab is not more valuable than you have assumed?

    Well, said Mr. Blowgrave, I have had an expert’s opinion on it. I showed it to M. Fouquet, the Egyptologist, when he was over here from Brussels a few months ago, and his opinion was that it was a worthless imitation. Not only was it not a genuine scarab, but the inscription was a sham, too; just a collection of hieroglyphic characters jumbled together without sense or meaning.

    Then, said Thorndyke, taking another look at the seal through his lens, it would seem that Rudolpho, or Rudolpho’s uncle, has got a bad bargain. Which doesn’t throw much light on the affair.

    At this point Miss Blowgrave intervened. I think, father, said she, you have not given Dr. Thorndyke quite all the facts about the scarab. He ought to be told about its connection with Uncle Reuben.

    As the girl spoke Thorndyke looked at her with curious expression of suddenly awakened interest. Later I understood the meaning of that look, but at the time there seemed to me nothing particularly arresting in her words.

    It is just a family tradition, Mr. Blowgrave said deprecatingly. probably it is all nonsense.

    Well, let us have it, at any rate, said Thorndyke. We may get some light from it.

    Thus urged, Mr. Blowgrave hemmed a little shyly and began:

    "The story concerns my great-grandfather Silas Blowgrave, and his doings during the war with France. It seems that he commanded a privateer of which he and his brother Reuben were the joint owners, and that in the course of their last cruise they acquired a very remarkable and valuable collection of jewels. Goodness knows how they got them; not very honestly, I suspect, for they appear to have been a pair of precious rascals. Something has been said about the loot from a South American church or cathedral, but there is really nothing known about the affair. There are no documents. It is mere oral tradition and very vague and sketchy. The story goes that when they had sold off the ship, they came down to live at Shawstead in Hertfordshire, Silas occupying the manor house—in which I live at present—and Reuben a farm adjoining. The bulk of the loot they shared out at the end of the cruise, but the jewels were kept apart to be dealt with later—perhaps when the circumstances under which they had been acquired had been forgotten. However, both men were inveterate gamblers and it seems—according to the testimony of a servant of Reuben’s who overheard them—that on a certain night when they had been playing heavily, they decided to finish up by playing for the whole collection of jewels as a single stake. Silas, who had the jewels in his custody, was seen to go to the manor house and return to Reuben’s house carrying a small, iron chest.

    "Apparently they played late into the night, after everyone else but the servant had gone to bed, and the luck was with Reuben, though it seems probable that he gave luck some assistance. At any rate, when the play was finished and the chest handed over, Silas roundly accused him of cheating, and we may assume that a pretty serious quarrel took place. Exactly what happened is not clear, for when the quarrel began Reuben dismissed the servant, who retired to her bedroom in distant part of the house. But in the morning it was discovered that Reuben and the chest of jewels had both disappeared, and there were distinct traces of blood in the room in which the two men had been playing. Silas professed to know nothing about the disappearance; but a strong—and probably just—suspicion arose that he had murdered his brother and made away with the jewels. The result was that Silas also disappeared, and for a long time his whereabouts was not known even by his wife.

    Later it transpired that he had taken up his abode under an assumed name, in Egypt, and that he had developed an enthusiastic interest in the then new science of Egyptology—the Rosetta Stone had been deciphered only a few years previously. After a time he resumed communication with his wife, but never made any statement as to the mystery of his brother’s disappearance. A few months before his death he visited his home in disguise and he then handed to his wife a little sealed packet which was to be delivered to his only son, William, on his attaining the age of twenty-one. That packet contained the scarab and the letter which you have taken from the envelope.

    Am I to read it? asked Thorndyke.

    Certainly, if you think it worth while, was the reply. Thorndyke opened the yellow sheet of paper and, glancing through the brown and faded writing, read aloud:

    Cairo, 4 March, 1833.

    My Dear Son,

    I am sending you, as my last gift, a valuable scarab and a few words of counsel on which I would bid you meditate. Believe me, there is much wisdom in the lore of Old Egypt. Make it your own. Treasure the scarab as a precious inheritance. Handle it often but show it to none. Give your Uncle Reuben Christian burial. It is your duty, and you will have your reward. He robbed your father, but he shall make restitution.

    Farewell!

    Your affectionate father,

    Silas Blowgrave.

    As Thorndyke laid down the letter he looked inquiringly at our client.

    Well, he said, "here are some plain instructions. How have they been carried out?

    They haven’t been carried out at all, replied Mr. Blowgrave. As to his son William, my grandfather, he was not disposed to meddle in the matter. This seemed to be a frank admission that Silas killed his brother and concealed the body, and William didn’t choose to reopen the scandal. Besides, the instructions are not so very plain. It is all very well to say, ‘Give your Uncle Reuben Christian burial,’ but where the deuce is Uncle Reuben?

    It is plainly hinted, said Thorndyke, that whoever gives the body Christian burial will stand to benefit, and the word ‘restitution’ seems to suggest a clue to the whereabouts of the jewels. Has no one thought it worth while to find out where the body is deposited?

    But how could they? demanded Blowgrave. He doesn’t give the faintest clue. He talks as if his son knew where the body was. And then, you know, even supposing Silas did not take the jewels with him, there was the question, whose property were they? To begin with, they were pretty certainly stolen property, though no one knows where they came from. Then Reuben apparently got them from Silas by fraud, and Silas got them back by robbery and murder. If William had discovered them he would have had to give them up to Reuben’s sons, and yet they weren’t strictly Reuben’s property. No one had an undeniable claim to them, even if they could have found them.

    But that is not the case now, said Miss Blowgrave.

    No, said Mr. Blowgrave, in answer to Thorndyke’s look of inquiry. The position is quite clear now. Reuben’s grandson, my cousin Arthur, has died recently, and as he had no children, he has dispersed his property. The old farm-house and the bulk of his estate he has left to a nephew, but he made a small bequest to my daughter and named her as the residuary legatee. So that what ever rights Reuben had to the jewels are now vested in her, and on my death she will be Silas’s heir, too. As a matter of fact, Mr. Blowgrave continued, we were discussing this very question on the night of the robbery. I may as well tell you that my girl will be left pretty poorly off when I go, for there is a heavy mortgage on our property and mighty little capital. Uncle Reuben’s jewels would have made the old home secure for her if we could have laid our hands on them. However, I mustn’t take up your time with our domestic affairs.

    Your domestic affairs are not entirely irrelevant, said Thorndyke. But what is it that you want me to do in the matter?

    Well, said Blowgrave, my house has been robbed and my premises set fire to. The police can apparently do nothing. They say there is no clue at all unless the robbery was committed by somebody in the house, which is absurd, seeing that the servants were all engaged in putting out the fire. But I want the robber traced punished, and I want to get the scarab back. It may be intrinsically valueless, as M. Fouquet said, but Silas’s testamentary letter seems to indicate that it had some value. At any rate, it is an heirloom, and I am loath to lose it. It seems a presumptuous thing to ask you to investigate a trumpery robbery, but I should take it as a great kindness if you would look into the matter.

    Cases of robbery pure and simple, replied Thorndyke, are rather alien to my ordinary practice, but in this one there are certain curious features that seem to make an investigation worth while. Yes, Mr. Blowgrave, I will look into the case, and I have some hope that we may be able to lay our hands on the robber, in spite of the apparent absence of clues. I will ask you to leave both these letters for me to examine more minutely, and I shall probably want to make an inspection of the premises—perhaps tomorrow.

    Whenever you like, said Blowgrave. I am delighted that you are willing to undertake the inquiry. I have heard so much about you from my friend Stalker, of the Griffin Life Assurance Company, for whom you have acted on several occasions.

    Before you go, said Thorndyke, there is one point that we must clear up. Who is there besides yourselves that knows of the existence of the scarab and this letter and the history attaching to them?

    I really can’t say, replied Blowgrave. No one has seen them but my cousin Arthur. I once showed them to him, and he may have talked about them in the family. I didn’t treat the matter as a secret.

    When our visitors had gone we discussed the bearings of the case.

    It is quite a romantic story, said I, and the robbery has its points of interest, but I am rather inclined to agree with the police—there is mighty little to go on.

    There would have been less, said Thorndyke, if our sporting friend hadn’t been so pleased with himself. That typewritten letter was a piece of gratuitous impudence. Our gentleman overrated his security and crowed too loud.

    I don’t see that there is much to be gleaned from the letter, all the same, said I.

    I am sorry to hear you say that, Jervis, he exclaimed, because I was proposing to hand the letter over to you to examine and report on.

    I was only referring to the superficial appearances, I said hastily. No doubt a detailed examination will bring something more distinctive into view.

    I have no doubt it will, he said, and as there are reasons for pushing on the investigation as quickly as possible, I suggest that you get to work at once. I will occupy myself with the old letter and the envelope.

    On this I began my examination without delay, and as a preliminary I proceeded to take a facsimile photograph of the letter by putting it in a large printing frame with a sensitive plate and a plate of clear glass. The resulting negative showed not only the typewritten lettering, but also the watermark and wire lines of the paper, and a faint grease spot. Next I turned my attention to the lettering itself, and here I soon began to accumulate quite a number of identifiable peculiarities. The machine was apparently a Corona, fitted with the, small Elite type, and the alignment was markedly defective. The lower case—or small—a was well below the line, although the capital A appeared to be correctly placed; the u was slightly above the line, and the small m was partly clogged with dirt.

    Up to this point I had been careful to manipulate the letter with forceps (although it had been handled by at least three persons, to my knowledge), and I now proceeded to examine it for fingerprints. As I could detect none by mere inspection, I dusted the back of the paper with finely powdered fuchsin, and distributed the powder by tapping the paper lightly. This brought into view quite a number of fingerprints, especially round the edges of the letter, and though most of them were very faint and shadowy, it was possible to make out the ridge pattern well enough for our purpose. Having blown off the excess of powder, I took the letter to the room where the large copying camera was set up, to photograph it before developing the fingerprints on the front. But here I found our laboratory assistant, Polton, in possession, with the sealed envelope fixed to the copying easel. I shan’t be a minute, sir, said he. The doctor wants an enlarged photograph of this seal. I’ve got the plate in.

    I waited while he made his exposure and then proceeded to take the photograph of the letter, or rather of the fingerprints on the back of it. When I had developed the negative I powdered the front of the letter and brought out several more fingerprints—thumbs this time. They were a little difficult to see where they were imposed on the lettering, but, as the latter was bright blue and the fuchsin powder was red, this confusion disappeared in the photograph, in which the lettering was almost invisible while the fingerprints were more distinct than they had appeared to the eye. This completed my examination, and when I had verified the make of typewriter by reference to our album of specimens of typewriting, I left the negatives for Polton to dry and print and went down to the sitting-room to draw up my little report. I had just finished this and was speculating on what had become of Thorndyke, when I heard his quick step on the stair and a few moments later he entered with a roll of paper in his hand. This he unrolled on the table, fixing it open with one or two lead paper-weights, and I came round to inspect it, when I found it to be a sheet of the Ordnance map on the scale of twenty-five inches to the mile.

    Here is the Blowgraves’ place, said Thorndyke, nearly in the middle of the sheet. This is his house—Shawstead Manor—and that will probably be the out-building that was on fire. I take it that the house marked Dingle Farm is the one that Uncle Reuben occupied.

    Probably, I agreed. But I don’t see why you wanted this map if you are going down to the place itself tomorrow.

    The advantage of a map, said Thorndyke, is that you can see all over it at once and get the lie of the land well into your mind; and you can measure all distances accurately and quickly with a scale and a pair of dividers. When we go down tomorrow, we shall know our way about as well as Blowgrave himself.

    And what use will that be? I asked. "Where does the topography come into the case?

    Well, Jervis, he replied, "there is the robber, for instance; he came from somewhere and he went somewhere. A study of the map may give us a hint as to his movements. But here comes Polton ‘with the documents,’ as poor Miss Flite would say. What have you got for us, Polton?

    They aren’t quite dry, sir, said Polton, laying four large bromide prints on the table. There’s the enlargement of the seal—ten by eight, mounted—and three unmounted prints of Dr. Jervis’s.

    Thorndyke looked at my photographs critically. They’re excellent, Jervis, said he. The finger prints are perfectly legible, though faint. I only hope some of them are the right ones. That is my left thumb. I don’t see yours. The small one is presumably Miss Blowgrave’s. We must take her fingerprints tomorrow, and her father’s, too. Then we shall know if we have got any of the robber’s. He ran his eye over my report and nodded approvingly. There is plenty there to enable us to identify the typewriter if we can get hold of it, and the paper is very distinctive. What do you think of the seal? he added, laying the enlarged photograph before me.

    It is magnificent, I replied, with a grin. Perfectly monumental."

    What are you grinning at? he demanded.

    I was thinking that you seem to be counting your chickens in pretty good time, said I. You are making elaborate preparations to identify the scarab, but you are rather disregarding the classical advice of the prudent Mrs. Glasse.

    I have a presentiment that we shall get that scarab, said he. At any rate we ought to be in a position to 926 identify it instantly and certainly if we are able to get a sight of it.

    We are not likely to, said I. Still, there is no harm in providing for the improbable.

    This was evidently Thorndyke’s view, and he certainly made ample provision for this most improbable contingency; for, having furnished himself with a drawing-board and a sheet of tracing-paper, he pinned the latter over the photograph on the board and proceeded, with a fine pen and hectograph ink, to make a careful and minute tracing of the intricate and bewildering hieroglyphic inscription on the seal. When he had finished it he transferred it to a clay duplicator and took off half-a-dozen copies, one of which he handed to me. I looked at it dubiously and remarked: You have said that the medical jurist must make all knowledge his province. Has he got to be an Egyptologist, too?

    He will be the better medical jurist if he is, was the reply, of which I made a mental note for my future guidance. But meanwhile Thorndyke’s proceedings were, to me, perfectly incomprehensible. What was his object in making this minute tracing? The seal itself was sufficient for identification. I lingered, awhile hoping that some fresh development might throw a light on the mystery. But his next proceeding was like to have reduced me to stupefaction. I saw him go to the book-shelves and take down a book. As he laid it on the table I glanced at the title, and when I saw that it was Raper’s Navigation Tables I stole softly out into the lobby, put on my hat and went for a walk.

    When I returned the investigation was apparently concluded, for Thorndyke was seated in his easy chair, placidly reading The Compleat Angler. On the table lay a large circular protractor, a straight-edge, an architect’s scale and a sheet of tracing-paper on which was a tracing in hectograph ink of Shawstead Manor.

    Why did you make this tracing? I asked. Why not take the map itself?

    We don’t want the whole of it, he replied, and I dislike cutting up maps.

    By taking an informal lunch in the train, we arrived at Shawstead Manor by half-past two. Our approach up the drive had evidently been observed, for Blowgrave and his daughter were waiting at the porch to receive us. The former came forward with outstretched hand, but a distinctly woebegone expression, and exclaimed:

    It is most kind of you to come down; but alas! you are too late.

    Too late for what? demanded Thorndyke.

    I will show you, replied Blowgrave, and seizing my colleague by the arm, he strode off excitedly to a little wicket at the side of the house, and, passing through it, hurried along a narrow alley that skirted the garden wall and ended in a large meadow, at one end of which stood a dilapidated windmill. Across this meadow he bustled, dragging my colleague with him, until he reached a heap of freshly-turned earth, where he halted and pointed tragically to a spot where the turf had evi dently been raised and untidily replaced.

    There! he exclaimed, stooping to pull up the loose turfs and thereby exposing what was evidently a large hole, recently and hastily filled in. That was done last night or early this morning, for I walked over this meadow only yesterday evening and there was no sign of disturbed ground then.

    Thorndyke stood looking down at the hole with a faint smile. And what do you infer from that? he asked.

    Infer! shrieked Blowgrave. Why, I infer that whoever dug this hole was searching for Uncle Reuben and the lost jewels!

    I am inclined to agree with you, Thorndyke said calmly. He happened to search in the wrong place, but that is his affair.

    The wrong place! Blowgrave and his daughter exclaimed in unison. How do you know it is the wrong place?

    Because, replied Thorndyke, I believe I know the right place, and this is not it. But we can put the matter to the test, and we had better do so. Can you get a couple of men with picks and shovels? Or shall we handle the tools ourselves?

    I think that would be better, said Blowgrave, who was quivering with excitement. We don’t want to take anyone into our confidence if we can help it.

    No, Thorndyke agreed. Then I suggest that you fetch the tools while I locate the spot.

    Blowgrave assented eagerly and went off at a brisk trot, while the young lady remained with us and watched Thorndyke with intense curiosity.

    I mustn’t interrupt you with questions, said she but I can’t imagine how you found out where Uncle Reuben was buried.

    We will go into that later, he replied; but first we have got to find Uncle Reuben. He laid his research case down on the ground, and opening it, took out three sheets of paper, each bearing a duplicate of his tracing of the map; and on each was marked a spot on this meadow from which a number of lines radiated like the spokes of a wheel.

    You see, Jervis, he said, exhibiting them to me the advantage of a map. I have been able to rule off these sets of bearings regardless of obstructions, such as those young trees, which have arisen since Silas’s day, and mark the spot in its correct place. If the recent obstructions prevent us from taking the bearings, we can still find the spot by measurements with the land-chain or tape.

    Why have you got three plans? I asked.

    Because there are three imaginable places. No. 1 is the most likely; No. 2 less likely, but possible; No. 3 is impossible. That is the one that our friend tried last night. No. 1 is among those young trees, and we will now see if we can pick up the bearings in spite of them.

    We moved on to the clump of young trees, where Thorndyke took from the research-case a tall, folding camera-tripod and a large prisma compass with an aluminium dial. With the latter he one or two trial bearings and then, setting up the tripod, fixed the compass on it. For some minutes Miss Blowgrave and I watched him as he shifted the tripod from spot to spot, peering through the sight-vane of the compass and glancing occasionally at the map. At length he turned to us and said: We are in luck. None of these trees interferes with our bearings. He took from the research-case a surveyor’s arrow, and sticking it in the ground under the tripod, added: That is the spot. But we may have to dig a good way round it, for a compass is only a rough instrument.

    At this moment Mr. Blowgrave staggered up, breathing hard, and flung down on the ground three picks, two shovels and a spade. I won’t hinder you, doctor, by asking for explanations, said he, but I am utterly mystified. You must tell us what it all means when we have finished our work.

    This Thorndyke promised to do, but meanwhile he took off his coat, and rolling up his shirt sleeves, seized the spade and began cutting out a large square of turf. As the soil was uncovered, Blowgrave and I attacked it with picks and Miss Blowgrave shovelled away the loose earth.

    Do you know how far down we have to go? I asked.

    The body lies six feet below the surface, Thorndyke replied; and as he spoke he laid down his spade, and taking a telescope from the research-case, swept it round the margin of the meadow and finally pointed it at a farm house some six hundred yards distant, of which he made a somewhat prolonged inspection, after which he took the remaining pick and fell to work on the opposite corner of the exposed square of earth.

    For nearly half-an-hour we worked on steadily, gradually eating our way downwards, plying pick and shovel alternately, while Miss Blowgrave cleared the loose earth away from the edges of the deepening pit. Then a halt was called and we came to the surface, wiping our faces.

    I think, Nellie, said Blowgrave, divesting himself of his waistcoat, a jug of lemonade and four tumblers would be useful, unless our visitors would prefer beer.

    We both gave our votes for lemonade, and Miss Nellie tripped away towards the house, while Thorndyke, taking up his telescope, once more inspected the farm house.

    You seem greatly interested in that house, I remarked.

    I am, he replied, handing me the telescope Just take a look at the window in the right-hand gable, but keep under the tree.

    I pointed the telescope at the gable and there observed an open window at which a man was seated. He held a binocular glass to his eyes and the instrument appeared to be directed at us.

    We are being spied on, I fancy, said I, passing the telescope to Blowgrave, but I suppose it doesn’t matter. This is your land, isn’t it?

    Yes, replied Blowgrave, but still, we didn’t want any spectators. That is Harold Bowker, he added steadying the telescope against a tree, my cousin Arthur’s nephew, whom I told you about as having inherited the farm-house. He seems mighty interested in us; but small things interest one in the country.

    Here the appearance of Miss Nellie, advancing across the meadow with an inviting-looking basket, diverted our attention from our inquisitive watcher. Six thirsty eyes were riveted on that basket until it drew near and presently disgorged a great glass jug and four tumblers, when we each took off a long and delicious draught and then jumped down into the pit to resume our labours.

    Another half-hour passed. We had excavated in some places to nearly the full depth and were just discussing the advisability of another short rest when Blowgrave, who was working in one corner, uttered a loud cry and stood up suddenly, holding something in his fingers. A glance at the object showed it to be a bone, brown and earth-stained, but evidently a bone. Evidently, too, a human bone, as Thorndyke decided when Blowgrave handed it to him triumphantly.

    We have been very fortunate, said he, to get so near at the first trial. This is from the right great toe, so we may assume that the skeleton lies just outside this pit, but we had better excavate carefully in your corner and see exactly how the bones lie. This he proceeded to do himself, probing cautiously with the spade and clearing the earth away from the corner. Very soon the remaining bones of the right foot came into view and then the ends of the two leg-bones and a portion of the left foot.

    We can see now, said he, how the skeleton lies, and all we have to do is to extend the excavation in that direction. But there is only room for one to work down here. I think you and Mr. Blowgrave had better dig down from the surface.

    On this, I climbed out of the pit, followed reluctantly by Blowgrave, who still held the little brown bone in his hand and was in a state of wild excitement and exultation that somewhat scandalised his daughter.

    It seems rather ghoulish, she remarked, to be gloating over poor Uncle Reuben’s body in this way.

    I know, said Blowgrave, it isn’t reverent. But I didn’t kill Uncle Reuben, you know, whereas—well it was a long time ago. With this rather inconsequent conclusion he took a draught of lemonade, seized his pick and fell to work with a will. I, too, indulged in a draught and passed a full tumbler down to Thorndyke. But before resuming my labours I picked up the telescope and once more inspected the farm-house. The window was still open, but the watcher had apparently become bored with the not very thrilling spectacle. At any rate he had disappeared.

    From this time onward every few minutes brought some discovery. First, a pair of deeply rusted steel shoe buckles; then one or two buttons, and presently a fine gold watch with a fob-chain and a bunch of seals, looking uncannily new and fresh and seeming more fraught with tragedy than even the bones themselves In his cautious digging, Thorndyke was careful not to disturb the skeleton; and looking down into the narrow trench that was growing from the corner of the pit, I could see both legs, with only the right foot missing, projecting from the miniature cliff. Meanwhile our of the trench was deepening rapidly, so that Thorndyke presently warned us to stop digging and bade us come down and shovel away the earth as he disengaged it.

    At length the whole skeleton, excepting the head, was uncovered, though it lay undisturbed as it might have lain in its coffin. And now, as Thorndyke picked away the earth around the head, we could see that the skull was propped forward as if it rested on a high pillow. A little more careful probing with the pick-point served to explain this appearance. For as the earth fell away and disclosed the grinning skull, there came into view the edge and ironbound corners of a small chest.

    It was an impressive spectacle; weird, solemn and rather dreadful. There for over a century the ill-fated gambler had lain, his mouldering head pillowed on the booty of unrecorded villainy, booty that had been won by fraud, retrieved by violence, and hidden at last by the final winner with the witness of his crime.

    Here is a fine text for a moralist who would preach on the vanity of riches, said Thorndyke.

    We all stood silent for a while, gazing, not without awe, at the stark figure that lay guarding the ill-gotten treasure. Miss Blowgrave—who had been helped down when we descended—crept closer to her father and murmured that it was rather awful, while Blowgrave himself displayed a queer mixture of exultation and shuddering distaste.

    Suddenly the silence was broken by a voice from above, and we all looked up with a start. A youngish man was standing on the brink of the pit, looking down on us with very evident disapproval.

    It seems that I have come just in the nick of time, observed the newcomer. I shall have to take pos session of that chest, you know, and of the remains, too, I suppose. That is my ancestor, Reuben Blowgrave.

    Well, Harold, said Blowgrave, you can have Uncle Reuben if you want him. But the chest belongs to Nellie.

    Here Mr. Harold Bowker—I recognised him now as the watcher from the window—dropped down into the pit and advanced with something of a swagger.

    I am Reuben’s heir, said he, through my Uncle Arthur, and I take possession of this property and the remains.

    Pardon me, Harold, said Blowgrave, but Nellie is Arthur’s residuary legatee, and this is the residue of the estate.

    Rubbish! exclaimed Bowker. By the way, how did you find out where he was buried?

    Oh, that was quite simple, replied Thorndyke with unexpected geniality. I’ll show you the plan. He climbed up to the surface and returned in a few moments with the three tracings and his letter-case. This is how we located the spot." He handed the plan numbered 3 to Bowker, who took it from him and stood looking at it

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