sprinting on quicksand
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spinting on quicksand
Book of poetry covering biographical material, poems reflecting on art, social justice and the environment.
"This is an epic journey. From rural Australia, to the volcanoes of Mexico, to following Basho's footsteps in Japan, Buswell leads us gently and firmly, never shying away from sharing life's hard and painf
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Book preview
sprinting on quicksand - Jacqueline Buswell
horses in the blood
to ride out in the morning
to gallop, forward in the saddle
it’s all hold tight and exhilaration on the sandhills
to canter, so comfortable, harmonic
a steady stride across the plain
this could go forever
to trot, a simple rise and sit, feet firm on the stirrups
hell for horse and rider if you get this wrong
to walk at midday under the trees
brushing aside branches, bending under others
till we reach the river coolness
to smell the horse, the stable
hear her neighs and grunts and whinnyings
to put your hand under her mouth,
your chest against her head,
she nudges you gently in response
mother and youngest daughter would train the foals
breaking in the horse, it was called
but they worked with love
weeks of walking circles
then the bit, bridle, tightening the girth
why does the horse accept?
to smell the leather and care for it
in soap-saddle meditation
to brush down the horse, comb the mane and tail
bless the star on her forehead
then watch her roll and twist in the sand
shaking us off
girls at work
we are the rouseabouts
it’s our job to bring the sheep
to and from yards and paddocks
carry scones and billies of tea
keep out of the way, be there when needed
the shearing shed smells of lanolin
the sweat of men
and a substance unknown to me
that is dabbed on if sheep get cut
and one is always cut
for the men want to get the job done
they compete to see which man
is fastest on the blade
before each sheep
shorn of its magnificent woollen self
is thrown unceremoniously down a chute
bleating its nakedness
and always in May
the very start of winter
it is our fun to jump on the wool
in the monkey press
pushing down with all our tiny weight
to compress the fleece
young legs soaking up the lanolin
we play serious when we brush
black tar paint over the stencil
to mark wool bales Property of the Owner
for now the product smells of money
then, unhurried, we sweep the silent shed
pastoral
He was not so much a rough diamond
as plain rough cut
the photo of his long-deceased wife
shows a face to prove it
A boy jockey on country race tracks
he lived to 90 or thereabouts.
Father of a large tribe of children
in the early 20th century
he ploughed and harvested, sold sheep and wool
participated in local politics
the children went to school, became
literate, good at horse-riding, swimming
and cricket − yes even the girls.
Their childhood involved the killing of snakes
the slaughter of rabbits in times of plague
oddities like the birth of a six-legged piglet
a baby died of intestinal obstruction
a three-year-old with a fractured leg
spent months away in a city hospital
and came home not yet walking.
Two girls went on to study nursing
one becoming a formidable matron
three daughters had children out of wedlock
one son died in the first world war
another in the second – he’s buried in Burma
In all these stories one character is silent
her name appears on a dozen birth certificates,
her signature on the receipt of belongings
returned from the western Front.
She died at 53, she was the wife and mother.
lamb to mutton
when I was young I was small
but I