Pretty Tripwire
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About this ebook
Alessandra Lynch
Alessandra Lynch is the author of four other poetry collections: Sails the Wind Left Behind (winner of the Alice James New England/NewYork Award), It was a terrible cloud at twilight (winner of the Lena Miles Wever-Todd Prize), Daylily Called It a Dangerous Moment (winner of the Balcones Prize, finalist for the LA Times Book Award and the UNT Rilke Prize, listed as a NY Times top ten poetry books of 2017), and Pretty Tripwire. Her work has appeared in the American Poetry Review, The New England Review, The Kenyon Review, Ploughshares, and other journals. Alessandra has received residencies from MacDowell, Yaddo, the Lannan Foundation, the Virginia Center for the Creative Arts, and the Vermont Studio Center. She has also been the recipient of a Barbara Deming Award and a Creative Renewal Fellowship Award from the Arts Council of Indianapolis. In May 2021, she was a featured blogger for Poetry Foundation’s Harriet Books. Currently, Alessandra serves as Butler University’s poet in residence where she teaches in the undergraduate and MFA programs. Alessandra’s fifth book of poetry, Wish Ave, will be published by Alice James Books in 2024.
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Book preview
Pretty Tripwire - Alessandra Lynch
Supplication
This time, empty, unnourished, unnourishable, you will enter the arctic
room of the skull,
its two large windows, asbestos walls, its sea
of icy shards cascading,
this time enter
though the fish carcass with its stunned mouth
is riding the hard heavy waves
as if alive.
Small indispensable mouth of fate.
This time enter with the slow care you learned
from stroking a dog’s bony head, his immolated eyes
taking you in,
this time
with awareness that damage has been done to your mind, has been
done to you—
and this sea is a shattering, unlike glass, more like Flower shattering,
so quiet the remnants, the ruin, you yourself couldn’t hear, didn’t know
exactly anything, the transaction, the event, a dreamy underfog.
This time kneel
in the currents, curling waves of cold petals, the familiar edges
serrated, stranger-ed, more cutting
than you remember.
The pieces might never have been whole, taken shape, never been yours.
This time let the petals fatten on your tongue,
ease down your throat—
let them form a new organ,
something like the extra heart you needed
to love yourself someone said so long ago it has become a dream.
Guarded
"Little birds little urgencies darkly clerical
carry your notes to the child
practicing her quiet in a forest
far from the unfinished house
assigned her
fly through that bluish
disassembling air
past bewildered ivy chimes snagged
in their hanging-strings
confusion of voices and peals the sun wilting
from its own heat
sing another
arrangement"
Thinning
The girl was born with one
watchful eye
that could keep the village safe.
It was her sole purpose.
The eye witnessed a mother
sliding under
ice, her children
three small stumps
frozen on the river’s edge,
the father slumped in shadows,
a rope around his neck.
What good was all that seeing
when she had no way
to tell it? Look at her eye now—
bitter, furious flower
infested by bees & flies.
Look at it
looking away.
For the fast I purchased three quarts
of juice. I’d be thin as a ruse.
A week of nothing
but Orange/Apple/Prune.
My system would be
clean. O gleaming discipline.
The scanter I became,
the greedier I got
for less.
Allotment: one square
of light & a half-crust & grapeskin
for vitamins
Is that enough to leave a trail, to get back?
sufficient to keep me
walking to the room
where the scale waited
I could live on a bead—
shiny or dull—
and not collapse
Let the empty swings sway
Let streetlights dim
Let the wind and mousy-haired rain and even the sun eat away at me
That large rectangular restaurant window,
steam in the glass, wide tables,
grandmother & grandfather
from distant mesas and buttes sitting with me
eating as though we’d just seen a ballet.
It was cold enough to be Christmas.
The spruce & scarlet globes hanging
& everything shimmering. My grandmother looking
directly at me. She’s thin. My grandfather glancing up.
Strewn between us: handfuls of shatter & tinsel & tin
& meat & things I would never eat—
It was there they gutted earth
to lay two black tracks that couldn’t touch.
There, the train. There, my seat by the window
where I sat on a real square of light—
tissue-sized. I felt my bones clear
as an X-ray, their starry knobs, the hard
weft and slope. With the first jolt
of the car, they thrummed.
Half my weight dropped, loose
flesh lost, I was getting close to the marrow,
claiming my landscape—
the spectacular hill-bone of my wrist rising
as I turned in my ticket, my knee bulging
larger than my thigh.
The train lurched, its one yellow eye
fixed north where my mother waited
and would, for the first time, see me as I was.
Not eating was a sign