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The Perfect Fit In Men's Tailoring: Adjust your patterns easily
The Perfect Fit In Men's Tailoring: Adjust your patterns easily
The Perfect Fit In Men's Tailoring: Adjust your patterns easily
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The Perfect Fit In Men's Tailoring: Adjust your patterns easily

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Recognise and professionally correct fit errors
Not every piece that suits halfway fits perfectly. Folds and wrinkles often appear in unwanted areas, or the wearer notices an uncomfortable feeling of tension because the garment is too tight somewhere.

Body shapes are individual. Skillfully fitted garments do not restrict but envelop the body in the best possible way. This book guides you from taking the correct measurements and incorporating individual proportions to garments that fit like a second skin. Anyone who also develops an eye for the respective posture will optimise the fit.

Sven Jungclaus explains the causes of poor fit based on specific manufacturing defects and offers the optimal solution to the most common problems. Use the step-by-step instructions to develop a trained view of individual postures and let the professional tips guide you through to the finished garment.

Have fun realising your perfectly fitting piece!!
LanguageEnglish
PublisherBooks on Demand
Release dateDec 9, 2022
ISBN9783756867905
The Perfect Fit In Men's Tailoring: Adjust your patterns easily
Author

Sven Jungclaus

Sven Jungclaus hat seine Ausbildung zum Damen- und Herrenmaßschneider in den 90er Jahren bei Heinz-Josef Radermacher in Düsseldorf absolviert. Bereits damals hat er für Musicalproduktionen wie "Grease" und "Forever Plaid" in Düsseldorf oder "Die Schöne und das Biest" und "Tanz der Vampire" in Stuttgart gearbeitet. Nach acht Jahren an der Bayerischen Staatsoper in München als Herrenschneider und Herrengewandmeister hat er sein Fachwissen an der Royal Shakespeare Company in Stratford upon Avon, der Deutschen Oper am Rhein in Düsseldorf und den Salzburger Festspielen weiter vertieft. Seit März 2013 fertigt er in seiner Gewandmanufaktur in Salzburg maßgeschneiderte Kleidung für Damen und Herren. Zusätzlich arbeitet der vielseitige Maßschneider immer wieder für die Kostümwerkstatt "Das Gewand" in Düsseldorf und wird für Opern oder Musical-Produktionen angefragt - z. B. für die Metropolitan Opera in New York, die Nationalsje Opera in Bergen, das Theater Basel, das Musical Chicago in Stuttgart und Berlin, Het Muziektheater in Amsterdam, die Salzburger Festspiele oder das Theater of Nations in Moskau. ------------------------------------------- Sven Jungclaus has completed his training as a bespoke lady's and men's tailor in the 1990s with Heinz-Josef Radermacher in Dusseldorf. Already at that time, he worked for musical productions like "Grease" and "Forever Plaid" in Dusseldorf as well as "The Beauty and the Beast" and "The Fearless Vampire Killers" in Stuttgart. After eight years at the Bavarian State Opera in Munich as a master tailor and head of men's costume, he has deepened his expertise at the Royal Shakespeare Company in Stratford upon Avon, the Deutsche Oper am Rhein in Dusseldorf and the Salzburg Festival. Since 2013, he has been producing bespoke clothing for men and women in his tailor shop Gewandmanufaktur in Salzburg. In addition, the versatile tailor works again and again for the costume workshop Das Gewand in Dusseldorf and is requested for operas or musical productions e.g., the Metropolitan Opera in New York, the Nasjonale Opera in Bergen, the Theater Basel, the Musical Chicago in Stuttgart and Berlin, Het Muziektheater in Amsterdam, the Salzburg Festival or the Theater of Nations in Moscow.

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    Book preview

    The Perfect Fit In Men's Tailoring - Sven Jungclaus

    Contents

    Preface

    Taking measurements

    Taken measurements in a pattern

    Body shape and posture

    Perfect fit and how to do a fitting

    The pants

    Pelvis tilted forward

    Pelvis tilted backward

    Raising the waistline at the side seam

    Lowering the waistline at the side seam

    Pelvis tilted sideways

    Hip is stronger on one side

    Knock-knees

    Bowlegs

    Extending the waistband

    Reducing the waistband

    Strong hip curve

    Flat hip curve

    Flat seat

    Strong seat

    Extending the crotch

    Reducing the crotch

    Room at the back of the pants

    Lowering the rise

    Lifting the rise

    Considering the package

    Pleat opens up

    Too tight at the calf

    Extending the thigh girth

    Reducing the thigh girth

    Extending the hem girth

    Reducing the hem girth

    Tailoring the pants

    Pressing pants properly

    The vest

    Stooped posture

    Rounded back

    S-shape posture

    Erect posture

    The vest

    Vest is too tight

    Vest is too loose

    Lower front edge sticks out (pronounced belly)

    Front edges overlap too much at the top

    Front edges overlap too much at the bottom

    Front is too short

    Strong chest

    Front opening sticks out

    Armhole sticks out

    Neckline is too close to the neck

    Neckline is too far from the neck

    Front pushes into the armhole

    Armhole is cut out too far

    Square shoulders

    Sloping shoulders

    Shoulders are too wide

    Shoulders are too narrow

    Armhole is too high

    Armhole is too low

    Back is too long

    Back is too short

    Tailoring the vest

    Pressing a vest properly

    The jacket

    Sleeve before tailoring

    Position of the shoulder pads

    Stooped posture

    Rounded back

    S-shape posture

    Erect posture

    Jacket is too tight

    Jacket is too loose

    Seat is too tight

    Seat is too loose

    Rounded shoulders

    Square shoulders

    Sloping shoulders

    One-sided sloping shoulder

    The jacket

    Shoulders are too narrow

    Shoulders are too wide

    Back is too long

    Fold at the neck

    Strong shoulder blades

    Back fold does not roll up

    Back width is too narrow

    Back width is too wide

    Make the jacket slimmer at the waist

    Flat chest

    Strong chest

    Front part pushes toward the armhole

    Armhole is cut too wide toward the front

    Wrong width of scye

    The jacket sleeve

    Wrong sleeve pitch

    Sleeve is too long at the back

    Sleeve head is too flat

    Sleeve head is too high

    Imperfectly fitting sleeve

    Tension at the back

    Width at the undersleeve

    Sleeve hem is too tight

    Sleeve hem is too wide

    Armhole is too high

    Armhole is too low

    Strong upper arm

    Neckline and collar of a jacket

    Neckline is too narrow

    Neckline is too wide

    Collar is too low

    Collar is too short

    Tailoring the jacket

    Pressing a jacket properly

    Tips for tailoring

    Appendix

    Index

    Abbreviations

    Pattern alteration template

    Measurement sheet and style details

    Other books from the author

    Biography

    What is meant by the perfect fit?

    The fit refers to the optimal way clothes suits the body. This may sound obvious, but it presents many challenges. Because in addition to different body dimensions, each person has their posture and individual body proportions.

    Therefore, a ready-to-wear size sometimes has very little to do with an ideal fit. Classic ready-to-wear sizes are guidelines for the garments' length and width – they serve as a guide. After all, just because a garment is neither too tight nor too wide does not mean that it fits well.

    Finding the cause of poor fit

    This book examines the causes of poor fit and offers optimal solutions to the most common problems concerning the fit. Personal stylistic preferences are irrelevant in this context. Whether one tends towards the modern slim-fit shape or the classic wider cut, the garment should always fit with as few wrinkles as possible.

    Identifying problems right from the start

    Another challenge is the multitude of possibilities to achieve a perfect fit. It is rarely achieved with a single adjustment. Often the solution to a problem consists of a combination of several steps of modification. For the sake of convenience, the most common fitting errors are described individually on the following pages. Do not be afraid to combine specific improvements separately to achieve an even better result.

    In most cases, it is advisable to work in the client's posture and proportions as early as the pattern-making stage. That spares tailors or sewists and customers from long and tedious fittings.

    Achieving success with patience and perseverance

    The more time you spend on the fit, the more you sharpen your eye for emerging problems. And the more causes you have discovered and eliminated, the easier it will be the next time. Have courage; practice makes perfect!

    Good luck on your way to an ideal fit.

    Taking measurements

    Taking measurements

    Measurement sheet

    You will find a sheet in the appendix on page →.

    Neck (NE)

    When measuring the neck, care must be taken that the tape measure is not set too high. The circumference is measured at the base of the neck (on the skin), directly above the collarbone. It helps to keep two fingers between the tape measure and neck not to measure too narrow.

    Chest (CHE)

    When measuring the chest, the tape measure will be placed around the strongest chest point, then passed under the arms and slightly higher at the back.

    Waistline (WAI)

    The waistline is measured exactly around the waist, at the narrowest point just above the hipbone. Here a waist measuring tape is fixed.

    Waistband (WB)

    The waistband is measured at the height of the desired position.

    HIP

    The hip width, or seat, is measured horizontally around the strongest point of the buttocks.

    Shoulder width (SH)

    The shoulder width is measured from the neckline to the shoulder bone.

    Chest width (CW)

    The chest width is measured across the strongest breast point from the left to the right arm.

    Upper arm (UPA)

    For muscular biceps, this measure is necessary. It is measured around the strongest point of the upper arm.

    Sleeve length (SL)

    Measure the sleeve length from the shoulder bone over a slightly bent elbow to about 2 cm above the first thumb joint.

    Nape to breast (NTB)

    The nape to breast/chest is measured from the 7th cervical vertebra over the shoulder toward the

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