About this ebook
Days after his father's passing, Yusuf discovers a dusty mixtape that changes everything he knew about a man who barely spoke. Turns out, his dad spent the '90s rapping about pretty girls and Kilburn life, plotting dreams of superstardom with his best friend Omar. How did this passionate wordsmith become a silent statue?
Yusuf's mourning becomes a journey into the past, soundtracked by Omar's thumping beats and his father's bars, as he begins to uncover secrets that turn his world upside-down.
Witty, honest and deeply moving, Azan Ahmed's play Statues is a lyrical love letter to the original code-switchers, exploring the impact of loss, and what you can gain from it. It premiered at the Bush Theatre, London, in 2024, with a cast featuring the playwright himself.
Azan Ahmed
Azan Ahmed is an award-winning actor, poet and playwright. His plays include Statues (Bush Theatre, London, 2024) and Daytime Deewane (Half Moon and tour). Daytime Deewane won the 2023 Offie Award for Best Writing.
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Book preview
Statues - Azan Ahmed
Azan Ahmed
STATUES
NICK HERN BOOKS
London
www.nickhernbooks.co.uk
Contents
Original Production Details
Acknowledgements
Dedication
Epigraph
Characters
Notes
Statues
About the Author
Copyright and Performing Rights Information
Statues premiered at the Bush Theatre, London, on 9 October 2024, produced by Two Magpies Productions. The cast was as follows:
Acknowledgements
Thank you to Lynette Linton, Daniel Bailey, Katie Greenall, Gurnesha Bola, Ellie Horne, Ben Quashie, Becky Lyle, Nuu Theatre and Barbican Centre for believing in this play from the very beginning. To Esme Allman for your vision, brilliance and unwavering support. To maatin (Two Magpies Productions) for your dedication, kindness and holding us all together. To Mr Khan, for your insight, honesty and fighting the good fight.
To the incredible company: Eve Allin, Adam Jeffreys, Cara Evans, Rachel Sampley, Holly Khan and Lois Sime. And to everyone at Bush Theatre and Nick Hern Books for all their support.
To Maryam Shaharuddin and Hamza Ali, it is truly a pleasure to watch your artistry blossom.
To my fellow actor Jonny Khan, whose generosity of spirit lit up the rehearsal room.
To Luke Reilly and Christina Shepherd, for their belief and guidance.
To Raja Roy Chowdhury, for telling me to keep writing.
To Bex Smith, for being a pillar of warmth.
To everyone who held me in the immediacy of my grief and those who continue to do so.
Above all else, the praise and thanks are ultimately to Allah, whom I owe every single thing to and whom I pray accepts this play and its intentions.
A.A.
For my mama, Afshan Ahmed,
the best teacher I’ll ever know.
For my baba, Oneil Ahmed,
the greatest storyteller I’ll ever know.
For my brothers, Zahran and Faizan Ahmed,
who redefine joy each time they smile.
Allah, you gave us a language
where yesterday & tomorrow
are the same word. Kal.
A spell cast with the entire
mouth. Back of the throat
to teeth. Tomorrow means I might
have her forever. Yesterday means
I say goodbye, again.
Kal means they are the same.
Fatimah Asghar, ‘Kal’
Characters
PRESENT DAY
YUSUF, Muslim. Twenty-six. Third-generation British Pakistani. English teacher. Mustafa’s son
KHALIL, Muslim. Seventeen. Second-generation British Pakistani. Year 13 A-level student
DOLLY AUNTY, Muslim. Seventy-seven. First-generation British Pakistani. Yusuf’s great-aunt
PAUL, white English. Headteacher at Yusuf and Khalil’s school
1996
MUSTAFA, Muslim. Nineteen. Second-generation British Pakistani. Aspiring rapper. Omar’s best friend
OMAR, Muslim. Nineteen. Second generation British Pakistani. Aspiring DJ. Mustafa’s best friend
Notes
This play can be performed by two actors, with the following doubling:
Actor A: Yusuf/Mustafa/Paul/Dolly Aunty
Actor B: Omar/Khalil
indicates when Yusuf is speaking to another character
– indicates a hesitation
/ indicates overlapping interruption
[ ] indicates lines thought and not spoken
This ebook was created before the end of rehearsals and so may differ slightly from the play as performed.
Scene One
We are in the living room of a council flat in South Kilburn. Specifically, this is number 50 Wordsworth House on the South Kilburn Estate. There is a Persian rug and the living room is littered with moving boxes, stack of unopened post. In the centre lies an unopened suitcase. The boxes are not empty, but not full. During the first scene, YUSUF should clear up some of the clutter. Maybe there are three moving boxes.