Timeline AE Literature
Timeline AE Literature
Native American Literature Characteristics of Indian Literature: Communicated orally Myths, legends, chants Focus on nature Creation stories Ritualistic (healing, initiation, planting /harvesting, purification, hunting) Examples: How the World Was Made (Cheyenne) The Coming of Corn (Mikasuki) Night Chant Age of Faith (1607-1750) + Age of Reason ( 1750-1800) = Enlightenment (1607-1800) Romanticism (1800-1855) I. Historical Context: Puritans and Pilgrims Separated from Anglican church of England Religion dominates lives and writings Work ethic: belief in hard work and simple living II. Genre/Style: Sermons, diaries, personal narratives, slave narratives Instructive Plain style III. Major writers: Bradstreet, Taylor, Edwards, Smith I. Historical context: American Revolution Growth of patriotism Development of American character/democracy Use of reason as opposed to faith alone II. Genre/Style: Political pamphlets, essays, travel writing, speeches, documents Instructive Highly ornate writing style III. Major writers: Adams, Franklin, Jefferson, Paine I. Historical context: Expansion of book publishing, magazines, newspapers Industrial revolution Abolitionist movement II. Genre/Style: Short stories, novels, poetry Imagination over reason Intuition over facts Focus on the fantastic of human experience Focus on inner feelings Gothic literature III. Major writers: Irving, Hawthorne, Poe, Melville
Transcendentalism (1840-1855) Genre/Style: Stresses individualism, intuition, nature, self-reliance Major writers: Ralph Waldo Emerson (Nature, Self-Reliance) Henry David Thoreau (Walden, Civil Disobedience) Whitman, Dickinson, Longfellow, Bryant, Holmes, Lowell, Dunbar, Robinson
Realism (1865-1915) I. Historical context: Civil War brings demand for truer type of literature that doesnt idealize people or places People in society defined by class; materialism, ideas of Darwin and Marx II. Genre/Style: Realism, naturalism, novels, short stories, aims to change social problem, themes: survival, fate, violence, nature as an indifferent force III. Major writers: Beecher Stowe, Douglas, Twain, Crane, London
Modernism (1915-1945) I. Historical context: Overwhelming technological changes World War I: first war of mass destruction Grief over loss of past; fear of eroding traditions Rise of youth culture II. Genre/Style: Dominant mood: alienation/disconnection, writing experimental: use of stream of consciousness, interior dialogue, unique styles III. Major writers: Steinbeck, Hemingway, Fitzgerald, Faulkner
Contemporary (1945-present) I. Historical context: Media-saturated culture Post WWII prosperity Beginning of new century and millennium Social protest II. Genre/Style: reality blurred, mix of fantasy and non-fiction, no heroes/ anti-heroes, individual in isolation, detached, unemotional, humorless Emergence of ethnic and women writers III. Major writers: Kerouac, Ginsberg, Salinger, Ellison, Angelou,