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Chord Wheel

The document discusses the chord wheel or circle of fifths/fourths, which is a learning aid that shows the relationships between chords in all keys. It displays major chords written in Arabic numerals or Roman numerals, and relative minor chords in lowercase Roman numerals. Using the key of D major as an example, the tonic or I chord is D, the subdominant or IV chord is G, and the dominant or V chord is A. This creates the common chord progression of I-IV-V. The universal key concept allows applying this progression to any key by shifting the tonic up or down by one note.

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MG039
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443 views

Chord Wheel

The document discusses the chord wheel or circle of fifths/fourths, which is a learning aid that shows the relationships between chords in all keys. It displays major chords written in Arabic numerals or Roman numerals, and relative minor chords in lowercase Roman numerals. Using the key of D major as an example, the tonic or I chord is D, the subdominant or IV chord is G, and the dominant or V chord is A. This creates the common chord progression of I-IV-V. The universal key concept allows applying this progression to any key by shifting the tonic up or down by one note.

Uploaded by

MG039
Copyright
© © All Rights Reserved
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Download as PDF, TXT or read online on Scribd
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THE CHORD WHEEL or CIRCLE OF FIFTHS (clockwise) and FOURTHS (counterclockwise)

with chord spellings, relative minors and the Universal Key


Chord wheel and circle of fourths and fifths: This a learning aid every fiddler should have in their fiddle case or notebook (see also Diatonic chord
progressions, 19). In addition to using the alphabet chord names, in the Universal Key, major chords are also commonly written using Arabic
numbers or Roman numeral capitals, with minor chords in lower-case Roman numerals or indicated with a minus sign. These three chords, I, IV and
V, and their relative minors, ii, iii, and vi, make up the diatonic family of chords in any key. In this example, using D major as the tonic, home, 1 or
I chord, look to the immediate left on the wheel (which moves in fourths counterclockwise) and find the subdominant, G, 4 or IV chord. Look to the
immediate right (moving in fifths or clockwise) and find the dominant, A, 5 or V chord. This is the major chord progression I-IV- V or 1-4-5. Each
major chord also has a relative minor that shares the same scale notes as the major scale, beginning on the relative minor note, so Bm minor has the
same two-sharp key signature as D major, Em shares one sharp with G, and F#m shares three sharps with A major.
Use the Universal Key as a template. Move the home or tonic (I) a step to the left. Now G is I, C becomes IV, D is V. Move to the right and A becomes
I, D the IV and E the new V. Minors move the same way. Its universal because its a template. See Universal Key (22) for sample chord charts of
diatonic major, minor and modal progressions (20).
DIATONIC CHORD FAMILY:

3-b: Chord Wheel

I IV V and

C MAJOR
[ CEG]

F MAJOR
[FAC]

IV
G MAJOR
[GBD]

no sharps or
flats

one flat Bb
Bb MAJOR
[BbDF]
flats Bb Eb

DIATONIC
CHORD
FAMILIES

Eb MAJOR
[EbGBb]
flats Bb Eb Ab
C minor
[CEbG]

1 2Universal key: I ii
D major = I : D Em
also written Ealso written

iii for V
vi for I

D MAJOR
[DFA]

sharps (F C)
B minor
[BDF]

vi

(circle progressions)

Ab MAJOR
[AbCEb]
flats Bb Eb Ab Db
F minor
FAbC

E minor
[EGB]
ii

G minor
[GBbD]

ii for IV

sharpF

A minor
[ACE]

D minor
[DFA]

minor chord substitutions:

iii

34 5 6- 7
iii
IV V vi vii dim.
F#m G A Bm C#
F#B-

A MAJOR
[ACE]
sharps F C G
F minor
[FAC)

E MAJOR
[EGB]
sharps F C G D

C minor
Db MAJOR
B MAJOR
[CEG]
[DbFAb]
[BDF]
flats

sharps
F C
Gb & F MAJOR
Bb Eb Ab Db Gb GbBbDb flats
G D A
or FAC
Bb minor
G minor
sharps
[BbDbF]
[GBD]
Eb minor [EbGb
Bb] or D minor
[DFA]

18

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