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FMP Call Sheet 2

This production call sheet provides details for a stop motion animation film shoot taking place on December 5th, 2015. It lists the director and camera operator Harry Burbidge and his grandparent Lis Austin, who will assist as needed. The shoot will take place inside the grandparents' house and garden from 10:00-14:00. It outlines 127 shots needing to be filmed in the kitchen involving puppet characters like a dog, penguin, and snake interacting with props. Special care and techniques like applying blu tac, string, and chroma keying will be needed to realistically manipulate the puppets in each shot.

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0% found this document useful (0 votes)
232 views

FMP Call Sheet 2

This production call sheet provides details for a stop motion animation film shoot taking place on December 5th, 2015. It lists the director and camera operator Harry Burbidge and his grandparent Lis Austin, who will assist as needed. The shoot will take place inside the grandparents' house and garden from 10:00-14:00. It outlines 127 shots needing to be filmed in the kitchen involving puppet characters like a dog, penguin, and snake interacting with props. Special care and techniques like applying blu tac, string, and chroma keying will be needed to realistically manipulate the puppets in each shot.

Uploaded by

api-270166735
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as DOC, PDF, TXT or read online on Scribd
You are on page 1/ 6

Production Call Sheet

Page 1
Production FMP Stop Motion
Title

Call Sheet For


Date

12 /05/15

Production Team Details


Name

Role (s)

Harry Burbidge

Director and
Camera man
Camera man and
animal trainer at
times.

Lis Austin (grand parent)

Contact Number

Base
Address

Phone
Number
Locati
on
Addres
s

Would not like to


credit, due to
wishing to apply
confidential
safety to my
grandparents.

Weather Report My filming is taking


(Ext.) place inside.
Map
Attached?

Yes

No Y

Access Info The location belongs to

my grandparents. The
house is set in a
residential area.
However, I am only
filming inside my
grandparents house
and around their
garden. I am not
filming around anyone
elses house. Thus I
only require permission
from my grandparents,

However, the
outside weather
was very sunny,
meaning bright
light intensity
could enhance the
bright colour tone
of the setting.

who have kindly


allowed me permission.
Transport I can be picked up by
Details one of my
grandparents, who
conveniently are able
to drive.
Otherwise though, I can
walk to the house from
College, which takes
approximately 45
minutes.
Phone
Number
Purpos To film the kitchen battle scene
e of and ending.
Shoot

Meet Time at
Base:
Meet Time at
Location
Planned Shoot
Time
Planned Break
Times

10:00

Projected Wrap
Time
Back to Base Time

09:00

10:30
11:00
Morning

Lunch
02:00

09:30

Production Call Sheet


Page 2
Location

Kitchen

Start
Time

End Time

Shot / Scene
Number

72

Special Requirements / Notes

Afternoon

73

Will need to position each character so the wide


shot can capture all of the characters.

74

Will need to use Blu Tac and delicately place the


rolling pin prop around Blue, to give the impression
of him holding it, without either the dog, or prop
falling over.
Will need to bend one of the protruding pipe
cleaners from the dogs paw, so the kitchen utensil
item can be held onto the side of the dogs paw.

75:

I will need to apply blue tac, so the pipe cleaner


sticks to the kitchen utensil prop and then coat the
some dark blue plastecine over the blue tac as the
colour matches the colour of the prop.
Will need to apply a steady hand to lift the dogs
paw up, while at the same time ensuring no
features of my hand show on screen.
76

77

Will need to apply Blu Tac to the penguin, so its


position on the zebra stays consistent.

78
79

Will need to make sure the background shot taken,


allows for enough room to Chroma key the green
image
of the
snakeBlue
moving.
Will need
to apply
tac to the LEGO minifigures

80

legs and for each frame to use a pipe cleaner to get


rid of bits of blu tac sticking out from under the

81
82

83

84
85

86
87

Will need to place the rolling pin prop in a diagonal


position, with the side facing upward forcing its
weight down toward Blues paw which is more
forward than the other.
This assures the rolling pin does not fall over.
Additionally, Blu Tac can be applied to the bottom
end of the rolling pin on the floor, so it does not
slip.
Will need to delicately hold up the snakes head and
ensure no hand/finger features of mine are caught
on screen.
Will need to have a wide enough shot, so there is
enough space to Chroma key the flying plane in the
shot.
Will need to allow enough empty space in the shot
to be able to Chroma key the snakes movements,
via green screen.

88

Will need to ensure there is enough space for


Chroma keying the snake scene, via green screen.

89

The shot must allow enough space to be able to


Chroma key the green screen images of the snake.

90

Must apply Blu Tac behind the LEGO minifigures and


carefully bend it backwards, to give the illusion of
the lego figures falling backwards.

91
92
93
94

Must allow for enough space to Chroma key the


green screen image of the snake.

104

Must sequentially move the legs backwards each


time and move the toy mouse and string backward
too.

107
113
114
115

Must carefully zoom, while moving the dog at the


same time too.

116
117
118
119

Must carefully apply blu tac to sections of the snake


body bent, in order to retain a position of the
snakes coils. Must also apply Blu tac from the
underside of the snakes head to the coil.

120
121
122
123

124

125
126
127

Carefully move the snakes head up without


exposing hand/finger features on screen. Also apply
blu tac to the end of the tongue connected to the
snakes head, so the toung stays in a more
suspended position.
Carefully move the snakes head up and down and
ensure the tongue stays in a straight position as the
snakes head is pulled down, to create the illusion of
the snakes tongue licking down on Blues head.
Will need to use thin string to create the Illusion of
the dogs head moving up.
Will need to apply a small amount of blue tac and
stick it from the toy dogs tail to the rear end. This
way the tail is positioned in a certain way, without
the Blue tac appearing. However, if it does, its tone

of white can reasonably blend in okay with the dogs


white fur colour.

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