Pro fe s s i o n a l

Te c h n i c a l G u i d e

En
Table of Contents
Using the Menus ........................................................... 4

Autofocus
Focusing with Autofocus ............................................. 7
Behind the Goal ........................................................11
Tracking erratically moving subjects that are frequently
obscured by other objects
Pitcher or Runner? ....................................................12
Switching instantly between subjects at different dis-
tances from the camera
The Inside Track.........................................................13
Tracking subjects that are obscured by objects passing
in front of the camera
At the Finish Line ......................................................14
Quick shutter response
Poor Lighting or Bad Weather ...............................15
Poorly lit or low-contrast scenes

Exposure
Auto ISO Sensitivity Control ...................................... 16
A Daytime Stadium Match ......................................17
Switching between sunlight and shade
Active D-Lighting (ADL) ............................................. 19
A Daytime Stadium Match Revisited ....................19
High-contrast lighting
Easy Exposure Compensation ................................... 21

2
Image Quality
FX and DX Formats .....................................................22
Vignette Control.........................................................27

Lens Options
Vibration Reduction (VR) ...........................................28
Options for Long Lenses ............................................30

Camera Settings
Sharing Settings .........................................................31

3
Using the Menus
Use the G button, J button, and multi selector to navigate
the menus.
G button

J button Multi selector

1: Move Center: Select
cursor up highlighted item
4: Cancel and 2: Select high-
return to previous lighted item or
menu display sub-menu
3: Move
cursor down

1 Display the menus.

Press the G button to display the menus.

2 Highlight the icon for the current menu.

Press 4 to highlight the
icon for the current menu.

4
3 Select a menu.
Press 1 or 3 to select the desired menu.

4 Position the cursor in the selected menu.

Press 2 to position the
cursor in the selected
menu.

5 Highlight a menu item.

Press 1 or 3 to highlight a
menu item.

6 Display options.
Press 2 to display options
for the highlighted menu
item.

5
Using the Menus

7 Highlight an option.
Press 1 or 3 to highlight
an option.

8 Select the highlighted item.

Press J to select the high-
lighted item (some items
can also be selected by
pressing 2). To exit with-
out making a selection,
press the G button.

6
Autofocus: Focusing with Autofocus
The a Autofocus group in the first level of the Custom
Settings menu contains a variety of advanced autofocus
options. This chapter details options that can be used to
frame moving subjects at sporting events: a1 (AF-C priority
selection), a3 (Dynamic AF area), and a4 (Focus tracking
with lock-on). These options are best used with the focus
mode selector rotated to C (continuous-servo AF) and the
AF-area mode selector rotated to I (dynamic-area AF).

1 Select continuous-servo AF.

Rotate the focus-mode
selector to C. The camera
will continually adjust
focus while the shutter-
release button is pressed
halfway.

2 Select dynamic-area AF.

Rotate the AF-area mode
selector to I (dynamic-
area AF). If the subject
briefly leaves the se-
lected focus point, the
camera will focus based
on information from sur-
rounding focus points.

7
Autofocus

3 Choose an option for Custom Setting a1.

Choose whether the camera gives
priority to focus or to shutter re-
sponse in focus mode C.

4 Choose an option for Custom Setting a3.

Choose the number of focus
points used for dynamic-area AF.
Select 9 points or 21 points for
track-and-field events or for sub-
jects that move unpredictably.

8
 Focusing with Autofocus

5 Choose an option for Custom Setting a4.

Choose how quickly the camera
responds when an object moves
between the subject and the
camera.

9
Autofocus

Focus Tracking with Lock-On

Focus tracking with lock-on controls how the camera re-
sponds to abrupt changes in focus distance. It can be used
to prevent the camera from immediately refocusing when
objects move through the space between the subject
and the camera, ensuring that the camera will continue to
track the main subject once the obstacle has moved away.
Choose the length of time before the camera refocuses
from Long, Normal, and Short.

Camera will wait before

refocusing on objects
behind the subject
Camera will track and
focus on objects the
same distance from the
camera as the subject
Camera will wait before
refocusing on objects
behind the subject

10
 Focusing with Autofocus

Example 1
Behind the Goal

Photographers positioned behind the goal at a soccer match

are faced with subjects that move unpredictably and that
may be intermittently obscured by objects coming between
the subject and the camera during framing.

Choose the following focus options:

AF-C priority selection: Dynamic AF area: Focus tracking with

Release 9 points or 21 points lock-on: Normal

11
Autofocus

Example 2
Pitcher or Runner?

Choose lower lock-on times for improved focus response

when you may have to switch quickly between subjects at
different distances from the camera.

AF-C priority selection: Dynamic AF area: Focus tracking with

Release 9 points or 21 points lock-on: Short or Off
(note that Off reduces
effectiveness of dy-
namic-area AF)

12
 Focusing with Autofocus

Example 3
The Inside Track

Choose longer lock-on times when photographing a runner

on the inside track or in other situations in which your subject
may be blocked for relatively long periods.
Your subject

AF-C priority selection: Dynamic AF area: Focus tracking with

Release 9 points or 21 points lock-on: Long

13
Autofocus

Example 4
At the Finish Line

Selecting Release for Custom Setting a1 ensures a quick

shutter response and faster frame advance rates.

AF-C priority selection: Dynamic AF area: Focus tracking with

Release 9 points or 21 points lock-on: Normal

14
 Focusing with Autofocus

Example 5
Poor Lighting or Bad Weather

Select Release + Focus for quick shutter response while slow-

ing frame advance rates in continuous release mode for im-
proved focus with scenes that are poorly lit or low contrast.

AF-C priority selection: Dynamic AF area: Focus tracking with

Release + Focus 9 points or 21 points lock-on: Normal
Note: If Focus is selected for Custom Setting a1, the shutter can
only be released when the camera is in focus.

15
 Exposure: Auto ISO Sensitivity Control
If On is selected for ISO sensitivity >
ISO sensitivity auto control in the
shooting menu, the camera automat-
ically adjusts ISO sensitivity if optimal
exposure can not be achieved at the
minimum shutter speed selected by
the user. An example of how to use
this feature appears on the pages that
follow.

Notes
Auto ISO sensitivity control is available in modes e, f , and
g . Matrix metering is recommended. Note that camera
firmware version A 1.10/B 1.11 or later is required for mini-
mum shutter speeds faster than 1/250 s.

16
 Example 6
A Daytime Stadium Match

Auto ISO sensitivity control is ideal for scenes with large varia-
tions in brightness.
Sunlight

Shade

17
Exposure Auto ISO Sensitivity Control

Choose the following ISO sensitivity settings:

ISO sensitivity: 200

ISO sensitivity auto Maximum sensitivity: Minimum shutter

control: On 6400 speed: 1/500 s
In this example, ISO sensitivity will automatically be raised
to a maximum of ISO 6400 if optimal exposure can not be
achieved at ISO 200. In modes e and g , sensitivity will be
raised only if the shutter speed required for optimal exposure
would be slower than 1/500 s (slower speeds will be used if a
speed of 1/500 s would still result in underexposure at ISO
6400).

18
Exposure: Active D-Lighting (ADL)
Active D-Lighting preserves details in highlights and shad-
ows, creating photographs with natural contrast.

Example 7
A Daytime Stadium Match Revisited

Use Active D-Lighting for compositions that include areas

of sharply contrasting brightness.

19
Exposure Active D-Lighting (ADL)

The following settings are recom-

mended:

Active D-Lighting High or Normal

Metering Matrix 1
Exposure mode e, f , or g 2
ISO sensitivity ISO 1600 or less 3
Memory card UDMA-compliant memory card 4
1. Active D-Lighting will not produce the desired effect when
used with center-weighted or spot metering.
2. Active D-Lighting has no effect in exposure mode h .
3. Noise may be more noticeable in photographs taken at higher
values.
4. Choose cards with faster write times for quicker processing
when taking large numbers of photographs.

20
Exposure: Easy Exposure Compensation
When On or On (Auto reset) is se-
lected for Custom Setting b4 (Easy
Exposure Compensation), exposure
compensation can be set simply by
rotating a command dial (at default
settings, the sub-command dial is
used for easy exposure compensation in exposure modes
e and f , and the main command dial is used in exposure
mode g). If On (Auto reset) is selected, exposure compen-
sation will automatically be reset to 0 when the camera is
turned off.

Notes
Auto reset also resets exposure compensation when the
exposure meters turn off. The length of time the expo-
sure meters remain on is controlled with Custom Setting
c2 (Auto meter-off delay).

21
 Image Quality: FX and DX Formats
At default settings, image quality is not automatically ad-
justed when you switch between FX and DX image areas. As
a result, pictures taken using the smaller DX image area will
not be the same quality as FX-format images when printed
at the same size. From camera firmware version A 2.00/
B 2.00 or later, you can automatically switch image quality
settings when you switch between FX and DX formats:
q Create one shooting menu bank for FX format and a
second shooting menu bank with higher image quality
and size settings for DX format.
w Select Shooting menu bank for Custom Setting f4
(Assign FUNC. button) > FUNC. button + dials. You
can then use the Fn button and command dials to switch
instantly between the two banks.

DX-format image area

FX-format image area

22
1 Choose shooting menu bank A.
In the shooting menu, select
Shooting menu bank. Highlight
bank A and press J.

2 Adjust settings for shooting menu bank A.

Sample settings are listed below:
• Image quality: JPEG basic
• Image size: M
• Image area: FX format (36 × 24)

3 Choose shooting menu bank B.

In the shooting menu, select
Shooting menu bank. Highlight
bank B and press J.

23
Image Quality

4 Adjust settings for shooting menu bank B.

Sample settings are listed below:
• Image quality: JPEG fine
• Image size: L
• Image area: DX format (24 × 16)

5 InChoose the role of the Fn button.

the Custom Settings menu,
select Custom Setting f4 (Assign
FUNC. button) > FUNC. button +
dials. Highlight Shooting menu
bank and press J.

6 Switch between shooting menu banks.

Press the Fn button and rotate a command dial to cycle
through shooting menu banks as shown below.

A B
D C

24
 FX and DX Formats

Notes
Shooting menu bank can also be assigned to the
“button + dials” options for Custom Settings f5 (Assign
preview button) and f6 (Assign AE-L/AF-L button).
Apart from image quality, image size, and image area, set-
tings for banks A and B should be identical. Any changes to
bank A should also be made to bank B. Note that although
separate Picture Controls may be selected for each bank,
modifications to Picture Control settings (including quick
adjust and other manual adjustments) and changes to In-
terval timer shooting and Multiple exposure apply to
all banks.
If the settings in bank C are the same as bank A and those
in bank D the same as bank B, you will be able to identify
the selected image area by the crop displayed in the view-
finder.

25
Image Quality FX and DX Formats

Frame Rate (Continuous High-Speed Release Mode)

Although maximum frame advance rate when FX format is
selected for image area is fixed at 9 fps, the maximum frame
rate for DX format can be selected from 9, 10, and 11 fps
using Custom Setting d2 (Shooting speed). Note that at
settings of 10 and 11 fps, focus will be fixed at the setting for
the first photograph in each series, and exposure may be
fixed at the value for the first photograph in each series if
the subject is poorly lit.

Shooting Menu Banks

The camera has four shooting menu banks (A, B, C, and D).
Different combinations of shooting menu settings can be
stored in different banks, allowing the user to switch instant-
ly from one combination to another using the Shooting
menu bank option in the shooting menu.

26
Image Quality: Vignette Control
You may notice a drop in peripheral illumination (vignett-
ing) with certain lenses, particularly at maximum aperture.
This can be corrected using the Vignette control option in
the shooting menu.

Vignette control: Select Vignette control

in the shooting menu and choose High,
Normal, or Low

Notes
Vignette control is available from camera firmware ver-
sion A 1.10/B 1.11 (some lenses can only be used with firm-
ware version A 2.00/B 2.00 or later). It can be used type G
and D lenses only (either alone or with AF-S/AF-I telecon-
verters) but is not available with DX-format or PC lenses or
when FX-format lenses are used with the DX-format crop.

27
 Lens Options: Vibration Reduction (VR)
The D3 supports vibration reduction with VR lenses. Turn vi-
bration reduction off when shooting at fast shutter speeds.
Other vibration reduction settings may result in slower
frame advance rates and increased shutter lag.
The table on the following page lists the recommended set-
tings for different subjects. ACTIVE and TRIPOD vibration
reduction are available with the following lenses; other VR
lenses support only ON and OFF:
ACTIVE
• AF-S VR Zoom-Nikkor ED 70–200 mm f/2.8G (IF)
• AF-S VR Zoom-Nikkor ED 200–400 mm f/4G (IF)
• AF-S VR Nikkor ED 200 mm f/2G (IF)
• AF-S VR Nikkor ED 300 mm f/2.8G (IF)
TRIPOD
• AF-S NIKKOR 400 mm f/2.8G ED VR
• AF-S NIKKOR 500 mm f/4G ED VR
• AF-S NIKKOR 600 mm f/4G ED VR

28
 VR mode Suggested for Not suggested for
Moving subjects (e.g., shut-
ter speeds of 1/500 s or faster)

OFF —

• Stationary subjects Subjects moving

NORMAL (ON) 1 • Panning shots of moving too fast to frame
subjects using panning
Photographs taken from
a car, boat, helicopter or
other unstable platform.
Panning shots of
ACTIVE 1
moving subjects

Photographs taken with a Monopod or hand-

TRIPOD
tripod. 2 held photography
1. Can be used both for hand-held shots and with a monopod.
2. Choose NORMAL when using the tripod as a monopod.

29
 Lens Options: Options for Long Lenses
The table below describes the focus modes available with
the following lenses:
• AF-S NIKKOR 400 mm f/2.8G ED VR
• AF-S NIKKOR 500 mm f/4G ED VR
• AF-S NIKKOR 600 mm f/4G ED VR
Mode Description
A/M Choose when focusing primarily with auto-
focus. Manual focus will only be activated
if the focus ring is rotated a large amount.
(autofocus Prevents manual focus from being activat-
priority) ed accidentally.
M/A
Manual focus is activated whenever the
focus ring is used, making it easy to use
(autofocus with manual focus in autofocus mode.
manual priority)
M

The lens can only be focused manually.

(manual focus)

30
Camera Settings: Sharing Settings
Select Save/load settings > Save
settings in the setup menu to save
current camera settings to the
memory card in Slot 1 (if the memory
card is full, an error message will be
displayed). Saved settings can loaded
into any D3 camera using Save/load settings > Load
settings, allowing the same settings to be shared among
multiple cameras (note that Load settings is only available
if the memory card in Slot 1 contains saved settings).

31
© 2008 Nikon Corporation Printed in Japan