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Highlights in Animation Techniques: Fantasia

This document outlines several key animation techniques from 1940 to 1961, including Fantasound in Fantasia in 1940, the use of live action and animation together in Song of the South and Mary Poppins, Cinemascope in Lady and the Tramp in 1955, Technirama 70 film format in Sleeping Beauty in 1959, and the first use of the xerographic line inking process in 101 Dalmatians in 1961 which allowed for cels to be created through a transfer process rather than hand-inking.

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14 views

Highlights in Animation Techniques: Fantasia

This document outlines several key animation techniques from 1940 to 1961, including Fantasound in Fantasia in 1940, the use of live action and animation together in Song of the South and Mary Poppins, Cinemascope in Lady and the Tramp in 1955, Technirama 70 film format in Sleeping Beauty in 1959, and the first use of the xerographic line inking process in 101 Dalmatians in 1961 which allowed for cels to be created through a transfer process rather than hand-inking.

Uploaded by

Gabriel
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Highlights in Animation Techniques

1940 The advent of stereophonic sound, Fantasound was used


in Fantasia.

Skillful use of live action and animated characters in the same scene was
used in Song of the South in 1946 and Mary Poppins in 1964.

1955 - Cinemascope was used in Lady and the Tramp.

1959 - Technirama 70 (70mm) was used in Sleeping Beauty.

1961 - The xerographic line inking process was first employed in 101
Dalmatians. Instead of being hand-inked, Xerographic-line cels, were
created by transferring the original animation drawing to the acetate cels
by a special six-step xerographic process. Many of the cels were
enhanced with hand-inked lines before being hand-painted with Disney
colors and combined with a lithographi c background. This is a process
that Disney pioneered the late 1950s.

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2005, Miami International University of
Art & Design

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