Photography Lecture Notes
Photography Lecture Notes
TOPIC
SUBJECT
SCHEDULE
FACILITATOR
GRADUATE SCHOOL
General Luna, Baguio City
: Mr. Nelber K. Balang / MS. Judith Mayat-an/ Janet Tal-udan
: PHOTOGRAPHY
: SCIENCE IN CRIMINALISTICS
: 10:30-2:30 PM SATURDAY
: MRS DIPNI PAGNAS , M.S. CRIM
INTRODUCTION:
The criminalist and investigator could not rely on their memories in which
photograph would serve as a sort of artificial memory for them. Remembering all the
things they had examined or investigated would be impossible after several years
before the case is presented in court. They need and preserved the things they had
examined and investigated for future references and court presentation.
Photography can be used for identification, record, preservation and substitution
of evidence of a crime. It can discover things which could not be seen by the naked eye
as photography extends mans visual limitation take for instance an obliterated writings,
written words under super imposed ink which on the same in color to the eye could be
separated and shown singly by infrared photography. Object hidden in boxes and other
container may be detected and identified by X-ray photography. The writing chemically
erased can be restored by ultra-violet photography.
Photography is one of the fastest mean of preserving the physical appearance of
an object or evidence such injuries sustain by victim or suspect which may change as
time goes by. It also help the Judges and lawyers to easily appreciate how the crime
look like without going to the crime scene which may have different view as compared
to the time the incident happened. It help illustrate how an object look like without
having going to explain by eye witnesses on how it look like as to the color, shape,
extend of damage, size etc.
USES OF PHOTOGRAPHS
Identification
Preservation
Description
Substitution
TOPICS TO DISCUSS
1.
Definition of Terms
Photography Is derived from the Greek words, photos- which means light and
graphy which means to draw.
It is defined as a science or an art of process of producing images of
objects by the action of light on sensitized surface with the aid of an image-forming
device known as camera and its accessories and the chemical process involved therein.
Forensic is derived from the word forum- which means place for legal debate.
Forensic Photography deals with the study of notion of photography, its
application to law enforcement work and the preparation of photographs for court
presentation.
Photograph is the mechanical result of photography. To produce a photograph,
light is needed aside from sensitized materials (film and paper).
Camera a light tight box; with a lens to form an image; with a shutter and
diaphragm to control the entry of the image; a means of holding a film to record the
image/ and a viewer or viewfinder to show the photographer what the image is.
Lens a medium or system which converges or diverges light passing thru it to
form images.
Film a cellulose tape embedded with sensitized solution capable of recording
images thru light.
Infra-Red Photography is the art or process of photographing or recording
unseen objects by the naked eye by means of infra-red light.
Ultra-Violet Photography is the art or process of photographing unseen objects
by the naked eye with the use of ultra-violet rays and filters. The main purpose of
photographing ultra-violet photography is to provide information about an object or
materials, which cannot be obtained by ordinary photo methods.
Macro Photography is photographing of object at greater that 1:1 ratio up to
nine (9) times magnification. It is the making of enlarge copies of prints such as
photographs of tampered serial number of firearms, engine number and chassis number
of motor vehicle and the like.
Micro Photography is the art or process of photographing minutes objects and
magnified by means of the microscope and enlarge from 10 times up.
Mug-shot is the process of taking photographs of the suspect/s in full length,
half body, right and left side views, and two quarter views. To unidentified cadavers,
include marks on the victims body especially tattoo/scar for identification.
Angle of view the amount of area visible when looking through a lens. Angle of
view is determined by the focal length of the lens. The angle of view for a standard 50
mm lens is approximately 47 degrees; for a 28 mm wide angle lens, it is 75 degrees; for
a 135 mm telephoto lens, it is 18 degrees.
Depth of Field the distance between the nearest and the farthest objects in
apparent sharp focus when the lens is focused at a given point.
Aperture/ f-stop a lens opening. The hole or opening in a camera lens through
which light passes to expose the film. The size of aperture is either fixed or adjustable.
Perturb size is marked in f-stops.
ASA stands for American Standard Association. An early organization or group
that determines the numerical ratings for film speed. A number which represents a films
sensitivity to light. At present, the organization which rates film speed is the ISO
(International Standard Organization).
DIN a numerical rating used to describe the emulsion speed or light sensitivity
of German made films. Deutche Industries Norm (DIN).
Single-Lens-Reflex (SLR) Camera a type of camera that allows the
photographer to see through the cameras lens when viewing through the viewfinder.
Normal Focal Length A lens which has a focal length approximately equal to
but not more than twice the length of the diagonal of the negative material. Angle of
view exceeds 75 degrees but not less than 45 degrees.
Wide Angle Lens A lens which has a focal length less than the diagonal of its
material. Angle of view exceeds 75 degrees.
Long or Telephoto Lens A lens which has a focal length equal to more than
twice the diagonal of the negative material. Angle of view less than 45 degrees.
Zoom Lens Lenses which allow the user to continuously vary the focal length
without changing the focus.
2.
Elements of Photography
a Object - The subject of the picture and can be anything under the sun.
b Light - May be from many different sources, principally daylight, but there are many
sources of artificial light which can be used.
c Camera - See definition
d Sensitized Materials - Its either be film and paper. In the film type camera it is always
film, now on digital, its electronic memory.
e Chemical Process - The chemical involved to process a film now on digital, can be
printed directly on photo paper or ordinary paper.
3.
Permanent Record
No matter how extensive the photographic efforts are at the crime scene,
photographs must stand the test of legal admissibility. The general standards used to
review the credibility of the photographers are: (See Figure 1)
a
b
c
d
Computer Generated
b Preservation of evidence
Preserve from necessary handling which might cause the evidence to
deteriorate or otherwise become altered.
c
describe things in details. It provides a second look and often reveals detail that is not
apparent during the physical examination. It records all things that an investigator may
fail to notice.
d Substitution to original documents/evidence
A photograph can be made as a representative of any evidence or
documents. It helps the expert witness in illustrating their findings. It is also used to
reproduce and copy documents.
e Record
In court proceedings, judges, fiscals, and defense lawyers have generally
never visited the scene of the crime. Photographs greatly facilitate them in interpreting
the scene. It assists the court in understanding the case. It records all things that an
investigator may fail to notice.
6.
Each crime scene has individual features that should be photographed. Keep in
mind the nature of the offense and try to show those features that establish the
elements of the offense. Photographs should be taken of:
a Views of the exterior of the building/ vehicle in relation to other buildings/ vehicles,
roads/ streets, etc.
b Point of entry and exit outside and inside.
The point of entry an exit should be shown in such a manner that the marks of
force will be shown clearly. A scale should also be visible but never place a suspect tool
into the tool mark because it may alter the evidence.
c
Signs of activity prior to the occurrence, such as the telephone receiver off the
hook or wires cut, playing cards orderly stacked or scattered, TV and lights turned on,
food in cooking stages, coffee cups, drinking glasses or liquor bottles, time watch and
clock stopped should be recorded on film. In general, articles apparently in use
immediately prior to the commission of the crime or which appear to have been
disturbed from their customary position should be photographed.
In suspected rape cases, the purpose of the photography is to record
information or signs of any struggle at the scene where the attack occurred, or
indications of the victims effort to resist attack; such as bruises, black and blue marks,
torn clothing, etc. Bite marks should be photographed using oblique lighting, with and
without a measuring device at the crime scene and also the morgue.
In a rape-homicide investigation, infrared photography of the body may detect
latent bite marks since hemorrhaging can occur in tissue under the skin. The location of
foreign hairs and fibers, biological fluids and stains should be obtained and if the victim
is a minor,. Secure a written permission from the parent or guardian. It is recommended
that the victims physician be present when such photographs are made. Blood spatter
on walls should be photographed with the lens parallel to the stain so that directionally,
the direction of the blood flowed can be determined.
In sexual exploitation of childrens case, every room in a suspects residence
should be photographed even if no physical evidence (such as photographs or video
tapes) are found during a crime scene search. Chances are the suspect has concealed
these materials at another location. Rarely will these photographs be discarded since
they represent a trophy or remembrance of the conquest. When these photographs are
recovered, they may be compared with the crime scene photos to prove they were
taken in the suspects dwelling. Occasionally, a suspect will place his own camera on a
tripod and using a cable release or self-timer; will photograph himself with his victim.
Usually, he will compose the photographs so his face is not seen. However, if the
photograph is sharp enough, the suspect may still be identified through physical
characteristics such as scars, marks, wrinkles, etc.
In death due to asphyxia as a result of a hanging, doubt sometimes exist as
to whether the occurrence is murder, suicide, or an accident. Photograph the original
position of the body to help in determining the manner of death. Overall view of the body
and rope should be taken at torso and foot level. Show the height of the body above
ground; a murderer usually tries to raise the body completely, while the suicide victim
frequently never gets his feet off the ground and is sometimes found in a sitting position
or half-prone position. Photographs should be made to show the relative position of any
object, such as a chair or a stool, which appears to have been kicked from under the
feet of the deceased.
Subject for close-up shots are the knots, its size, type and location on the
neck; depth and location of the grooves in the neck; black-and-white marks around the
edge of the groove (here, color film is especially helpful); signs of violence about the
neck, suggesting prior strangulation; protrusions of the tongue, binding of the hands and
feet, etc.
In drowning case, the body is usually the sole object of interest. But did the
deceased actually die of drowning or was he thrown into the water after death from
some other cause. The photographic operation should be directed towards those facts
which will help to resolve this question. Color film is exceptionally useful here since
many of the significant clues may be matters of discoloration. Photograph the whole
body, body from the position of standing observer and from the ground level. The latter
view will show any distinction of the body. Close-up should include any foam about the
mouth; wounds, peculiar markings, bruises, or unusual discoloration; articles such as
seaweed, grasped in the hand; and any rope or wire bindings. Many of these views can
be made at the morgue before autopsy.
8.
Number 1 stands for a whole second and the others are fraction of a second.
The shutter speed of 125 is capable of stopping the movement of the subject.
Note: Use a shutter speed faster than 1/30 of a second for all hand held
photographs. The camera must be supported with tripod, etc. for shutter speeds of 1/30
of a second or slower. A body move and camera shake when pressing the shutter
release button may register in the photographs.
c
The lens opening or f-stop. The size of the lens opening in your camera is the other
factor that determines the amount of light that reaches the film. The indicator on the
camera for the degree of light passing through the camera lens is called the f number.
The smaller the f number the bigger the opening and vice versa. Much like fast films
and slow films, there are fast and slow lenses. A fast lens, for instance, is one that
transmits more light. The user should be cautious, however, since fast lenses do not
produce the sharpest images. The aperture affects the depth of field on the image, the
higher the number, the smaller the lens opening, the smaller the lens opening, the
greater depth of field.
Standard F-stop of cameras f/1.4, f/2.8, f/4, f/5.6, f/8, f/11, f/16,
f/22
f/1.4
f/5.6
f/22
d Adjust your light meter needle as seen in the viewfinder by turning the aperture ring
located on the barrel of the lens until the needle is properly lined up. When the needle is
properly lined up, this tells the photographer that the light entering the camera will
produce a properly exposed photograph (Some camera uses light that brink as red,
orange and green).
Yellow
+ 3 +2 +1 0 -1 -2 -3
e
Less
Green
Red
Average
Much
Your final step in available light photography is to compose your shot and focus. You
must control your breath before pressing the shutter release button.
Object
Split Method
Out of focus
Sharp focus
Microprism
Ground Screen
10.
Lighting Techniques
a Electronic flash (Note: Disregard the light meter in the camera when using electronic
flash)
b Flash off camera
c Bounce flash
d Bounce off a white or light colored surface
e Manual flash: Add the distance up and down for the flash-to-subject distance then figure
in the absorbance loss (one to three f/stops)
Automatic flash with sensor facing the subject; use a range for two times or more times
the actual flash-to-subject distance.
g Multiple flash
h Available light
i Painting with light
Your flash is so important that deserves special consideration. It serves as your
artificial light. It must be with you at all times. With experience, you may be able to learn
how to use the flash to duplicate almost any type of natural lighting.
Even without experience, the flash can help improve crime scene photography a
great deal. You normally need front lighting and the flash mounted on the camera will
provide it automatically. The problem is the shadow produced by the flash and possible
reflected light from shinny subject that may affect the photograph.
Steps to Follow to Obtain Properly Exposed Film in Artificial Light (i.e.
Flash) Photography:
a Your flash unit, now being your main light source, must be adjusted to the proper ASA
setting according to the speed of the film being used-for the same reasons you adjusted
the camera light meter to the film speed being used (Follow the manual).
b Flash adjustment will be in accordance to the distance and lens opening you wanted to
use for your shots. Some digital camera flash has automatic setting base on the setting
made on the camera.
c When choosing a setting you must keep in mind both the distance requirement and the
desired DEPTH OF FIELD (DOF).
d When using the MANUAL MODE, always ensure your Aperture setting corresponds with
the distance indicated on your flash scale. Also, check the Thyristor Sensor to ensure
that you have set it "M" position.
NOTE: When using a flash as the light source, adjustment must be done to both
the camera and the flash unit in order to obtain a properly exposed photograph.
SUMMARY:
Forensic Photography is a very broad topic but this module only includes those
topics that are useful to field investigator and is helpful in the investigation of crimes. In
this topic, we learn the different definition of terms use in this lesson, the uses and
importance of photography in crime investigation. The different procedures and
techniques on how to take photograph of a crime scene and physical evidence, the
effect of light on the photograph as well as the use of artificial light to help obtain good
photograph in various condition. The requirement for the admissibility of the
photographic evidence in court, the forms or documents required to ensure authenticity
of the photographs taken from a crime scene. The students will be able to operate the
SLR camera and know the different processes involve producing a good photograph.
APERTUR
E
SHUTTE
R
SPEED
SUBJECT
LIGHTING
REMARK
S
Prepared by:
_____________________
Photographer
FILM TYPE:
FLASH UNIT:
DEVELOPED BY:
LACATION:
DATE & TIME:
TIME BESTARTED:
TIME ENDED:
WHEATHER CONDITION:
LIGHTNING CONDITION:
DISPOSITION:
Noted by:
_____________
Chief of Office