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Bauer

The document discusses concepts from the works of composers Ivan Wyschnegradsky and Georg Friedrich Haas including semi-tone and quarter-tone intervals, harmonic series, and microtonal music.

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Etno
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160 views

Bauer

The document discusses concepts from the works of composers Ivan Wyschnegradsky and Georg Friedrich Haas including semi-tone and quarter-tone intervals, harmonic series, and microtonal music.

Uploaded by

Etno
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Bauer, SMT 2014, The harmonic series is an artifact: ideology, process and perception in Georg Friedrich Haass in vain

1)Wyschnegradskys Structures de base de volume et de densit diverse, in Ultrachromatisme et les


espaces non octaviants, La Revue Musicale 29091 (1972), pp. 73138.

2)Ivan Wyschnegradsky, tude sur les mouvements rotatoires for two pianos and four hands, Op. 45, showing
cycles of 11 semitones (score) and the subdivision of those cycles by 11 quartertones (below)

Bauer, SMT 2014, The harmonic series is an artifact: ideology, process and perception in Georg Friedrich Haass in vain

3) Semi- and quarter-tone interval 11 cycles and their relation.

4) Perfect and imperfect binary chord divisions in semi- and quarter-tone space.

5)Wyschnegradskys diatonicized chromatic scale

Bauer, SMT 2014, The harmonic series is an artifact: ideology, process and perception in Georg Friedrich Haass in vain

6) in vain, pitch reduction, mm. 17

7) in vain, pitch reduction, mm. 29-30

8) in vain, pitch reduction, m. 76

Bauer, SMT 2014, The harmonic series is an artifact: ideology, process and perception in Georg Friedrich Haass in vain

9) in vain, harp enters with partial chords, m. 76 E

Bauer, SMT 2014, The harmonic series is an artifact: ideology, process and perception in Georg Friedrich Haass in vain

Bauer, SMT 2014, The harmonic series is an artifact: ideology, process and perception in Georg Friedrich Haass in vain

10) in vain, beginning of partial-chord descent, m. 76 E

11) in vain, progression of virtual fundamentals in mm. 76326.

12) in vain, conflicting F#-A thirds in horn and trombone, m. 458

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