MUSIK FUR BLOCKFLOTE HANS ULRICH STAEPS DAS TAGLICHE PENSUM. lockfloce in F Ubungen fur fortschreitende Spieler der Al THE DAILY LESSON Exercises for advancing players of the treble recorder, UE Rew heals ORS ON ee Se ie ByPREFACE “Thee exec ae writen for he improvement offing, ain an beth terigue wel or inet ped They (ae be ed on treble cade with ether German or gic ngeing, As Sail exe chse, wien maser completly hy ‘Roald be pied thou 40 owe al copes, Compe teach ae the tine ae ith te gare accosted ‘of ech exerci, nd ana he perortane ofthe complete bok within the sed ne Of cm, any prt of ona be ed ‘Sxpracce muna and in our own tne. nothing hes metaned ply both gto aswel tu sacao “he plage wil oie ta bch exec hn india stare, mel sym ov hamonicliy he advid to races comer the muse Fer Mate” ofthe iment abe only wher the pine mai orm aemavicly eompletly sted and freely expres a paying “The compotion andthe oder ofthe exces e bse om te author Lng experience aa secs They sa the exten of (bly pace tnoghout oe slag aegiiedsampce chromatic sompesse th cafe node tocomly the dmends siden mee brine: eA. ia one bh Se. = weonds DS donee Sp * mpenaie bp = mee aa tingtong inn 1p > edie = ominane “hegre rf inde sith sion con eet eos, November 3986 as sues ‘Tanda by Dv, Wer Boavorwort Die Obengen denen der Gi, Las, Arians wd Attack dex Mlocflenises und eechnen mit ier A MAe Aevucher eds copicher Giifese, Ae rhgliches Pensam, & hbo vlhiber Reberatang, der se. ges ‘4 Wine. Man vgeice bei eaprechendeyLsetngstand di aS je Obag der Obese ange Sender Aiur nach de Ut mit dem egnenZaterpebni und ait as ie ena Nein der onen Selgin ores nen Zeit hi, Nich Kan ae et ach oe ies sein in balper Auswahl ru ererender Oba beat wee ‘Wo seht ender emer ne man sowah iets auch maces Man wie boeken, je Obang re igertilicen Abit asl es meloicsguay hyhmich de only nd man wid {i ode fren Merle penne sneupies und tu duchdenen it wens das Neteneen seh mens wend, ‘dch grave Hewgung- snd Toraittvnstungen gets pe vereandt he, der er Baer von dee Beberachong bes Tnstrameme peat Dak die evaung wd Anrdoung der Obungen den Beobachangen cin anges Lebeihe entwacaen itso mi kam ‘lebtipr aedr Hinweis, da der Sper mi em egichen Pena meted mein de alsige eemedeen eh rom: 1 Tehen Raum der Buckie hemich wd odo denRoderngn de Mic ie 2 acon an Aokdungens eA, = inlet Atmeig sip = Toriapee ye Dp Diamar DT Domine Sp Sabdoninangrale Dien ade ene den Set oder Queen iene November 1956 Han lich StageINHALT/CONTENTS. em. sei 1 Penson Falgen/Pentsonequnces A 2 Locker de inken DaumenandHandpln cing oie hb and wis 1 3) Vestine Rene Sele progessily sored mn 4 DIETONLEFTER F-DUR UND IMR MOLLPARATLELE/P MAJOR SCALH AND FTS RELATIVE MINOW SCALE. =.) 2 5 DIETONLEITER G-DUR UND IHRE NOLLPARALLELE/GMAJOR SCALE AND ITS RELATIVE MINOR SCALE =. 4 Teenpeange Leap in hls es nn 4 “roche und jembice Bing roca and ambie sige 000 Doe 18 Akkondstpungtn atv / roe ches, dan 10 9) DIE TONLETTH DUR UND IHRE MOLLPARALLELE/B FLAT MAJOR SCALE AND IFS RELATIVE MINOR SCALE 10 10. Sepimenkewen/ Sequences of Th dards ev. a ML Zeege Dre uid lege rok hore hee and four ser I 12. DIRTONLETER COUR UND IRE MOLIPARALLELE/CMAJOR SCALE AND FTSRELRTIVEMINOH SCALW. 13 13 Fallende custen Descending fourths 14 Terachorde in len Richongen/Teteahore wp and dow i 1} DIRTONLEITHE DUR UND IHRE MOLLPARALLSLE/D MAJOR SCALE AND IIS RELATIVE MINOR SCALE |” 13, 16. Diiesolgen in Viesrppen, hromstih /Seqnene of tte ots fowreegromp, chromate te 17 Ale Tne sucha dr Stamsnteneter All noter ose Fj a Dison Lan ont machlgender chromate Availlng /Distoi ols ntrpered with chromate nset. " 19 DINTONCEITER ESDUR UND IHRE MOLUPARALLRLE/EELAT MAJOR SCAL AND ITS KELATIVEMINOR SCALE 18 20 allele Inevaewachener Gre Deceiig teas popes enlged » 21 Weehsltytmen,chomatich-penttoich Aerating hyn, chromate pentatonic Ie 22 Bie ebomatce Laer The coma sles 2 2S Ganstonfolgn Whole tone equncss = B 34h der Durst im Okanahnen ar of map ae wih he caps fa aa 2 435 Let Aldon mit plebbentem Anfangson/roken ors the same nl oes CNN a 2 Terme mit lroniceng in biden Ritangen Thi progres in Semiones in Bot diestion » 17 Linte und krde im Geumtoneum der AKA Sek apps wlhn the comple compass ofthe ble recoder 30 28 Hurmoniepesitt Plpn Chol pressions enFir Maria Asuncisn Sy—Quia RG DAS TAGLICHE PENSUM/THE DAILY LESSON = ‘ogen fr oie Spiker der Altlckte in F xereises for advancing players of the tele recorder PANSUURIOnTarearey 1. Pentatonische Folgen/ Fentatonie sequences tea. a Ste Fftres. = a gery 2 Lockerung des linken Daumens und Handelenks / Loosening of tfc thumb and west, ——, Pra Dabats Ppa eteerentions = Cees cae ee epee ee aateters ¢ of, 2 Sel {© Copy 1957 by Unive ton AG, Wen Univeral Eaton UE 12614 Engin Veron © Copyre 1974 by Unive Eton AG, Wien TSMINM08-007156{ : 3. Verkirze Reten / Seales progesively shortened esa, | » alle TEPC Ea £ x 4. Die TonleiterF-Dur und ire Mollpralele /F major scale and its relative minor scalebed. = tt Moll, ein und melodisch /D minor modal and melodie perrepitittce ere ep ett 5. Die Tonkiter G-Dur und ibe Molipralele / G major sese and it elative mina scale ha,Litters. ftee 427. Trochdiche und jambische Bindung /Trochac and iambic ursze fit Ly Here 18 Sok8. Akkordzeslegungen,datonisch / Broken chords, diatonic 9. Die Tonle #-Dur und tre Molla fist major sale adits lative minor ele anette:« Perey Hauptform / Main version 9 Sok2 10, Septimenketten/ Sequences of 7th chords i tea.8 12, Die Toneiter C-Dur und hte Mollpaallele © major scale nnd its relative minor sale $e e grag auptform / Mai version» 13, Fallende Quarten / Descending fourths bea. 14, Tetsachon in beiden Richtangen,/Tetachords up and down = — nj Ohne id er ‘hoe pid ie te) tated geet) \ \ { | j / |2 babe sep ebt biel el at16, Decerfolgen in Vierergruppen, htomatsch / Sequences of th gael sakes17 Alle Tone sera der Stas pil inc gete ote'ele Behe outside F major Phe A ret crapllirsrep itll UE otras Gree teen, rmatischer Ausflug atone scales interspersed with chromatic notes ina Ettelertlenie, bein aS etre wet oS o Gotmeeretet eg Ettrery pffeees Sek, 19. Die TonleterKs-Dur und ive Moliprallele / Eat fpitele epee Sf ritirese, 2 ngjr scale and it relative minor scale 100 Sek.> ay doco | one sreperpectitee eeetttt titers meloisch /€ minor modal end metodic Lan choopretetce. . Goepeeeeeetee» 20, Fallende ltervale wachsender Grit / Descending interval progressively enlarged Gee pp fe fet icteteintet, apiety te s pogeqttesttengettte Rearthrneeteeee trepipettn epsett: Ebe he Fn | eee 23, Ganztonfalgn / Whole tone sequencce bea ne 26, Ausschnitte der DurLeitem im Oktaveahmen / Parts of major sales within the compass of an octave®) 20 Sek > Sage eet eat Pa Peers T (eee ree che te SSeS. be Gebers eee pteapietete ts Eip et « bbdee: trees Hae 8 e. £ ie. E ape Eee teres Gieeerceeitterer =e2 Pe = pentilies z eperettttereny too + Fhe Sep teette a SEES .t pperereke spelt tes pet 4 forgenstittern (DerDur = Cis Dun) /(D fat major = C sharp major) pepperoni t : pepe Sie ee appa Sete (itt Sp $6 pete pict tee lef ==] =e nie po fiete zt =Ffm REE Seana ipoLe 2fttee, py ibe telE ites see pee tte Sette pee f ee fetter gel ot ppt ft titre ste 25. erleteAkkonde mit gehblebendem Anfangton / Broke chords with the same inal notes Peettearhe face fe oho of patties Font eae! em—aP ace = ee eeei ee uss0 27. aufeund Akkordeim Gesamttonraum der Alt ite/Seles: ar) | wae. ° ey Ret Le. fieleeelesee esa Sricegentnintsi ese ra]musik SIR Sarat ‘alate UNIVERSAL FOR BLOCKFLOTE —se (ene. Sex my Belin = Serene coe ete annem eoitiow remiheu a