500 WOOD BOWLS‘208 Katherine Duncan Aone ‘Art paacrom Kris fer ‘oven prone bora Zarctshy ‘surat tort Nahe Mort oeomat were ose MicLamey Rian Seineck Aranda Wheeler prooresabam Katy Seldon Library of Congress Catalogingin Publication Daca 500 wou bows bold orignal designs blending wadtion & inmotion f Isc Katherine Duncan Aimone) “rel by Ray Lier and Jan Pers el Man Gatlers Lo Agee California, and ken Wallace independent curator and writer inthe bald Of codtemporary crt art" Tncudes inden ISBN ES 7900401 (p04) 1 Art woodwoik Histon 2th cetury-Catalogs 2 Art smote Hatry Zl contury Catalogs 3 Bos {Tableware)-Hislor-2 century-Catabogs 4. ows (Tableware Hstory215 century-Catalog. LTile Fe hunted wooed ‘oma IL Duncan Almone, Katherine I Leer Rap eter Jat ¥. iallce Kevin [NISKIO ATA Soot WB Sidez xonasee9 won76s4sz ibis by Lark Books vison of Stering Pushing Cane ‘37 Park Avene’ South New York,NY 10016 © 201 Lark Books Dinrbuted in Canada by Seng Publshing {fo Canadian Manda Gro 165 Dutra Steet ‘Sorc, Omar Canada MEE Dherbuted inte UK by Gal of Master Catena Ptiiatione Un Castle Place, 18 Hg Site, ewes East Soe Ela bn bw "ek (440) 1273 ATTITE e649) 1273 TOG Erull pebstibegncgroupean: Web-wwongmepublicabons cont Distt in Austral by Capricorn Link (Ausra) Py a. PO Bos, 704, Windsoc NSW 2756 Ausra ‘The write nsructions phesographs desig pater aa peje in this wlume are intended or the praca seo he reser oe maybe eproduced kr at purpone {nly Any ether axe expecially cormeral we obi under ln wit writen [esto ofthe copii holder you have quetone or comments abot ths bank please contact ates [F Beoxay ‘abe NE 2880 cam 2.0867 Manutactured ia Cina All igh reservedContents Introduction 6 The Bowls 10 About the Jurors 416 Acknowledgments 416Introduction ‘The wood bow! isan object that has been utilized for centuries by diverse cultures As part of our everyday lives ti 30 familiar to us that it can easiy be taken for granted. Yet, for contemporary anists who work in wood, the bol represents a form with tremendous potential, from revealing the beauty of nature to sharing an aristic vision or concept. 500 WOOD BOWIS Over the last few decades, the wood bow! has been reinvented as an artis- tic medium and is today approached by artists and craftspeople all over the worrd as both iconic form and point of departure for seltexpression. Many of the bors in this book are related to the woodturning movement that grew out of a number of pioneering artists working in different regions, inspired by wideranging approaches They include a member of the Chicago Bauhaus, James Prestini, who has been credited with the binh of this new art form; Bob Stocksdale, who refined the tumed wood bowl in his Northern California workshop over five decades; Mel Lindquist. who was creating hollow vessels on the East Coast;and Rude Osolnik, who lived on a mountaintop in Kentucky and took a folk-craft approach to the vessel While these artists had no intention of pioneering a new art form, they experimented with new approaches and created work that came to inthe ence many wood artists wha followed.The mast important of these, Mark Lindquist, David Ellsworth, and William Hunter, took it ll to the next Bob Stocksdole Untied, 1881 30th x @dlam (x ISem) Ebony Photo by M. Le Fatherree Collection of Forrest L. Merl500 WOOD BOWLS Dovid Ellsworth Ratag. 1991 level, creating new standards and pushing the erat into the realm of art i en (Over the last twa decades, a number of artists beeame part of this new Thx Btw x 12d (3x00 xem) movement, contributing more ideas and pushing the field ahead. White ash with pigment Photo by the amtist, (Of course, the work in this book represents a wide range of technical ‘approaches, from chis! to chainsaw and router to bandsaw. Some artis carve on the surface of their vessels or utilize paint ancl mixed media ‘approaches, while many accept what nature has offered and simply sand and seal the wood. Along with the potential to create thinner, more complex forms, technical breakthroughs have allowed wood artists to-create vessels. Since wood can't be used to hold liquid, these forms made little sense as vases. Yet these new forms expanded the language, just as lids offered the potential of container forms. While being expanded upon in relation to utilitarian forms, the wood bow! also came to be abstracted and deconstructed offering an excellent point of departure for sculptural pursuits. [tis no surprise that the wood bow! has come to serve as a means of seltexpression for artists internationally Historically, wood bowls and ves- sels have been used for their decorative potential in the Western world and, for ceremonial purposes in the East and in indigenous societies. Due to500 WOOD BOWIS jpproaches. They echo their rich history present contemporary visions, and carry the voice of nature itselt 500 Wood Bowls presents an international array of work created for both utilitarian purposes and artist exploration, featuring artists crucial to the development of the contemporary approach and the best of a new genera- tion of antists who continue to explore it.The work in this book is, indeed, the state of the art —Roy Loier and Jon Peters cf dol Mans Gallery; los Angelos, Calfsnia, ond Kevin Wallace, independent curator ard writr inthe Feld of contemporary crah art James Prestiat United, circa, 19S tO r Wood Photo by M. Le Faherret CCllecion of Forrest L. Meri m) diam (x Rude Osolnik United, 1994 What lm burt Photo by Daviel Peters Collection of Forrest L. Merrill ix 18x18i Maple burt Photo by Paul Avis Stadio 500 WOOD BOWLS Mark Lindquist ‘Amiran Krater, 1980 Thx 1Vdiam (x 28en) Mahogany Photo by Robert Aude Collection of Robert Rosh,500 WOOD BOWLS The Bowls Joson NM. Roberts Service Tray, 2002 Teh xB w x 200d A Dx 6 em)Jason Ressell Pale Apart, 2000 (a wi 10 Be) ‘Tummed and carved cocobolo Photo by David Peters Collection of Bob Bohlen 500 WOOD BOWLS W500 WOOD BOWLS. 12 Peter Kovecsy Close Tis, 200 Sverh x 13e diam (13 2-8 em) Turned and carved jarrah Photo by the artistV im Kulow-lones Bowl, i Sthxatwe 134 (19x69 x Bem) “Tumed oak with painted handles Dent laminate! legs painted maple feet Photo by Mark Johnston Rip ond Tommi Monn “Anniversary Bowl, 2002 lam (14 x 48 cmp Hand hewn black walnut Photo by Paul Mathias Collection of Ferris and Ann Maloot 500 WOOD BOWLS500 WOOD BOWLS 4 John H. Williams Adri, 2001Mike Phillips 4200151, 2001, Wh x iam (25.635 em) Tumed Norfolk Island pine Photo by Pat Murray 500 WOOD BOWLS500 WOOD BOWLS 16Wayne ond Belinds Rech Plote with Butt, 1989 TWh x 10"diam (x25 em) ‘Soft maple. painted with acrylic lncquer Photo by Wayne Raab 500 WOOD BOWLS W500 WOOD BOWIS Gionfranco Angelina500 WOOD BOWLS Jeremy Comins Unive, 2001 Phx a diam xz Carved walnut and Brazilian rosewood Photo by the arist “I never liked the lathe, | feel is resicting, Thats why | carve....'m interestad in ganic and natural forrs. The protruding carved parts on ths piece ave lke seed pods, litle bods, oe nodules. They act lke handles and are very sensual and soothing For me, they ore nice forms to carve and look of." —J.C. W500 WOOD BOWLS 20 Gionfronce Angeline United, 2002 aah idm (xem) ittewood cotton yarn and epay resin Photo by Davie PetersJoshua Selesin Untitled, 2001 x 60diam (10x 17 em) ‘Tumed madrone Photo by the artist 500 WOOD BOWLS wl500 WOOD BOWLS 2 Robert J. Galler Pleasure, 2001 ‘Pex Ordiam (Hx 15cm) ‘Alaskan birch and maple burl: mammoth tus, brass. copper and silver Photo by David eters Collection of Frc NadAlfred Sits Kabul, 2001 Sth Sv diam (13 x 14cm) “Maple busl with textured gin inlaid fused sl Photo by George Post These bowls ore tumed on a lathe, Wher roared. The insert; read of copa ether with a gas torch, Then they're they/te epaxied into place, Finaly, finish is applied to the piece, winings axe finished, cond gold, are moda recisely fited to the openings in # >D BOWLS oe 00 We 23Dewey Gerrett Yellow Palm, 2000 GUFh x 10am (17x27 em) ‘Tumed palm wood, bleached and dyed = 3 a = 5 = s Photo by te anit 8 ‘enjoy tuning different woods, bul when a fliend gave me some rounds from a palm tree removed in a steet renovation projec, | was somewhat perplexed. Unie familiar tee trunks with annual rings, palm wood is compoted of o soh, wat, pithy substance dated wit hundieds ef tough, vettical fibers. After | tuned « bow lathe, | found that it was dificult 10 sand ond subject io chipping, Aor some experimentation | fund thot scroping ond brvshing the surface revealed the hard fibers ond fuzzy filaments that make up the interesing texture of this piece,” —D.G.John H. Williams Slice, 2003 Se (5x 15cm) Chern. painted with acrylic: gold leat Photo by Lee Rutherford 500 WOOD BOWLS “This piece began with 0 coloboth of Howaiian origin, which led me to think of vokanic colors. The red/orange hve creates a glowing interior. The tipped position ofthe the textued sce of Giles Gilsos Internat Spring, 1990 oe "diam (25.em) Seulpted walnut RickScillano. lection of Mike Mendelson 5500 WOOD BOWLS 6 William Hunter Fast Grass, 195 hx SU diam (10x 20em) Cocobolo rosewood Photo by Gearge Post Collection of Mint Museum of Crat and Design “For years I've used the ilusion of motion to lend to my vessels. By sculpting the implied forces of growth, wind, or euen covey my flings ofthe naturel werld tough thePeter Kovacsy s tone Temple, 1288 500 WOOD BOWLS a500 WOOD BOWLS Dewey Gerselt Paraltax in Red and Block, 2001 Thx Sw x Fd (8x 20x 1m) ‘Turned and reassernbled walnut, ebonized and pplnted! with red epory resin Photo by the artist 28Giles Gilson Cammy-Oh 3, Highlights fom the Muse, 2002 Gh xT diam (15x23 cm) Bone! form left lapel, ull Noppy cola, walt ouewood foot. teal interior 500 WOOD BOWIS Andrew Potocaik Razorback H, 2063 202 x diam (6x20 em) Turned and carves myrtle Photo by the artist, 9500 WOOD BOWLS Ken Kesaghan Tucay Ceremonial Sextet, 2001 ‘Se x BI" diam (10x58 ca Turned and carved mabogat Photo by Dick Coxking2¥eh x 147 diam (7 x IT cm) Turned waleut Photo by €. Haarbeck 500 WOOD BOWLS 031500 WOOD BOWLS 32 David Groth ‘Motitis, 2001, 28VeTa x A6law x 240d (TER NT RGR crm) Carved myrttewoodStephen Hoghin River Red Gum Waking Bow, 2003 33500 WOOD BOWIS ism Flyan Untied, 2009 TIVE x Pw 15d 29 x 19x 99.em) Tumed and carved oak, ebonized Photo by the artist Hayley Smith Hemispherical Bowl 1/01, 2001 Tix 94 diam (5x 12 em) Tumed and carved ash, scorched Photo by David Peters Collection of The Contemporary Museum, Honolulu 34Alan Stirt “African Series Bost, 2002 Sih x 6ldiam (4x 1S.em). Tumed and carved maple, dyed Photo by David Peters Collection of David S Forney 500 WOOD BOWLS 35‘Ashton Waters Hate to Eat and Run, 2002 6x 19 diam (15 x48 em) ‘Turned maple;earved walnut legs, ‘ebonized with leather dye Photo by Stacey Evans 36 viHamish Hill detsam, 2000 Girh x Iw x Hd (167. Handearved silky oak: see Photo by the artist 500 WOOD BOWLS 7Jashve Seleste Untitied, 2008 hex drdiam (Bx 10 cen) ‘Turned English beech and holly Photo by the artis. 500 WOOD BOWLS iam (12 x 13cm) Makassar ebony Photo by ML Lee Fatheree Collection of Forrest L Merrill 38Ed Moslthrop Untied, circa 1985, 10x 1 diam (25 x41 em) Figured tulipwood Photo by M.Lee Fatieree Collection of Forest L. Mert 500 WOOD BOWLS 0940Christopher Reid Meeting of Minds, > ih xi Carved sheoak with ebonized rim Photo by Victor France William Hi Spirit Dwelling, 1901 26H x Bw x 50d (65 x 20x Sem) Cocobolo rasewood, gold leaf and ink Photo by George Post 500 WOOD BOWLS 41500 WOOD BOWLS 42 Giles Gils CammyOh 1, 2001 GVH x HVC diam (17 x28 cm) “Tumed and carved basswood, lacquered Photo by det Mano Galleryx Tdiam (11x18 cn) Maple. dyed, 22k gold feat Photo by the artist, Collection of Steve and Julie Eckert 500 WOOD BOWLS 43500 WOOD BOWLS Peter I. Patrochko Window Vessel Series, 1290 Ih x I7'diam (x43 em) Handtcarved laminated white ash Photo by Fank Poole 4gANN IX Ore we.500 WOOD BOWLS Joshue Solesin ‘Natural Edge Cork Oak Bout, 2002 Gh xB dam (5x2 emp “Turned cork oak Photo by the atist Collection of RWedeen 4 Mareptan SAUIVUEHHbIA ABTOPCKAN NPABOMLaminated oak: ste! wire Photo by Francis Howard 500 WOOD BOWLS 47500 WOOD BOWLS Olive Photo by ML Fathernee Collection of Forrest _ Meri 48i Buckeye burl with textured rim, {inlaid fused silver and gold Photo by Bernard Wolf Collection of Drand ‘Mrs. Seymour Levin 500 WOOD BOWLS oo500 WOOD BOWLS. 50 Bobby E. Phillips United, 20m ‘nx 17¥2'diam (19 x #4.cm) Spalted maple;serling sliver chain Photo by the artis, Se Sereeenaanbael anesMatthew Hill Untided, 2008 38h x6 Ww x OU (10 x 16x16 cm) Mahogany maple, and ebony Photo by David Peters Collection of Kathryn Berryrnan 500 WOOD BOWLS 5]500 WOOD BOWLSitt 2204 Sculpted Vessel, 2002 —O Fix oda Gexsem Turned and carve! isla maple but;burned Photo by toa $l 500 WOOD BOWLS 53500 WOOD BOWLS 54 Rip ond Temnd Monn Tiger Laity, 2002 x 18'diam (18 x 45 em) Hard-hewn tiger maple spalted with ambrosia Photo by Goodrich and Company Collection of Lowrie and Naney Sargent Glens Krveg loser from the Forest, 2001 ‘Whx6'diam (10x 15em) Masur birch Photo by the artistvx IS'w x 21'd 2x8 x5 cen) Redwood root bur,carved with chainsaw and power foots Photo by Mel Schockner ‘The stump used for this piece acquired is barnacles in the Pacific Ocean [alt them on ene side to relate part of the story ofthe wood.” —B.M. 500 WOOD BOWLS ES}100 WOOD BOWIS. 5 56 Mork Lindquist Desert Captice #1, 1989 14a x Aw x 2d (11 BS ‘Ash bua oak burl maple Photo by Randy Lavo’ Collection of Don Rey’ KingGuy Scott United, 2008 GWeh x 11a wx 17d (16 x29x Mem) Carved Laban burl with natural edge Photo by Jim McCulloch Photography WIS 500 WOOD B 7500 WOOD BOWLS 58 Homish Hill Ceremonial Bose, 12 je ad WD Handearved tulip tee and Victorian blackwood Photo by the artist,Mark Gardner Offering Bout, 2008 FHA as wx 1rd (1OxGsx Hem) Tumed and carved walnut, painted Photo by Tim Barnwe OWL OD B 3 s 59500 WOOD BOWLS 60 John Smith Vessof Bout, 1968. Behe ®wx td (@x20x lem) Lasercut hoop pine plywood Photo by Utie SchulzeStephon Hogbin ‘Walking Bout, 2001 TivirhexS¥a'w x 124d (x24 x 32cm) Maple; god leat Photo by David Peters B. Levine 1999 Thx Wdiam (10x 35cm) Segmented quilted maple ‘with mahogany trim Photo by Grant Rterson Collection of The Newark Museum “This piece began wih a unique piece of wood that | feund. |respanded by developing a form to showcase i.’ —S.L. 500 WOOD BOWLS 61500 WOOD BOWLS. 62 Jon Sommis Fortom, 2002 -o—________ 1h x Hdiam G5 x35 em) Astral. ass tree root Photo by Don Eaton Colleetion af Thomas PuglieseKip Christensen Wohited Seputcher Series 09, 2002 ‘BPH x AVE diam (22 x22 em) Box elder burl Photo by Photocrat Collection of Chris and Debbie Hansen 500 WOOD BOWLS. 63500 WOOD BOWLS Merryil Saylon Planets, 2000 x 19'wx 19d (1 x 48 x48 cm) Tummed western figure maple; bleached Photo by Hap SakewaDah eo diam (1x 7G em) “Turned and carved wood, painted Photo by the atist 500 WOOD BOWLS500 WOOD BOWLS. 66 Jomes E. Seitz Tray, 2008 2 Tah x Dew x 12M (B24 aT cm) andcarved pine Photo ry the ait Marepuar Allen Davis ‘Seginented Bout, 20¢2 Fh x Weim (23xA1 em Zetrawood.chemred oak, black wath, pop and lly Photo by Jon Bowman SAUIMUIEHHbI aBTOPCKMM NaBOMRess Pilgrim ‘Southwest Inspired Segmented Bow cl, 2001 hx GPPdiam (10x 7 am) “Tumed segmented quilted maple, walnut, bloodwood, and ebony Photo by Kenji Nagai 500 WOOD BOWLS 67500 WOOD BOWLS 68 Art Uiestmen The Future fs Functional, 20883 -o Nagaibud Lotven Chaco Aman 69500 WOOD BOWLS “The grace lines of the Greek omphora, a vessel often found in oncient shipwrecks, inspited the shope of this bowl, The legs afow ito stond on its own... Carving ook borl wih hand tools is @ sensuous task that requires intense focus. The grains cf the wood tun in conary diteetions, ond it is hard in most places bot has @ corklke consis tency in others." LMS. 1. M. Sharp Unni, 200 (4x9 x8 em) Hand-earved oak butl Photo by the arte 70Dennis Elliott Th x 21 diam (19x59 cm) ‘Turned and carved bigleaf maple burl,bumed. Photo by Jona S Elis 500 WOOD BOWLS n500 WOOD BOWLS n Al Keatley Lite Nut Buc, 2008 BUPA x 19'diam (17 x23 em) Elm with natural edge Photo by Chris Hammond Jim Keller Sphere, Pecan Hollow Form #07, 2001 167 x 1S wx 19d HB 48x AB om) ‘Spalted pecan Photo by Armando RodriguezLucy Hoekseme Koala Bear, 2903 So 46° 58'diar (18 x:2%em) “Turned jarrah with natura edge Photo by the artist Marepuan, saubueHni Top 500 WOOD BOWLS uN npasgeg500 WOOD BOWLS 14 John $. Ambrose Lamina with Lid, 2001500 WOOD BOWLS TE xSt diam Quilted maple Photo by David Peters Collection of Paul and Sheri Robbins em) ‘Bort Marsh ‘Spalted Beech Bowel, 195 es 31Y'hx 13"diam (x hem) ‘Turned English spalted beech Photo by Tony Boase 1SDave Peck ‘The Rabbit and the Coyote, 2008 76“Historical examples of sie paintings are common, but siHife sculptures ore much rarer. This piece is part ofc series of sculpasal woodtuinings based on images rem paintings.” —G.R, Gene Kengas Red Apple Hout, 2001 ‘nx [Fdiam (23 x 43 cm) ‘Carved and turned wood, painted Photo by the artist 500 WOOD BOWLS W500 WOOD BOWLS 78 ‘Plumb Bob {Bob James} igh x Bind’seye yellow cedar ebonized oak. and laburnum Photo by lan Batehelor500 WOOD BOWLS Allen Willions Untied, 2002 10'diam (1025 em) ‘Turned spalted Norfolk land pine Photo by the artist Bert Marsh Laburrum Vase with Natural Edge, 1985 Bh x Odiam (15 x Sem) “Tumed faburmum Photo by Tony Boase i Marepuan, saumuerneid aetopexam npasefp10 WOOD BOWS 80 Michael Hi Painted Bow AVE x Bur diam (1) xem) “Tamed and textured maple, dyed and painted with ac Photo by the artist,Willlam Moore Valsetz, 2001 xo7e'diam (15% Maplescopper Photo by David eters om) 500 WOOD BOWLS. 4)500 WOOD BOWLS 82 x 6'diam (6x Samy ned! and constructed Alrican blackwood and ebony; ver and Idk gold Photo by the artist500 WOOD BOWLS 83500 WOOD BOWIS 84 Raymond C. Fer Untitled, 1968 She l'diam (15 x 25cm) Laminated walnut ave Photo by Lois Ferguson Bert Marsh African Ebony Bowl, 1995 hx Taian (10% “Tummed African ebony Photo by Tony Bosse mn)Derek A. Bencomo Mogic, Fourth View, 2001 6 3 (14x 25x em) ‘Turned and carved Gabon ebony Photo by Hap Saka, 500 WOOD BOWLS 85500 WOOD BOWLS 86 Rudolph Schofron United, 2008 Vhs BVPdiam 23x35 em) ‘Turned green walnut with natural edge Photo by Ken HerdySteve Worcester United, 2008 Shx 1 diam (20x 48cm) Bim Photo by the anit Nancy Anderson Dreamscape, 0012 wx 0°d (16 x 39 x23 em) ‘Turned and handthollawed hemlock Photo by Brad Stringer “1 can be upset and feel terible, then make something with my hands, ‘ond soon | don't have @ care in the ‘worl... prefer odd shapes over round anes. | follow the shape of the burl os much 9s | can whe trying o make the piece thin. The deeper into the burl you go. the more beautiful the grain. The shopes evolve, and the piece creates ike,’ —N.A a7500 WOOD BOWLS 88 Swanson Oh x Bi xi'd 23x38 x Am) Stack-laminated figured walnut and zebvawood Photo by Margaret Benis MillerGary Stevens Vortex 99, 2008, Maple Photo by Paul Ttangos Denton Ford ‘Maple Burl Shel Thx iFdiam (10x 30em) Tamed and carves maple burt Photo by the artist a9John Hanstord ‘United, 2008 Shix lOVew xd 20x 20x Handcarved mallee root Photo by Patrick Baker em} 500 WOOD BOWLS Jomes Osenton Caurdran, 2008 Spalted bigleal maple bu with bloodwood rim Photo by Jon Bean “The natuxol voids in this piece were filed in with @ glued blend of Bloodwood, wolnul, ond wenge sanding dust * —J.0. 0Williom Moors Dance, 1287 TOF HOw x Td x2 IB Manzanita burl and African blackwoodbronze Photo by Harold Wood "Mos! bowls are balanced on a fool. They have @ powerful serve of syrmetry cond, os 0 rossh, a fesling of stobily. | wanted somthing diferent. | worted fhe bow! 1o seem 'o be in motion, to oppear 10 be dancing. So, rather than having a single Foot, it has two lags and seams to ke momentarily standing on one leg while exuberartly Kicking up the ober in the ole” —WM. 500 WOOD BOWLS ao}500 WOOD BOWLS 92 iam (18 xa cm) Manitoba maple burl with natural Photo by John DeanBrendon Collins Untied, 2008 Wenn mp Tumed medium-dlensiy fiberboard with ‘Huon pine veneer, inlaid with pink bony ppurplehean, ebony stained black: silver Photo by Victor France D 1S 10 WOOD BOW! 50 3SIMO8 GOOM 005 94Hayley Smith Hernispherical Boul 7/92, 7 BUPA xBU diam (x 236m) English sycamore, scorched Photo by the artist, 500 WOOD BOWLS 5IS 00 WOOD BOWL 5 96 Stephen Gleesaer Rose Madder, 2002 10x20 dam (0x6 om) Turned bireh plywood andl maple, dyes! Photo by fill Gleasner "When | started ee BE detived hom natu we slectic guitor moker who didn't think in the resticted ways much of the ‘wood world’ seems to. # planied a a. Now, | sea the wood form as my canvas, and color—are equally: important help me get through the dork Both el | hove bright cx ‘Maine win Vicginia Dotson Sunlight Series 414, 1985, Wh x 818 x20¢m) ‘Tamed and carved laminated horywood and Ebon X Photo by the ans,Andi Wotfe Whispering Walout No.5, 2008 ‘S7hx DU diam (8x 5 een) ‘Claro walnut, woodburned. metallic. acryic paints Photo by the artist ‘Collection of David Ellsworth @hxs Carved silver maple Photo by Direction 1 500 WOOD BOWLS ”500 WOOD BOWLS 8 Robert Howard ‘Standing Wave, 2000 TSE MUPw x 9'd (46 x 37x23 em) Handcarved Australian red cedar Photo by Greg Piper Collection of Alan and Joy Nachman ‘Gift Walsh Flanges, 1988 ‘Yh x diam (9x30 em) Turned Australian red cedar Photo by Rod Coots500 WOOD BOWLS ”SIMOB GOOM David Groth os 100x1 Carved myrtlewood Photo by the artist, 101500 WOOD BOWLS Keith Gotsehall Vortex Vessels, 2002 Largest hx G'diam (10% 1S em) “Tumed Osage orange and cocobolo Photo by Azad 102 v IFDenton Ford ‘Oherry Shell, 2002 Sthx Tdiam (13x em) ‘Turned and carved wild cherry Photo by the artist Brenden Stomp United, 2003 arn x Swx 27d (11 x x6em) Myrile. sky oak, and red gum Photo by Zoe 500 WOOD BOWLS 103500 WOOD BOWLS 104 Phil Brennion Greek Shell, 2000 Tumed and carved juniper burt oxidized copper Photo by the artist,105500 WOOD BOWLS 106 (x 25cm) Maple, walnut. and wenge Photo by Rick DeRose500 WOOD BOWLS Lincoln Seiteman, Sewing Basket Itusion, 1994 Thx 13'diam (18 x39 em) “Tummed and assembled chery. went, and chechen;steambent hoops. Photo by Jeff Martin Studios Collection of Dr Neil Kaye “The constuction of ths piece required ten separate mountings on the lathe The inside has the same design os the outside,” —1 5, 107500 WOOD BOWLS Robert J. Cutler Exaltation, 1068 4h x 19° diaan (10 x 48 cm) ‘Diamond willow birch, and walt, fossilized bone and ante brass, and slver Photo by Bob Barrett, 108Sore Eotf Untied, 1386 ‘Fh x Mdiam (19x35 cm) ‘Tumed sweet gum Photo ty Randy Batista Amigo Flower Form, 1988 We Carved silver maple Photo by DeFort-Rearson Photography x 17Hdiam (1 xt em) 500 WOOD BOWLS 109500 WOOD BOWLS 0 Michael J, Peter Bowl, he ‘Turned and carved locust bur sandblasted anv bleaches! Photo by Roger Setueitior am (13 x IBem)Fw x Vd (14 x20 2t em) and carved plik hoy Photo by Hap Saka mM500 WOOD BOWLS {12 ‘Andcew P, Dunn Porcupine Quill Frit Bowl, 2008 3 1Urdiam x H em) ‘South Altican pine,ebonized: Inlaid poreupine quill Photo by Rob Duker Studio David Nittean Net, 2072 5 10"diam Ch Tupelo Photo by Benko Photographics D “This piece was inspied by @ Jopanese Fishing net with floats.” —D.N.become interested In the plight of soa turlas cher roading an ticle about thom Mankind, pollution, fishing, anc so forth {95 well os their natural predators) have all had an impoct on their lives. Out of a thowsand hatchlings, only one cf those litle guys makes it to aduthood! Iwas shocked by that fact. In this pi we'te paying hamage fo an onimal that has lived millons of years ond is now threotened to © grea! degree by man's lleva. | osked Joumnel Thomas to turn bow! of this particular shape, and | ploced it on my taku piece insped by on ancient Persian ceremonial stand.” —GC. Gary Clentz end Jovrnel Themes Ceremonial Offering Stand (Hatchtings), 2002 16h x diam (46x 35 em) Green-ures! maplesthrown,cut.and alters! clay base. tonciled, glazed. and rakv-fired Photo by Roben Gibson 500 WOOD BOWLS 13500 WOOD BOWLS ‘ S > 4> ; > > Photo by Gary Heatherly ‘Cay Foster Temple Bou’, 2001 _o—_____— 2 x48 em) fue and brass wire Photo by the artist 4Virginia Dots Siloer Lining Series #5, 1996 Ih x H¥diam (8 x38 cm) ‘Pou maim plywood, aniline dyed and painted with acrylic Photo by AL Abrams 500 WOOD BOWLS M5Robert Jones Exposed, 2008 500 WOOD BOWLS inx 12"diam (Gx 30em) ‘Turned and carved lace sheoak, painted black; Inlaicl wie opas Photo by Tony Carrol "This piece exposed bath the boouty hidden in the tree ond the beauty of the opals hidden in the earh." RJ 16Tom Conaty Tequila Senrise, 2001 2erh x Ve diam (6 x29em) White ash burl Phota by Dermot Cleary ‘Turned paduak burl.embellished Photo by David Peters 500 WOOD BOWLS Ww500 WOOD BOWLS Grillo Mercalongo Unite, 2008 ox Blackwood Photo by Allan Foon ym (15 x AG cm) “Cbservatian of things around us isthe key to originality in art forms, whether one is tuning wood or creating sculptures. This piace evolved from observing 0 fling squinel wih oustreched legs.” —G.M. N8SaUMWLeHI 500 WOOD BOWLS cong500 WOOD BOWLS Susen Link Untitled, 2002 ThxS'diam (18x 1-