Scribd Matrix
Scribd Matrix
Towards the beginning of the movie, The Matrix, the protagonist Neo poses a question,
“You ever have that feeling where you’re not sure if you’re awake or still dreaming?” This query
forms the philosophical core of The Matrix: the thought that, if all experiences are somehow
mediated by the human senses, then reality itself is never absolute, and therefore that reality may
not be inherently more valuable than the illusions that supplant it. The matrix construct is what
allows for this exploration, as it destabilizes the trust between the mind and its senses by
providing perfect illusions. With this trust gone, the impeachability of all sensory experiences is
open, and thus characters like Cipher develop, who determine that the only fault of the matrix’s
world is not its falsehood, but that he can no longer believe the illusions. His choice of willful
ignorance may seem selfish, but since all human experience is fallible, the consideration that his
experiences in the “real” world could also be false grants him some credence. Perhaps he was
simply choosing to live in the more preferable of two dreams. This intermediary use of
mind/body separation contrasts with other media in the film, which exist entirely within either
the matrix or the real world, and are consequently less volatile. Throughout the movie, characters
within the matrix use phones to communicate with their real operator, Tank. These phones
function as a bridge between two worlds but are treated as little more than a medium of
communication. Compared to the verisimilitude of the matrix, these phones are rather
uninteresting, as they only emulate one sense, sound, and fail to raise those critical questions
concerning the gap between experience and veracity. Since The Matrix ponders those very same
themes, only a medium as subversive the human body itself would suffice.