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Tara Mantra Evam Tantra Sadhana in Hindi PDF

For any Guidance Please email to [email protected] or call on 9410030994 or 9540674788. For more information visit www.yogeshwaranand.org This document contains tantric mantra and puja vidhi of maa tara. In the centre [of the island of gems] is the wish fulfilling tree. Under this, a sadhaka should meditate on himself as being one with Tarini, as bright as the rising sun, the utmost sphere of light, in a place surrounded by beautiful maidens with fans and bells, wafted by a gentle breeze bearing the odour of scent and incense - Todala Tantra, IV Tara is quite well known to the West through Her Tibetan manifestations, but some are unaware of the important position She occupies in the Hindu tantrik pantheon. She is the second of the ten Mahavidyas. The major sources used on this page are an important Kaula tantra called Brihad Nila Tantra (see below) and the Tararahasya (Secrets of Tara) of Brahmananda Giri. The first deals with the exposition of Nila Sarasvati -- the Sapphire Blue Sarasvati. Sarasvati is the Brahma-Shakti, or spouse of the Supreme Deity in his Creative aspect. The other aspects are Vishnu and Mahesh -- all three symbolised in the three heads of Lord Dattatreya, patron guru of the Natha tradition. Some have attempted to separate the Hindu Tara from the Tibetan Tara, but there is little doubt that She is the same Devi. This is shown in a reference to Tara in the Hindu Tantrarajatantra, where Her mantra is given as Om Tare Tuttare Ture Svaha -- identical to the Tibetan version. Here Tara takes her form as Kurukulla. The various other forms are given in Brihad Nila Tantra and Devirahasya, under the names Nilasarasvati, Aniruddha Sarasvati, Ugra Tara, Tarini. Nilasarasvati gives as the fruit of worshipping Her poesy and eloquence. This, aside from clearly relating Nilasarasvati to White Sarasvati, also points to this Goddess being the Shakti of the Letters of the Alphabet, the Matrika Shakti. She has an important role in Tantrik cosmology because mantra, words, music are considered to be the very source of the cosmos. As Matrika Shakti She deludes the entire human race with Her Maya of letters, and words. This has been expressed in a Tantrik form, but, practically speaking, it is sufficient to say that much hypnosis (Maya) comes about via the medium of words. Millions of people have lost their lives through this power. Thus Her power and place in the Tantrik pantheon is quite justified, and Her mantra is described as a Siddha-Vidya, the cause of Maya and Englamouring. The background GIF here is the bija mantra of Sarasvati, Aim. Abstract of Brihad Nila Tantra Chapter One The tantra opens with a request from Devi to Mahakala Bhairava to reveal the Nila Tantra. Bhairava states that this tantra is the secret of all secrets and revealing it will cause lack of sccess. Having it in one's home is like having Lakshmi, the goddess of wealth. It protects against all misfortunes and its specific virtue is that through it a person can become a miracle worker. It is the king of all tantras and is the core of the quintessence. Bhairava summarises its contents, which include daily worship (puja), the king of mantras, the rules of puja and preparation of its mantra, optional and occasional rites, the secrets of magical restraint, the rules of Kumari puja, hymns, meditations, how to become eloquent, rites of sacrifice (homa), the attainment of poesy, the secret sadhana, the secret mantra, alchemy, preparation of miraculous ashes (bhasma) and everything related to the six magical acts (satkarma). Firstly, Bhairava deals with the Devi Tarini, which he says is a siddha vidya, causing Maya and englamouring. Her mantra is Om Hrim Strim Hum Phat. This vidya is said to be the heart of Nila Sarasvati. Its appliction is the attainment of poesy. It is to be pronounced facing north and meditated on as being like a lotus fibre extending from the base of the spine to the 1,000 petal lotus, like ten

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100% found this document useful (5 votes)
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Tara Mantra Evam Tantra Sadhana in Hindi PDF

For any Guidance Please email to [email protected] or call on 9410030994 or 9540674788. For more information visit www.yogeshwaranand.org This document contains tantric mantra and puja vidhi of maa tara. In the centre [of the island of gems] is the wish fulfilling tree. Under this, a sadhaka should meditate on himself as being one with Tarini, as bright as the rising sun, the utmost sphere of light, in a place surrounded by beautiful maidens with fans and bells, wafted by a gentle breeze bearing the odour of scent and incense - Todala Tantra, IV Tara is quite well known to the West through Her Tibetan manifestations, but some are unaware of the important position She occupies in the Hindu tantrik pantheon. She is the second of the ten Mahavidyas. The major sources used on this page are an important Kaula tantra called Brihad Nila Tantra (see below) and the Tararahasya (Secrets of Tara) of Brahmananda Giri. The first deals with the exposition of Nila Sarasvati -- the Sapphire Blue Sarasvati. Sarasvati is the Brahma-Shakti, or spouse of the Supreme Deity in his Creative aspect. The other aspects are Vishnu and Mahesh -- all three symbolised in the three heads of Lord Dattatreya, patron guru of the Natha tradition. Some have attempted to separate the Hindu Tara from the Tibetan Tara, but there is little doubt that She is the same Devi. This is shown in a reference to Tara in the Hindu Tantrarajatantra, where Her mantra is given as Om Tare Tuttare Ture Svaha -- identical to the Tibetan version. Here Tara takes her form as Kurukulla. The various other forms are given in Brihad Nila Tantra and Devirahasya, under the names Nilasarasvati, Aniruddha Sarasvati, Ugra Tara, Tarini. Nilasarasvati gives as the fruit of worshipping Her poesy and eloquence. This, aside from clearly relating Nilasarasvati to White Sarasvati, also points to this Goddess being the Shakti of the Letters of the Alphabet, the Matrika Shakti. She has an important role in Tantrik cosmology because mantra, words, music are considered to be the very source of the cosmos. As Matrika Shakti She deludes the entire human race with Her Maya of letters, and words. This has been expressed in a Tantrik form, but, practically speaking, it is sufficient to say that much hypnosis (Maya) comes about via the medium of words. Millions of people have lost their lives through this power. Thus Her power and place in the Tantrik pantheon is quite justified, and Her mantra is described as a Siddha-Vidya, the cause of Maya and Englamouring. The background GIF here is the bija mantra of Sarasvati, Aim. Abstract of Brihad Nila Tantra Chapter One The tantra opens with a request from Devi to Mahakala Bhairava to reveal the Nila Tantra. Bhairava states that this tantra is the secret of all secrets and revealing it will cause lack of sccess. Having it in one's home is like having Lakshmi, the goddess of wealth. It protects against all misfortunes and its specific virtue is that through it a person can become a miracle worker. It is the king of all tantras and is the core of the quintessence. Bhairava summarises its contents, which include daily worship (puja), the king of mantras, the rules of puja and preparation of its mantra, optional and occasional rites, the secrets of magical restraint, the rules of Kumari puja, hymns, meditations, how to become eloquent, rites of sacrifice (homa), the attainment of poesy, the secret sadhana, the secret mantra, alchemy, preparation of miraculous ashes (bhasma) and everything related to the six magical acts (satkarma). Firstly, Bhairava deals with the Devi Tarini, which he says is a siddha vidya, causing Maya and englamouring. Her mantra is Om Hrim Strim Hum Phat. This vidya is said to be the heart of Nila Sarasvati. Its appliction is the attainment of poesy. It is to be pronounced facing north and meditated on as being like a lotus fibre extending from the base of the spine to the 1,000 petal lotus, like ten

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Tara Sadhana rkjk&lk/kuk

Hkxorh rkjk eka dkyh dk gh Lo:Ik gSA eka dkyh dsk


uhy:ik gksus ds dkj.k gh rkjk dgk x;k gSA Hkxorh dkyh dk ;g Lo:Ik
loZnk eks{k nsus okyk gS] tho dks bl lalkj lkxj ls rkjus okyk gS& blfy,
og rkjk gSaA lgt esa gh os okd~ iznku djus okyh gSa blfy, uhyljLorh gSaA
Hk;adj foifRr;ksa ls lk/kd dh j{kk djrh gSa] mls viuh d`ik iznku djrh gSa]
blfy, os mxzrkjk ;k mxzrkfj.kh gSaA
;|fi eka rkjk vkSj dkyh esa dksbZ Hksn ugha gS] rFkkfi c`gUuhy ra=kfn
=kfn
xzaFkksa esa muds fofk"V Lo:Ik dk mYys[k fd;k x;k gSA g;xzho nkuo dk o/k
djus ds fy, nsoh dks uhy&foxzg izkIr gqvk] ftl dkj.k os rkjk dgykbZaA
ko&:Ik fko ij izR;kyh< eqnzk esa Hkxorh vk:< gSa] vkSj mudh uhys jax dh

vkd`fr gS rFkk uhy deyksa ds leku rhu us= rFkk gkFkksa esa dSaph] diky]
dey vkSj [kMx /kkj.k fd;s gSaA O;k?kz&peZ ls foHkwf"kr bu nsoh ds daB esa
eq.Mekyk ygjkrh gSA os mxz rkjk gSa] ysfdu vius HkDrksa ij d`ik djus ds
fy, mudh rRijrk veks?k gS A bl dkj.k eka rkjk egk&d:.kke;h gSaA
rkjk ra= esa dgk x;k gS&
leqnz eFkus nsfo dkydwV leqifLFkre~ AA
leqnz eaFku ds le; tc dkydwV fo"k fudyk rks fcuk fdlh {kksHk ds
ml gykgy fo"k dks ihus okys Hkxoku fko gh v{kksH; gSa vkSj muds lkFk
rkjk fojkteku gSaA fkokfDr laxe ra= esa v{kksH; kCn
kCn dk vFkZ egknso dgk
x;k gSA v{kksH; dks n`"Vk _f"k fko dgk x;k gSA v{kksH; fko _f"k dks
eLrd ij /kkj.k djus okyh rkjk rkfj.kh vFkkZr~ rkj.k djus okyh gSSaA muds
eLrd ij fLFkr fiaxy o.kZ mxz tVk dk Hkh vn~Hkwr jgL; gSA ;s QSyh gqbZ
mxz ihyh tVk,a lw;Z dh fdj.kksa dh izfr:ik gSaA ;g ,dtVk gSA bl izdkj
v{kksH; ,oa fiaxksxSzd tVk /kkfj.kh mxz rkjk ,dtVk ds :Ik esa iwth tkrh gSSaA
os gh mxz rkjk ko ds g`n; ij pj.k j[kdj ml ko dks fko cuk nsus
okyh uhy ljLorh gks tkrh gSaA
loZizFke egf"kZ ofk"V us Hkxorh
Hkxorh rkjk dh oSfnd jhfr ls vkjk/kuk dh]
ijarq os lQy ugha gq,A rc mUgsa muds firk czk th ls ladsr feyk fd os
rkaf=d i)fr ls Hkxorh rkjk dh mikluk djsa rks os fup; gh lQy gksaxsaA
ml le; dsoy Hkxoku cq) gh bl fo|k ds vkpk;Z ekus tkrs FksA vr%
egf"kZ ofk"B
ofk"B phu nsk esa fuokl dj jgs Hkxoku cq) ds ikl iagqps] ftUgksaus
egf"kZ dks phukpkj i)fr dk minsk fn;kA rnksijkUr gh ofk"B th dks
Hkxorh rkjk dh flf) izkIr gqbZA
blh dkj.k dgk tkrk gS fd Hkxorh rkjk dh mikluk rkaf=d i)fr ls
gh lQy gksrh gSA
egkdky&la
egkdky&lafgrk ds dkedyk&[k.M esa rkjk&jgL; of.kZr gS] ftlesa
rkjk&jkf= esa Hkxorh rkjk dh miklukdk foks"k egRo gSA pS= ekl dh kqDy
i{k dh uoeh frfFk dh jkf= dks rkjk&jkf= dgk tkrk gSA
fcgkj iznsk ds lgjlk tuin esa izfl) ^efgf"k^xzke esa Hkxorh mxzrkjk
dh fl)ihB fLFkr gSA bl ifo= LFkku esa eka rkjk] ,dtVk ,oa uhyljLorh

dh f=ewfrZ;ka ,d lkFk LFkkfir gSA oagk e/; esa cM+h izfrek rFkk mlds nksuksa
vksj NksVh izfrek,a LFkkfir gSA fdonafr ds vuqlkj ;gh og LFky gS] tagk
egf"kZ ofk"B us eka rkjk dh mikluk djds
djds flf) izkIr dh FkhA okLro esa
Hkxorh rkjk dk jgL; vR;Ur gh peRdkjiw.kZ gSA
esjh ;g eka loZe;h] uwru ty/kj Lo:ik yEcksnjh gSaA mUgksaus vius
dfV iznsk esa O;k?kz peZ yisVk gqvk gS] muds Lru LFkwy ,oa leqUur dqp
okys gSa] muds rhuksa us= yky&yky vkS
vkSj o`rkdkj gSa] mudh ihB ij vR;ar
?kksj ?kus dkys dsk QSys gq, gSa] mudk flj v{kksH; egknso ds fiz; ukx ds
Quksa ls lqkksfHkr gS] mudh nksuksa cxyks
cxyksa esa uhy deyksa dh ekyk,a kksfHkr gks
jgh gSa] ,slh eka rkjk dk eSa /;ku djrk gWwA
iapeqnzk&Lo:fif.k]
&Lo:fif.k] kqHkz f=dks.kkdkj dxy iapd dks /kkj.k djus okyh]
vR;ar uhy tVktwV okyh] fokky paoj eqnzk :ih dskksa ls vyad`r] osro.kZ
ds r{kd ukx ds oy; okyh] jDr o.kZ liZ ds leku vYikgkj okyh] fofp=
o.kksZa okys sk"kukx ls cus gkj dks /kkj.k djus okyh] lqugys ihro.kZ ds
NksVs&NksVs liksZa dh eqfnzdk,a /kkj.k djus okyh] gYds yky jax ds ukx dh cuh
dfVlw= okyh] nwokZny ds leku ;keo.kZ ds ukxksa ds oy; okyh] lw;Z] pUnz]
vfXuLo:i] f=u;uk] djksM+ks cky jfo dh Nfo;qDr nf{k.k us= okyh]
dksfV&dksfV ckypUnz ds leku khry
khry u;uksa okyh] yk[kksa vfXufk[kkvksa ls Hkh
rh{.k rstks:IkIk u;uka
u;ukas okyh] yiyikrh ftg~ok okyh] egkdky :ih ko ds g`n;
ij nk;sa in dks dqN eqM+h gqbZ eqnzk esa ,oa mlds nksuksa iSjksa ij vius ck;sa iSj
dks QSyh gqbzZ voLFkk esa ml izR;kyh<+ in okyh egkdkyh dk
dk ge /;ku djrs
gSa] tks rqjUr gh dVs gq, :f/kjkDr dskksa ls xwaFks x;s eq.Mekyksa ls vR;Ur
je.kh; gks x;h gSaA leLr izdkj ds L=h&vkHkw"k.kksa ls foHkwf"kr ,oa egkeksg dks
Hkh eksgus okyh gSa] egkeqfDr nkf;kfu] foijhr jfrdzhM+k] fujrk ,oa jfr
dkekosk ds dkj.k
dkj.k vkuUneq[kh gSA
Hkxorh rkjk dk /;ku vius deZ ;k y{; ds vuqlkj
fd;k tkrk gSA loZ izFke eSa muds lkfRod /;ku dk mYys[k dj jgk gWWw ftls
l`f"V /;ku Hkh dgk tkrk gS

lkfRod /;ku
osrkEcjk<~;ka gaLkLFkka
LkLFkka eqDrkHkj.kHkwf"krke~A
prqoZD=ke"VHkqtSnZ/kkuka
dqf.MdkEcqts AA
ojkHk;s ikkkDrh v{klzDiq"iekfyds A
kCnikFkksfu/kkS /;k;sr~ l`f"V/;kueqnhfjre~ AA
vFkkZRk~ &
lQsn oL= /kkj.k fd;s gq,] gal ij fojkftr] eksrh ds vkHkw"k.kksa ls
vyad`r] pkj eq[kksa okyh rFkk viuh vkB Hkqtkvksa esa dzek% de.My] dey]
oj] vHk; eqnzk] ikk] kfDr] v{kekyk ,oa iq"iekyk /kkj.k fd;s gq, kCn
leqnz esa fLFkr egkfo|k dk /;ku djsa A
Hkxorh dk jktl /;ku] ftls fLFkfr
fLFkfr /;ku Hkh dgk tkrk gS]
fuEuor~ gS%&
jktlh /;ku
jDrkEcjka jDrflagkluLFkka gseHkwf"krke~A
,doD=ka osnla[;SHkqZtS% lafcHkzrha dzekr~ AA
v{kekyka ikuik=e&Hk;a ojeqRree~ A
osr}hifLFkrka /;k;sr~ fLFkfr/;kufena Le`re~AA
vFkkZr~r~ &
jDr o.kZ ds oL= /kkj.k fd;s gq,] jDr o.kZ ds flagklu ij fojkftr]
lqo.kZ ls cus vkHkw"k.kksa ls lqkksfHkr] ,d eq[k okyh] viuh pkj Hkqtkvksa esa
v{kekyk] ikuik=] vHk; ,oa oj eqnzk /kkj.k fd;s gq, osr}hi fuokfluh
Hkxorh dk /;ku djsaA
blds
blds vfrfjDr Hkxorh rkjk dk rkel /;ku Hkh gS] ftls
lagkj /;ku dgk tkrk gS] og fuEuor~ gS%&
rkel /;ku
d`".kkEcjk<~;ka ukSlaLFkkeLF;kHkj.k&Hkwf"krke~ A
uooD=ka HkqtSj"VknkfHknZ/krha

oje~AA

vHk;a ijkqa nohZa [kM~xa ikkqira gye~ A


fHkf.Ma kwya p eqlya d=hZa kfDra f=kh"kZde~ AA
vFkkZr~ &
dkys jax dk oL= /kkj.k fd;s gq,] ukSdk ij fojkftr] gM~Mh ds
vkHkw"k.kksa ls foHkwf"kr] ukS eq[kksa okyh] viuh vkjg Hkqtkvksa esa oj] vHk;]
ijkq] nohZ] [kM~x] ikkqir] gy] fHkf.M] kwy] ewky] dSaph] kfDr] f=kwy]
lagkj vL=] ikk] otz] [kV~okax vkSj xnk /kkj.k djus okyh jDr&lkxj esa
fLFkr nsoh dk /;ku djuk pkfg,A
Hkxorh rkjk ds lk/kd dks dzwj deksZa esa lagkj /;ku] mPpkVu ,oa
okhdj.k deksZa esa fLFkfr
fLFkfr /;ku rFkk ikSf"Vd ,oa kkaafr vkfn deksZa esa l`f"V
/;ku djuk pkfg,A
Rkkjko.kZ ds vuqlkj _f"k ofk"B us yEcs le; rd Hkxorh rkjk
dh mikluk dh] ysfdu mUgsa flf) ugha izkIr gqbZ A vUr esa mUgksaus dzksf/kr
gksdj nsoh dks kki ns fn;k] ifj.kker% ;g
;g fo|k Qy iznku djus esa vleFkZ
gks x;h A
dqN le; Ikpkr dzks/k kkar gksus ij _f"k us bldk kkiks)kj
izkIr fd;kA kkiks)kj djrs le; rkjkcht ^=ha * esa l&dkj dk ;ksx djus ls
bldk kki nwj gks tkrk gSA rHkh ls ;g fo|k o/kw ds leku ;kfLofu gks x;h
x;h
vkSj Hkxorh rkjk dk ;g cht ^ =ha * o/kw cht dgykus yxkA
Hkxorh rkjk ds fHkUu &fHkUu uke gSaA mUgsa ,dtVk rkjk]
mxzrkjk] uhyljLorh rkjk ds :Ik esa tkuk tkrk gSA ;agk eSa muds iapk{kj
ea= dk fo/kku Li"V dj jgk gWwA
fofu;ksx %& ` vL; Jh rkjk ea=L;
L; v{kksH; _f"k%] c`grh NUn%] rkjk
nsork] gzha chat] gqa kfDr% vkReuksfHk"V fl);FkZa rkjkea= tis fofu;ksx%A
;agk ;g Hkh Lej.kh; gS fd Hkxorh rkjk mxz foifRr ls lk/kd dk
m)kj djrh gSa] blhfy, mUgsa mxzrkjk dgk tkrk gSA vr% bl izdkj ds
iz;ksx djrs le;
le; tc fofu;ksx djsa rks ^ gqa * cht rFkk ^QV * kfDr dk
iz;ksx djsa A ml le; gzha cht] gqa kfDr dk iz;ksx ugha djuk pkfg,A blls

jkt}kj] jktlHkk] jktdk;Z] fookn] laxkzke ,oa |wr vkfn dk;ksZa esa lk/kd dks
fup; gh fot; izkfIr gksrh gSA
_";kfnU;kl%& ` v{kks
v{kksH; _"k;s ue% fkjfl A
` c`grh NUnls ue% eq[ks A
` rkjknsork;S ue% g`fn A
` gzha ( gwa) chtk; ue% xqg~;sA
` gwaQV~ kDr;s ue% ikn;ks%A
` L=ha dhydk; ue% lokZaxs A
djkaxU;kl %&
` gzka vaxq"BkH;ka ue%A
` gzha rtZuhH;ka ue% A
` gzwa e/;ekH;ka ue%A
` gzSa vukfedkH;ka
vukfedkH;ka ue% A
` gzkSa dfuf"BdkH;ka ue% A
` gz% djry&dj&i`"BkH;ka ue% A
djkaxU;kl ds leku gh g`n;kfn U;kl djsaA
ea= % ` gzha L=ha gqa QV~ A Hkxorh rkjk dk ;g iapk{kjh ea= gSA

About The Author


Name :Mb :Email ;Web :

Shri Yogeshwaranand Ji
+919917325788, +919675778193
[email protected]
www.anusthanokarehasya.com

MY DEAR READERS! VERY SOON I AM GOING TO START AN E-MAIL


BASED MONTHLY MAGAZINE RELATED TO TANTRAS, MANTRAS
AND YANTRAS INCLUDING PRACTICAL USES FOR HUMAN
WELFARE. I REQUEST YOU TO APPRECIATE ME, SO THAT I CAN
CHANGE MY DREAMS INTO REALITY REGARDING THE SERVICE OF
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THE GRACE OF MA PITAMBARA. PLEASE MAKE REGISTERED TO
YOURSELF AND YOUR FRIENDS. FOR REGISTRATION EMAIL ME AT
[email protected]. THANKS

Some Of the Books Written By Shri Yogeshwarnand Ji


For Purchasing Books Contact 9410030994

1. Baglamukhi Sadhana Aur Siddhi

2. Mantra Sadhana

3. Shodashi Mahavidya

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