Handout Howl
Handout Howl
Renate Ulbrich Studentin: Anni Herz Allen Ginsberg Howl Allen Ginsberg & Beat Generation Part I -
SS 2011
Irwin Allen Ginsberg: June 3, 1926 April 5, 1997 one of the most influential poets of the 20th Century a leading figure of the Beat Generation Beat Generation: 1950s experimentation with drugs and alternative forms of sexuality, an interest in Eastern religion, a rejection of materialism Howl: among the best known examples of Beat literature list of atrocities desperate critique of civilization, outcry madness scenes, characters, and situations from Ginsberg's personal experience
Part II - accusation of guilt - antagonist Moloch the symbol of social illness Part III - about Carl Solomon the supreme martyr -> symbol - turning point away from the grim tone of Part II Footnote to Howl - an extra variation of the form of Part II - offers a cure for the social illness Part I, a lament for the Lamb in America with instances of remarkable lamblike youths; Part II names the monster of mental consciousness that preys on the Lamb; Part III a litany of affirmation of the Lamb in its glory: O starry-spangled shock of Mercy! The structure of Part II, pyramidal, with a graduated longer response to the fixed base. A. Ginsberg Style and technique: individual style an open, ecstatic expression of thoughts and feelings that were naturally poetic Part I = only 1 sentence poems density: juxtapositions derived from Czannes optic trick Ginsbergs line breaks were often determined by breath no meter (accidentally dactylic) -> free verse fixed base (who, Moloch, holy) -> Walt Whitman inverted pyramid, with larger sections leading to smaller sections