Unit 9
Unit 9
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Which should we assume to be the original form of tradition?
34.
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m * m m w ~ % m ~ ~ b m 3 f ~ ' R * m ~ m W atfirst g l a n c e d T 3 ibm l& $1 3n: R (it @:w Wfl 61 JlRfrsa at first sight if glmee W 8 h .fiPTa % to 'kfkf h" % rn to seem dk to appear, TX & m~ & (it 9, m: T$ to seem T Fh appear 3 3 T m f l & ~ k f ; q m w m m ~ :
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Tormented by the uncertainties and the m i s e r y of the present, a demand is made for a return to the golden age of history.
ii)
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An analysis of these golden ages tells us that their decline took place because oftheir inconsistencies and their inability to face new challenges.
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An analysis of the golden ages tells us that their inconsistencies and their inability to face new challenges were the reasons for their decline.
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However great their achievements may have been, they were unable in searching new solutions of new problems.
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However great their achievements mav have been they were unable to discover solutions for new problems.
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However great their achievements, they were unable to discover solutions for new problems.
Are the answers to today's questions found in the culture of that age?
Can the answers to today's questions be found in the culture of that age?
Can we find the answers to today's questions in the culture of that age?
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60.
Which should we assume to be the original form of tradition? At first sight this question seems to be meaningless because no tradition comes cast in a mould from a mint, we do not get it readymade, rather L t grows gradually. The matter does not stop here. Tormented by the uncertainties and the misery of the preaept, a dpmaud is made for a return to the golden age of history. An analyola of the golden age8 tells as that their inconsistendes and their inability to face new challanges were the reasons for their decline. However great their achievements, they were unable to dikover solutions for new problems. Can we find answers to today's questions in the culture of that age? It is impossible to turn back the current of history,
63.
' ' - " i n ~ ~ 8 1 ~ ~ e a ~ l e e b 1 % i l l ~ t i o n ~ *Ift ' ~ " % f j i h 8 ~ ~ ~ e x a m P l e ~ ~ f$T?m %V$ %I ?lR?Fk7 % illustration W d 3 act of making lustrous or clear, act of explaining,example (Chamber's Twentieth Century Dictionary, P 527)l 3T$Fil T8 k f l TW 3 3 S T m % ,3 d pft @
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64.
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65.
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I givdcite the example of this constant conflict between man and nature by field and foot way.
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For this constant conflict between man and nature I cite the example of field and footway.
- On the path on which hundreds of people u d k everyday, grass does not grow and
footway is fonned.
65.
Grass does not grow on the path on which hundreds of people walk every day and a footway is formed.
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Grass does not grow on the path trod by hundreds of people everyday and a footway comes into being.
But the feet of man stopped and Nature gave the proof of its power to him.
But as soon as the feet of man stop. Nature gives him the proof of its power.
68.
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69.
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- Immediately, grass will g r o w there, plants and trees will germinate, living creatures will arrive.
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Even the palaces are ruinedlturned into ruins if not maintained with appropriate effort/endeavour.
74.
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Therefore attempt will also have to be made to protect one's produce and wealth at personal as well as social level.
80.
'w ?TzF 3 W" m ?Kd$ this much is done " 6h" i % sTpfifq~p~Q1ampmmf%m 'mmc@~*%w, 9, Tth 8V - once this much is achieved I T6 f%7 YF3f 3
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... the fruit is grown by the farmer but enjoyed by the landlord.....
83.
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arises, which is grown by the farmer but obtainedenjoyed by the landlord or the trader.
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- Once this much is achieved, then the qu?stion of the fruit of the production
84.
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For this constant conflict between man and Nature I cite the example of field and foomzy. Grass does not grow on the path trod by hundreds of people everyday and a footway comes into being. But as soon as the feet of man stop, Nature gives him the proof of its power. Immediately, grass will grow there, plants and trees will germinate, living creatures will arrive. As soon as man's endeavour stops, palaces turn into ruins. (Even the palaces are ruinedturned into ruins if not maintained with appropriate endeavour). Therefore attempts will also have to be made to protect one's produce and wealth on personal as well as social level. Once this much is achieved,then the question of the fruit of the production arises, which is grown by the farmer but enjoyed by the landlord or the trader. ,
Gki :
1) 2)
3)
5)
Inter in Science, Intermediate Scicence Courses, I.Sc., Doing, completing, Hindi Sahitya Sammelan, Conversion of Hindi Literature.
6)
7)
(1) present, available, (2) necessary, important, required, (3) outline of life, life-sketch, (4) facility, convenience, (5) some, certain (6) problems, difficulties, (7) gives birth to, entails, generates, (8) is present, is there, exists, (9) novelty, newness.
4) 5)
?k(1965), & T k
(1965),
(1968)
10) 11)
The problems of Translation (1993), eds. G. Gopinatti and S. Kandaswamy, Lok Bharati Allahabad,
*rnTramr**,G.h**,rnm
Allahabad,I
Bhagwati Charan Vohra was two years senior to us in the National College. We did see him around in the college but were not quite close to him. He lived in his house in the city and not in the hostel. He had joined non-cooperation movement after completing his intermediate Science Course from the University. Our intimacy grew first in 1924 in Dehradun on the occasion of Hindi Sahitya Sammelan and then in 1925 in t h e course of distributing the hand bills of H.RA. (Hindustan Republican Amy). Just to come to know
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about any person that he was a comrade in the cause of armed revolution was sufficient to enhance our inti-naq. This implied that he was our companion in the game of life and death.
To write the biography of an author whose detailed autobiography is available is a task both easy and difficult. Easy, because the material, references and life-sketch required for a biography are easily available in the autobiography. The biographer does not have to run around collecting all this data. But this convenience entails certain problems. With all this faciii* at hand, the first question the biographer faces is about the necessity of writing the biography when an autobiogrphy already exists. And if the task is still undertaken, how to add novelty to it? Where it is not possible to add newness at the level of facts and information in the biography, the element of novelty can be introduced through the reconstruction of the life story, through the search of a new meaning in the life struggle of the original author, through a novel analysis of his creativity and ideas, and most of all, through the art of writing biography.