Quarter One Resources
Quarter One Resources
by Mona Gardner
The country is India. A colonial official and his wife are giving a large dinner party. They are
seated with their guests—army officers and government attachés and their wives, and a visiting
American naturalist—in their spacious dining room, which has a bare marble floor, open rafters
*
and wide glass doors opening onto a veranda.
A spirited discussion springs up between a young girl who insists that women have outgrown
Copyright © by Holt, Rinehart and Winston. All rights reserved.
the jumping-on-a-chair-at-the-sight-of-a-mouse era and a colonel who says that they haven’t.
“A woman’s unfailing reaction in any crisis,” the colonel says, “is to scream. And while a
man may feel like it, he has that ounce more of nerve control than a woman has. And that last
ounce is what counts.”
The American does not join in the argument but watches the other guests. As he looks, he
sees a strange expression come over the face of the hostess. She is staring straight ahead, her
muscles contracting slightly. With a slight gesture she summons the native boy standing behind
her chair and whispers to him. The boy’s eyes widen: he quickly leaves the room.
Of the guests, none except the American notices this or sees the boy place a bowl of milk on
the veranda just outside the open doors.
The American comes to with a start. In India, milk in a bowl means only one thing—bait for
a snake. He realizes there must be a cobra in the room. He looks up at the rafters—the likeliest
place—but they are bare. Three corners of the room are empty, and in the fourth the servants are
waiting to serve the next course. There is only one place left—under the table.
His first impulse is to jump back and warn the others, but he knows the commotion would
frighten the cobra into striking. He speaks quickly, the tone of his voice so arresting that it sobers
everyone.
*
During the time this story takes place, India was a British colony. The colonial official works for the
British government in India. The government attachés work for another country’s embassy in India.
Finally, a naturalist is someone who studies animals and plants.
“The Dinner Party” by Mona Gardner from The Saturday Review of Literature, vol. 25, no. 5, January 31,
1941. Copyright © 1941 by General Media Communications, Inc. Reprinted by permission of The
Saturday Review.
“I want to know just what control everyone at this table has. I will count to three
hundred—that’s five minutes—and not one of you is to move a muscle. Those who move will
forfeit fifty rupees. Ready!”
The twenty people sit like stone images while he counts. He is saying “. . . two hundred and
eighty. . .” when, out of the corner of his eye, he sees the cobra emerge and make for the bowl of
milk. Screams ring out as he jumps to slam the veranda doors safely shut.
“You were right, Colonel!” the host exclaims. “A man has just shown us an example of
perfect control.”
Copyright © by Holt, Rinehart and Winston. All rights reserved.
“Just a minute,” the American says, turning to his hostess. “Mrs. Wynnes, how did you know
that cobra was in the room?”
A faint smile lights up the woman’s face as she replies: “Because it was crawling across my
foot.”
The Oddity of Suburbia
by Alice Sebold
My family was watching television when a couple - the mother and father to a
woman who lived one street over with her family - were hit by a car and landed on
our front lawn. The man who hit them, leapt out of his car and shouted to two boys
playing basketball in the driveway of the house across from ours. He yelled: "These
people need an ambulance." He then proceeded to jump back in his car and drive
three houses down, where he calmly parked in his own driveway and went inside his
house. The daughter of the couple who had been hit had been walking behind her
parents and, having lapped them once, now came up upon the scene. We heard the
screaming and ran out. Both of her parents were killed. One died on our lawn, the
other died later, in a hospital. And the man who struck them? He was both one of
our neighbors and, by profession, a paramedic.
As I grew up and left home, living in Manhattan and just outside L.A., I began to
realize more and more that within the suburban world of my upbringing there were
as many strange stories as there were in the more romanticized parts of the world.
Ultimately, the East Village had nothing on Nowhere U.S.A. and I returned, after
several failed attempts at "the urban novel," to the material I knew best. Of course, I
found the elements for The Lovely Bones in a combination of things, but a major
element in its pages is the oddness of what we often condescendingly refer to as the
suburbs.
In those places - like the place where I grew up -- where all the houses of a
particular development share the same floor plan or, in upper end versions of recent
years, vary among three or four, live people with lives much more complex than the
architecture containing them would suggest. But it took me years to go home again
in my mind and imagination. To see the incidents that occurred all around me as a
child and as a teenager as worthy of narrative. But growing up in one of many
supposed Nowhere U.S.A.'s has created for me a bottomless well of narrative ideas.
Who would have thought that the place I most despised growing up - where I felt
like the weirdest freak and the biggest loser - would turn out to be a gift to me. But
what I have finally, to my joy, been made aware of is that while I grew up hearing
that there were 'a thousand stories in the naked city and none of them the same'
this was as true of the look-alike houses all around me as it was of the places I lived
as an adult. The difference perhaps is that you have to look harder in the suburbs,
past the floor plans and into the human heart.
© Copyright 2002 by Time Warner Bookmark. All rights reserved.
The Sun Goes Down on Summer by Steve Lawhead http://members.accessus.net/%7Ebradley/sungoesdownonsumm...
I come to the water one last time as the sun goes down on summer.
It's going; I can feel it slip away, and it leaves a cold empty spot
a hole in my warm memories of endless golden days
and dreams as ripe as watermelons.
I'd give the world to make the summer stay.
Soon school will start again. And all the things I thought I'd left behind will come back, and it won't
be gentle water I'll be swimming in---
It'll be noise and people and schedules and passes and teachers telling everyone what to do.
One more year of homework, tests and grades. Of daily popularity contests and pressure-cooker
competition and heaps of frustration.
The first day is the worst. Not knowing who your friends are, or what's changed since last year.
Trying to pick it up where you left off.
I'll look real hard for a last-year's friend to get me from one scrambled class to another, through halls
crawling with people.
1 of 2 9/3/09 8:24 PM
The Sun Goes Down on Summer by Steve Lawhead http://members.accessus.net/%7Ebradley/sungoesdownonsumm...
When the doors open on Monday morning, I’ll have a fresh start,
a fresh opportunity to find myself.
I want to be ready.
2 of 2 9/3/09 8:24 PM
“There’s a Hole in my Sidewalk“, by Portia Nelson
Chapter 1.
I walk down the street.
There is a deep hole in the sidewalk.
I fall in.
I am lost…
I am helpless.
It isn’t my fault.
It takes forever to find a way out.
Chapter 2.
I walk down the same street.
There is a deep hole in the sidewalk.
I pretend I don’t see it.
I fall in again.
I cant believe I am in this same place.
But it isn’t my fault.
It still takes a long time to get out.
Chapter 3.
I walk down the same street.
There is a deep hole in the sidewalk.
I see it is there.
I still fall in… its a habit.
But, my eyes are open.
I know where I am.
It is my fault.
I get out immediately.
Chapter 4.
I walk down the same street.
There is a deep hole in the sidewalk.
I walk around it.
Chapter 5.
I walk down another street.
The World Is Not a Pleasant Place To Be
the world is not a pleasant place
to be without
someone to hold and be held by
a river would stop
its flow if only
a stream were there to recieve it
an ocean would never laugh
if clouds weren't there
to kiss her tears
the world is not a pleasant
place to be without
someone
Nikki Giovanni
CHOICES
By Nikki Giovanni
if i can't do
what i want to do
then my job is to not
do what i don't want
to do
it's not the same thing
but it's the best i can
do
if i can't have
what i want . . . then
my job is to want
what i've got
and be satisfied
that at least there
is something more to want
since i can't go
where i need
to go . . . then i must . . . go
where the signs point
through always understanding
parallel movement
isn't lateral
when i can't express
what i really feel
i practice feeling
what i can express
and none of it is equal
i know
but that's why mankind
alone among the animals
learns to cry
Human Family
Poem by Dr. Maya Angelou
Read at the dedication of the Disney Millennium Village
‐‐Paul
Lawrence
Dunbar
Best of What's Around Lyrics That really matters
Artist(Band):Dave Matthews Band and Dave That really matters
Matthews That really matters
And hurts not much when you're around
Hey, my friend When you're around
It seems your eyes are troubled
Care to share your time with me
Would you say you're feeling low and so
A good idea would be to get it off of your mind
One Dime Blues
written by Blind Lemon Jefferson
SUCKER
Carson McCullers
parachute and he wouldn't fall hard. He did it and busted his knee.
That's just one instance. And the funny thing was that no matter how
many times he got fooled he would still believe me. Not that he was
dumb in other ways—it was just the way he acted with me. He would
look at everything I did and quietly take it in.
There is one thing I have learned, but it makes me feel guilty and is
hard to figure out. If a person admires you a lot you despise him and
don't care- —and it is the person who doesn`t notice you that you are
apt to admire. This is not easy to realize. Maybelle Watts, this senior
at school, acted like she was the Queen of Sheba and even
humiliated me. Yet at the same time I would have done anything in
the world to get her attentions. All I could think about day and night
was Maybelle until I was nearly crazy. When Sucker was a little kid
and on up until the time I was twelve I guess I treated him as bad as
Maybelle did me.
Pete?"
I couldn’t get over the .surprise of everything until it was like this
was the real dream instead of the other.
"You have liked me all the time like I was your own brother, haven't
you?"
"Sure," I said.
Then I got up for a few minutes. It was cold and I was glad to come
back to bed. Sucker hung on to my back. He felt little and warm and I
could feel his warm breathing on my shoulder.
"No matter what you did I always knew you liked me."
certain way even than Maybelle. I felt good all over and it was like
when they play sad music in the movies. I wanted to show Sucker
how much I really thought of him and make up for the way I'd always
treated him. We talked for a good while that night. His voice was fast
and it was like he had been saving up these things to tell me for a
long time. He mentioned that he was going to try tobuild a canoe and
that the kids down the block wouldn't let him in on their football team
and 1 don't know what all. I talked some too and it was a good
feeling to think of him taking in everything I said so seriously. I even
spoke ofMaybelle a little, only I made out like it was her who had
been running after me all this time. He asked questions about high
school and so forth. His voice was excited and he kept on talking fast
like he could never get the words out in time.When I went to sleep he
was still talking and I could still feel his breathing on my shoulder,
warm and close.
During the next couple of weeks 1 saw a lot of- Maybelle. She
acted as though she really cared for me a little. Half the time I felt so
good I hardly knew what to do with myself. Hut I didn't forget about
Sucker. There were a lot of old things in my bureau drawer I'd been
saving—boxing gloves and Tom Swift books and second-rate fishing
tackle. All this I turned over to him. We had some more talks together
and it was really like I was knowing him for the first time. When there
was a long cut on his cheek I knew he had been monkeying around
with tins new first razor set of mine, but I didn't say anything. His face
seemed different now. He used to look timid and sort or like he was
afraid of a whack over the head. That expression was gone. His
face, with those wide-open eyes and his cars sticking out and his
7
mouth never quite shut, had the look of a person who is surprised
and expecting something swell.
Once I started to point him out to Maybelle and tell her he was my kid
brother. It was an afternoon when a murder mystery was on at the
movie. I had earned a dollar working for my
dad and I gave Sucker a quarter to go and get candy and so forth.
With the rest I took Maybelle. We were sitting near the back and I
saw Sucker come in. He began to stare at the screen the minute he
stepped past the ticket man and he stumbled down the aisle without
noticing where he was going. I started to punch Maybelle but couldn't
quite make up my mind. Sucker looked a little silly—walking like a
drunk with his eyes glued to the movie. He was wiping his reading
glasses on his shirttail and his knickers flopped down. He went on
until he got to the first few rows where the kids usually sit. I never did
punch Maybelle. . But I got to thinking it was good to have both of
them at the movie with the money I earned.
I guess things went on like this for about a month or six-weeks. I
felt so good I couldn't settle down to study or pin mv mind on
anything. I wanted to be friendly with everybody. There were times
when I just had to talk to some person. And
usually that would be Sucker. He felt as good as I did. Once he said:
"Pete, I am gladder that you are like my brother than anything else in
the world."
Then something happened between Maybelle and me. I never have
figured out just what it was. Girls like her are hard to understand. She
began to act different toward me. At first I wouldn't let myself believe
this and tried to think it was just my imagination. She didn't act glad
to see me anymore. Often she went out riding with this fellow on the
8
football team who owns this yellow roadster. The car was the color of
her hair and after school she would ride off with him, laughing and
looking into his face. I couldn't think of anything to do about it and she
was on my mind all day and night. When I did get a chance to go out
with her she was snippy and didn't seem to notice me. This made me
feel like something was The matter—I would worry about my shoes
clopping too loud on the floor, or the fly of my pants, or the bumps on
my chin..Sometimes when Maybelle was around, a devil would get
intome and I'd hold my face stiff and call grown men by their
lastnames without the Mister and say rough things. In the night
Iwould wonder what made me do all this until I was too tiredfor sleep.
At first I was so worried I just forgot about Sucker. Thenlater he
began to get on my nerves. He was always hangingaround until I
would get back from high school, always look-ing like he had
something to say to me or wanted me to tellhim. He made me a
magazine rack in his Manual Trainingclass and one week he saved
his lunch money and bought methree packs of cigarettes. He couldn't
seem to take it in thatI had things on my mind and didn't want to fool
with him.Every afternoon it would be the same—him in my roomwith
this waiting expression on his face. Then I wouldn't sayanything or I'd
maybe answer him rough-like and he wouldfinally go on out.
I can't divide that time up and say this happened oneday and that
the next. For one thing I was so mixed up theweeks just slid along
into each other and I felt like hell anddidn't care. Nothing definite was
said or done. Maybelle still rode around with this fellow in his yellow
roadsterand sometimes she would smile at me and sometimes
not.Every afternoon I went from one place to another where Ithought
she would be. Either she would act almost niceand I would begin
thinking how things would finallyclear up and she would care for me—
9
or else she'd behaveso that if she hadn't been a girl I'd have wanted
to grabher by that white little neck and choke her. The moreashamed
I felt for making a fool of myself the more I ranafter her. Sucker kept
getting on my nerves more and more. He would look at me as though
lie sort of blamed me for something, but at the same time knew that it
wouldn't lastlong. He was growing fast and for some reason began
tostutter when he talked. Sometimes he had nightmares orwould
throw up his breakfast. Mom got him a bottle ofcod liver oil.
Then the finish came between Maybelle and me. I met hergoing to
the drug store and asked for a date. When she saidno I remarked
something sarcastic. She told me she was sickand tired of my being
around and that she had never cared arap about me. She said all
that. I just stood there and didn'tanswer anything. I walked home very
slowly.
For several afternoons I stayed in my room by myself. Ididn't want
to go anywhere or talk to anyone. When Suckerwould come in and
look at me sort of funny I'd yell at him toget out. I didn't want to think
of Maybelle and I sat at mydesk reading Popular Mechanics or
whittling at a toothbrushrack I was making. It seemed to me I was
putting that girlout of my mind pretty well.
But you can't help what happens to you at night. That iswhat made
things how they are now.
You see a few nights after Maybelle said those words to meI
dreamed about her again. It was like that first time and I
wassqueezing Sucker's arm so tight I woke him up. He reachedfor
my hand.
"Pete, what's the matter with you?"
neck stuck out skinny and small. His hair was damp on his forehead.
"Why do you always hang around me? Don't you know when you're
not. wanted?"
Afterward I could remember the change In Sucker's face. Surely that
blank look went away and he closed his mouth.His eyes got narrow
and his fists shut. There had never been such a look on him before. It
was like every second he was getting older. There was a hard look to
his eyes you don't see usually in a kid. A drop of sweat rolled down
his chin and he didn't notice. He just sat there with those eyes on me
and he didn't speak and his face was hard and didn't move.
"No you don't know when you're not wanted. You're too dumb. Just
like your name—a dumb Sucker."
It was like something had busted inside me. I turned off the light
and sat down in the chair by the window. My legs were shaking and I
was so tired I could have bawled. The room was cold and dark. I sat
there for a long time andsmoked a squashed cigarette I had saved.
Outside the yard was black and quiet. After a while I heard Sucker lie
down.
I wasn't mad anymore, only tired. It seemed awful to me that I had
talked like that to a kid only twelve. I couldn't take it all in. I told myself
I would go over to him and try to make it up. But I just sat there in the
cold until a long timehad passed. I planned how I could straighten it
out in the morning. Then, trying not to squeak the springs, I got back
in bed.
Sucker was gone when I .woke up the next day. And later
when I wanted to apologize as I had planned he looked at me
in this new hard way so that I couldn't say a word.
12
All of that was two or three months ago. Since then Sucker
has grown faster than any boy I ever saw. He's almost as tall
as I am and his bones have gotten heavier and bigger. He
won't wear any of my old clothes anymore and has bought his
first pair of long pants—with some leather suspenders to hold
them up. Those are just the changes that are easy to see and
put into words.
Our room isn't mine at all anymore. He's gotten up this gang of kids
and they have a club. When they aren't digging trenches in some
vacant lot and fighting they are always in my room. On the door there
is some foolishness written in Mercurochrome
saying "woe to the Outsider who Enters" and signed with crossed
bones and their secret initials. They have rigged up a radio and
every afternoon it blares out music. Once as I was coming in I heard
a boy telling something in a low voice about what he saw in the back
of his big brother's automobile. I could guess what I didn't hear.
That's what her and my brother do. It's the truth – parked in the car.
For a minute Sucker looked surprised and his face was almost like it
used to be. Then he got hard and tough again. "Sure, dumbbell. We
know all that." They didn't notice me. Sucker began telling them how
in two years he was planning to be a trapper in Alaska.
But most of the time Sucker stays by himself. It is worse when we
are alone together in the room. He sprawls across the bed in those
long corduroy pants with the suspenders and just stares at me with
that hard, hard-sneering look. Fiddle around my desk and can't get
settled because of those eyes of his. And the thing is I just have to
study because I've gotten three bad cards this term already. If I flunk
13
English I can't graduate next year. I don't want to be a bum and I just
have to get my mind on it. I don't care a flip for Maybelle or any
particular girl anymore and it's only this thing between Sucker and me
that is the trouble now. We never speak except when we have to
before the family. I don't even want to call him Sucker anymore and
unless I forget I call him by his real name, Richard. At night I can't
study with him in the room and I have to hang around the drug store,
smoking and doing nothing, with the fellows who loaf there.
More than anything I want to be easy in my mind again. And I miss
the way Sucker and I were for a while in a funny, sad way that
before this I never would have believed. But everything is so
different that there seems to be nothing I can do to get it right. I've
sometimes thought if we could have it out in a big fight that would
help. But ! can't fighthim because he's four years younger. And
another thing--sometimes this look in his eyes makes me almost
believethat if Sucker could he would kill me.
Writer's Workshop
In any form you wish—story, essay, poem, or short script—create a written
work that explores a relationship between two siblings. If you are writing prose,
write about two or three different incidents that show the changing nature of
the relationship between the two.