KENNETH GOLDSMITH

1961

Oliver G oldsmith wrote of his friend: Megatalented man of the theater: David Herrick: On the stage he was natural, simple affecting: Twas only that when he was off he was acting: With no reas on on earth to go out of his way: He turnd and he varied full ten times a da y: 1The turning transelectrical thing about my extraordinary mega talented fr iend: Kenneth Goldsmith is his stunning invisible enviable doabled overcoats: Every time you do: Or do not: Or half see him: He is wearing an invisible overcoat vibrati ng in the radio wave slice of the spectrum: On real lion legs: Iron gold: Febriled: Gle aming: Stepping out: Gold: On real lion legs: Differenced: Mega diversed: He enjoys two kinds: Transparent: And Opaque: Two extra ordinary lines: Transparent: And Opaque: O vercoats ever transintramorphing: And intertransmorphing: One on top of the othe r: One under the other: One into the other: And back: And forth: Folding space: Foldi ng sound: Folding time: Folding mass: Fold ing texture: Electric Ray Sound Overco ats Form electronic free port floatation sound bias ephemeral invisible electric fabric reservoir s: Near Infinite Overcoats: Transparent: And Opaque: Many of his fleetingly glimpsed: Magically: Almost invisible: Transparent overcoats comprise strange unheard of sou nd weavings pouring profusely in boisterous silence of zebra stripe scrape: Or: Granite escarpment clang: Or: Waterfall thud: Or: Cloud squish: Or: Forest murmur plash: O r: Gigantic lead book screaming: Steal Me: Or: Strange three knocks on a huge stone g ate radio wave adroit cornucopial hurricane: Or: Nonstop vowelish symphony: Or: Restr ained consonantic oratorio: Or: Background airplane engine backing up milk pail bange d by monkey wrench serenading lion swung by tail by cement mixer handle: All in: Ne o Luck: Post Huck: Flugletintiniation 1920s german screams: Like torn electric Sasseta peaked phantoms of tomorrows newspaper: Many of his Solid: Significant: Timbring: Dynamic: Ever reprising: Into bilious whirl pool of vibrating diamond plywood cem ent form: Opaque overcoats are strikingly refreshing: Faux gorilla fur gulps: Or: Z ebra stripe serge fidgets: Or: Parrot orange melba soliloquies: Or: Yak molt hopsacke d yells: Or: Ermine spider vanilla tartan ubu webs: Or: Chaemelion on plaid rain forest canopy extensive sizzling radio word rains: Or: Museum of moderate art relis hed built in Comanche thong twig child carrier giggle: Or: Slowly deconstructing: I hear america screaming: Hard rock litter fiel d found noise: And then there is the question of: The hide of Ke nneth Goldsmith: Except for one heavily retouched ancient phot o of him running through a grave yard naked at midnight: No on e has recently seen Kenneth Gold smiths skin: Yet: His soft midn ight gold fur shady sevilliac micro phone baffle face scarf: Darki ng furred gloves: And shiny gold toe socks are widely admired: His wide easy fearless three AM of the soul purring radionicall y waved alliteration produces uni versal awe: Whirled: The endl ess tape of his words is lightening at times: Pearled: His cdiacle voice is reedy at times: Furled: His shellac smile shows teeth at tim es: Sometimes his needle scratches. With all Post Pre Italian Futu rist: Se fosse il fuoco: Cecco Furioso: At times he bangs the dark gar bage can lids of all world clang: But it is never forgettable: Hurled: It s hakes the tin fence of word up: Whirled It wakes the dull world up: It s laughters the dull boring silence of slow: The visual: Concrete: + Sound lion leg post nabuccodinosaur overcoat bang ing 3 AM garbage can lids on the back fence of groping to find in the back of your mind een within the boo ming in human zooming in traffics roar:
http://www.ubu.com/ http://www.ubu.com/ http://www.ubu.com/ http://www.ubu.com/ http://www.ubu.com/ http://www.ubu.co http://www.ubu.co http://www.ubu.co http://www.ubu.co http://www.ubu.co m/ http://www.ubu.com/ http://www.ubu.com/ m/ http://www.ubu.com/ http://www.ubu.com/ m/ http://www.ubu.com/ http://www.ubu.com/ m/ http://www.ubu.com/ http://www.ubu.com/ m/ http://www.ubu.com/ http://www.ubu.com/

1: Read: Retaliation: Oliver Goldsmith: c. 1760

KENNETH GOLDSMITH
1961

Oliver G oldsmith wrote of his friend: Megatalented man of the theater: David Herrick: On the stage he was natural, simple affecting: Twas only that when he was off he was acting: With no reas on on earth to go out of his way: He turnd and he varied full ten times a da y: 1The turning transelectrical thing about my extraordinary mega talented fr iend: Kenneth Goldsmith is his stunning invisible enviable doabled overcoats: Every time you do: Or do not: Or half see him: He is wearing an invisible overcoat vibrati ng in the radio wave slice of the spectrum: On real lion legs: Iron gold: Febriled: Gle aming: Stepping out: Gold: On real lion legs: Differenced: Mega diversed: He enjoys two kinds: Transparent: And Opaque: Two extra ordinary lines: Transparent: And Opaque: O vercoats ever transintramorphing: And intertransmorphing: One on top of the othe r: One under the other: One into the other: And back: And forth: Folding space: Foldi ng sound: Folding time: Folding mass: Fold ing texture: Electric Ray Sound Overco ats Form electronic free port floatation sound bias ephemeral invisible electric fabric reservoir s: Near Infinite Overcoats: Transparent: And Opaque: Many of his fleetingly glimpsed: Magically: Almost invisible: Transparent overcoats comprise strange unheard of sou nd weavings pouring profusely in boisterous silence of zebra stripe scrape: Or: Granite escarpment clang: Or: Waterfall thud: Or: Cloud squish: Or: Forest murmur plash: O r: Gigantic lead book screaming: Steal Me: Or: Strange three knocks on a huge stone g ate radio wave adroit cornucopial hurricane: Or: Nonstop vowelish symphony: Or: Restr ained consonantic oratorio: Or: Background airplane engine backing up milk pail bange d by monkey wrench serenading lion swung by tail by cement mixer handle: All in: Ne o Luck: Post Huck: Flugletintiniation 1920s german screams: Like torn electric Sasseta peaked phantoms of tomorrows newspaper: Many of his Solid: Significant: Timbring: Dynamic: Ever reprising: Into bilious whirl pool of vibrating diamond plywood cem ent form: Opaque overcoats are strikingly refreshing: Faux gorilla fur gulps: Or: Z ebra stripe serge fidgets: Or: Parrot orange melba soliloquies: Or: Yak molt hopsacke d yells: Or: Ermine spider vanilla tartan ubu webs: Or: Chaemelion on plaid rain forest canopy extensive sizzling radio word rains: Or: Museum of moderate art relis hed built in Comanche thong twig child carrier giggle: Or: Slowly deconstructing: I hear america screaming: Hard rock litter fiel d found noise: And then there is the question of: The hide of Ke nneth Goldsmith: Except for one heavily retouched ancient phot o of him running through a grave yard naked at midnight: No on e has recently seen Kenneth Gold smiths skin: Yet: His soft midn ight gold fur shady sevilliac micro phone baffle face scarf: Darki ng furred gloves: And shiny gold toe socks are widely admired: His wide easy fearless three AM of the soul purring radionicall y waved alliteration produces uni versal awe: Whirled: The endl ess tape of his words is lightening at times: Pearled: His cdiacle voice is reedy at times: Furled: His shellac smile shows teeth at tim es: Sometimes his needle scratches. With all Post Pre Italian Futu rist: Se fosse il fuoco: Cecco Furioso: At times he bangs the dark gar bage can lids of all world clang: But it is never forgettable: Hurled: It s hakes the tin fence of word up: Whirled It wakes the dull world up: It s laughters the dull boring silence of slow: The visual: Concrete: + Sound lion leg post nabuccodinosaur overcoat bang ing 3 AM garbage can lids on the back fence of groping to find in the back of your mind een within the boo ming in human zooming in traffics roar:
http://www.ubu.com/ http://www.ubu.com/ http://www.ubu.com/ http://www.ubu.com/ http://www.ubu.com/ http://www.ubu.co http://www.ubu.co http://www.ubu.co http://www.ubu.co http://www.ubu.co m/ http://www.ubu.com/ http://www.ubu.com/ m/ http://www.ubu.com/ http://www.ubu.com/ m/ http://www.ubu.com/ http://www.ubu.com/ m/ http://www.ubu.com/ http://www.ubu.com/ m/ http://www.ubu.com/ http://www.ubu.com/

1: Read: Retaliation: Oliver Goldsmith: c. 1760

KENNETH GOLDSMITH
1961

Oliver G oldsmith wrote of his friend: Megatalented man of the theater: David Herrick: On the stage he was natural, simple affecting: Twas only that when he was off he was acting: With no reas on on earth to go out of his way: He turnd and he varied full ten times a da y: 1 The turning transelectrical thing about my extraordinary mega talented fr iend: Kenneth Goldsmith is his stunning invisible enviable doabled overcoats: Every time you do: Or do not: Or half see him: He is wearing an invisible overcoat vibrati ng in the radio wave slice of the spectrum: On real lion legs: Iron gold: Febriled: Gle aming: Stepping out: Gold: On real lion legs: Differenced: Mega diversed: He enjoys two kinds: Transparent: And Opaque: Two extra ordinary lines: Transparent: And Opaque: Overcoats ever transintramorphing: And intertransmorphing: One on top of the othe r: One under the other: One into the other: And back: And forth: Folding space: Foldi ng sound: Folding time: Folding mass: Fold ing texture: Electric Ray Sound Overcoats Form electronic free port floatation sound bias ephemeral invisible electric fabric reservoir s: Near Infinite Overcoats: Transparent: And Opaque: Many of his fleetingly glimpsed: Magically: Almost invisible: Transparent overcoats comprise strange unheard of sou nd weavings pouring profusely in boisterous silence of zebra stripe scrape: Or: Granite escarpment clang: Or: Waterfall thud: Or: Cloud squish: Or: Forest murmur plash: O r: Gigantic lead book screaming: Steal Me: Or: Strange three knocks on a huge stone g ate radio wave adroit cornucopial hurricane: Or: Nonstop vowelish symphony: Or: Restr ained consonantic oratorio: Or: Background airplane engine backing up milk pail bange d by monkey wrench serenading lion swung by tail by cement mixer handle: All in: Ne o Luck: Post Huck: Flugletintiniation 1920s german screams: Like torn electric Sasseta peaked phantoms of tomorrows newspaper: Many of his Solid: Significant: Timbring: Dynamic: Ever reprising: Into bilious whirl pool of vibrating diamond plywood cem ent form: Opaque overcoats are strikingly refreshing: Faux gorilla fur gulps: Or: Z ebra stripe serge fidgets: Or: Parrot orange melba soliloquies: Or: Yak molt hopsacke d yells: Or: Ermine spider vanilla tartan ubu webs: Or: Chaemelion on plaid rain forest canopy extensive sizzling radio word rains: Or: Museum of moderate art relis hed built in Comanche thong twig child carrier giggle: Or: Slowly deconstructing: I hear america screaming: Hard rock litter fiel d found noise: And then there is the question of: The hide of Ke nneth Goldsmith: Except for one heavily retouched ancient phot o of him running through a grave yard naked at midnight: No on e has recently seen Kenneth Gold smiths skin: Yet: His soft midn ight gold fur shady sevilliac micro phone baffle face scarf: Darki ng furred gloves: And shiny gold toe socks are widely admired: His wide easy fearless three AM of the soul purring radionicall y waved alliteration produces uni versal awe: Whirled: The endl ess tape of his words is lightening at times: Pearled: His cdiacle voice is reedy at times: Furled: His shellac smile shows teeth at tim es: Sometimes his needle scratches. With all Post Pre Italian Futu rist: Se fosse il fuoco: Cecco Furioso: At times he bangs the dark gar bage can lids of all world clang: But it is never forgettable: Hurled: It s hakes the tin fence of word up: Whirled It wakes the dull world up: It s laughters the dull boring silence of slow: The visual: Concrete: + Sound lion leg post nabuccodinosaur overcoat bang ing 3 AM garbage can lids on the back fence of groping to find in the back of your mind een within the boo ming in human zooming in traffics roar:
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1: Read: Retaliation: Oliver Goldsmith: c. 1760

KENNETH GOLDSMITH
1961

Oliver G oldsmith wrote of his friend: Megatalented man of the theater: David Herrick: On the stage he was natural, simple affecting: Twas only that when he was off he was acting: With no reas on on earth to go out of his way: He turnd and he varied full ten times a da y: 1The turning transelectrical thing about my extraordinary mega talented fr iend: Kenneth Goldsmith is his stunning invisible enviable doabled overcoats: Every time you do: Or do not: Or half see him: He is wearing an invisible overcoat vibrati ng in the radio wave slice of the spectrum: On real lion legs: Iron gold: Febriled: Gle aming: Stepping out: Gold: On real lion legs: Differenced: Mega diversed: He enjoys two kinds: Transparent: And Opaque: Two extra ordinary lines: Transparent: And Opaque: Overcoats ever transintramorphing: And intertransmorphing: One on top of the othe r: One under the other: One into the other: And back: And forth: Folding space: Foldi ng sound: Folding time: Folding mass: Fold ing texture: Electric Ray Sound Overcoats Form electronic free port floatation sound bias ephemeral invisible electric fabric reservoir s: Near Infinite Overcoats: Transparent: And Opaque: Many of his fleetingly glimpsed: Magically: Almost invisible: Transparent overcoats comprise strange unheard of sou nd weavings pouring profusely in boisterous silence of zebra stripe scrape: Or: Granite escarpment clang: Or: Waterfall thud: Or: Cloud squish: Or: Forest murmur plash: O r: Gigantic lead book screaming: Steal Me: Or: Strange three knocks on a huge stone g ate radio wave adroit cornucopial hurricane: Or: Nonstop vowelish symphony: Or: Restr ained consonantic oratorio: Or: Background airplane engine backing up milk pail bange d by monkey wrench serenading lion swung by tail by cement mixer handle: All in: Ne o Luck: Post Huck: Flugletintiniation 1920s german screams: Like torn electric Sasseta peaked phantoms of tomorrows newspaper: Many of his Solid: Significant: Timbring: Dynamic: Ever reprising: Into bilious whirl pool of vibrating diamond plywood cem ent form: Opaque overcoats are strikingly refreshing: Faux gorilla fur gulps: Or: Z ebra stripe serge fidgets: Or: Parrot orange melba soliloquies: Or: Yak molt hopsacke d yells: Or: Ermine spider vanilla tartan ubu webs: Or: Chaemelion on plaid rain forest canopy extensive sizzling radio word rains: Or: Museum of moderate art relis hed built in Comanche thong twig child carrier giggle: Or: Slowly deconstructing: I hear america screaming: Hard rock litter fiel d found noise: And then there is the question of: The hide of Ke nneth Goldsmith: Except for one heavily retouched ancient phot o of him running through a grave yard naked at midnight: No on e has recently seen Kenneth Gold smiths skin: Yet: His soft midn ight gold fur shady sevilliac micro phone baffle face scarf: Darki ng furred gloves: And shiny gold toe socks are widely admired: His wide easy fearless three AM of the soul purring radionicall y waved alliteration produces uni versal awe: Whirled: The endl ess tape of his words is lightening at times: Pearled: His cdiacle voice is reedy at times: Furled: His shellac smile shows teeth at tim es: Sometimes his needle scratches. With all Post Pre Italian Futu rist: Se fosse il fuoco: Cecco Furioso: At times he bangs the dark gar bage can lids of all world clang: But it is never forgettable: Hurled: It s hakes the tin fence of word up: Whirled It wakes the dull world up: It s laughters the dull boring silence of slow: The visual: Concrete: + Sound lion leg post nabuccodinosaur overcoat bang ing 3 AM garbage can lids on the back fence of groping to find in the back of your mind een within the boo ming in human zooming in traffics roar:
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1: Read: Retaliation: Oliver Goldsmith: c. 1760

KENNETH GOLDSMITH
1961

Oliver G oldsmith wrote of his friend: Megatalented man of the theater: David Herrick: On the stage he was natural, simple affecting: Twas only that when he was off he was acting: With no reas on on earth to go out of his way: He turnd and he varied full ten times a da y: 1The turning transelectrical thing about my extraordinary mega talented fr iend: Kenneth Goldsmith is his stunning invisible enviable doabled overcoats: Every time you do: Or do not: Or half see him: He is wearing an invisible overcoat vibrati ng in the radio wave slice of the spectrum: On real lion legs: Iron gold: Febriled: Gle aming: Stepping out: Gold: On real lion legs: Differenced: Mega diversed: He enjoys two kinds: Transparent: And Opaque: Two extra ordinary lines: Transparent: And Opaque: Overcoats ever transintramorphing: And intertransmorphing: One on top of the othe r: One under the other: One into the other: And back: And forth: Folding space: Foldi ng sound: Folding time: Folding mass: Fold ing texture: Electric Ray Sound Overcoats Form electronic free port floatation sound bias ephemeral invisible electric fabric reservoir s: Near Infinite Overcoats: Transparent: And Opaque: Many of his fleetingly glimpsed: Magically: Almost invisible: Transparent overcoats comprise strange unheard of sou nd weavings pouring profusely in boisterous silence of zebra stripe scrape: Or: Granite escarpment clang: Or: Waterfall thud: Or: Cloud squish: Or: Forest murmur plash: O r: Gigantic lead book screaming: Steal Me: Or: Strange three knocks on a huge stone g ate radio wave adroit cornucopial hurricane: Or: Nonstop vowelish symphony: Or: Restr ained consonantic oratorio: Or: Background airplane engine backing up milk pail bange d by monkey wrench serenading lion swung by tail by cement mixer handle: All in: Ne o Luck: Post Huck: Flugletintiniation 1920s german screams: Like torn electric Sasseta peaked phantoms of tomorrows newspaper: Many of his Solid: Significant: Timbring: Dynamic: Ever reprising: Into bilious whirl pool of vibrating diamond plywood cem ent form: Opaque overcoats are strikingly refreshing: Faux gorilla fur gulps: Or: Z ebra stripe serge fidgets: Or: Parrot orange melba soliloquies: Or: Yak molt hopsacke d yells: Or: Ermine spider vanilla tartan ubu webs: Or: Chaemelion on plaid rain forest canopy extensive sizzling radio word rains: Or: Museum of moderate art relis hed built in Comanche thong twig child carrier giggle: Or: Slowly deconstructing: I hear america screaming: Hard rock litter fiel d found noise: And then there is the question of: The hide of Ke nneth Goldsmith: Except for one heavily retouched ancient phot o of him running through a grave yard naked at midnight: No on e has recently seen Kenneth Gold smiths skin: Yet: His soft midn ight gold fur shady sevilliac micro phone baffle face scarf: Darki ng furred gloves: And shiny gold toe socks are widely admired: His wide easy fearless three AM of the soul purring radionicall y waved alliteration produces uni versal awe: Whirled: The endl ess tape of his words is lightening at times: Pearled: His cdiacle voice is reedy at times: Furled: His shellac smile shows teeth at tim es: Sometimes his needle scratches. With all Post Pre Italian Futu rist: Se fosse il fuoco: Cecco Furioso: At times he bangs the dark gar bage can lids of all world clang: But it is never forgettable: Hurled: It s hakes the tin fence of word up: Whirled It wakes the dull world up: It s laughters the dull boring silence of slow: The visual: Concrete: + Sound lion leg post nabuccodinosaur overcoat bang ing 3 AM garbage can lids on the back fence of groping to find in the back of your mind een within the boo ming in human zooming in traffics roar:
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1: Read: Retaliation: Oliver Goldsmith: c. 1760

KENNETH GOLDSMITH
1961

Oliver G oldsmith wrote of his friend: Megatalented man of the theater: David Herrick: On the stage he was natural, simple affecting: Twas only that when he was off he was acting: With no reas on on earth to go out of his way: He turnd and he varied full ten times a da y: 1The turning transelectrical thing about my extraordinary mega talented fr iend: Kenneth Goldsmith is his stunning invisible enviable doabled overcoats: Every time you do: Or do not: Or half see him: He is wearing an invisible overcoat vibrati ng in the radio wave slice of the spectrum: On real lion legs: Iron gold: Febriled: Gle aming: Stepping out: Gold: On real lion legs: Differenced: Mega diversed: He enjoys two kinds: Transparent: And Opaque: Two extra ordinary lines: Transparent: And Opaque: Overcoats ever transintramorphing: And intertransmorphing: One on top of the othe r: One under the other: One into the other: And back: And forth: Folding space: Foldi ng sound: Folding time: Folding mass: Fold ing texture: Electric Ray Sound Overcoats Form electronic free port floatation sound bias ephemeral invisible electric fabric reservoir s: Near Infinite Overcoats: Transparent: And Opaque: Many of his fleetingly glimpsed: Magically: Almost invisible: Transparent overcoats comprise strange unheard of sou nd weavings pouring profusely in boisterous silence of zebra stripe scrape: Or: Granite escarpment clang: Or: Waterfall thud: Or: Cloud squish: Or: Forest murmur plash: O r: Gigantic lead book screaming: Steal Me: Or: Strange three knocks on a huge stone g ate radio wave adroit cornucopial hurricane: Or: Nonstop vowelish symphony: Or: Restr ained consonantic oratorio: Or: Background airplane engine backing up milk pail bange d by monkey wrench serenading lion swung by tail by cement mixer handle: All in: Ne o Luck: Post Huck: Flugletintiniation 1920s german screams: Like torn electric Sasseta peaked phantoms of tomorrows newspaper: Many of his Solid: Significant: Timbring: Dynamic: Ever reprising: Into bilious whirl pool of vibrating diamond plywood cem ent form: Opaque overcoats are strikingly refreshing: Faux gorilla fur gulps: Or: Z ebra stripe serge fidgets: Or: Parrot orange melba soliloquies: Or: Yak molt hopsacke d yells: Or: Ermine spider vanilla tartan ubu webs: Or: Chaemelion on plaid rain forest canopy extensive sizzling radio word rains: Or: Museum of moderate art relis hed built in Comanche thong twig child carrier giggle: Or: Slowly deconstructing: I hear america screaming: Hard rock litter fiel d found noise: And then there is the question of: The hide of Ke nneth Goldsmith: Except for one heavily retouched ancient phot o of him running through a grave yard naked at midnight: No on e has recently seen Kenneth Gold smiths skin: Yet: His soft midn ight gold fur shady sevilliac micro phone baffle face scarf: Darki ng furred gloves: And shiny gold toe socks are widely admired: His wide easy fearless three AM of the soul purring radionicall y waved alliteration produces uni versal awe: Whirled: The endl ess tape of his words is lightening at times: Pearled: His cdiacle voice is reedy at times: Furled: His shellac smile shows teeth at tim es: Sometimes his needle scratches. With all Post Pre Italian Futu rist: Se fosse il fuoco: Cecco Furioso: At times he bangs the dark gar bage can lids of all world clang: But it is never forgettable: Hurled: It s hakes the tin fence of word up: Whirled It wakes the dull world up: It s laughters the dull boring silence of slow: The visual: Concrete: + Sound lion leg post nabuccodinosaur overcoat bang ing 3 AM garbage can lids on the back fence of groping to find in the back of your mind een within the boo ming in human zooming in traffics roar:
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1: Read: Retaliation: Oliver Goldsmith: c. 1760