C FFEE HOUSE PRESS

SPRING SUMMER 2014

Welcome to Coffee House Press

BOARD OF DIRECTORS Peter Nelson, President Carol Mack, Vice President Patricia Tilton, Treasurer Patricia Beithon, Secretary Suzanne Allen Patrick Coleman Jeffrey Hom Carl Horsch Stephen Keating Sarah Lutman Mary McDermid Sjur Midness Jim Nichols Marla Stack Jeffrey Sugerman Stu Wilson BOARD MEMBERS EMERITI Sally French Isabel Keating Warren Woessner STAFF Anitra Budd, Managing Editor Sarah Caflisch, Development Manager Caroline Casey, Marketing and Sales Director Chris Fischbach, Publisher Amelia Foster, Development and Publicity Assistant Molly Fuller, Publishing Assistant Allan Kornblum, Senior Editor and Founder Linda Koutsky, Design and Production Manager Kelsey Shanesy, Publicist Erika Stevens, Poetry Editor-at-Large 2013 INTERNS Maya Auguston, Molly Fuller Emily Gasperlin, Kayla Kohanek Cassie Labriola, Michelle Lappi Elissa Mann, Rebekkah Olson Zoe Rodine, Joe Schiltz Rebecca Schulz, Katie Sievers Jon Westmark, Courtney Wipf

Coffee House Press books are distributed to the trade by Consortium Book Sales and Distribution. Toll-free ordering and customer service: (800) 283-3572 Toll-free order fax: (800) 351-5073 Electronic ordering via PUBNET: (SAN 631760X) E-mail orders: [email protected] For desk copies and review copies, e-mail [email protected]. Coffee House Press strives to make programming available to individuals regardless of race, national origin, color, sex, age, religion, sexual orientation, or disability. Accommodations are available for those with disabilities. Please contact us for more information. Cover photograph of Malaprops Bookstore, Asheville, North Carolina. If youd like your bookstore to be featured on our catalog or website, please contact Caroline Casey at [email protected].

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The Devils Snake Curve

An essay by Josh Ostergaard
The baseball book Howard Zinn would have writtenif he had hated the Yankees. he Devils Snake Curve offers an alternative American history, in which colonialism, jingoism, capitalism, and faith are represented by baseball. Personal and political, it twines Japanese internment camps with the Yankees; Wal-Mart with the Kansas City Royals; and facial hair patterns with militarism, Guantanamo, and the modern security state. America and baseball are both hard to love or leave here.

From The Devils Snake Curve: When the United States was testing its first atomic bomb in the summer of 1945, a code system was created so its success or failure could be communicated back to Washington without worry of the news leaking.Cincinnati Reds would mean the test had failed. Brooklyn Dodgers would mean the test had gone as planned. After scientists tested the first nuclear weapon, and knew the war in the Pacific would end, and that all life on earth could end, the signal of unimagined triumph went back to Washington. The message read: New York Yankees. JOSH OSTERGAARD holds an MFA in creative writing from the University of Minnesota and an MA in cultural anthropology from the University of Illinois at Chicago. He has been an urban anthropologist at the Field Museum and now works at Graywolf Press. April 5.5 x 8.25 236 pp $15.95 Trade Paper 978-1-56689-345-9 $12.99 eBook 978-1-56689-346-6 RIGHTS: Classroom, Book Club, Database, First and Second Serial, General Publication, Radio, Reprint, and Visual Disability Access

DEBUT

Faces in the Crowd

A novel by Valeria Luiselli
A multiangled portrait of the artist as a young woman, as a con artist, as a young mother and wife, this book immerses the reader in the most enchanting and persuasive intimacy. The fearless, half-mad imagination of youth has rarely been so freshly, charmingly and unforgettably portrayed. FRANCISCO GOLDMAN As spare, strange and beautiful as the Ezra Pound lines from which it takes its name, Faces in the Crowd is a first novel born out of the idea of disappearing. Its author, however, the 28-year-old Mexican writer Valeria Luiselli, is going to have to get used to her own visibility: the book confirms her as an extraordinary new literary talent. DAILY TELEGRAPH n Mexico City, a young mother is writing a novel of her days as a translator living in New York. In Harlem, a translator is desperate to publish the works of Gilberto Owen, an obscure Mexican poet. And in Philadelphia, Gilberto Owen recalls the Harlem Renaissance, his friendship with Lorca, and the young woman in the red coat he saw in the windows of passing trains. As the voices of the narrators overlap and merge, they drift into one single stream, a mingling that is also a disappearing act, and an elegiac evocation of love and loss.

VALERIA LUISELLI was born in Mexico City in 1983 and grew up in South Africa. Her work has appeared in publications including the New York Times, Granta, and McSweeneys. She lives in New York City. May 5.5 x 8.25 154 pp $15.95 Trade Paper 978-1-56689-354-1 $12.99 eBook 978-1-56689-355-8 ALSO AVAILABLE:
Sidewalks $15.95 Trade Paper 978-1-56689-356-5 $12.99 eBook 978-1-56689-357-2

RIGHTS: Classroom, Book Club, Database, First and Second Serial, General Publication, Radio, Reprint, and Visual Disability Access

Sidewalks
Essays by Valeria Luiselli
aleria Luiselli is an evening cyclist; a literary tourist in Venice, searching for Joseph Brodskys tomb; an excavator of her own artifacts, unpacking from a move. In essays that are as companionable as they are ambitious, she uses the city to exercise a roving, meandering intelligence, seeking out the questions embedded in our human landscapes: What is the I if identity is fluid? Where is the fixed point for a word that defies translation? Who are we in relation to the spaces we inhabit? The elusive has never been more seductive than it is in Luisellis hands.

Luisellis writing is full of verve. IRISH TIMES Valeria Luiselli is a writer of formidable talent, destined to be an important voice in Latin American letters. Her vision and language are precise, and the power of her intellect is in evidence on every page. DANIEL ALARCN VALERIA LUISELLI was born in Mexico City in 1983 and grew up in South Africa. Her work has appeared in publications including the New York Times, Granta, and McSweeneys. Recent projects include a ballet libretto for the choreographer Christopher Wheeldon, performed by the New York City Ballet in Lincoln Center in 2010; a pedestrian sound installation for the Serpentine Gallery in London; and a novella in installments for workers in a juice factory in Mexico. She lives in New York City. May 5.5 x 8.25 120 pp $15.95 Trade Paper 978-1-56689-356-5 $12.99 eBook 978-1-56689-357-2 RIGHTS: Classroom, Book Club, Database, First and Second Serial, General Publication, Radio, Reprint, and Visual Disability Access

ALSO AVAILABLE:
Faces in the Crowd $15.95 Trade Paper 978-1-56689-354-1 $12.99 eBook 978-1-56689-355-8

How a Mother Weaned Her Girl from Fairy Tales

Stories by Kate Bernheimer
PRAISE FOR KATE BERNHEIMER: Anyone attracted to fairy tales and fables should check out the stories and criticism of Kate Bernheimer. BEN PERCY, THE NEW YORK TIMES SUNDAY BOOK REVIEW By turns lovely and tragic, Bernheimers spare but captivating fables of femininity resonate like a string of sad but all-too-real and meaningful dreams. This is a collection readers wont soon forget, one that redefines the fairy tale into something wholly original. BOOKLIST o one has done more for the contemporary fairy tale than Kate Bernheimer. In eight new stories, she leads us into a forest of everyday magic and misfits, where dinosaurs wear pajamas and talking dolls ruin your life. Elegant and brutal, Bernheimers latest collection locates the existential loveliness of ideas amidst the topsy-turvy logic of things. Like one of Bernheimers girls, whose hands of steel turn to flowers, the reader will marvel.

ALSO AVAILABLE:
Horse, Flower, Bird $14.95 Trade Paper 978-1-56689-247-6 $12.99 eBook 978-1-56689-282-7

KATE BERNHEIMER is the author of a novel trilogy and the story collection Horse, Flower, Bird and the editor of four anthologies, including the World Fantasy Awardwinning and best-selling My Mother She Killed Me, My Father He Ate Me: Forty New Fairy Tales. She founded and edits the literary journal Fairy Tale Review. August 6 x 7.5 158 pp $15.95 Trade Paper 978-1-56689-347-3 $12.99 eBook 978-1-56689-348-0 RIGHTS : Audio/Audio-Visual, Classroom, Book Club, Database, First and Second Serial, General Publication, Radio, Reprint, Translation and UK, and Visual Disability Access

You Animal Machine (The Golden Greek)

An essay by Eleni Sikelianos
PRAISE FOR ELENI SIKELIANOS: A wonderful memoir, held together by string, rumor . . . evoked toughly and with great love and above all art and craft. Both subject and author are unforgettable. MICHAEL ONDAATJE Sikelianos captures the subtlest shades of the emotional palette. THE WASHINGTON POST his is the tale of Melena, five times married, mother of three, burlesque dancer, and the toughest, hardest-assed woman to ever eat wood and bite nails. Located in history and memory, the real and the imagined, her life cracks open questions of identity at the heart of an American, immigrant, womans experience. You Animal Machine offers a glimpse of both the violence and the beauty of the margins, where outskirts make their own centers.

ELENI SIKELIANOS is the author of six books of poetry, most recently The Loving Detail of the Living & the Dead and The California Poem, as well as a hybrid memoir, The Book of Jon, which was a Barnes & Noble Best Book of the Year. Sikelianos teaches in and directs the Creative Writing Program at the University of Denver. June 5.5 x 8.25 126 pp $16.95 Trade Paper 978-1-56689-360-2 $12.99 eBook 978-1-56689-364-0 RIGHTS: Audio/Audio-Visual, Classroom, Book Club, Database, Dramatic, First and Second Serial, General Publication, Radio, Reprint, Translation and UK, and Visual Disability Access

ALSO AVAILABLE:
Earliest Worlds $20.00 Trade Paper 978-1-56689-114-1 The California Poem $20.00 Trade Paper 978-1-56689-162-2 Body Clock $18.00 Trade Paper 978-1-56689-219-3 The Loving Detail of the Living & the Dead $15.95 Trade Paper 978-1-56689-324-4

The Artists Library

A field guide by Laura DamonMoore and Erinn Batykefer
It can be easy to forget that libraries even exist, that theres a place full of literature, art, reliable resources, and unimpeded quiet available for freeoften just a walk or short drive away. But Batykefer and her cohort, along with their creative contributors, are predicting an expansion of the idea of what a library is and does. POETS & WRITERS n outgrowth of the Library as Incubator Project, The Artists Library features artists, writers, performers, and libraries who exemplify the library as incubator idea, drawing attention to the physical and digital collections and resources that may be of particular use to artists and writers and providing ideas for art education opportunities in libraries and practical how-tos for artists and librarians. Case studies included in the book range from the crafty (pop-up books) to the community-minded (library galleries) to documentary (photo projects) to the technically complex (listening to libraries via Dewey Decimal frequencies).

ERINN BATYKEFER has worked in libraries almost constantly since she was fifteen. She earned an MFA in writing and a master of library and information studies from the University of WisconsinMadison. LAURA DAMON-MOORE received her masters degree in library and information studies from the University of WisconsinMadison in 2012 and graduated from Beloit College with a double major in literary studies and theatre arts (acting) in 2008. May 5 x 7 212 pp $23.95 Paper over Board 978-1-56689-353-4 $12.99 eBook 978-1-56689-363-3 RIGHTS: Audio/Audio-Visual, Classroom, Book Club, Database, Dramatic, First and Second Serial, General Publication, Radio, Reprint, Translation and UK, and Visual Disability Access

Selected Poems
by Mark Ford
An exuberant, versatile, and complex collection from one of the UKs most respected poets. PRAISE FOR MARK FORD: Ford is at once a veteran of pop culture and a connoisseur of the desperation of high culture, an indoor reader of the past but also an outdoor breather of physically felt atmospheres. His generation of English poets is still in formation but I believe Ford to be one of its eventual definers, as Ashbery was crucial to postwar writing in the United States. HELEN VENDLER Fords poetry is light and agile and sometimes sweet, but it also has a disconcerting way of turning sharp and naughty and even sinister. JOHN ASHBERY
From Jack Rabbit So I reckoned to get quicker, leaner, braver, more Self-effacing; Id pick my way between The mounds of junk cast off by warring factions, cleverly Disguised and idly humming. I swam midstream With the freshwater boys, and lounged on rocks At evening. Meanwhile the air slowly thickened With intrigue. Blueprints and memoranda Began to circulate like the seasons, melting The obdurate, blossoming where least expected

MARK FORD has published three collections of poetry and a biography of the French writer Raymond Roussel. He has also translated Roussels New Impressions of Africa, and is the editor of London: A History in Verse. April 5.5 x 8.25 156 pp $35 Trade Cloth 978-1-56689-362-6 $20 Trade Paper 978-1-56689-349-7 $15.99 eBook 978-1-56689-350-3 RIGHTS: Audio/Audio-Visual, Classroom, Book Club, Database, First and Second Serial, General Publication, Radio, Reprint, Visual Disability Access

Dark. Sweet.
New and selected poems by Linda Hogan
PRAISE FOR LINDA HOGAN: These poems in particular cross over to speak for us in the shining world. They bring back words for healing, the distilled truth of all these stories that are killing us with tears and laughter. JOY HARJO Linda Hogans vision is breathtaking: the embryonic fingers of a fetal whale, the imperial walk of a raven, the torn-cloth dresses of her Chickasaw ancestors, are distilled in these pages into a critique of human survival. BARBARA KINGSOLVER
From Saving Night unravels the calcium from bones. Moths in the closet are growing into dark holes theyve eaten away from fine shirts, shirts empty of heartbeats, all we should have lived for, empty of arms that reach back like a sleepless night, for what is saved, all the way back behind plaster to the old world in canyons with blood women dancing on walls to the earths drum and the mother of deer and corn so light the insects appear.

inda Hogan is a Chickasaw poet and novelist. Her fiction has garnered honors, including a Pulitzer Prize nomination, and her poetry collections have received the American Book Award, Colorado Book Award, and a National Book Critics Circle nomination.

ALSO AVAILABLE:
Savings $10.95 Trade Paper 978-0-91827-341-3 The Book of Medicines $15 Trade Paper 978-1-56689-010-6 Rounding the Human Corners $16.00 Trade Paper 978-1-56689-210-0

July 6 x 9 396 pp $45 Trade Cloth 978-1-56689-361-9 $28 Trade Paper 978-1-56689-351-0 $18.99 eBook 978-1-56689-352-7 RIGHTS: Audio/Audio-Visual, Classroom, Book Club, Database, Dramatic, First and Second Serial, General Publication, Radio, Reprint, Translation and UK, and Visual Disability Access

Cross Worlds: Transcultural Poetics

An anthology edited by Anne Waldman and Laura Wright

ross Words refers to cultural hybrids, transcultural alliances and associations. Contributors are from a range of places and disciplines and their work reflects the Jack Kerouac Schools unique zone of interaction, which runs parallel to more mainstream academic institutions. This fascinating compendium of documents, in essays, conversations, and Socratic raps, the vital work poets perform when they write across borders. Contributors include: Allen Ginsberg, Eileen Myles, Joanne Kyger, Nicole Brossard, Monica de la Torre, Sherwin Bitsui, Bei Dao, and Anselm Hollo.

ANNE WALDMAN, poet, professor, cultural activist, and cofounder, with Allen Ginsberg, of the Jack Kerouac School of Disembodied Poetics, is the author of more than forty collections of her own poetry and the editor of numerous anthologies. She is the winner of the Shelley Memorial Award and the 2012 USA PEN Center Award for Poetry for her monumental feminist epic The Iovis Trilogy: Colors in the Mechanism of Concealment. She received a Guggenheim Fellowship 20132014 and is a chancellor of the Academy of American Poets. LAURA E. WRIGHT is a poet, translator, and librarian. With Anne Waldman, she co-edited Beats at Naropa (Coffee House Press, 2009). July 6 x 9 366 pp $18.95 Trade Paper 978-1-56689-358-9 $12.99 eBook 978-1-56689-359-6 RIGHTS: Book Club, Database, General Publication, Reprint, and Visual Disability Access

ALSO AVAILABLE:
Beats at Naropa $15.95 Trade Paper 978-1-56689-227-8

Recent Backlist
AN IMPENETRABLE SCREEN OF PUREST SKY A novel by Dan Beachy-Quick $15.95 Trade Paper 978-1-56689-341-1 $12.99 eBook 978-1-56689-343-5 THE RISE & FALL OF THE SCANDAMERICAN DOMESTIC Stories by Christopher Merkner $15.95 Trade Paper 978-1-56689-338-1 $12.99 eBook 978-1-56689-344-2 POTLUCK SUPPER WITH MEETING TO FOLLOW Essays by Andy Sturdevant $22 Paper over Board 978-1-56689-337-4 ANGEL DE LA LUNA AND THE 5TH GLORIOUS MYSTERY A YA novel by M. Evelina Galang $12.00 Trade Paper 978-1-56689-333-6 ANIME WONG Performance fictions by Karen Tei Yamashita $19.95 Trade Paper 978-1-56689-340-4 COLLECTED POEMS Poetry by Ron Padgett $44 Cloth 978-1-56689-342-8 BLEED THROUGH Poetry by Michael Davidson $17.95 Trade Paper 978-1-56689-339-8 DANCE Poetry by Lightsey Darst $17.95 Trade Paper 978-1-56689-334-3 PSYCHEDELIC NORWAY Poetry by John Colburn $16.95 Trade Paper 978-1-56689-335-0

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Recent Backlist

Leaving the Atocha Station

A novel by Ben Lerner
$16 Trade Paper 978-1-56689-274-2 $12.99 eBook 978-1-56689-292-6

Submergence
A novel by J. M. Ledgard
$15.95 Trade Paper 978-1-56689-319-0 $12.99 eBook 978-1-56689-330-5

ACCOLADES FOR LEAVING THE ATOCHA STATION Winner of the Believer Book Award Shortlisted for the Los Angeles Times Book Prize (First Fiction) Finalist for the New York Public Librarys Young Lions Fiction Prize Runner up for the Sami Rohr Prize for Jewish Literature One of the funniest (and truest) novels I know of by a writer of his generation. LORIN STEIN, NEW YORK REVIEW OF BOOKS Hilarious and cracklingly intelligent. JONATHAN FRANZEN

ACCOLADES FOR SUBMERGENCE 2013 Publishers Weekly Best Books of the Year [T]he best novel Ive read so far this year. . . . Submergence is a dark book, but in such an unusual sense: Ledgard turns out the lights, and everything, inside and out, begins to glow. KATHRYN SCHULZ, NEW YORK MAGAZINE An extraordinary fusion of science and lyricism . . . [A] darkly gleaming novel about love, deserts, oceans, lust and terror. ALAN CHEUSE, NPR Submergence is a wondrous bookarrestingly original, inventive, expansive, vivid, and thoughtprovoking. PHILIP GOUREVITCH

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offee House Press is an independent nonprot literary publisher. Our books are made possible through the generous support of grants and gifts from foundations, corporate giving programs, state and federal support, and through donations from individuals who believe in the transformational power of literature. We are pleased to recognize our supporters between July 1, 2012, and June 30, 2013, when this catalog went to print. While we strive for accuracy, we apologize if there are any discrepancies. Please contact our development manager if you prefer your name to be recognized in a different manner. Coffee House Press believes that American literature should be as diverse as America itself. Known for consistently championing authors whose work challenges cultural and aesthetic norms, we believe their books deserve space in the marketplace of ideas. Publishing literature has never been an easy business, and publishing literature that truly takes risks is a cause we believe is worthy of signicant support. We ask you to join us today in helping to ensure the future of Coffee House Press. To make a contribution, visit our website and click on the Donate button or call us at (612) 3380125 and a staff member will be happy to help you.

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