Wilfred Owen
Wilfred Owen
Futlity appeared in "The Nation" on 15th June 1918. Just as in his poem
Frustration, Wilfred !en tal"s of the #rie$an%es of a !ounded man !ho they
mo$e into the sun, in thehope that it !ill &stir' him. The poet (e#ins the poem
tal"in# of a %ertain )im' *t is o($ious that the poet is tal"in# a(out the +oldier.
The anonymity points to his rele#ation of identity, and la%" of indi$iduality in a
system that pla%es the +ystem o$er the indi$idual. The anonymity of the dead
soldier may also (e employed for o(-e%ti$ity, and to render the e.perien%e
uni$ersal/so as to point to the predi%ament of any soldier. The poem fun%tions as
an ele#y for the dead soldier. The sun stands as a metaphor for the 0i$er of 1ife
here. n%e, the poet asserts, the sun's tou%h did a!a"en the man in 2uestion.
n%e upon a time, he !as &at home'. 3t home si#nifies that the man !as
%omforta(le and satisfied. The phrase !hisperin# of fields unso!n. su##ests
the possi(ility of fields yet to (e so!n, dreams yet to (e reali4ed.
The sun al!ays did a!a"e him, until this day. This su##ests the li"elihood that he
is not in a %ondition anymore to (e a!a"ened (y the sun. &+no!' stands as a
po!erful em(lem of death, de%ay and destru%tion. *t is as opposed to the !armth
of the sun. nly the ld +un 5the 6erpetuator of life7 %ould dis%ern if anythin#
!as %apa(le of rousin# the man to his senses. The line e%hoes the fa%t that no
one !ho had %rossed in to the realm of death, has (een (a%" to tell the tale of
8eath. The lines also refer to the ine$ita(ility of 8eath, and hollo!ness of life.
)en%e, the title Futility. The term 'futility' also fore#rounds the pointlessness of
!ar. 9oreo$er, it underlines the futility of e.tin%tion.
From the des%ripti$e mode in the first stan4a, the poet shifts to an interro#ati$e
and philosophi%al mode in the se%ond. The poet is in total denial o$er the death
of his fello!/(ein#. The +un !as %apa(le of !a"in# $e#etati$e entities li"e seeds,
and the hard %lays of a %old stars. While it refreshed lifeless stars, !hy !as it
the in%apa(le of endo!in# life to a rational (ein# !hose si#nifi%an%e %annot (e
understated: The poet is also a!are of Nature's o$er!helmin# po!ers that 9an/
made in$entions %annot !ithstand 5floods,tsunamis,earth2ua"e7Why %annot
Nature then re$i$e the aftermath of a man/made atro%ity su%h as !ar.
3re lim(s, so dear/a%hie$ed, are sides,
Full/ner$ed, / still !arm, / too hard to stir:
The rhetori%al 2uestion is aimed not only at the +un, the +ustainer of 1ife. *t is
also intended at the de$astatin# %on%ept of !ar in #eneral. !en too" part in
World War * as an offi%er in the 9an%hester ;e#iment. Therefore he (ore !itness
to the %atastrophi% effe%ts of !ar. )e !as depressed and dis#usted at the
distressin# and demorali4in# %onse2uen%es of the War. )e endea$oured to fulfill
the responsi(ilities to his %ountry. *n su%h a %onte.t, his poetry had a therapeuti%
effe%t on him, a release for the mi.ed emotions he !as stifled !ith.
Was for this that the %lay #re! tall: 8id 9an ad$an%e in 1ife and pro#ressi$eness
to %ome to this: 3s the poet prefi.es the ad-e%ti$e fatuous (efore sun(eams, he
illustrates ho! the sun had lost its utility $alue in the fa%e of 8eath. Was it for this
e$entual finale that the sun a!o"e the earthlin#s