Monty Python's Absolutely Anything
Monty Python's Absolutely Anything
ABSOLUTELY
ANYTHING
Absolutely Anything
Absolutely
Anything
Absolutely
Anything
Overview
Chaos
ensues
when
hapless
teacher
Neil
Clarke
is
given
God-like
power
for
ten
days.
Little
does
he
know
that
the
planet
is
being
tested
by
a
council
of
supremely
odd
world
destroying
aliens
and
his
actions
will
determine
the
fate
of
planet
Earth.
Will
Neil
and
his
dog
Dennis
become
the
unlikely
saviours
of
mankind?
What
would
you
do
if
you
could
do
Absolutely
Anything?
Synopsis
Earth
is
in
trouble
and
only
one
man
(and
his
dog)
can
save
us!
When
the
Court
of
the
Inter-Galactic
Council
of
Superior
Species
decides
to
destroy
the
planet,
the
people
of
Earth
are
given
one
last
chance
to
prove
they
are
exceptional
beings
in
order
to
survive.
The
power
to
do
absolutely
anything
is
given,
unknowingly,
to
frustrated
teacher
and
aspiring
writer
Neil
Clarke;
the
test
being
whether
he
uses
his
new-found
power
for
good
or
evil.
Bumbling
his
way
through
life
with
his
loyal
companion,
Dennis
the
dog,
Neil
spends
his
days
ignoring
his
class,
avoiding
the
head
teacher
and
lusting
after
his
neighbour
Catherine.
But
when
Neil
discovers
he
can
make
absolutely
anything
happen...will
he
waste
it
on
making
Dennis
talk,
creating
a
cult
that
worships
his
best
mate
Ray
and,
of
course,
a
little
self-improvement
or
will
he
ultimately
step
up,
save
the
world and
get
the
girl?
Absolutely
Anything
Positioning
ABSOLUTELY
ANYTHING
is
a
Sci-Fi
fantasy
comedy
with
a
love
story
at
its
core.
Not
only
does
it
promise
great
roles
for
high
profile
cast,
its
Monty
Python
attachment
makes
it
a
project
of
instant
interest
and
brings
the
film
an
already
established
audience,
which
can
only
be
built
upon
with
the
additional
cast
still
to
attach.
Its
offbeat
humor
will
resonate
with
audiences
worldwide.
It
is
precisely
the
kind
of
entertaining
and
distinctive
fare
that
has
appeal
across
all
media
that
buyers
are
keen
to
acquire.
Tapping
into
the
huge
following
that
Monty
Python
has
is
key
to
the
success
of
the
film.
This
will
not
be
a
difficult
proposition
given
that
they
are
already
an
established
brand
with
a
huge
likeability
factor
and
have
a
comedic
approach
that
appeals
to
worldwide
markets
and
is
accessible
to
audiences
of
all
ages
both
male
and
female.
ABSOLUTELY
ANYTHING
has
real
mainstream
marketability
and
potential
and
brings
to
mind
comparable
titles
such
as
Bruce
Almighty,
Mars
Attacks,
A
Fish
Called
Wanda,
Shaun
of
the
Dead,
Hitchhikers
Guide
to
the
Galaxy.
The
film
perfectly
combines
both
tried
and
tested
comedy
elements
of
old
and
mixes
them
with
the
new,
adding
a
refreshing
slant
to
the
genre,
keeping
it
contemporary
and
adding
yet
another
strand
to
an
already
wide
appeal,
mainstream
film.
With
solid
casting
and
a
well-devised
marketing
strategy,
the
films
appeal
will
go
beyond
its
strong
theatrical
value
thus
guaranteeing
ancillary
interest
particularly
DVD
and
VOD,
widening
the
audience
base,
and
ensuring
it
meets
its
full
market
potential.
Older
titles
of
this
ilk
are
still
generating
business
and
thus
give
a
good
indication
that
the
film
will
have
Absolutely
Anything
Positioning
ABSOLUTELY
ANYTHING
has
real
mainstream
marketability
and
potential
and
brings
to
mind
comparable
titles
such
as
Bruce
Almighty,
Mars
Attacks,
A
Fish
Called
Wanda,
Shaun
of
the
Dead,
Hitchhikers
Guide
to
the
Galaxy.
The
film
perfectly
combines
both
tried
and
tested
comedy
elements
of
old
and
mixes
them
with
the
new,
adding
a
refreshing
slant
to
the
genre,
keeping
it
contemporary
and
adding
yet
another
strand
to
an
already
wide
appeal,
mainstream
film.
With
solid
casting
and
a
well-devised
marketing
strategy,
the
films
appeal
will
go
beyond
its
strong
theatrical
value
thus
guaranteeing
ancillary
interest
particularly
DVD
and
VOD,
widening
the
audience
base,
and
ensuring
it
meets
its
full
market
potential.
Older
titles
of
this
ilk
are
still
generating
business
and
thus
give
a
good
indication
that
the
film
will
have
a
long
shelf
life.
With
its
unique
visual
and
special
effects,
and
supported
by
a
commercial
cast,
the
film
will
be
an
assured
fresh
and
original
cinematic
experience
Absolutely
Anything
The
Team
Terry
Jones
(Writer
/
Director)
Absolutely
Anything
CAST
Robin
Williams
John Cleese
Eric Idle
Terry Gilliam
Michael Palin
Absolutely Anything
First
meeting
when
they
were
4
years
old,
Bill
Jones
and
Ben
Timlett
grew
up
together
in
Camberwell,
South
London.
In
1998
they
formed
Bill
and
Ben
Productions,
a
boutique
production
company
in
the
heart
of
Soho,
London,
focused
on
both
short
and
long
form
media.
Producing
and
directing
films,
documentaries,
commercials
and
music
promo's.
In
2010
Bill
Jones
and
Ben
Timlett
received
two
nominations
each
in
the
best
direction
and
best
production
categories
of
the
62nd
PRIME
TIME
EMMY
AWARDS.
Bill
and
Ben's
clients
include
BBC,
SKY.
EPIX,
IFC,
EMI
MUSIC,
MERCURY
RECORDS,
SONY,
SUNDANCE
CHANNEL,
ARTE,
TRINITY
and
WARNER.
Absolutely Anything
Comparable
Titles
Bruce
Almighty
(2003)
Gross
Box
Office:
$484,592,874
(Worldwide)
Absolutely
Anything
Comparable
Titles
(Cont.)
Mars
Attacks
(1996)
Gross
Box
Office
$101,371,017
(Worldwide)
Paul
(2011)
Gross
Box
Office:
$97,984,015
(Worldwide)
Note:
Theatrical
(ie.
cinema)
revenues
only
account
for
about
25%
of
the
total
revenues,
with
video
(including
DVD)
taking
about
40%;
television
accounting
for
28%
and
ancillary
revenues
the
final
7%.
As
such
these
numbers
can
effectively
by
multiplied
by
4.
10
Absolutely
Anything
Schedule,
Budget
&
Finance
Pre-Production:
May
1st
June
28th
2012
Production:
June
27th
August
16th
2012
Post
Production:
August
17th
2012
January
22nd
2013
TOTAL
BUDGET:
13,300,000
11
Absolutely Anything
Projected
Sales
ABSOLUTELY ANYTHING - Estimates('000s),12/1/12
TERRITORIES
USA & Canada
North America Total
High $
12000
12000
Low $
8000
8000
200
1000
2000
70
800
80
650
100
125
3000
8025
150
650
1250
40
600
65
450
75
85
1750
5115
Denmark
Finland
Norway
Sweden
Scandinavia Total
Iceland
120
85
80
250
535
40
65
50
45
175
335
25
Bulgaria
CIS
Croatia
Czech & Slovak Republics
Hungary
Poland
Romania
Serbia & ex-Yugoslavia
Eastern Europe Total
20
350
50
60
50
175
40
25
770
Benelux
France
Germany/Austria
Greece
Italy
Portugal
Spain
Switzerland
Turkey
United Kingdom & Ireland
Western Europe Total
China
Hong Kong
Indonesia
Japan
Korea
Malaysia
Philippines
Singapore
Taiwan
Thailand
Asia Total
Argentina/Paraguay/Uruguay
Brazil
Th/Vid
All TV
10
200
35
45
40
125
30
15
500
30
65
15
1000
250
25
25
30
40
30
1510
20
40
10
575
175
20
20
25
30
20
935
80
175
50
140
12
Absolutely
Anything
Projected
Sales
(cont.)
High $
100
15
25
10
200
20
15
10
100
1315
Low $
80
10
15
5
160
15
10
5
75
565
2000
250
2250
1250
155
1405
60
80
60
60
45
50
45
40
400
700
1360
250
455
885
50
60
20
15
35
45
15
10
145
105
Th/Vid
All TV
Grand Total
27950
17870
0
Note: This information is strictly confidential. The figures contained herein are estimates only,
for internal use. We expressly discalim any liability or responsiblity should these figures be
construed as or presented as anything other than estimates/projections of potential numbers.
13