Language: Origin and Meaning by John Zerzan
Language: Origin and Meaning by John Zerzan
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be accepted as signs, or how the first symbols originated "such a serious problem that one may despair of finding a way out of its difficulties." Many of
the theories that have been put forth as to the origin of language are trivial:
they explain nothing about the qualitative, intentional changes introduced
by language. Somewhat closer to the mark, I believe, is the approach of contemporary linguist E. H. Sturtevant: since all intentions and emotions are
involuntarily expressed by gesture, look or sound, voluntary communication, such as language, must have been invented for the purpose of lying or
deceiving. In a more circumspect vein, the philosopher Caws insisted that
"truth . . . is a comparative latecomer on the linguistic scene, and it is certainly a mistake to suppose that language was invented for the purpose of
telling it."
Language Arose With The Beginnings Of Technology
The proposition that language arose with the beginnings of technology
that is, m the sense of division of labor and its concomitants, such as a standardizing of things and events and the effective power of specialists over
othersis at the heart of the matter, in my view. It would seem very difficult
to disengage the division of labor"the source of civilization," in Durkheim's
phrasefrom language at any stage, perhaps least of all the beginning. Division of labor necessitates a relatively complex control of group action: in effect it demands that the whole community be ot^anized and directed. This
happens through the breakdown of functions previously performed by
everybody, into a progressively greater differentiation of tasks, and hence of
roles and distinctions.
Language Itself Is A Repression
At the close of the Paleolithic Age, as a decreased proportion of verbs in
the language reflected the decline of unique and freely chosen acts in consequence of division of labor, language still possessed no tenses. Although the
creation of a symbolic world was the condition for the existence of time, no
fixed differentiations had developed before hunter-gatherer life was displaced
by Neolithic farming. But when every verb form shows a tense, language is
"demanding lip service to time even when time is funhest from our thoughts,"
(Willard Van Orman Quine, Word and Object). From this point one can ask
whether time exists apart from grammar. Once the structure of speech incorporates time and is thereby animated by it at every expression, division
of labor has conclusively destroyed an earlier reality. With Derrida, one can
accurately refer to "language as the origin of history." Language itself is a
repression, and along its progress repression gathersas ideology, as workso
as to generate historical time. Without language all of history would disappear.
By about 10,000 B.C. extensive division of labor had produced the kind
of social control reflected by cities and temples. The earliest writings are
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records of taxes, laws, terms of labor and servitude. This objectified domination thus originated from the practical needs of political economy. An increased use of letters and tablets soon enabled those in chaise to reach new
heights of power and conquest, as exemplified in the new form of government commanded by Hammurabi of Babylon. As Levi-Strauss put it, writing
"seems to favor rather the exploitation than the enlightenment of mankind
. . . Writing, on this its first appearance in our midst, had allied itself with
falsehood."
The Representation Of Representation
Language at this juncture becomes the representation of representation,
in hieroglyphic and ideographic writing and then in phonetic-alphabetic
writing. The progress of symbolization, from the symbolizing of words, to
that of syllables, and finally to letters in an alphabet imposed an increasingly irresistible sense of order and control. And in the reification that writing
permits, language is no longer tied to a speaking subject or community of
discourse, but creates an autonomous field from which every subject can
be absent.
In the contemporary world, the avant-garde of art has, most noticeably,
performed at least the gestures of refusal of the prison of language. Since
Mallarme, a good deal of modernist poetry and prose has moved against the
taken-for-grantedness of normal speech. To the question "Who is speaking?"
Mallarme answered, "Language is speaking." After this reply, and especially since the explosive period around World War I when Joyce, Stein and others
attempted a new syntax as well as a new vocabulary, the restraints and distortions of language have been assaulted wholesale in literature. Russian futurists,
Dada {e.g. Hugo Ball's effort in the 1920s to create "poetry without words"),
Artaud, the Surrealists and Lettristes were among the more exotic elements
of a general resistance to language.
The Symbolist poets, and many who could be called their descendants,
held that defiance of society also includes defiance of its language. But inadequacy in the former arena precluded success in the latter, bringing one
to ask whether avant-garde strivings can be anything more than abstract,
hermetic gestures. Language, which at any given moment embodies the
ideology of a particular culture, must be ended in order to abolish both
categories of estrangement; a project of some considerable social dimensions.
That literary texts (e.g. Finnegan 's Wake., the poetry of e.e. cummings) break
the rules of language seems to have the paradoxical effect of evoking the rules
themselves. By permitting the free play of ideas about language, society treats
these ideas as mere play.
Today "incredible" and "awesome" are applied to the most commonly
trivial and boring, and it is no accident that powerful or shocking words barely
exist anymore. The deterioration of language mirrors a more general estrangement; it has become almost totally external to us. From Kafka to Pinter,
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