Bugle
Bugle
Title: Bugle
Blender: Version 2.6X
Level: Beginning
Author; Neal Hirsig ([email protected])
(May 2012)
Bugle
This displays Blenders file page. Locate the buglebackground.jpg image on your
computer and select it.
This displays the image file and stores it in the UV Image editor.
In the Properties panel / Background Images panel on the right click on the Add Image
button.
By default, the background image is displayed in all orthographic views. We will only
need to see the background image in Front (orthographic) view. Click on the All Views
button and select Front.
Press the GKEY (Grab) and position the Bezier curve object as shown below.
Zoom in close on the cuve object. TAB into edit mode. The Bezier curve consists of 2
vertex control points; one on either end of the curve object. Each control point has a set
of handles. These control handles each have two control points that control the curve.
Select the control point on the far right of the curve, press the GKEY and move it up a
bit.
Notice how the handle on either end of the curve controls how the curve comes into the
point and/or leaves the point.
In this tutorial we will use this Bezier curve object as a path that we can later on bevel
(loft) a closed shape along.
Press the GKEY and return the curve object to its straight path.
Select the right vertex (not the right handle).Press the GKEY and move it down a bit to
follow the centerline of the bugle image as shown below.
Adjust the control handles so the curve object is somewhat centered in the background of
the bugles tube.
Hold the CTRL Key Down and Left-click farther down the Bugle tube as shown. A new
vertex is created (with handles) which is connected to the last.
Turn off the 3D Manipulator Widget. (This tends to get in the way when working with
Bezier curves)
Keep the CTRL KEY press and continue to add vertices to the Bezier curve following the
centerline of the bugle tube. You may have to place the vertices closer as you go around
the curves of the tube. Stop when you reach the top end of the tube as shown below.
You can press the CTRL-Z to undo any vertices you have made. Go back and adjust the
placement of the vertices and the position of the handles so that you have a fairly smooth
curved line that traverses the tubing of the Bugle as shown below. (Note: you may want
to zoom in close on some of this).
Place your 3D cursor (left-click) in the center of the first curve (the start of the selected
vertices) as shown.
In the bottom menu, click on the pivot point icon and change the Pivot Point to 3D
cursor.
Switch to Top View (NUMPAD-7). Press the RKEY (Rotation) and rotate the vertices
out a bit as shown below.
If you rotate your display view to a more dimensionally, the vertices look like below.
Go to front view (NUMPAD-1). Now that we have pivoted the vertices from the first
curve in the bugle tubing, we need to pivot the upper set of vertices from the second
curve in the bugle tubing to straight out the top.
Press the AKEY to deselect. Select the tops set of vertices from the second curve to the
end as shown below.
Place your 3D cursor (left-click) in the center of the second curve (the start of the
selected vertices) as shown.
Go to top view (NUMPAD-7). Press the RKEY (Rotation) and rotate the vertices out a
bit as shown below.
Deselect the control vertices. This rotation may have thrown off the positioning of some
of the control vertices. Select these control vertices individually and clean up the position
and curves so you have a fairly smooth curve throughout the Bezier curve object.
Zoom out. Deselect the control vertices. TAB out of Edit Mode. Place your 3D cursor
in the center of the display.
In the Geometry panel / Bevel Object box click and select the LoftCircle.
This lofts the LoftCircle object along the Bezier curve forming the turned tube of the
bugle.
Press ALT-S (control vertex scale) and scale up the vertex as shown below.
Select the next to last vertex control point. Press ALT-S and scale this point up as shown
below (Note: your vertex points may be different depending on where you placed them.
The idea here is to ALT-S scale them up to form the fluted part of the bugle.)
Continue down the line of control vertices, ALT-S scaling them to form the flute part of
the bugle.
Note: you may have to make some vertex position or handle adjustments.
Select the last vertex control (not the handle) place your cursor farther to the right outside
of the end of the flute. Hold your control key down and left-click making another control
point as shown below.
Now move the vertex control point back into a position close to the previous control
point as shown below.
Focus in a bit on the start of the bugle object where the mouthpiece will be located.
Position this starting vertex as shown below. Make sure the handles are aligned to the
tube as shown.
In the outliner panel, hide the object by clicking on the eye icon and make it unrenderable by clicking on the camera icon.
We will model the mouthpiece as a separate object. Go to side view (NUMPAD-3). Place
your 3D cursor to the side of the bugle object and Press SHIFT-A and add a cylinder
object to the scene.
In the tool panel on the left, set the fill type to NOTHING. This will make the cylinder
a tube.
Go to front view. Use the 3D widget to move the cylinder object to the other side of the
bugle as shown below.
Save your file CTRL-W. Next we will model the mouth piece. We will create this from
a mesh tube. Switch to Side View. Place your 3D cursor to the side of the bugle and press
Space / Add / Mesh / Tube. Choose 24 vertices.
Switch to front view. TAB out of Edit Mode. Grab the tube and move it to the left side
of the mouthpiece.
TAB into edit mode. Press the AKEY to select all of the vertices (if not already selected).
Press the ZKEY to go to wireframe mode.
Position the cylinder object over the background image mouthpiece as shown below.
Press the SKEY and scale the cylinder object down to about the size of the mouthpiece
end as shown below. (Note: you may have to reposition it)
Deselect the vertices (AKEY). Box select the right set of vertices and move them to the
left as shown. Then select all of the vertices, scale them down a bit and reposition them
as shown below.
We will use the background image as a general guide for creating the mouthpiece.
Deselect the vertices. Box select the right set of vertices and scale them up a bit.
Press the EKEY (Extrude) and extrude them out a bit along the X-axis.
Extrude the vertices again a bit and scale them down a bit.
Extrude them out a bit again. Then extrude them out a bit again and scale them down a
bit.
With the mouthpiece object selected press the Origin button in the left tool panel.
Select Origin to Geometry. This will set the center pivot point to the center of the
Mouthpiece mesh.
In front view, select the mouthpiece object and reposition it as shown below. You will
probably have to rotate it a bit and you may have to scale it a bit.
Go to top view. Reposition the mouthpiece object as shown below. You will probably
have to rotate it a bit and you may have to scale it a bit.
With the mouthpiece still selected, press the Smooth button in the tool panel on the left.
This is smooth out the mouthpiece faces.
Deselect the mouthpiece. Press the ZKEY to enter solid shading mode. Rotate your
display to get a 3Dimensional view.
TAB into Edit mode. Note that the curve object is now a (dense) mesh object.
TAB back to object mode. First select the Mouthpiece object. Hold down your SHIFT
key and add the Bugle object to the selection. Press CTRL-J.
This joins the 2 mesh objects. Since we selected the Bugle mesh object last, the name of
the joined object is Bugle.
Deselect the objects and select the Bugle. Note you can move the Bugle and the
mouthpiece is part of the Bugle object.
Save your Blend file.
Camera:
Rotate your 3D display until you find a nice 3 dimensional view of the Bugle somewhere
in the center of the display about mid way back as shown below.
Press CTRL-ALT-NUMPAD-0 (align camera to view). This will align the camera to
your view.
Note; you may have to go back and forth making adjustments to center the Bugle in your
camera view. You can press NUMPAD-5 to get out of camera view, make adjustments,
then CTRL-ALT-NUMPAD-0 to reset the camera alignment. (Clicking the NUMPAD-0
key will always display the current camera view.)
On the top menu click Render / Render Image
Place your cursor next to the Hemi Lamp you just added and add a second Hemi Lamp.
Select the default Blender point lamp object and then click on the Object Data editor.
In the Lamp panel, change this object from a Point lamp to a Hemi lamp.
We now have 3 Hemi Lamps in our scene. Place and rotate the 3 Hemi lamps as shown
below.
The light effect from a Hemi lamp is not affected by distance from any object. Direction
is all that is of importance.
Render the scene.
The scene is now far too bright. Select each Hemi Lamp object, go to the Object Data
Editor and reduce its Energy to .4
Click the New button and name this Texture Gold Aluminum.
This opens up Blenders file page. Locate the goldalum.jpg image file and select it.
In the Image Mapping Panel set the X Repeat to 10 and the Y Repeat to 10.
I would like to add a little more color to this rendering. With the Bugle object still
selected, go to the Materials editor. Click on the Diffuse color swatch. Set the R=.7,
G=.8 and B=.07 to form a golden diffuse color.
Go to the Texture Editor. In the Influence Panel set the Color slider to .75 This will let a
bit of the diffuse color mix with the image texture.
You can create an image file of this rendering by clicking on the Image button in the UV
Image editor menu and selecting Save As Image
This opens up Blenders File Page. Decide where you would like to save the image file (I
selected my desktop). Name the file Bugle.png
The saves a PNG image file to wherever you decided to save it.