Flat Design and Colors
Flat Design and Colors
Index
A Retrospective and Futurespective
Look at Colors on the Web
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Conclusion40
10 Free Resources and Tools
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Conclusion52
A Retrospective and
Futurespective Look
at Colors on the Web
Color is common to every website. While the way designers use color changes dramatically based on trends and time periods, we are
definitely designing in the decade of vibrant color.
Red, orange, pink and bright green, blue and purple have become
the focal point of web design projects across a variety of industries.
Designers are pairing bright color choices in a way that was almost
taboo a few years ago and even straying from the website color
choices dictated by company branding.
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With more pixels per inch on screens, the digital rainbow has greatly
expanded to suit our maturing taste in design aesthetics. Monitors of
every size, from desktop displays to the iPhone can actually render
all the color options designers use today.
Designers used to worry about web safe colors (there were just 216
of them) so that all users could see exactly what the designer intended. That concept is dead and buried W3Schools surveyed users in
2014 and found that more than 98% of users had devices capable of
displaying millions of colors, removing technology as a barrier to
the creativity of color trends.
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Around the same time Retina and other high definition displays
gained popularity, flat design (a trend that is still going strong and
evolving) roared onto the scene. One of the key components of the
trend was the abundance of bright color. And while flat outlines were
not for everyone, many of the color choices and emotions users felt
when interacting with these hues were highly desirable
Flat colors have evolved and toned down as they adapted to a variety
of other projects. These bright, deeply saturated hues are often seen
in color palettes that include one to three colors (rather than the
expansive palettes associated with flat design) or to create a strong
accent, contrasting element or focal point.
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Studio Stylistik uses that same concept with strategic teal lettering,
buttons and even the jacket on the model for emphasis against a dark
background. By using the same color applied in different points that
form a zig-zag formation, the site retains a unified look while leading
our eyes to each point of interest highlighted in teal.
As you can see, vibrant color isnt useful just for calling out a single
element on the page you can also create a natural vertical rhythm
by repeating in moderation according to the human scanning patterns we described in Web Design for the Human Eye.
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The Impossible Bureau (above) does a beautiful job of this. The site
pairs a dark, minimal framework with a hover state featuring a
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Complementary Color
Design Techniques
While many trends and techniques in web design come and go, one
that remains constant is color. It is one of the basic principles of all
design theory and a tool that contributes to an overall aesthetic and
provides user interaction cues.
Color trends change, but vibrant color choices are a design element
that stand the test of time. Bright color choices contribute to and
work with the design itself to help provide valuable user experiences.
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Column Five Media and PFD (below) are excellent examples of how
bold color pairs well with user interface tools, such as hover states,
linking and animated effects. Each site features a somewhat cardstyle design with hover effects as the user moves from block to block.
While Column Five uses color primarily for hover, PFD also uses color
blocking to highlight individual blocks within the design that also
include hover animation.
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There are two ways to think about vibrant color and texture:
1. As part of an overall background or image
2. As a subtle accent to a background or image
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Joyride Taco House combines bold and engaging color with subtle
textures.
Between the main header and the contact information, a shadow
creates a bit of depth and separation but what really stands out is
the blue-green line art texture in the lettering. The logo texture is
engaging, light and fun. The combination of colors (orange and the
blue-green) are certainly unexpected, but they perfectly reflect the
hip yet casual vibe of the restaurant.
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The trend started with websites for more creative fields and groups
designers, agencies, music and art but is gaining popularity for
news, weather and health sites as well. Bright color is also finding
a place in e-commerce, where black and white was the standard for
a long time.
Whats different about the vibrant color trend of 2015 is in its ability
to balance fun and professionalism.
Brands now use colors in a strategic way that is lighthearted yet still
reliable and trustworthy. Brands are not forgoing their identities to
just create a trendy website because designers are using dramatic
color in concert with existing elements.
Here are three ways to make it work:
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Interesting colors will continue to find their way into website projects. Designers will branch out from more traditional and primary
hues to colors with deeper, bolder and even brighter designs. Digital
Agency Birmingham is doing this with the deep bluish purple color
overlay on the home page. As you scroll through the color is used
for other accents as well, and the color is so distinct that it serves as
a focal point on its own.
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One of the biggest trends of the 2010s is still evolving today. Flat design, which started to gain momentum in 2013, is still currently one
of the most used and talked about techniques in web design.
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In fact, the three main reasons flat design is thriving today are:
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Photo credits: Left image- iPhone iOS 6. Manesh Mohan. Creative Commons. Rotated and
cropped from original.
Photo credits: Right image- iPhone 6 Apps. Microservios Geek Crew. Creative Commons. Rotated
and cropped from original.
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Most of the flat design being created right now is more in that style.
There are hints of shadows, colors that did not fit the rules of flat and
typography choices that break the ideals of an entirely flat design.
This evolution is why flat design continues to stick with the web
design community: it evolves well and into a number of different
design patterns.
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You can almost see the evolution in the three examples below like
watching a monkey learn to walk upright and lose its hair.
The first (HLK Agency) is distinctly modular and clean. The second
(Agency Survival Kit) includes small hints of shading, shadows, and
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even texture with its envelope image. The third (Forest App site) incorporates completely flat elements with fearless touches of realism
(the background photo in particular).
Compared to the skeuomorphic craze of 2010-2011, flat design 2.0 is
a much more restrained yet confident design aesthetic. The design
philosophy incorporates just enough minimalism for clear visual hierarchy, but isnt afraid to layer on some realistic effects to improve
the affordances of the interface.
Of course, the issue with skeuomorphism wasnt in its design philosophy (in fact, we think slight touches of real-world familiarity improve usability) but in the execution. Most sites of the early 2010s era
tried too hard, reflecting the real world as much as possible simply
because it was the hip thing to do. Flat design was certainly just as
guilty of its own indulgence (remember how heavily-gridded sites
were all the rage around 2012?), but now its at least developing into
a far more mature look and feel.
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Its easy to argue that flat and material design are incredibly similar
or vastly different (some of the roots lie in the Apple versus Android
debate.)
What we do know is both concepts share similar visual traits color, shapes and overall structure. Some of the difference (especially
Material Designs paper-like layering) lies in the root of the concepts.
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Conclusion
When you consider the spirit behind flat design (visual simplicity)
and skeuomorphism (visual familiarity), you find that both concepts
can certainly co-exist. The tricky part, as recent years and the future
will certainly prove, is finding the perfect balance between the two.
Material design is undoubtedly an evolution of flat design, but the
design philosophy is still mostly reflected through Googles web
properties and Android apps. If flat design inspired material design,
then it will be especially interesting to see how material design will
influence the design languages to come.
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the design aesthetic have fairly deep roots that go beyond website design.
8. Create a Long Shadow Tutorial: Theres no need to buy an icon
pack; most designers can build a long shadow icon in just a few
minutes using these tips.
9. 50 Flat Icon Sets: Whether you download the sets for use or just
inspiration, Digital Synopsis created a roundup of 50 sets that are
free to use or peruse.
10. 25 Flat Device Mockups: Flat can be fun to use in other ways to,
these mockups are a nice way to showcase an app or site design
with an unexpected design flair.
Deconstructing
Modern Flat Design
Despite its sudden popularity, flat design is not just some fly-by-night
trend. Its a substantial approach to web design thats rooted in practicality, and necessity. The balance between aesthetics and usability
reflected in flat design 2.0 demonstrates that the principles behind
the philosophy have true staying power.
But how does it work? What gives it its magic? In this piece, were
going to crack the face of flat design and see what makes it tick. Well
analyze the core techniques and explore which techniques will carry
over into the future.
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1. Long Shadows
Most commonly used on smaller UI elements such as buttons,
long shadows are created with a color tone that extends beyond
a graphic illustration inside of a box.
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3. Simple Typography
Flat typography is not just the use of Helvetica.
Rather, it is the idea of a typeface that is simple and easy to read,
which means commonly sans serif and contains a uniform stroke
width. Whats great about flat typography is that it really brought
the focus on lettering back into the reading experience.
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While type is an artform in itself, the purpose for most designers is to create something that users can read. Flat typography encourages designers to think more
carefully about any and all type selections. Even serif typefaces have evolved
with simpler letterforms becoming the norm.
4. Ghost Buttons
Designed as a transparent, yet clickable, element, ghost buttons
provide a visual interaction cue without obstructing the UI design.
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Because a ghost button is essentially an outline and does not look like an obvious
button, it allows the background to share the focus. The ghost button first emerged
against design patterns with high-color backgrounds, and has since evolved to
work with images and a number of other elements. These simple buttons often
include crisp typography that fits the flat aesthetic, which works particularly well
when paired with minimalism.
5. Minimalism
Flat design is innately minimal. After all, when the design isnt
meant to resemble a real-life counterpart (e.g., a notebook app
looking like a notebook), you strip away a lot of extraneous texture.
All thats left is the content framed by colors, gradients, shadows,
shapes, and other visual subtleties. Flat design, in essence, forces
designers to be more creative by saying less designing from the
content outward, instead of fitting the content inside of a photorealistic framework.
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The concept of minimalism isnt new, but its become popular recently for its clean aesthetic and site performance benefits (such
as reduction in page load times). This rebirth started with flat
design and the use of a bright-colored background with a simple
design and evolved into a more simple design surrounded by
plenty of white space.
While flat design seemed to almost take the design community overnight, its certainly taken some time to evolve. Early showcases of
flat design were incredibly flat with a desire to lose all of the skin of
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In the future, flat design wont die, it will just become more advanced
as new animations and interactions help it adapt to content-heavy
sites. We know that content-first design is gaining traction (as it rightfully should), and flat design is the perfect canvas for its expression.
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Conclusion
Flat design is not an all-or-nothing practice. Its individual components can be used as well on their own as they can part of the greater
system. Flat design lends itself to merging and complementing other
methods, so flat hybrids are not only feasible, theyre sometimes
recommended (for example, a site with too much content to fit in a
traditional flat design scheme).