Phase I: Electronic Reproduction Prohibited
Phase I: Electronic Reproduction Prohibited
CHAPTER
PRODUCED BY UNZ.ORG
ELECTRONIC REPRODUCTION PROHIBITED
14
THE
WOODEN
HORSE
PRODUCED BY UNZ.ORG
ELECTRONIC REPRODUCTION PROHIBITED
THE
WOODEN
HORSE
15
PRODUCED BY UNZ.ORG
ELECTRONIC REPRODUCTION PROHIBITED
l6
THE
WOODEN
HORSE
PRODUCED BY UNZ.ORG
ELECTRONIC REPRODUCTION PROHIBITED
THE
WOODEN
HORSE
I7
school into the R.A.F. His whole world was flying and the
wide freedom of the sky. Paul found prison life more irksome than did most of his fellow prisoners. It tried his
patience beyond endurance and it was in these times that
he turned to Robbie for consolation.
Robbie was the peacemaker.
Peter forced himself into wakefulness. It was his turn
to be cook. Of all the chores of prison life cooking was the
one he hated most. It had been harder for the early prisoners.
They had had to cook on wood fires in the open air. He had
a stove. At least, he had a hundred-and-twelfth share in a
stove. There were fourteen rooms in the hut. Each room
had eight prisoners and for every eight men there was one
cook. At the end of the hut stood a cast-iron stove with
one cooking ring and a small oven. Fourteen dinners for
eight had to be cooked on that stove every evening. He
began to think about the evening meal. If he peeled the
potatoes and put them on about ten o'clock . . . His
thoughts were interrupted by Robbie.
" What about a spot of tea, Pete ?"
"O.K., Robbie. Just going. Bags of time yet." He
stretched and rolled out of his bunk. "'Morning, Nig!"
" 'Morning, Pete." Nigel Wilde and John Clinton slept in
the bunks nearest the stove. Like most advantages in prison
life, this had its compensating disadvantages. Although
warmer in winter it meant that the bunks were used as seats
during the daytime. Peter preferred the colder privacy of
the wall farthest from the stove.
Nigel lay on his back in the upper bunk, his right arm
curled round the top of his head. His right hand was gently
stroking the left-hand side of his moustache. His expression
was blissful.
Peter stood watching him. Nigel winked.
"Why the hell do you keep doing that?" Peter asked.
"I like it, old boy. Feels as though someone else is
doing it."
PRODUCED BY UNZ.ORG
ELECTRONIC REPRODUCTION PROHIBITED
l8
THE
WOODEN
HORSE
"You're crazy."
" I know, it's nice."
In the bunk below, John Clinton lay dreaming, his dark
head resting on a folded pair of trousers, a seraphic expression
on his face.
"What's the weather like?" Nigel asked.
Peter padded over to the window. It was late spring and
across the wire he could see the pale fronds of a silver birch
graceful against the dark olive background of the pine
forest. Peter was fond of that silver birch. He had tried to
paint it in all its moods. As a sharp but twisting and fragile
silhouette against a winter sky. And as he saw it now, a
cascade of delicate green, almost yellow in the morning sun.
He had painted it often but had never been able to capture
its isolated beauty, its aloofness against the darkness of the
pines. Overhead the sky was clear and still, the hushed
expectancy that foretells a burning day. Under the window
the sand was moist with dew, and dew sparkled on the
barbed wire. The rows of long green-painted barrack huts
looked washed and cool.
"It's a lovely morning, Nig."
" Gut zeigen. What about a cup of tea?" Nigel specialised
in translating air force slang literally into German. " Gut
zeigen" was his way of saying "good show." In the same
Way " bad show" became " schlecht zeigen" and " fair enough"
''hlond genug." When he was particularly morose he considered himself to be '' gehraunt weg" or "browned-off." He
sometimes used this queer German on the guards and was
genuinely surprised when they didn't understand.
Peter, still looking out of the window, saw Bennett come
striding furiously round the circuit. Wearing heavy army
issue boots, a woollen skull-cap and R.A.F. battledress, he
came past the window at full speed.
"Come on, Pete," Nigel called. "What about that
tea?"
Peter crossed to a wooden shelf over the stove and took
down seven mugs. The tea j u g had been left just inside the
V
PRODUCED BY UNZ.ORG
ELECTRONIC REPRODUCTION PROHIBITED
THE
WOODEN
HORSE
I9
PRODUCED BY UNZ.ORG
ELECTRONIC REPRODUCTION PROHIBITED
20
THE
WOODEN
HORSE
PRODUCED BY UNZ.ORG
ELECTRONIC REPRODUCTION PROHIBITED
THE
WOODEN
HORSE
21
hour for ? And that damned tin can thing. It's too bloody
silly."
"Keeps them happy, I suppose."
"Well, it shouldn't. They shouldn't be happy in a prison
camp. Nobody should be happy in a prison camp. It's not
decent. And talking of decency, I suppose they're going to
sunbathe in the nude again. The S.B.O. ought to stop it.
It shouldn't be allowed."
"Why in heaven not?" Robbie asked. "There are no
women for miles around and even if there were they couldn't
see inside the camp. If they want t o get brown all over, why
shouldn't they? It's a free world and it does them good."
"It's not decent," Pomfret said.
"Oh, don't be so bloody lily-livered. I shall sunbathe
myself when the weather gets a bit warmer." Robbie pulled
the blanket over his head and lay thinking of the play he
was producing. The feminine lead was the trouble. Young
Matthews had played it in the last four shows and the
audience were getting used to him. He m i g h t ask Black;
but he'd just taught young Matthews to walk properly and
to sit without opening his knees. It was the very devil, this
feminine lead. So many chaps were shy of taking it on. It
wasn't so bad until you came to the love passagesthen they
balkedwanted to burlesque it. He'd go round and see
young Black later on and try to persuade him to do it. He'd
have Latimer for the male lead. He was developing into a
damned good actor.
" Come on, show a leg!" It was Peter and Nigel returned
from their cold shower. " Breakfast up, appel u p ! Appel in
ten minutes. Who wants breakfast in bed ?"
Pomfret rolled out of his bunk, rubbing his eyes and
growling under his breath. Putting on a Polish army
greatcoat over his pyjamas he took a cardboard Red Cross
box containing his washing materials from a shelf above
his head and shuffled off to the washroom.
"What's the matter with her this m o r n i n g ? " Nigel
asked.
PRODUCED BY UNZ.ORG
ELECTRONIC REPRODUCTION PROHIBITED
22
THE
WOODEN
HORSE
" Oh, she's a bit touchy this morning," Robbie told him.
"You woke her with your infernal machine."
"That's more than I did to the child. Hey, John, wake
up! On appel bitty, mein Herr!"
" He's all right," Robbie said. " He'll have breakfast after
appel."
In the far corner David Bruce lay thinking. He was
planning his day. He was going to drench his new calf. It
was not doing so well. To lose a calf now would be a serious
thing. Make a hole in the little reserve of capital that he
had accumulated.
The door was flung open and a German guard entered
the room. " Raus! Raus! Ausgehen! Alle rausgehen!"
"Goon in the block!" Paul stood by his bunk, trousers
in his hands, hair on end, still in the lower school. " Deutschland kaput!"
The guard shouted at him in German. .
"Muck off!" Paul said. "We don't understand German
here."
The guard shouted again in German; a long sentence
that ended with the English word "cooler."
"You're for it," Robbie said. "It's the cooler for you."
The guard shouted again. He was nearly screaming now.
"Muck off!" Paul made his stock retort.
The guard began to unsling his rifle. The bayonet was
fixed.
"Better be careful," Robbie said.
A Feldwebel came walking down the centre corridor of
the barrack hut. The guard sprang to attention and made a
long, involved complaint in German. The Feldwebel turned
to Paul.
"You have been impertinent again, eh?" He spoke in
English.
"I object to being shouted at."
"Come!" The Feldwebel was used to this sort of thing.
Paul finished pulling on his trotisers. He was no stranger
to the cooler. He was almost happy there. He felt that he
PRODUCED BY UNZ.ORG
ELECTRONIC REPRODUCTION PROHIBITED
THE
WOODEN
HORSE
23
PRODUCED BY UNZ.ORG
ELECTRONIC REPRODUCTION PROHIBITED
24
THE
WOODEN
HORSE
Junfzig . . . siehen-und-Junfzig. . . . What a mucking sillylanguage, Peter thought. Typical of the whole nation.
The British adjutant called them to attention. The Lager
Offizier, tall and immaculately uniformed, was mincing
across the square to where the Senior British Ofiicer was
standing. After saluting the S.B.O. he turned to the
assembled prisoners and bowing from the waist saluted
and shouted " Guten Morgen, meine Herrenr The kriegies
replied with an incoherent roar. While the more prudent
replied " Gutm Morgen, mein Herr,'" the wilder spirits chanted
their single-syllabled reply of derision; the two^ replies
combating one another and resulting in an enthusiastic
greeting which made the Lager Offizier beam with pleasure.
He was popular with these wild-looking British, was he not ?
After appel Nigel returned to his bunk. He was plotting
his post-war career. He had already decided to be a doctor,
a game warden, a gold prospector, a holiday camp proprietor, a farmer (he dropped this almost immediately under
the scorn of David Bruce), a big game hunter and a bookmaker. He took one course of study after another, dropping
each one as another more attractive career caught his fancy.
He lived in a frenzy of enthusiasmbut nothing lasted for
long with him.
Peter lay on his bunk waiting for John to finish his
breakfast. "Parcels to-morrow," he said.
"Good show!" John spoke through a mouthful of bread
and butter. " We'll have the last tin of salmon for dinner
to-night."
" Don't burn it this time," Bennett said. " If you'd only
do it the way I told you. You want to cover the top with
greased paper."
John said nothing. It was too early in the day to start
an argument.
"If we get any raisins we'll swop them for biscuits,"
Peter said. "Then we can make a cake."
"We'll bake it in the afternoon," John said, "and then
if it turns out to be a pudding we can have it for dinner."
PRODUCED BY UNZ.ORG
ELECTRONIC REPRODUCTION'#
PROHIBITED
T H E W O O D E N H O R S E
25
PRODUCED BY UNZ.ORG
ELECTRONIC REPRODUCTION PROHIBITED
26
THE
WOODEN
HORSE
PRODUCED BY UNZ.ORG
ELECTRONIC REPRODUCTION PROHIBITED
THE
WOODEN
HORSE
2']
PRODUCED BY UNZ.ORG
ELECTRONIC REPRODUCTION PROHIBITED
28
THE
WOODEN
HORSE
PRODUCED BY UNZ.ORG
ELECTRONIC REPRODUCTION PROHIBITED
T H E W O O D E N
HORSE
29
" My youngest will be two and a half next week and I haven't
seen her yet."
"That's just what I mean, you've got something concrete ahead of you. Something behind you too, to look
back on."
"Well, you can build for the future. Lots of chaps are
taking degrees in all sorts of subjects."
"Yes, I know," said Peter moodily. "But I can't settle
down to that sort of thing. I'm browned oF this morning.
Gebrailnt weg, as Nig would say. I want to escape and get
back to England."
" Bah, escape! How many people have got back from this
camp so far? None!"
"But there's no h a r m in trying," Peter said. " I t gives
you something to do. You're not just sitting down waiting
for the end of the war."
" H o w long has Bill White's crowd been on the washhouse dienst?"
"Just over two months."
" And how far have they got ?"
"About forty feet."
"There you are. They've another three or four months'
work yet before they're even under the wire. They haven't
an earthly, Pete. Not an earthly. The goons are bound to
tumble to it before then."
" Oh, I don't know. People have got out before now."
" Yes, but what percentage ? Out of every thirty tunnels
started I suppose one gets through. Once you're outside the
camp your difficulties have only just begun. It's no good,
Pete. They'll never make it. It's just a waste of time."
Robbie walked on, hands in pockets, head lowered, kicking
up the sand of the circuit as he walked. A sharp wind
ruffled his soft grey hair and carried the dust from the
circuit across the trip-wire. It brought with it the sound
of gramophone music from one of the wooden barracks and
the smell of burning brown coal blocks.
"What's the time?" Peter asked.
PRODUCED BY UNZ.ORG
ELECTRONIC REPRODUCTION PROHIBITED
30
THE
WOODEN
HORSE
PRODUCED BY UNZ.ORG
ELECTRONIC REPRODUCTION PROHIBITED
THE
WOODEN
HORSE
3I
PRODUCED BY UNZ.ORG
ELECTRONIC REPRODUCTION PROHIBITED
32
THE
WOODEN
HORSE
blue sky, with the sun above h i m gilding his wings and
tvirning the fleecy clouds below h i m into a carpet of snow.
His is the lone encounter above the clouds, his prey the fullbellied bombers escorted by the waspish vicious fighters.
Two three-hundred-miles-an-hour fighters twisting and
turning in the sky. The rattle of machine-guns, and the
loser plunging burning into the clouds that wait below.
He imagines himself in the cockpit of his Hurricane (the
kick of the controls as you go into a flick roll, the matchless
r h y t h m of a perfectly timed roll off the top, and the way
the patchwork quilt of the earth slides over you and the
sudden smell of petrol as you pull out of a loop). He remembers the smell of glycol and the way the parachute bumps
against the back of your legs as you run out to the waiting
aircraft, the bounding over the rough turf, the smoothness
as you become airborne, the quick climb through the clouds
and the thrill of sighting the enemy below you, silhouetted
against the clouds. He remembers the attacking dive when
you clench your teeth and press the firing button and the
aircraft judders with the firing of the eight Browning
guns, the sudden blackout as you pull out of a dive and
the quick look round for the enemy as you recover. The
slow roll over the airfield before you come in to land, the
peace and quiet as you switch off the engine, the smell of
the grass as you climb down from the aircraft and the small
friendly sounds of the countryside as you stand there
smoking a cigarette, waiting for the truck to take you back
to the dispersal hut.
He lies thinking of this as the cell grows dark. He falls
asleep lying on his bunk, the shoddy blanket across his chest,
his face young in sleep, untroubled, free.
PRODUCED BY UNZ.ORG
ELECTRONIC REPRODUCTION PROHIBITED
CHAPTER
II
PRODUCED BY UNZ.ORG
ELECTRONIC REPRODUCTION PROHIBITED