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How To Master A Song Infographic ProSoundFormula

How to master a song -- provided by prosoundformula.com

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458 views

How To Master A Song Infographic ProSoundFormula

How to master a song -- provided by prosoundformula.com

Uploaded by

fuckle2712
Copyright
© © All Rights Reserved
Available Formats
Download as PDF, TXT or read online on Scribd
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PROSOUNDFORMULA.

COM
ALL RIGHTS RESERVED

HOW TO MASTER A SONG


THE

ORIGINAL

STEP

MASTERING

Mix session

FORMULA

Mastering session

Export your mix session to a stereo,


uncompressed, .wav or .ai le

Create new session for mastering


Import your stereo mix down

Import 2 - 3 commercial reference


tracks for comparison

TIP
Make sure to choose reference tracks that
are as similar as possible to the track
youre mastering (in terms of both the
sound and style of music).

Before we start mastering we


need to make sure that
everythings prepared and
ready to go. We must check
that our mix is exported
correctly and prepare the
mastering session.

If possible, try and nd high quality,


uncompressed commercial songs (as
opposed to a poor quality 128kbs MP3).

STEP 1: PREPARE IT

STEP 2: FIX IT

Goal: To get everything set up and ready for mastering.

Goal: To x any problems with the overall sound.

TIP

Bounce down (export) your mix session to a stereo,


uncompressed, le.

Compare your track to the commercial references and


listen for any problems anything that sounds strange or
bad.

Always x any problems as early in the chain


as possible. Most of the time youll get much
better results going back to the mix session
and xing the problems over there before
mastering.

If there are problems with the


mix, we need to make sure that
we FIX them FIRST so that they
dont get exaggerated by the
mastering processes. If
possible, its ALWAYS better to
go back to the source and x
the problem the earlier in the
process you x it, the less
damage you do to the overall
track.

Use .wav or .ai


Use minimum of 24 bit 44.1kHz. 24 bit 96kHz is ideal.
Create a new session for mastering and import your
nal mix.
Make sure the mastering session you create matches
the sample rate and bit depth of your exported mix.
e.g. 96kHz, 24 bit
Import 2 3 commercial reference tracks into your
mastering session so that you can compare your track
directly to them.

TIP
The more you compress, the more
DYNAMIC RANGE you LOSE Remember,
there can be no loud without soft.

Compression enables us to
reduce the peaks of a tracks
waveform which allows us to
then bring up the overall
volume without clipping, this
increases the AVERAGE volume
thus making the track sound
louder. The decreased
dynamic range can also give
the impression that the track
has more energy.

If you already used a compressor on your


over mix while mixing, theres typically no
need to use one again during the
mastering phase.

DISCLAIMER / WARNING:
This technique is generally ONLY to be
used when trying to achieve the absolute
MAXIMUM volume out of a track. Clipping
is often used as a lesser evil to overcompressing and limiting.

Many pro mastering engineers


use a technique known as soft
clipping to increase the level of
a track with minimal side
eects. Where as compression
and limiting squash the peaks
down, soft clipping simply
chops them o.

I do NOT recommend you use clipping


unless you have an aggressive style of
music and youre going for the maximum
level possible.

Use a spectrum analyzer to look for problems with the


frequency spectrum this could be too much, or too little,
energy in a certain range.
Common problems include; harshness, thin & brittle
sound, vocal esses too loud, boomy bass, muddy low end,
stereo image too narrow or wide, inconsistent frequencies,
etc.
Note: Its beyond the scope of this infographic to go into all the details about HOW to x
these problems. For more info, see the resources & links at the bottom of this chart.

STEP 4: COMPRESS IT

STEP 3: ENHANCE IT

Goal: To reduce the dynamic range of the overall track in


order to add energy and make it louder.

Goal: To improve the overall sound of the nal mix in


some way.

Try a compressor to hear whether it improves the overall


sound, if not, remove it and move on.

Experiment with things like EQ, stereo wideners,


harmonic exciters, and analog emulation plugins, to
hear whether they improve the overall sound.

Use a low ratio to avoid compressing too much Start with


a ratio around 1.5:1 2:1
Aim for around 2dBs of gain reduction, no more than 4dB!
Multi-band compressors allow you to compress the
dierent frequency ranges separately and thus give you
more control they can be very powerful but best avoided
if youre unsure what youre doing yet!

Mastering is the last chance we


have to bring out the absolute
best in a track. In this phase,
were focussing on anything
that can improve the OVERALL
quality and feel of the song.
There is essentially only one
rule: If it sounds better, it is
better!.

Could the track use some thickening up? Try some


tape or valve emulation plugin, or a bass enhancer.
Would it sound better with a stereo widener?

STEP 6: LIMIT IT

Goal: To soft-clip the audio peaks of a track in order to


achieve maximum loudness with minimal negative
side eects.

Goal: To increase the overall level of the track as much


as possible without clipping or losing quality.

A limiter prevents the peaks of


a waveform from going above a
dened threshold, this enables
us to bring up the overall level
of the track which makes it
sound louder. A limiter is
always the LAST process in the
mastering chain and nothing
should be placed after it.

Generally this is for more aggressive tracks, if its a


mellow song or something more natural, stay away!
If youre not rich (yet), consider trying a plugin such
as the T-Racks Soft Clipper to get a similar effect to
what the pros use.

STEP 7: REFERENCE IT

TIP
When it comes to enhancing the overall track,
you generally want to make VERY SUBTLE
improvements. If the eect youve added is
very obvious, theres a good chance its too
much.
You never know what may work until you try it
so just experiment!

How about a little bit of EQ on the top end?

STEP 5: CLIP IT

If youre going for loud, soft clipping is your friend.

e.g If you have a problem with cymbals that


are too harsh, instead of using an EQ on the
entire master, rather go back to the mix
session and adjust the EQ only on the
cymbals.

If you do nothing else, a brick-wall limiter is a great


way to bring your track up to a good level without
digital clipping.
A limiter is always the LAST step in the chain, dont put
anything after the limiter.
Limit to -0.1 (Some people say -0.3 is better, personally
I dont think it makes any dierence but thats up to
you to decide).

Export your nal master to an uncompressed .wav or .ai


le at 44.1kHz 16 bit use this master le to convert to
whichever other formats you want MP3, AAC, FLAC, etc.

TIP
The more you limit a track, the more attack
and punch you tend to lose.
To nd the sweet spot, push the limiter hard
until you clearly hear these side eects. Once
youre aware of them, back o the limiter until
the attack and clarity returns.
In general, aim for about 2dB - 4dB of gain
reduction.

If you import your new master back into a session, youll


notice that it now looks visually bigger and fatter like
other commercial songs.

Goal: To listen and compare your master on a variety


of dierent playback systems to get a better idea of
whats working or not, and then make adjustments if
necessary.

TIP
When listening back to your track on
various systems, you want to listen out
for CONSISTENT issues.

The essence of mastering is


making sure that our tracks
translate to the real world.
Most people are NOT listening
back on expensive reference
monitors, so we must make
sure that our tracks sound
great on the average playback
system.

e.g. If it sounds too bassy only on the


headphones, its probably not an issue.
However, if it sounds too bassy in the car,
on the HIFI, and on headphones, then its
probably too bassy!

Listen on as many dierent systems as possible in


the car, on a boombox, bluetooth speaker, large HIFI,
headphones, PA system, etc.
Compare to your reference tracks and listen out for
consistent dierences.
Make adjustments and repeat the process as many
times as necessary.

RESOURCES & LINKS

Reference your master on as many


playback systems as possible

Watch the video that explains this process step by step:


http://prosoundformula.com/how-to-master-a-song/

Headphones / earbuds

Surround sound system

Sign up free for my Mastering Mini-Course:


http://prosoundformula.com/sign-up-mastering/

If all this stu sounds pretty confusing and you just wish that
someone could walk you through the whole mastering process
step by step and show you exactly what to do, check out my indepth Ultimate Mastering Formula program over here:
http://prosoundformula.com/products/the-ultimate-masteringformula/

Are your tracks still not sounding as good as youd like?


Watch these two videos to learn the top 5 musical, and the top
5 technical, mistakes that may be holding back your tracks:
http://prosoundformula.com/the-top-5-musical-mistakes/
Car stereo

Boombox / bluetooth speaker

Large HIFI

http://prosoundformula.com/the-top-5-technical-mistakes/

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