How To Teach Creative Writing For High Shool
How To Teach Creative Writing For High Shool
General
How to Teach Creative Writing Activities
Ways to Teach Writing Creatively
How to Teach Creative Writing to Children
Creative Writing Teaching Ideas
Ideas for a Creative Writing Course Plan
Creative Writing Lesson Plans and Activities
Primary/Elementary School
Creative Writing Activities for Primary School
How to Teach Creative Writing to Elementary School Students
Ways to Teach Elementary Creative Writing
Ideas for Creative Writing Activities for Preteens
How to Create Creative Writing Lessons for Elementary
Middle School
How to Teach Creative Writing to Middle School Students
Creative Writing Ideas for Teens
The Best Writing Prompt Ideas for Middle Schoolers and Teenagers
Creative Writing Ideas for Middle School Students
High School
How to Teach Creative Writing to High School Students
Creative Writing Activities for High School
High School Creative Writing Topics
Creative Writing Ideas for High School
Creative Writing Activity for High School Students
GENERAL
Write letters
o Students love writing notes, so formalize this and teach students how to write a
proper letter. Give students a meaningful task that requires writing a letter. They
might write to ask someone to come and speak to their class. Older students might
write letters convincing someone in authority to allow something not yet allowed.
With a meaningful task and some instruction in proper letter format, students take
writing a note to a friend and turn it into a meaningful creative writing challenge.
and retell all or part of it from a different character's point of view using that
character's voice and personality in their writing.
Humorous Writing
o
If you want your kids interested in writing, then opt for writing assignments that
have a humorous or funny slant. Give your students a short prompt and ask them to
write a story based on that prompt. For example, have the students write a story on
what they would do if they found a bag of money or gold on the way home from
school. With older students, use the prompt as inspiration for short stories not
based on themselves. Give your students a short opening sentence that has no
ending and ask for a story that finishes the sentence. For example, tell the students,
I never believed that unicorns existed until and ask them to finish the story.
Divide your classroom into small groups and ask the groups to write a short story
based on a prompt you give them. Sometimes students suffer from writers block
and have difficulty creating a story on their own. Putting the kids into groups lets
them brainstorm and bounce ideas off each other, until they create a story that
shares elements from each student.
Share Stories
o
Share the stories that your students create in the classroom. Make small books
from pages wrapped with ribbon through holes on the sides. Let the students pick
their favorite stories and create pictures for the books. Give the students one
prompt and ask each one to create a story with the same theme or idea for the
finished book. Get the students excited about creating stories for others. Send
home copies of the books for the parents.
push readers firmly out of the story. The exercise is useful as it encourages writers
to experiment with point of view; you could also, for example, assign them first
person plural or third person limited.
10
Writing Cycles
o
The focus of a writing cycle is to give students a sense of collaboration with other
classmates as they create stories together. Seat the students in a circle and give
each student one or two blank notebook pages. Instruct the students to start a
story from a prompt of your choice. An example prompt is, "It was noon and the
sun was hot..." Allow the students to write from that prompt for two or three
minutes, then instruct the class to pass their stories to the person sitting to the left.
Repeat the three-minute cycle, passing stories to the left until each story has gone
around once. Once students receive their own stories back, ask them to conclude
the story with another three-minute time slot of writing.
Six-Sentence Paragraphs
o
This activity takes a special attention to detail and concentration. Instruct each
student to write a six-sentence paragraph without repeating any word twice. This
includes contractions, such as "do not" and "don't." Tell the students that the
paragraphs must make sense and not be a random mixture of ideas. Once the
students are finished, gather each paragraph and read it aloud to the class without
revealing the names of the authors.
Journaling
o
Spend a week with your students in a journaling unit. Each student should have at
least seven pieces of paper available to use for journaling. During each day, starting
on the first day of class for the week, instruct the students to fold each piece of
paper in half, writing the titles "What I Saw" and "What I Thought about What I
Saw." Ask students to journal once or more a day about the things they see
throughout the day, and then to reflect upon what they experienced. The purpose
of this activity is to form a greater sense of introspection and reflection and to show
students the value of keeping a record of daily thoughts.
Marathon
o
This activity is exactly what it sounds like: a marathon. This is a good assignment for
classes that seem to be "stuck" or experiencing writer's block. At the beginning of
class, instruct students to take out a notebook and pen or pencil. Explain to them
that you expect them to keep the writing utensil on the paper for the entire class
period. The point is for students to simply write in a continuous stream. Some
students may become tired during the activity, but it is important to encourage
them to continue writing, even if what they write does not make sense. This
stream-of-consciousness style of writing can help break writer's block and help
students find new inspiration.
11
Students may begin a creative writing piece by writing about a piece of art or a
photograph. The instructor shows a photograph or painting and without any
discussion, students write about what feelings or mood the piece inspires in them.
Then, students share their ideas and thoughts to brainstorm ideas for a piece of
writing. The teacher might give a short prompt such as: "Write as though you are
one of the people in this photograph." The teacher might also ask students to draft
a list of words they would use to describe the piece of art and then use those words
to create a short story or poem about the piece.
Elementary students in particular love telling the story of ordinary objects that
surround them; for example, the story of a dollar bill -- who has handled it, what
has happened to it, where it's been. The teacher might instruct students to tell the
story of one of their favorite objects from home and to write as though they are
that object. Teachers can also provide story prompts to students starting with
"What if..." Another way to craft a lesson around imagination is to have students
alter the end of a well known story or put themselves into a famous tale. Children
have vivid imaginations, and creative writing is one place where expressing that
imagination isn't only encouraged, it's essential.
Personal Narratives
o
Personal narratives are most intriguing when the reader feels a connection to the
author. Beginning personal narratives works best when students can recall a story
that they felt a connection to and why. Sensory detail, metaphors and similes are
essential parts of personal narratives because they bring the reader in to the
writer's experience. Teachers might start with asking students to create lists of
similes and metaphors that apply to their lives. The students might identify with
being as hungry as a wolf or as angry as a bull and then craft a story around that
12
simile or metaphor. Personal narratives are windows into the soul and snapshots
into a moment in time that may have passed but lives on forever in memory.
13
PRIMARY/
ELEMENTARY
SCHOOL
14
15
Journals
o Not only are journals a way to have students practice writing every day, they are
also a way for the students to keep a memento of their school years. You can have
the students make their own journals using construction paper and copy paper, or
buy premade journals from an office supply store. You can give the students a topic
to write about or they can write about what they learned that day.
Idea Box
o An idea box is simply a shoe box covered in paper and stickers. Cut an opening at
the top large enough for a child's hand to fit through. Fill the box with different
objects. You can use anything from items about your next lesson, to trinkets you
find around the house. Let one student pull out an item, and then have the class
write a story with that item in it. Have the students add pictures and share their
stories.
Round-Robin Writing
o Round-robin writing is a way for students to put their heads together to create one
story. Give the students a starter sentence, such as "Tommy was late for school,"
and have the students write for three minutes. Next, have the students rotate their
papers in a group. Those students will read the story and continue writing it for
three minutes. Do this for three rounds. The students will read their final story to
see how it has changed.
16
17
Prompts
o One of the easiest and best ways to get students to begin the creative writing
process uses prompts, which can work at any age. Writing prompts start students
with very little information or just a beginning sentence, and then allow them to
finish the story. Starting with "what I did on my summer vacation," "why I like my
best friend so much" and "the place I love to visit most" are all areas that can get
students writing creatively. Older students can write about the difference between
write and wrong or giving alternatives to popular stories. Asking students to write
about an event they remember most or something that affected them deeply can
also begin a creative writing project.
Storytelling
o At a very young age, children listen to stories regardless if they come from a
grandparent, movie, book or theater production. The basis of creative writing
begins with good storytelling, where students get their introduction to characters,
plot, setting and conflict resolution. Children's authors typically address many of the
issues that children face, including going to a new school, living with a new pet and
cleaning up their room. By exposing children to as many stories as possible, this
helps them learn good structure and what makes a good story.
Field Trips
o Taking students out of the classroom and letting them observe human behavior,
visuals and scents forces them to take note of the details that play a vital role in the
creative writing process. Teachers can take students to a farmers' market, park or
even a school library where, with notepad in hand, the students can write down
what they see and observe. Instead of the student just writing down that the
student sees "a woman in a red dress," teachers can press the students for details,
such as asking about the person's height, color of hair and if she wore a hat. While
students can write down as many adjectives they can think of, just a few allow the
students to get into the habit of taking notice.
18
Headline Poems
o
Have your preteen creative writing students create poems based on popular
newspaper or magazine headline topics. Assign your students to look through
newspapers and magazines individually or in pairs and select a main topic as seen
often in the headlines. The students will then create an original poem about that
topic. The poem can be free-verse or rhyme. You can also assign a specific type of
poem to be written, such as a cinquain. Once students have finished, host a poetry
reading in your classroom so students can share.
Assign your creative writing students to write a story based on five photos clipped
from a magazine. Students can work individually or collaboratively with a partner.
The students should cut out magazine pictures that appear to be interesting or have
the potential to generate a creative piece of writing. Provide students with phrases
on the front board like, "Once upon a time," to help jump start the writing process.
Once each student or pair has finished a story, allow students to share with the
class or compile the stories into an anthology that you can read aloud to the class.
Collaborative Story
o
Provide your students with the opportunity to create a collaborative writing piece
while working on the progression of a story. Each student takes out a blank sheet of
lined paper and writes his name at the top. Give the student five minutes to write
the beginning of an original story. Remind students to keep it appropriate and not
include the names of any students in the class. The student then passes the story on
to another student who adds on to the story for five minutes, creating the plot. The
story is passed on one final time to another student who spends five minutes
writing the conclusion to the story. Return stories to the original writer to read.
Completed stories can be read aloud.
19
In the beginning of the school year, students can create and personalize their own
journals with a stack of white-lined paper tucked between two pieces of card stock or
construction paper. Have these journals professionally bound or simply staple them in
place, depending on your classroom resources.
20
MIDDLE
SCHOOL
21
Preparations
o Make a list of your goals. You should include educational standards in your creative
writing program, but you should not be ruled by them. Teaching your students to
open up and express themselves is every bit as important as teaching them correct
grammar and organization of ideas.
o Divide your writing assignments into two categories: "loosen up" and "tighten up."
"Loosen up" lessons are designed to help your students free up their inner voices.
Free writes, brainstorming and sound poetry are some examples of "loosen up"
writing. "Tighten up" lessons are geared towards helping your students polish and
improve their writing.
o Combine "loosen up" and "tighten up" lessons into each assignment. For example,
you can start a poetry assignment with a free write. Then, you can have them select
a passage from the free write to develop and turn into a polished poem.
o Connect the writing assignment to the core curriculum. For example, if your
students are learning about the gold rush, you could create lesson plans which
allow them to write a journal from the point of view of someone living through
events from that era.
Vary you classroom setup and teaching style. On some days, lecturing from the
front of the room is just fine. On other days, arrange the desks in a circle or in small
groups to allow students to share their projects.
Make your students feel comfortable. For some creative writing assignments, it is
best to not require the students to share their projects. Everyone should participate
sometimes, but no one should have to participate all the time.
Participate in the creative writing class. Middle school students love to see their
teachers required to do the assignments! In addition, it gives them an example of
polished writing that they can follow if they want to.
Give your students options. Instead of focus on drilling many different creative
techniques into their heads, allow them to choose what kind of poem, essay or
narrative they want to write.
Demand excellence. The best stories, poems and essays often start as sloppy free
writes. Real writers take a piece from humble beginnings, through several revisions,
to a perfect final draft. Your students should learn to as well!
Free writes are a great way to get middle school students writing. To hold a free
write, tell your students to write continuously for five minutes. They can write
22
about anything they want to during that time but cannot edit their writing or stop
before their time is up.
o Never require students to share free writes or other raw, unpolished writing. This
kind of writing is meant to be very spontaneous and personal, and students need to
feel safe when things come out that they don't want to share.
23
Journals
o
Poetry
o
Poetry isn't just for greeting cards. The best poetry describes strong feelings and
goes straight to the essence of a situation. There are a lot of different poetry forms.
Get a book of poems from your local library, and try imitating some of the rhyme
schemes or rhythm patterns. Play around with them until you get a feel for how
they work. Read a local newspaper; select three articles. Write a poem about each
one, using a different poetic form for each.
Short Stories
o
Short stories range from incredibly short pieces designed to fit from start to finish
on one computer frame to about 30 typed pages, double-spaced. Watch vehicles go
by or around you as you travel, and make up characters that you think would drive
certain types of vehicles. Imagine what would happen if some of these characters
were to meet; add a problem they need to solve and walk them through to a
solution. Add some conversation, a little scenery and turn it into a short story.
Formal Essay
o
Essays are a way of talking about things that are important to you. Topics can range
from a homely diatribe against the quality of school lunches to something as serious
as racial prejudice. Ideally, they should present an opportunity for the reader to
share something important to you or to gain a more enlightened point of view
through reading your writing. Read some famous essays, such as "A Helpless
Situation" by Mark Twain, or one of the State of the Union addresses by John
Quincy Adams. After reading a few, try writing your own essay.
24
Self-Reflection
o
Writing prompts that ask students questions about themselves promote selfreflection and critical thinking. After reading a story about a boy with a mischievous
pet lizard, ask student to write on the prompt, "How I Would Take Care of a Pet
Lizard." Asking questions that relate subject matter to students' personal lives -even if only through the imagination -- can help students relate with central story
characters and better understand the nuances of story plots or character
motivations.
Conceptual Relationships
o
Metanarrative Observations
o
For movies, plays and books, give students the opportunity to get inside the writer's
or creator's head by asking questions that take a step back and look at the creative
process. Why did the author choose a certain name, birthplace or personal history
for a character? What is the relationship between the creator's own biography and
that of her main character? These questions helps students conceptualize the
creative process and can add to their appreciation and understanding of the literary
or cinematographic work.
Changing Elements
o
Combine critical thinking with creative writing and writing prompts that ask
students how situations or events may have turned out differently if one or more
variables had been different. These prompts work well in history and government
lessons. After reviewing the history of a major invention like the printing press, for
example, present student with a prompt like, "How Would the World Be Different If
the Printing Press Had Never Been Invented?" Learning experiences that engage
25
students' creative sides and their analytical sides are often more effective than
learning experiences that engage strictly one or the other.
26
Jackdaw
o
A jackdaw is a bird that like to collect and horde shiny objects. In the educational
setting, a jackdaw is a collection of objects (or words and images to represent them)
that symbolize the students talents and interests. Whether you choose to use actual
objects or simply to create visual representations in a folder for students to share
depends on the maturity level of the students and your personal preferences. Early
middle school students may benefit from a jackdaw of physical tokens to represent
concepts. A small chess piece to symbolize a love of chess, a scrap of fabric for
crafty teens, a fishing lure or a favorite book all illustrate the student's interests. By
eighth grade, a decorated folder with images and words can be used successfully.
Include requirements that the jackdaw include the student's interests, concerns,
dreams, activities, talents and relationships to others.
Jackdaw Writing
o
Middle school students enjoy writing about themselves and about their interests.
Challenge them to review their jackdaw and select one of their talents. Direct them
to write about their talents and how they can use those talent for help others. This
activity encourages students to think about how they connect to the outside world,
strengthens thinking skills and develops writing skills.
Writing Prompts
o
Writing prompts can be effective tools if used properly. Avoid trite and overused
prompts like "My Summer Vacation." By the time students have reached middle
school, they have already written to the topic many times and have most certainly
lost interest. Try prompts that engage higher level thinking skills such as "If I could
choose a new talent I would choose _____because ______." Instruct students to
27
complete the sentence and write about how that talent would change their life and
the lives of those around them.
Allow students to suggest writing prompts and create a master list. Students often
suggest intriguing prompts that are likely to engage their peers in the writing
process. Edit the list for appropriateness and use for future prompts. Placing the
prompts in a jar and randomly selecting them makes writing fun, as students
anticipate their prompt being chosen.
28
HIGH
SCHOOL
29
Pick approaches to writing that your high school students may not
have tried before
o For a fiction assignment, you could have your students rewrite a favorite story from
the perspective of a different character. For a poetry assignment, you could have
them describe a favorite place by its smell, sound and texture.
Show examples
o
Do the assignments yourself, and share your own writing with the students. By
opening your own writing to the students, you can make them feel more
comfortable sharing with you. They will also benefit from having the voice of a more
seasoned writer.
When the class is first starting, the goal is to make your creative writing students
feel comfortable expressing themselves. Once they feel comfortable, you can teach
them lessons about writing tighter prose, using more creative imagery or whatever
other writing techniques you may want to include.
30
Introduce high school students to haiku poetry. Haikus are three line poems
consisting of a first line of five syllables, a second line of seven syllables and a final
line of five syllables. The small poems feature two parts, with a turning point usually
occurring in the middle of the poem. Since haiku poems are most commonly a
personal reaction to an everyday occurrence, the students needn't worry about
coming up with something profound.
Ask students to find a story that interests them from the news. Have them clip it
from the paper, print it from the Internet or write a summary of it from television
news and bring into class. The students should compose a short story that uses the
news item they found as a springboard. Encourage the students to add or delete
from the story as they wish, making something that is reflective of who they are.
Playwriting
o
Playwriting is a great way for students to really play with both language and
imagery. Challenge students to write a play using alliteration, by focusing on a word
chosen at random from the dictionary, or by setting it in an unusual place. A full
length play may be too daunting for young writers while a ten minute play or one
act may be the perfect length. Playwriting is also great for learning to develop
characters. Encourage students to think of what makes them and their friends
unique and assign those characteristics to their characters.
Exquisite Corpse
o
lives. Have them describe the event in detail and how they felt while it was happening.
Encourage them to not name the feeling but use words to paint a picture of how the
experience felt. For example, sweaty palms, dry throat, tight muscles and flushed face
are all acceptable descriptions.
Alphabet Story
o Have students write a short story that is exactly 26 sentences long. Each sentence
should begin with the next letter of the alphabet. Give strict guidelines -- as to the
theme, character types and the title students must adhere to -- or you can allow the
class to come up with the topic and characters.
are unable to see. The loved one can be a deceased relative or friend, or someone who
moved away and lives in another state or country; all that matters is that the person is
special to the student and that the student has something important to say. Allow
students to write freely, expressing whatever they would like to say to the person.
Once students have written their monologue or letter, they may volunteer to share
them with the class. Students should not be forced to share -- especially if the
monologue or letter is personal in nature.
Pet Story
o This creative writing activity allows students to view the world from their pet's
perspective. Instruct students to write a story about a typical day at home but write
what the day looks like through the eyes of their family pet. Have them include details
about how the pet views the family members.
32
Short Story
o For short story writing, one of the most essential skills is character creation. Help your
students learn to create characters by having them make up social networking profiles
for a character. They should imagine that the protagonist of their next story is creating
a page for MySpace or Facebook; what would the character include in the profile? Ask
your student to include an image, quote, list of friends, list of groups the character
would belong to, photos to upload or online interests. This gets your students thinking
about the characters they create on a deeper level. Remind them that not everyone is
totally honest online. They should make adjustments for lies their characters might tell
the world so they can appear "cooler" online. Another way to boost characterization is
to have students work in groups to brainstorm character traits, both physical and
personality-related. Have students write each trait on an index card (four traits or more
per student) and place them in a group pile. Then each member of the group should
choose two physical traits and two personality traits and write a character profile
paragraph about the person who would have all of those traits.
Poetry
o Give students opportunities to read a lot of poetry and talk about the elements they
see. Then ask them to write poetry that mimics the style of the poems they read. Have
them put together a portfolio that combines these skills. They should include some
published poetry and a written analysis of it, as well as their own original poetry. Let
students use song lyrics, too. This is poetry that is a part of their daily lives, and it might
be easier for them to understand than classic literary poetry.
Film Study
o In a creative writing class, films can provide a break from writing as well as a way to
study creative elements. Show fairy tales or a film such as "The Princess Bride" to
discuss stock characters and plot archetypes. Have students list and explain the
archetypes they find in the films, and then practice writing a fairy tale or fable of their
own using some of those archetypes. Another film for creative writing class can be
"Stranger than Fiction." In this movie, Emma Thompson's character quite literally
interacts with the protagonist in her novel. Talk about the ways in which a character
can take over the plot of a piece of writing, and how a writer needs to be able to adapt
a story as it progresses.
33
stages to help students discover their "inner writer." The first process in this creative
writing activity starts with four quick writing assignments. Limit students to five
minutes for each of these four exercises to establish their writing style. This is not for
critique but for informational purposes. For the first writing, have students write
something about themselves. They may do so from any perspective desired. In the
second writing, have students describe a feeling, such as fear or love, sadness or joy. In
exercise three, have students write about someone for whom they care. In writing
exercise four, have students write anything they can about the topic of writing.
Review
o More than likely, some students had trouble with one or more of these writing projects.
Yet once students get started, by the fourth entry, the writing will begin to flow. More
than likely, students found that when writing about themselves, they experienced more
trouble while writing about someone they cared for flowed. When it came to describing
a feeling, more than likely, it left students feeling somewhat frustrated. By the time
they completed the last entry about writing, students could chronicle their writing
experience with the first three writing exercises. As a result of this exercise, students
may feel very negative about their writings, but continuing on, they can grow to realize
options exist to express themselves differently.
to the design mind. Right brain writing follows natural patterns of meaning, uses all
senses in the process, inspires creativity and releases inhibitions. To start the clustering
process, take a blank piece of paper and a nucleus phrase or topic and write it in the
center of the page. Place a circle around it. Without thinking about it, begin to write
words that come immediately to mind, branching off the original phrase with lines,
words at the ends of the lines and circles around the words. If a particular word leads
down another path, branch out from that word. It doesn't matter how the page looks;
this isn't about making it pretty: it's about writing what comes to mind quickly. This
process takes approximately two to five minutes. Have students quit when they feel
they're done. The page should look like an extended spider's web.
Writing Naturally
o Immediately after students complete the clustering process, have them switch to their
writing piece. Students will inherently feel the "internal" shift after the clustering is
complete; when this happens, encourage them to write what comes out. Invariably,
because of the clustering process, just writing what comes to mind will give students a
better sense of what they want to say, and the writing will seem to flow. After about
34
five minutes, tell the students to finish up quickly. This part of the writing process only
takes a few minutes.
Results
o Because "clustering always unfolds from a center, like ripples generated by a rock
thrown in a pond," Rico says, the nucleus phrase in clustering becomes the kernel or
the seed that contains the potential growth of the writing. When the nucleus phrase or
word is allowed to filter naturally through the student's personal experience, it
generates -- almost all of the time -- writing that is expressive of the student's distinct
consciousness. It allows the expression of the student's authentic voice, in essence, an
expression that is natural but unique to the writer.
35