Navanaatha
Navanaatha
The 9 slokas in this stotra are considered to be 9 real gems in the following or
der:
1st sloka - Pushparaga
2nd sloka - Blue stone
3rd sloka - Vaidooryam
4th sloka - Coral
5th sloka - Real Pearl
6th sloka -Green stone
7th sloka - Diamond
8th sloka - Gomethagam
9th sloka - Red stone
These slokas are in the form of Navarathna Mala adorned in the neck of Mahatripu
rasundari by Sri Bhaskaracharya . Having had the personal Divine experience and
bliss, he wanted every sadhaka to have the same experience by adoring oneself wi
th these Navarathna Mala and the principles behind.. With this noble thought in
mind, he brought out these Sri Natha Navarathna Malika Slokas.
These Sri Natha Navarathna Malika Slokas specifically adore the Guru. The blessing
s of the Great Master alone does all the good deeds and actions in one s life
so s
ays sruthi - Gurumoolaha kriyaha sarvaha - . Sri Guru is the embodiment
the route c
ause - of all the Devathas, Mantras, and also the very life energy- prana sakthi
- of all the living beings in this universe. The Srinatha Navarathna Malika slokas
also affirms that the Guru is always living with the sadhaka in the form of his
life energy (breathing) as the Omnipresent, Omniscient and Omnipotent Prana witho
ut which the sadhaka will not be able to live. In other words the Guru is breath
ing the life of the Sadhaka and the Sadhaka breathing his Guru. Thus the identit
y between the Guru, Devatha and the Sadhaka is lost and everything becoming the
ONE.
The great Guru who is the Swaroopa of Eswara, Manthras and the inhaling and exha
ling of life principle in all the living beings in the universe, is to be worshi
pped in three ways - viz: (1) Gross
sthoola - (2) Shuttle
shookshma - and (3) Ka
rana para -.
Gross
Sthoola worship
the worship of the idol in its proper form, with all its a
doration and paraphernalia or the worship of the yantra (Ckaras), in its true pe
rspective.
Shuttle shookshma worship
the japa of Gurupadhuka Manthra continuously and dwell
ing on the same ceaselessly.
Karana Para
worship
aims at keeping the mind in one pointedness
like oil continu
ously flowing from a vessel through a small hole - and worshipping the Divine Mo
ther without any break, as the very breath of the Upasaka, with the one supreme
goal of mergence.This worship or upasana is called Bhavana or Vasana.
The Sri Natha Navarathna Malika slokas indicate and explain the most superior and
precious Para (Superior) Upasana, which alone is the real Sri Vidhya Upasana.
All the living beings, when they awake in the morning after a deep sleep in the
previous night, take a deep breath. Similarly the Lord of the Universe the creat
or awakes from the state of Pralaya (dissolution) and enters the state of Creati
on (srushti) with a deep breath, which becomes the beginning of the universal li
fe (energy) with inhaling and exhaling of the life principle
energy. This energy
is beyond light and is the creator of the light and everything in the universe.
From the very first breath of the Lord of the Universe, three dots - . & : (bind
us) emerged- viz: the first dot M (.) Called anuswara and the second dot IH (:) call
a peacock danci
The peacock will not exhibit its splendour and glory in ordinary times. However
whenever there are a lot of dark clouds around, it gets excited and spreads its
wings which are full of colour and spectacle and dances in ecstasy, along with o
ther peacocks. Similarly the great Master (Guru) hides his own state of being and
whenever He meets the great sadhakas and disciples, He exhibits His mastery and
His state of oneness with the ultimate reality, thus blessing the countless devo
tees. Thus the Guru who has the qualities of the dancing peacock, the word Matth
a Mayuram is aptly applied as a simili to Him.
Further, these 9 slokas, are far superior to all other slokas, because they are
all built up on the alphabets of the word MATTHA MAYURAM -.
It is also an accepted fact, that whenever a devote offers wholeheartedly a slok
a at the Lotus Feet of the Almighty and Guru, there is always a vibration of the
divine current in his body, and he reaches a state of ecstasy, in a milder way,
like a dancing peacock. The sadhaka experiences the same ecstasy whenever he dw
ells deep into these slokas.
The Bhavana - mergence - with the method propounded by these 9 slokas, is very diff
icult to follow or enjoin by ordinary human being. An adept, who has had a long
steadfast practice (sadhan), with absolute purity of mind, action and deed, and
control of mind, can alone achieve this.
Another noteworthy feature of these 9 slokas, is that these have not been sung i
n praise of any devatha , as is usual. They explain in secretly coded words and
in detail, following the principles of advanced science of mathematics, the numb
er of breathing, (inhaling and exhaling), and the number of times each of the br
eathing is offered to the respective Devathas with the respective manthras. Even
the explanatory notes are all imbibed with these coded messages which requires
one s great skill and the blessings of the Master to understand.
For example the 4th pada (stanza) of each sloka ends with the words SANMARGAM MAT
THA MAYURAM GURU IDE
to the ordinary human being this would mean - I SOLUTE TO TH
E GURU WHO IS PREACHING THE SAN MARGA, like a peacock dancing in ecstasy. Howeve
r the inner meaning would be as follows:
The word MATTHA MAYURAM actually indicates:
The word M is No.5
A is No.6
M is No.5
U is No.1
R is No.2
So it reads as 56512 and if this is reversed it become 21565.
Similarly in the word SATH MARGAM, THE WORD SATH indicates the meaning of joining
and the word MARGAM indicates the number. Thus:
The word in Margam M indicates No.5
GHAM indicates No.3
So it reads as 53 and if this is again reversed it become 35.
Now if you add the number 21565 and 35, they denote 21600, which is the total nu
mber of breathing one would do DAILY from sunrise to the next day s sunrise. There
fore the real meaning would be that the Guru who is in the form of the breathing
is adored and praised.
From the 2nd sloka onwards, the three stanzas (paadas) in each one of them, indi
cates in similar secret codes, how the Guru is appearing in each breathing.
It is felt that at the present juncture, it may not be necessary to explain all
these in detail. Further such an explanation will be very extensive and exhausti
ve and require a lot of time and space.
However with a view that even the ordinary upasaka should get the benefit of the
letter and spirit of the Sri Natha Navarathna Malika, the great Sri Vidhya Upas
aka, shree Bhaskararayamahee- who is considered non-else than the Lalitha Maha T
ripurasundari, and who has studied and practised all the means and methods in th
e Upasana marga, and who has done a lot of research and development in this fiel
d, and who has brought into being the SRI VIDHYA DHARMAM.(Saktha dharmam), and w
ho has had the personal experience of the Ultimate Reality, and who has written
the bashyam (explanatory notes) for the veda chapters of Bhavanopanishad, Tripur
opanishad, Kowlopanishad, and the saktha smruthi grantham
Nithya Sodasikarnavam
- and who has written the bashyam, in the way which no one can do so, for the La
litha Sahasranamam, and who was called the SAKTA PRASTHANA KARTHA , and who has mas
tered everything in the tanthra sastra, who was independent, and who has spread
the Devi (sakthi) cult throughout the Indian subcontinent, and the one who is th
e great Guru for all of us, an Avathara Purusha representing the very Lalitha Ma
hatripurasundari has written the explanatory note for these navarathna slokas.
The PALA SRUTHI SLOKA (10) SAYS:
The one who on the basis of his breathing, experienced the presence of the ultim
ate reality, and received the total blessings of the Divine Mother, and who afte
r having undergone the total experience of mergence with the Divine Mother, expl
ained fully the various principles of Saktha cult, the ways and means to apply t
hese in practical life, and who is extolled as the great Guru, the one with the
Divine effulgence, the great SRI MAHESANATHAR
has written these slokas. Each one
of the sloka is a gem by itself and in toto they make a Navarathna Mala. This N
avarathna Mala is adorned in the neck of Maha Tripurasundari. Every Sri Vidhya U
pasaka should byheart these slokas and offer the same to the Divine Mother with
his very breathing. Such Upasakas are considered to have crossed the barriers of
birth and death, as the one initiated into Panchadasakshari Manthra, and become
s the jeevan muktas in this birth itself. They are considered SIVAM. .
The author further states and reaffirms by the words- PATAPARANAM GURUBAKTHANAM
CH SADHYAHA PARASIVA PRAPTHIHI PHALATHI - that the ordinary human being, who has
no access to Sri Vidhya, can derive all the benefits, if alone he does the para
yana (repeating) of these slokas regularly with dedication and devotion
It is prayed that all be blessed by the Divine Mother and the Great Master, to h
ave all the best of peaceful life and merge with Her.