Narrative Theory
Narrative Theory
Suggests that most narratives start with a state of equilibrium where life is normal,
there is peace and everyone is happy. This state of normality is then disrupted by an
outside force which has to be fought against in order to return to this state of
equilibrium. Todorov said that this theory can be applied to a wide range of film
genres.
Roland Barthes narrative theory
French semiologist.
He suggested that a narrative works with five different codes which activate the
audience to make sense of it.
Barthes codes:
Action a narrative device by which a resolution is produced through action, e.g. a
shoot-out.
Enigma A narrative device that teases the audience by presenting a puzzle or
riddle to be solved. This works to delay the storys ending pleasurably.
Symbolic connotation
Semic denotation
Cultural A narrative device which the audience can recognise as being part of a
culture.
Vladimir Propps narrative theory
He analysed over 100 Russian fairy tales in the 1920s. He proposed that it was
possible to classify the characters and their actions into clearly defined roles and
functions. Films such as Star Wars fit Propps model but others dont.