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Escalas Exóticas

This document contains 5 questions for analyzing excerpts that use exotic or artificial scales. It includes 15 musical excerpts that employ scales like the whole tone scale, diminished scale, and other scales missing certain intervals. The questions focus on identifying the tonal center, characteristics of each scale, missing intervals, and how this affects the music. It also asks about analytical systems that could provide insight into understanding these excerpts and scales.

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CarolinaEscobar
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101 views9 pages

Escalas Exóticas

This document contains 5 questions for analyzing excerpts that use exotic or artificial scales. It includes 15 musical excerpts that employ scales like the whole tone scale, diminished scale, and other scales missing certain intervals. The questions focus on identifying the tonal center, characteristics of each scale, missing intervals, and how this affects the music. It also asks about analytical systems that could provide insight into understanding these excerpts and scales.

Uploaded by

CarolinaEscobar
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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55.

Exotic (Artificial, Synthetic) Scales

Questionsfor Analysis
1. How are tonal center and seale made clear?
2. I{hat ae e irtersal characteriscs of each scale? \4lhat intervals are
missing from aay given scale? \llhat effect does is have on the music?
'' YYhat.analyticsystems (Hris, Pefsichtti, inteivI vector) might be serl
in understanrling this music?
5. Is ere aay shiftiag, mixing, or changiag of scales'rrithin any excerpt?

402. Touches Noires Zf'EF


Moderato

'-r
405.)Mikokosmos no.78: Five Tone Scale
_*/ Effi;

\ ' ben ritmato


J ---

i5. Exorrc (ARTIFTCIAL, SIT]rHETICTALES 567

ErB{-rcr,i
{? \
(\ 14:U-\,/
'r\x...-.-4,J/
ffi i
404. \alsette

368 PART I] I T\I,ENTiBTI]-CENTURI ,\{ATER]ALS


[=:
t.:':

4A5. London Sl,mphonr,


l: I, Reh. N4
mfrI
AIIegro risoluto Vaughan
/'Z

\
i
lr\t

(
J

406. Prludes, iI: Voiles


4orlr E?rffi
1):SS;
(Dans un rythme sans rigueur et caressant.l

\
p trs doux

f
(,

F t pp_- f-r-
toujours <]:_ I br
__-t. !

trs daux

L"r 1 ,tr
Y I-
I

i.
--
F
r.

55. EXOTIC T,{F.TjFIC]AL, SYNTIIETIC) .SCAI-ES 569


407. N{ihroliosmos, no- 136: \4/hole Tone Sca}e
]: 1oB
Bartok
Andante,

\-_-/

ffil 40E, Pelias et Mlisande, Act II, scene 1


m.157
Debussv

* f,

570 PAP,T II I. T\\/ENTlET}J-CENTU RY \{ATEN IALS


409. Fourteen Bagarieiles. op. 6, no. 10 ffiffi
Allegro ) =Oz

P A ,rurr.

410. Bucoiic. no. 5 E,BTT


m.20
Lu toslawski

3r. EXOTIC (.{RTTFlCI{L, STNTIiETIC) SCAt,ES 37\


t={=l F-r t&r --+
tLt
Yl I i_r_J
I'-
Y*l ?
l{

P -.- a
l---
D;' -
| ""{' L;- ho-:
--F\

rt. a tempo

rrl p.-i- .d {L *
rL +
Ix--l \f,
lt

().' mt. .
L- a il.r I I t
J>> I
I

tft

ffi,r 411. N{i}irokosmos, no- 101: Diminished Fiftlr

372,UO' Il'. T\'\'ENTIETI-I-CENTUR)' \4ATEF\],T]-S


J
(

412. Sketches, op. 9, no. 6 EIE


Allegretto J:f fA

55. ExoTlc (ARTIF]ciAL, s)\Tr{ETrc) SCALES 575


f
I

I. T\4/ENTIETH-CENTURY \{ATE RIALS


J/+ PART I]
'*.1
'l
I

415. Fourteen Bagatelles, oP. 6, no. 6


@

LP----..-..-
POCO eSPreSS.

smorzondo

55. EXOTTC (ARTIFICIAL, S)T,THETIC) SCALE-q 575

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