The document provides information about the entrance exams for a D.M.A. program in two parts. The history exam is 1 1/2 hours and covers major facts, composers, works, styles, and theorists from Gregorian chant through the 20th century through short answer and essay questions. The theory exam also lasts 1 1/2 hours and covers common practice theory like species counterpoint and figured bass as well as 20th century techniques like set theory, 12-tone operations, and minimalist rhythmic techniques.
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Preparation For D.M.A. Entrance Exams
The document provides information about the entrance exams for a D.M.A. program in two parts. The history exam is 1 1/2 hours and covers major facts, composers, works, styles, and theorists from Gregorian chant through the 20th century through short answer and essay questions. The theory exam also lasts 1 1/2 hours and covers common practice theory like species counterpoint and figured bass as well as 20th century techniques like set theory, 12-tone operations, and minimalist rhythmic techniques.
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Preparation for D.M.A.
Entrance Exams
History Exam1 hours
This exam is intended to determine whether the candidate has a command of basic undergraduate music history. The exam consists of mostly short-answer questions (matching and multiple choice) covering the important facts of music history from Gregorian chant to the Twentieth Century. For each historical period you should know the style characteristics, the important composers, their major works, the genres that were popular, the compositional techniques used (isorhythm, double fugue, thematic transformation, Sprechstimme, etc.), major theorists (Zarlino, Rameau, Schenker, etc.) and theoretical concepts (free atonality, Gesamtkunstwerk, etc.). At the end of the short-answer portion of the exam there is an essay. You usually get to choose your topic from several given. This essay is designed to show us how well you write and organize your thinking. The topics are broad enough to give you plenty of opportunity to have something to say on the subject.
Theory Exam1 hours
This exam covers all kinds of common practice period theory, including harmonizing a melody in four parts, identifying types of non-harmonic tones, realizing a figured bass, writing a tonal answer to a fugue subject, making invertible counterpoint, writing species counterpoint, identifying types of cadences, building chromatic chords, etc. In addition, the exam covers the fundamentals of twentieth-century theory, including 12-tone operations and concepts (combinatoriality, etc.), set theory, use of modes (Scriabin, Messiaen, Debussy, Bartk), total serialization operations, minimalist techniques (especially regarding rhythm).
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