How to

Draw People
A Free Excerpt From Life Drawing:
How to Portray the Figure with
Accuracy and Expression
by robert barrett
5
Mapping, Measuring, Gridding

Mapping the Figure Seated Male Figure

Nupastel on paper
This model had great anatomical definition, which made mapping his
30" 22" (76cm 56cm)
figure easier. He also had lots of energy and found it difficult to sit still. Collection of the artist
Consequently, I gave him frequent breaks.

2
Using a grid to measure and map the figure is not a new process; in fact, there are
many historical examples of gridding. Renaissance artists Leonardo da Vinci and
Using a Grid
Albrecht Drer used the device extensively. Though some examples of gridding may
seem complicated or complex, this measuring process is, nonetheless, a useful tool
for adding objectivity to a drawing. Other tools used to eliminate unwanted subjec-
tivity include mirrors, compasses and framing devices such as a viewfinder. I suggest
using a simple form of gridding to plot points and angles when completing a tradi-
tional drawing because it will help you establish the correct position and dimension
of proportional relationships.
Through my years of teaching, I have concluded that the practice of measuring
establishes accuracy in a drawing and instills both confidence and conviction in the
artist. If you know that a certain point in your drawing is accurate and that other
points are correct in their relationship to that point, youre well on your way to add-
ing conviction to the drawing process.

Create an Envelope Around the Figure Plot the Inside Landmarks

A first step in gridding the subject is placing an envelope around the After you establish the envelope and create the outside angles and
outside edges of the figure. Its helpful to use only straight lines during this proportions, look for inner landmarks. These are often located at points
process because landmarks will occur at intersections where the angle of where two angles intersect or at hard places where the skeleton is close
each line changes direction. to the surface.

3
 Mini-demonstration
Using a grid and After setting up an initial gesture drawing, use a grid to help establish relationships

landmarks for and proportions. This process includes using landmarks and either lines or angles.
As you begin, look for the strongest angles or lines on the outside of the model.
accuracy Then try to duplicate those general angles as closely as possible with lines. Simulta-
neously, note the points where lines change direction. Its helpful to hold your
charcoal or pastel up to the model to assess the exact angle of an outside surface,
M at e r i a l s l i s t
then transfer it directly to your drawing surface. Assess the length of the line as
Kneaded eraser
much as possible. Lines dont actually exist in space but are a contrivance to help
Nupastel stick
separate spaces and boundaries between objects and values.
Paper towels
Sanding block
Sketch paper

1 Start with the Angles and Big Shapes

As you begin drawing, place large areas of value lightly on
your paper. Look for the big shapes and the overall silhouette of
2 Define the Angles and Shapes
After youve ghosted in the figure in Step 1, begin to define
the specific angles and shapes. At this point, look mainly at the
the figure. Pay particular attention to the angles of the shapes. outside contours and assess the relative distances between your
points.

4
3 Focus on the Inner Landmarks
As you move from the outside
angles and shapes to the inner ones, care-
fully locate and place these landmarks
relative to the outside ones. The form
shadows on the inside of the figure are
important to consider as you connect
your inner landmarks to each other.

4 Strengthen and Adjust 5

Continue to strengthen and clarify
your drawing as you define each shape
and contour line. Look closely at the
negative shapes or windows between
the arms and the torso, for example, and
make sure these are correct. As you work
from larger units to smaller ones, add
more detail.

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 Vertical and Check Your Points
When youve completed the lines around the figure, youll have an envelope from

Horizontal which to make other measurements. Its also useful to check your landmarks (where
the angles change directions), by using vertical and horizontal plumb lines. Plumb

Plumb Lines lines are vertical or horizontal lines that remain constant and are another objective
device that will help you determine if your proportions and relationships are correct.
Dont hesitate to locate the same point by using more than one angle or mea-
surement to assess its placement; the old adage, measure twice, cut once holds
true here. Sometimes the technique of locating the same point with more than one
angle is known as triangulation, where three lines intersect at a common location.
This might be the point where a vertical, a horizontal and a diagonal line intersect, or
it may be where three separate diagonals intersect. This principle could be utilized in
determining landmarks where as few as two lines intersect or where many intersect,
as with the center of a wagon wheel.

Vertical Plumb Lines Horizontal Plumb Lines

As you check the relationship of one form to Notice how different landmarks appear along the same line.
another, its helpful to use a series of vertical
plumb lines.

Diagonal Lines and Triangulation

Use diagonal lines to locate landmarks and
establish the distances between them. Points
where several lines intersect are important
and can act as the point from which you can
establish the location of other landmarks.

6
The care you give to the measuring process is critical as it will influence each decision
that follows. Moving from one correct area (landmark or angle) to another helps
Precision
ensure that all parts are related in their accuracy or correctness. The envelope youve
created implicitly contains the ratios and proportions of your model. The specific
subdivisions of the model can, in turn, be determined as they relate to the envelope
Counts
and to your initial lay in.

Connecting the Points

As you identify and connect your landmarks
through the use of a grid, youll accurately place
the component parts of the figure. Measuring
and gridding are devices for creating accuracy
in your drawingsnot necessarily tools for
creating art.

Using What You Know

All the angles and landmarks you identify in the process of drawing may
not be apparent in your finished work. They will, however, be sensed by
the viewer. Good drawing is a combination of what you know and what
you see.

7
 Map the Now that youve located the outside landmarks and angles and checked that theyre
correct, its time to work on those inside. In the case of the human figure, the land-

Structure marks are often designated as points on the skeleton. Simply put, these are points
where the skeleton is close to the surface. Some knowledge of simple anatomy and

Underneath an understanding of the skeletal structure underneath is helpful in knowing which

landmarks to look for and in assessing whether or not they are in the right locations.
These landmarks or hard placeswhere the bone is close to the surfaceare excel-
lent points from which to make measurements. Again, youll determine the precise
angles, and check the vertical and horizontal plumb lines to articulate these locations.
These points can then work as the hub of a wheel from which other landmarks can
be determined.

Skeletal Landmarks
Consider the skeleton underneath as you
identify important landmarks of the figure.
Its helpful to think of your own anatomy and
take note of the hard places, where your bones
are close to the surface.

8
Another obvious place inside the figure from which to make measurements is the
edge of the core shadows that run between the light and shadow side of the model.
Measure and
Sometimes this edge is called a form shadow. The edge of the cast shadow is likewise
a helpful place to continue mapping. Notice that the edges of the core shadows are Map Shadow
much softer than those of the cast shadows.
Edges

Draped Figure
Whether you draw an undraped figure or
a draped one, using landmarks and angles Three Plumb Lines at Once
establishes relationships and proportional In this diagram of the draped figure three
accuracy. Its a useful way to translate a three- types of plumb lines are used simultaneously
dimensional object onto a two-dimensional (notice this is another example of triangula-
surface. tion). As you become familiar with the tools
for measuring, youll find you can easily
alternate using vertical, horizontal and
diagonal lines. Also notice that some
shadow edges have been mapped
out as well.

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 Contour Lines After you accurately locate and place the landmarks, draw the contour lines. Because
the landmarks are accurate, you can draw the contour lines with great conviction and
lock in additional shapes with relatively little effort. Draw the lines carefully on either
the outside or the inside of the figure to add a sense of authority and an element of
detail to your drawing.

Practice Leads to Understanding

The most important element of learning to
grid is practicing the process in everything
you draw. Its much easier to understand the
concept than it is to develop the habit of imple-
menting it consistently.

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As you continue to use the tools associated with gridding and measuring, you can try
different variations, such as working from the inside out or both inside and outside at
Try Variations
the same time. Eventually, you should be able to use these tools in various orders of
succession. The process becomes not mere drudgery but both entertaining and excit-
ing as you develop your skill in establishing and refining important relationships.
on a Theme

Pulling It All Together

As you practice and internalize the
processes of measuring, try varying the
order. Work from inside out as well as
from outside in. Look for big angles and
small angles at the same time, and be
specific with your shapes and contours.

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 Did you enjoy
this Excerpt?
Order your copy of Robert Barretts
Life Drawing: How to Portray the Figure
with Accuracy and Expression today.
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