Study Guide in Literary Criticism
Study Guide in Literary Criticism
I. Identification
1. This method of analysis became the dominant school of thought during the first two-thirds of
the twentieth century in most high school and college literature classes and in both British and
American scholarship.
Answer: New Criticism
2. This approach to literary analysis provides readers with a formula for arriving at the correct
interpretation of a text using-for the most part-only the text itself.
Answer: New Criticism
4. Does the poem in new criticism contain all the necessary information to discover its meaning?
Answer: Yes
6. In the New Criticism, Ransom articulates the principles of other sympathetic groups and called
it as?
Answer: Ontological critic
9. They believed that how readers feel and what they personally see in a work of art are what
really matters.
Answer: Impressionistic critics
11. They are the one who declares that human experience is basically ethical.
Answer: New Humanists
12. They are concerned with the artists' feelings, attitudes, and personal visions exhibited in their
work.
Answer: Romanticism
13. This view values the individual artist's experiences as evidenced in a text.
Answer: Expressive School
14. They rejected the Romantic view of life and art.
Answer: New Critics
15. According to his belief, the reader of poetry must be instructed in literary Technique.
Answer: Eliots belief
16. According to Eliot, only way of expressing emotion through art is by finding the_____.
Answer: Objective correlative
22. Focusing on the strategies, devices, and techniques authors use to elicit a particular reaction
or interpretation of a text.
Answer: Rhetorical Criticism
24. He believes a reader can arrive at better interpretation of a poem than one derived from
personal responses to a text.
Answer: I.A Richards
25. She is literary theorist, author, scholar, and professor of literacy, further developed Richardss
earlier assumptions concerning the contextual nature of the reading process.
Answer: Louise M. Rosenblatt
26. This means the text acts as a stimulus for eliciting various past experiences, thoughts, and
ideas from the reader, those found in both our everyday existence and in past reading experiences.
Answer: Transactional Experience
27. It is defined as the result of an event that takes place during the reading process, or what
Rosenblatt calls the "aesthetic transaction."
Answer: Poem
28. During this process, we are interested only in newly gained information that we can "carry
away" from the text, not in the actual words as words themselves.
Answer: Efferent Reading
29. It means we experience the text. We note its every word, its sounds, its patterns and so on.
Answer: Aesthetic Reading
30. They believe that meaning evolves.
Answer: Literacy Experience
31. This Literary Criticism does not provide us with a unified body of theory or a single
methodological approach for textual analysis.
Answer: Reader-Oriented Criticism
32. These critics assert that the proper study of textual analysis must consider both the reader and
the text, not simply a text in isolation.
Answer: Reader-Oriented Criticism
33. It means tracing the changes of language throughout the long expanses.
Answer: Diachronic Approach
35. This linguistic hypothesis asserts that words are symbols for things in the world, each word
having its own referent.
Answer: Mimetic theory of language
36. The focus of this approach is how the language and its parts function.
Answer: Synchronic Approach
37. Saussure asserts that all languages are composed of basic units called _____.
Answer: Emes
38. According to Saussure, the basic building block or unit of language is the _______.
Answer: Phoneme
41. It is the structure of the language that is mastered and shared by all its speakers.
Answer: Langue
44. He come up with the study of sign is equal to signifier over signified.
Answer: Ferdinand de Saussure
45. This theory focuses on the structure of the literary peace.
Answer: Structuralism Theory
49. It emphasizes the system of literature and not individual text or intention of the author
Answer: Structuralism
50. It is the process of analyzing a story using all the elements involved in its telling, such as
narrator, voice, style, verb tense, personal pronouns, audience and so forth.
Answer: Narratology
53. He emphasizes that a text's social history must be considered when interpreting the text.
Answer: Hans Robert Jauss
54. He believes that it is impossible to separate what is known from the mind that knows it.
Answer: Wolfgang Iser
55. This means expectations about what will or should happen next.
Answer: Horizons of Expectations
56. The reader's thoughts, beliefs, and experiences play a greater part than the actual text in
shaping a work's meaning.
Answer: Subjective Criticism
57. He believes that the text is indeed important because it contains its own themes, unity, and
structure.
Answer: Norman Holland
59. According to him the starting point for interpretation is the reader's responses
to a text, not the text itself.
Answer: David Bleich
60. His approach to texts has developed through time.
Answer: Stanley Fish
61. He coined the term affective stylistics or reception aesthetics to describe his reading
strategy.
Answer: Stanley Fish
62. He is one of the first scholar-researchers who implement Saussure's principles of linguistics to
narrative discourse in the 1950s and 1960s.
Answer: Claude Levi-Strauss
63. What he wanted to discover was myth's langue, its overall structure that allows individual
examples (parole) to function and have meaning.
Answer: Claude Levi-Strauss
64. This pair is produced by using the same articulatory organs and in the same place in the
mouth.
Answer: Minimal pair
66. His assumption that meaning develops through difference to all social contexts, including
fashions, familial relations, dining, and literature.
Answer: Roland Barthes
69. According to him all folk or fairy tales are based on thirty-one fixed elements, or what he
calls narrative functions.
Answer: Vladimir Propp
71. He believes that tropes or figures of speech require a reader's special attention.
Answer: Gerard Genette
73. He became the voice of structuralism in the United States and took structuralism in yet
another direction.
Answer: Jonathan Culler
74. He asserts that readers have internalized a set of rules that govern their acts of interpretation.
Answer: Jonathan Culler
75. It means how we achieve meaning through linguistic signs and other symbols.
Answer: Signification
76. It means a text has many meanings and therefore, no definitive interpretation.
Answer: Undecidability
77. When he read his paper entitled "Structure, Sign, and Play in the Discourse of the Human
Sciences" the term deconstruction evolved.
Answer: Jacques Derrida
78. His approach to reading and literary analysis is more a "strategic device".
Answer: Jacques Derrida
79. It is an external point of reference upon which one may build a concept or philosophy.
Answer: Transcendental signified
81. It is a belief that an ultimate reality or center of truth exists and can serve as the basis for all
our thoughts and actions.
Answer: Logocentrism
83. This term coined by Derrida to encompass those ideas such as logocentrism, phonocentrism,
the operation of binary oppositions, and other notions that Western thought posits in its
conceptions of language and metaphysics.
Answer: Metaphysics of Presence
84. The science of writing and his investigation of the origin of language itself.
Answer: Grammatology
85. According to Derrida's metaphysical reasoning, language then becomes a special kind of
writing, which he calls _______.
Answer: Arche-writing or Archi-ecriture.
86. Derrida uses the term ________ to refer to the unstable relationship between elements in a
binary operation.
Answer: Supplementation
1. New Criticism stands as the best English-based contributions to literary critical analysis.
Answer: F one of the most important
4. Fugitives is a group that believed in and practiced similar interpretative approaches to a text.
Answer: T
5. Intrinsic Analysis became the norm in the literature departments of many American
universities.
Answer: F Extrinsic Analysis
6. New Criticism represents a coherent body of critical theory and methodology espoused by its
followers.
Answer: F does not represent
7. Naturalism believes that human beings are animals that are caught in a world that operates on
definable scientific principles and that respond somewhat instinctively to their environment and
internal drives.
Answer: T
9. New Critics assert that only the poem itself can be objectively evaluated, not the
feelings, attitudes, values, and beliefs of the author or the reader.
Answer: T
10. The New Critics belong to a broad classification of literary criticism called Formalism.
Answer: T
11. According to I.A. Richards, New Criticism borrows its insistence that criticism be directed
toward the poem, not the poet.
Answer: F T.S. Eliot
12. Eliot maintains that a good reader perceives the poem structurally, resulting in good criticism.
Such a reader must necessarily be trained in reading good poetry and be well acquainted with
established poetic traditions.
Answer: T
13. A poor reader simply expresses his or her personal emotions and reactions to a text.
Answer: T
14. Eliot declares that in the New Critics there are both good and bad readers and good and
bad criticism.
Answer: T
17. The word differer, meaning "to defer, postpone, or delay," and "to differ, to be different from."
Answer: T
III. Enumeration
1. Who are those people who hold to some of the same New Critical assumptions of poetic
analysis?
Answer:
John Crowe Ransom
Rene Wellek
William K. Wimsatt
R.P. Blackmur
I.A. Richards
Robert Penn Warren
Cleanth Brooks
2. Two British critics and authors who helped lay the foundation for this form of Formalistic
analysis.
Answer:
T.S. Eliot
I.A. Richards
3. Superior poetry, declare the New Critics, achieves such oneness through ______.
Answer:
Paradox
Irony
Ambiguity
Prepared by:
Parhanah B. Bucay