Scribd
Upload
183 views5 pages

Durckheim

This document provides biographical information on Karlfried Graf Dürckheim, a German Zen Buddhist teacher. It discusses his book "Wunderbare Katze und andere Zen-Texte" which contains texts on Zen practices like sword fighting and archery as well as the famous "Marvelous Cat" story. It also summarizes an English translation of one of his works titled "Hara: The Vital Center of Man" which explores the Japanese concept of hara or vital center and its importance in various martial arts and spiritual practices.

Uploaded by

lulalacra13
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
183 views5 pages

Durckheim

This document provides biographical information on Karlfried Graf Dürckheim, a German Zen Buddhist teacher. It discusses his book "Wunderbare Katze und andere Zen-Texte" which contains texts on Zen practices like sword fighting and archery as well as the famous "Marvelous Cat" story. It also summarizes an English translation of one of his works titled "Hara: The Vital Center of Man" which explores the Japanese concept of hara or vital center and its importance in various martial arts and spiritual practices.

Uploaded by

lulalacra13
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 5

durckheim.

txt
<html>

<!-- Mirrored from terebess.hu/zen/mesterek/durckheim.html by HTTrack Website


Copier/3.x [XR&CO'2014], Sun, 09 Jul 2017 23:44:13 GMT -->
<head>
<meta http-equiv="Content-Type"
content="text/html; charset=utf-8">
<title>Karlfried Graf Drckheim (1896-1988)</title>
</head>

<body bgcolor="#666666" text="#ffcc99"


link="#d9d9b8" vlink="#d9d9b8" alink="#d9d9b8">
<p align="left"><strong><font color="#ff8040" size="3" face="Verdana, Arial,
Helvetica, sans-serif">ZEN MESTEREK </font><font size="3" face="Verdana, Arial,
Helvetica, sans-serif">ZEN MASTERS </font><font size="2" face="Verdana, Arial,
Helvetica, sans-serif"><br>
</font></strong><font face="Verdana, Arial, Helvetica, sans-serif"><font
color="ccccff"><b><font face="Verdana, Arial, Helvetica, sans-serif"
size="2"><b><a href="../index-2.html" target="_parent"> Zen foldal </a><br>
</b></font><font color="#BFA493" size="2"
face="Verdana, Arial, Helvetica, sans-serif"><b><a
href="https://terebess.hu/index.html" target="_top"> vissza a Terebess Online
nyitlapjra</a></b></font></b></font></font></p>
<p align="center"><font size="5" face="Verdana, Arial, Helvetica,
sans-serif"><span style='font-family:Verdana'> </span></font></p>
<p align="center"> <font size="2" face="Verdana, Arial, Helvetica,
sans-serif"><img src="https://terebess.hu/zen/mesterek/Durckheim.jpg"
width="255" height="226" border="0"></font></p>
<p align="center"><font size="5" face="Verdana, Arial, Helvetica,
sans-serif">Karlfried Graf Drckheim (1896-1988)</font></p>
<p align="center"><font size="3" face="Verdana, Arial, Helvetica,
sans-serif"><br>
</font></p>
<div align="center">
<TABLE WIDTH="77%" BORDER="1" cellpadding="5" cellspacing="0">
<TR>
<TD width="56%"><div align="center"><font size="2" face="Verdana, Arial,
Helvetica, sans-serif"><img src="https://terebess.hu/zen/magyar.gif" width="36"
height="25" border="0"> <b><font face="Verdana, Arial, Helvetica,
sans-serif"><font size="2" face="Verdana, Arial, Helvetica,
sans-serif"><strong><font size="3"><br>
Tartalom</font></strong></font></font></b></font></div></TD>
<TD width="44%"><div align="center"><font size="2" face="Verdana, Arial,
Helvetica, sans-serif"><img src="https://terebess.hu/zen/angol.gif" width="36"
height="25" border="0"> <b><font face="Verdana, Arial, Helvetica,
sans-serif"><font size="2" face="Verdana, Arial, Helvetica,
sans-serif"><strong><font size="3"><br>
Contents </font></strong></font></font></b></font></div></TD>
</TR>
<TR>

Pgina 1
durckheim.txt
<TD><p><font size="2" face="Verdana, Arial, Helvetica,
sans-serif"><em>[Wunderbare Katze und andere Zen-Texte]</em><strong><br>
</strong>PDF:<strong><strong> <a href="GrafDurckheim.pdf"
target="_blank">Dr. Hetnyi Ern rszleges fordtsa: <br>
<em>A buddhizmus zen-aspektusa japn szvegek
tkrben</em></a></strong></strong></font></p>
<blockquote>
<p align="left"><font size="2" face="Verdana, Arial, Helvetica,
sans-serif">Ito Tenzaa Chuya (17. sz.) <strong><br>
<a href="../macska.html" target="_blank">A csodlatos macska
</a><br>
</strong>Nmetbl fordtotta: Hetnyi Ern <br>
ill. Klaus Bertelsmann </font></p>
</blockquote> <p align="left"><font size="2"><font face="Verdana,
Arial, Helvetica, sans-serif"><em>[Japan und die Kultur der Stille]</em> <br>
<a href="https://terebess.hu/keletkultinfo/durkheim.html"
target="_blank"><strong>A nyugalom japn kultusza </strong></a><br>
(Szemekvnyek) <br>
Fordtotta: Gyertyn Katalin </font></font></p></TD>
<TD><p align="left"> <font size="2"><font size="2"><font size="2"
face="Verdana, Arial, Helvetica, sans-serif"><em>[Hara - Die Erdmitte des
Menschen]</em></font> </font><br>
<font face="Verdana, Arial, Helvetica, sans-serif">PDF: <strong><a
href="Hara.pdf" target="_blank">Hara: The Vital Center of Man</a></strong><br>
Translated by Sylvia-Monica von Kospoth </font></font></p>
<p align="left"><font size="2" face="Verdana, Arial, Helvetica,
sans-serif">Ito Tenzaa Chuya (17. sz.) <br>
<a href="../macska.html#a" target="_blank"><strong>The Marvelous
Cat</strong> </a><br>
ill. Klaus Bertelsmann </font></p>
<blockquote>
<p align="left"><font size="2" face="Verdana, Arial, Helvetica,
sans-serif"><strong><img src="https://terebess.hu/zen/nemet.gif" height="25"
width="36"><br>
</strong></font><font size="2" face="Verdana, Arial, Helvetica,
sans-serif"><a href="../macska.html#n" target="_blank"><strong>Die wunderbare
Kunst einer Katze</strong> </a><br>
bers. Karlfried Graf Drckheim</font> </p>
</blockquote></TD>
</TR>
</TABLE>
<font size="2" face="Verdana, Arial, Helvetica, sans-serif"><br>
</font></div>
<p align="left">&nbsp;</p>
<p align="left"> <font size="2" face="Verdana, Arial, Helvetica,
sans-serif"><strong><a name="b" id="b"></a></strong></font></p>
<p><strong><font size="3" face="Verdana, Arial, Helvetica, sans-serif">Karlfried
Graf Drckheim<br>
<em>Wunderbare Katze und andere Zen-Texte </em></font><font size="2"
face="Verdana, Arial, Helvetica, sans-serif"></font></strong><font size="2"
face="Verdana, Arial, Helvetica, sans-serif"><br>

Pgina 2
durckheim.txt
[Zeichn.: Klaus Bertelsmann] <br>
Mnchen : Otto Wilhelm Barth Verlag, 1964, 122 S. <br>
[Texte zu der Kunst des Schwertfechtens (Kendo), Bogenschieens (Kyudo) und
Speerstoens (Sojutsu). Eine erstmalig vollstndige Beschreibung der bung des
Sitzens gibt uns das Fukan-Zazen-Gi von Dogen, das hier von Meister Hakuun
Yasutani przise kommentiert wird.] </font></p>
<blockquote>
<p><font size="2" face="Verdana, Arial, Helvetica, sans-serif"><font
size="3">PDF:<strong> <a href="GrafDurckheim.pdf" target="_blank">Dr. Hetnyi
Ern rszleges fordtsa: <br>
<em>A buddhizmus zen-aspektusa japn szvegek
tkrben</em></a></strong></font><br>
Buddhista Misszi Dokumentci, [Soksz.], Budapest, 1986, 56 oldal </font></p>
<p><font size="2" face="Verdana, Arial, Helvetica,
sans-serif">Tartalom</font></p>
<p><font size="2" face="Verdana, Arial, Helvetica, sans-serif">ZEN 3 <br>
A TLFESZTETT J 4<br>
A TKLETES KR 7<br>
A GYAKORLAT LNYEGE: SATORI
10<br>
A ZEN-SZVEGEK 12<br>
Tora Sasamoto: A KZDELEM JOGA 13 <br>
KEN-ZEN EGYSG 24
<br>
A TAO A GYAKORLATBAN - Kenran Umeji jszmester szvege 34<br>
A CSODLATOS MACSKA - Ito Tenzaa zen-mester tantsa 38<br>
FUKAN-ZAZEN-GI - Dogen zen-mester szvege, Hakuun Yasutani mester
magyarzataival 44 </font><br>
</p>
</blockquote>
<p align="left">&nbsp;</p>
<p align="left"><font size="2"><font face="Verdana, Arial, Helvetica,
sans-serif"><strong><font size="3"><a href="Hara.pdf" target="_blank">Hara: The
Vital Center of Man</a></font></strong></font><font face="Verdana, Arial,
Helvetica, sans-serif"><br>
</font><font size="2"><font size="2"><font size="2" face="Verdana, Arial,
Helvetica, sans-serif"><em>[Hara - Die Erdmitte des Menschen]</em></font>
</font></font><font face="Verdana, Arial, Helvetica, sans-serif"> <br>
Translated by Sylvia-Monica von Kospoth</font></font></p>
<blockquote>
<h3><font size="2" face="Verdana, Arial, Helvetica, sans-serif">Table of
Contents </font></h3>
<p><font size="2" face="Verdana, Arial, Helvetica,
sans-serif"><strong>Introduction </strong></font></p>
<p><font size="2" face="Verdana, Arial, Helvetica, sans-serif"><strong>Part
IHara in the Life of the Japanese </strong><br>
1 Hara in the Life of the Japanese <br>
2 Hara in the Life of the Japanese <br>
3 Hara as the Purpose of Practice <br>
4 Hara in the Japanese Language </font></p>
<p><font size="2" face="Verdana, Arial, Helvetica, sans-serif"><strong>Part

Pgina 3
durckheim.txt
IIHara in its General Human Significance </strong><br>
1 Eastern and Western Views of Hara <br>
(a) The General Significance of the Center of the Body <br>
(b) The European Attitude to the Belly <br>
(c) Natural Hara <br>
(d) The Two Levels </font></p>
<p><font size="2" face="Verdana, Arial, Helvetica, sans-serif"><strong>Part
IIIMan With Hara </strong><br>
1 The Living Form Centered in Hara <br>
2 The Ego and the Vital Center <br>
3 Malformations of the I <br>
4 Hara as Secular Power <br>
5 Hara in Experience: Insight and Practice <br>
6 The Strength, Breadth, and Closeness Engendered by Hara <br>
7 The Order of Life in the Symbolism of the Body </font></p>
<p><font size="2" face="Verdana, Arial, Helvetica, sans-serif"><strong>Part
IVHara as Practice </strong><br>
1 The Purpose and Prerequisite of All Practice <br>
2 The Purpose and Limits of Practice <br>
3 The Prerequisites of all Practice <br>
4 Posture, Breath, Tensionas Starting Points of Practice <br>
5 The Practice of Right Posture <br>
6 Sitting with Hara <br>
7 Tension-Relaxation <br>
8 The Practice of Breathing </font></p>
<p><font size="2" face="Verdana, Arial, Helvetica, sans-serif"><strong>Part
VRetrospect and Outlook </strong><br>
1 Retrospect and Outlook </font></p>
<p><font size="2" face="Verdana, Arial, Helvetica,
sans-serif"><strong>AppendixJapanese Texts </strong><br>
1 Okado Torajiro <br>
2 Sato TsujiThe Teachings of the Human Body <br>
3 Kaneko ShosekiNature and Origins of Man </font></p>
<p><font size="2" face="Verdana, Arial, Helvetica, sans-serif"><strong>Index
</strong></font></p>
<p align="left">&nbsp;</p>
</blockquote>
<p align="left">&nbsp;</p>
<p><strong><font size="3" face="Verdana, Arial, Helvetica, sans-serif">The
Japanese Cult of Tranquility</font><font size="2" face="Verdana, Arial,
Helvetica, sans-serif"></font></strong><font size="2" face="Verdana, Arial,
Helvetica, sans-serif"><br>
<em>[Japan und die Kultur der Stille] <br>
</em>Translated from the German by Eda O'Shiel<br>
London : Rider and Company, 1960, 106 p. </font></p>
<blockquote>
<p><font size="2" face="Verdana, Arial, Helvetica,
sans-serif"><strong>Contents</strong> </font></p>
<p><font size="2" face="Verdana, Arial, Helvetica, sans-serif">1 Tranquillity
in the East and the West </font></p>
<blockquote>

Pgina 4
durckheim.txt
<p><font size="2" face="Verdana, Arial, Helvetica, sans-serif">Man's inborn
knowledge of tranquillity <br>
The Japanese cult of tranquillity <br>
The concept of culture in Japan and in the West <br>
The various approaches to tranquillity </font></p>
</blockquote>
<p><font size="2" face="Verdana, Arial, Helvetica, sans-serif">2 The nature of
Japanese exercise <br>
3 The basic exercises in tranquillity </font></p>
<blockquote>
<p><font size="2" face="Verdana, Arial, Helvetica, sans-serif">The exercise
in the immobility of the body <br>
The exercise of the breath <br>
The exercise of the centre of being </font></p>
</blockquote>
<p><font size="2" face="Verdana, Arial, Helvetica, sans-serif">4 How
tranquillity stands the test of life <br>
5 Objective tranquillity <br>
6 Tranquillity in absorption <br>
7 The ultimate test of tranquillity <br>
8 Conclusion </font></p>
<p><font size="2" face="Verdana, Arial, Helvetica, sans-serif">Addenda <br>
Three Japanese texts: <br>
I The Right to Fight-A Japanese story, related by Tera Sasamote <br>
II The Identity of Ken-Zen--A text of the zen master Takuan, by Reibun Yuki,
translated from the Japanese by Fumio Hashimoto, with amendments by Count
Durckheim <br>
III The Tao of Technique--A text of the Zen Master of Archery, Kenran Umeji,
translated from the Japanese by Fumio Hahimoto, with amendments by Count
Durckheim </font></p>
<p><font size="2" face="Verdana, Arial, Helvetica, sans-serif">Notes Index
</font></p>
<p align="left">&nbsp;</p>
</blockquote>

<!-- Mirrored from terebess.hu/zen/mesterek/durckheim.html by HTTrack Website


Copier/3.x [XR&CO'2014], Sun, 09 Jul 2017 23:44:43 GMT -->
</html>

Pgina 5

You might also like