Drawing Materials Vitruvian Fine Art Studio

Drawing Materials
What We Use and Why.
Graphite Pencils

Graphite pencils are the cornerstone of our approach to drawing. They offer a degree
of precision and control unmatched by other drawing media, and are inexpensive and
widely available.

Our preference is for the Staedtler Mars Lumograph pencil, which is easily
recognizable by its bright blue casing. Like many other brands, these pencils range
from very soft (6B) to very hard (6H), but what makes these pencils special is the 7B
and 8B variants. These feature leads with a black pigment added to the graphite,
allowing them to draw darker than conventional graphite pencils a real advantage for
creating drawings with a high degree of contrast.

2mm Lead Holders (a.k.a. Clutch Pencils)

Graphite pencils sharpened in conventional pencil sharpeners are fine for 85% of the
drawing process. But Sometimes its necessary to have something really sharp to
reach into small spaces or draw extremely fine lines. When a sharper point is required,
we reach for a lead holder containing a 2mm graphite lead. These can be sharpened
in rotary lead pointers which produce a much sharper point than any other pencil
sharpener available.

In addition, there are 2mm leads available that are much harder than the Staedtler
Mars Lumograph 6H the hardest lead available in that product line. Consider the
Faber-Castell TK 9400 leads in the 8H variety for an extremely hard aternative If
you can find them.

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Drawing Materials Vitruvian Fine Art Studio

White Chalk Pencil

If youre drawing on any sort of mid-value paper, its necessary to have something
lighter than the paper to capture lighter values. Our preference is for white chalk or
pastel pencils. These offer a fine-grained, buttery white that is easily built up to full
opacity, and also responds well to blending tools like stumps and brushes, allowing the
chalk film to be spread thin for subtle transitions.

Kneaded Eraser
The eraser we use most often is a common kneaded
or kneadable eraser with a soft, pliable, putty-like
consistency. There are two primary advantages to
using this type of eraser. First, the surface is soft and a
little bit sticky, making it possible to lift material off the
page without damaging the delicate tooth of the paper.
Second, as its name implies, this eraser can be
kneaded endlessly, making it possible to fashion it
into just the right shape to extract material from small
or awkward places in a drawing.

Stick Eraser

As versatile as a kneaded erasers can be, sometimes its necessary to have a little
more precision. The Tombow Mono Zero is whats known as stick eraser a long,
slender filament of flexible vinyl that erases cleanly and thoroughly. The plastic
housing can be held like a pencil, allowing for incredible precision. This is an eraser
you can draw with!

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Drawing Materials Vitruvian Fine Art Studio

Blending Stumps

Achieving continuous and smooth tonal passages with graphite pencils can be tricky
sometimes hatch strokes or the tooth of the paper are too prominently visible, creating
unwanted disruptions in the tonal fabric. One way to mitigate this is to use blending
tools. These come in a variety of forms, but the most common is the paper stump a
long, slender, pencil-shaped tool made from paper fibers. A stump can be used to
gently soften and blend pencil strokes together, leaving behind a more unified tone
that can be appealing But be warned: over-use of blending tools can be counter-
productive. Its very easy to blend away all the structure in a drawing, so use them with
care.

Brushes

Brushes are a good alternative to blending stumps. They do much the same thing, but
the bristles of a good, stiff hog hair brush can be better at pushing graphite and chalk
down in to the tooth of the paper. Theyre particularly good for larger passages that
require blending, such as large shadow masses or simple backgrounds. As with
stumps, however, over-use can be detrimental to a drawing. Use brushes, or any other
blending tool, with caution.

Divider
Key to drawing
well is getting proportions right. This can be weirdly tricky sometimes, and having a
way to measure precisely can be an asset. A good academic divider is a handy tool for
gauging distances on the page with high precision. Its not a tool we use often, but
when needed, its indispensable.

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Drawing Materials Vitruvian Fine Art Studio

Graphite Powder
One of the down-sides to drawing with pencils is that it
can take a long time to develop large, dark areas in a
drawing using nothing but the point of a pencil it can
feel about as efficient as scrubbing the floor with a
toothbrush.

Graphite powder offers a solution. Its dark, fluid, easily

moved around with a brush, and can cover large areas
relatively quickly. Because its pure graphite, it integrates
seamlessly with the other graphite passages in a
drawing.

Be warned Its messy! Use it with care, and keep the lid
on when not in use!

Paper
What kind of paper do you use?

This is, by far, the most common

question we get from new and
prospective students. When
answering this question, we try to
convey that while paper choice is
important, its far from the most
important factor in learning to
draw. There is no magic paper
that will substitute for good
drawing skills.

For Drawing Basics were

recommending Daler-Rowney Canford card paper, in a color called Dreadnought
Grey. It presents a good mid-value between the darkest darks and lightest lights in a
drawing, has a moderate tooth that isnt too pronounced, and its durable it can
take a lot of punishment. It comes in 8.5 x 11 sheets in packs of 10.

But there are many options out there Experiment, and find a paper that you like!

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Drawing Materials Vitruvian Fine Art Studio

Pencil Sharpener
We havent noticed a huge difference between
pencil sharpeners with respect to the quality of
the point they produce. But we have noticed a
difference in the durability and reliability of the
machines themselves. Our current choice for
sharpening wooden pencils is the X-ACTO Model
41 electric sharpener. Conceived for large offices
where sharpeners get a lot of use, the Model 41
is a workhorse. It sharpens consistently and even
handles chalk pencils without (often) breaking
them.

Lead Pointers
Conventional pencil sharpeners are intended for use only
with traditional pencils with wooden casings. If youre using
a lead holder with 2mm leads, youll need a rotary lead
pointer for sharpening.

We use one of two options: small plastic lead pointers are

readily available at most art supply stores. Made by
Staedtler, Dahle, and others, these pointers feature an
abrasive cylinder around which the pencil lead is rotated to
create a point. They work well enough, and are Staedtler lead pointer
inexpensive.

An even better option, however, is the old-school

lead pointer made by Tru Point. This is a larger unit
with an abrasive cup inside around which the lead is
rotated to fashion a razor sharp point. Its a much
more substantial device than the alternatives, and
its fluid, gliding rotary motion makes it fun to use.

Theres only one catch: they dont make them

anymore. Tru Point is out of business, so buying
used is the only option. Look for these on eBay or
Etsy. You might get lucky! Also, be sure to buy some
replacement abrasive cups, too Those arent
being made anymore either :(
Tru Point lead pointer.

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Drawing Materials Vitruvian Fine Art Studio

Itemized List
Steadtler Mars Lumograph pencils, 6H to 8B set.

Sanford Turquoise Lead Holder

Generals Charcoal White Pencil

Kneaded Eraser

Tombow Mono Zero stick eraser

Blending Stumps

Brushes

Divider

Graphite Powder

Daler-Rowney Canford cover paper, Dreadnought Grey

X-ACTO Model 41 pencil sharpener

Staedtler Mars rotary action lead pointer

You can also get most of these items in one place!

Our own Drawing Materials Kit

includes a selection of the paper,
pencils, erasers and blenders that
we use at the studio, all in a handy
custom-embossed Vitruvian Studio
leather case!

Click here for more information.

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