The document provides information about various prominent architects and some of their notable buildings. It includes details about 16 architects and their approaches including Oscar Niemeyer, Louis Kahn, Hassan Fathy, Kenzo Tange, Robert Venturi, Archigram, Michael Graves, Charles Moore, Charles Jencks, Norman Foster, Rem Koolhaas, Aldo Siza, Tadao Ando, Peter Eisenman, Zaha Hadid, and Louis Sullivan. For each architect, 1-2 of their representative buildings are described along with stylistic approaches like modernism, postmodernism, vernacular design, deconstructivism, and critical regionalism.
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S.NO. Architect Building 1 Building 2
The document provides information about various prominent architects and some of their notable buildings. It includes details about 16 architects and their approaches including Oscar Niemeyer, Louis Kahn, Hassan Fathy, Kenzo Tange, Robert Venturi, Archigram, Michael Graves, Charles Moore, Charles Jencks, Norman Foster, Rem Koolhaas, Aldo Siza, Tadao Ando, Peter Eisenman, Zaha Hadid, and Louis Sullivan. For each architect, 1-2 of their representative buildings are described along with stylistic approaches like modernism, postmodernism, vernacular design, deconstructivism, and critical regionalism.
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S.NO.
ARCHITECT BUILDING 1 BUILDING 2
1 OSCAR NIEMEYER MUSEUM OS OSCAR CATHEDRAL OF BRASSILIA
POST MODERNISM NIEMEYER (THE EYE) 16 Huge columns like hands Reopened; change of opening to heaven, annex; sinuous ramps, weighing 90 tonnes each; colourful murals; plain most of the cathedral is facade below the ground; surrounded by water body 4 sculptures which represent evangelists 2 LOUIS I KAHN SALK INSTITUTE PHILIPS EXTER ACADEMY MODERNISM Symmetrical; wood and LIBRARY cement, different colours 4 concentric squares; 1. of wood; stream of water Brick wall faade, 2. Support in middle for book shelves, 3. Dramatic atrium with circular openings in walls 3 HASSAN FATHY GOURNA VILLAGE WINDCATCHERS VERNACULAR Low cost housing, vernacular material 4 KENZO TANGE YOYOGI STADIUM HIROSHIMA PEACE JAPANESE+MODERNISM Suspension roof; designed MEMORIAL MUSEUM for Olympics of 1960 Vertical element, raised to a height on pilotis 6m high; rough concrete faade; open spaces for gathering Peace plaza in backdrop, Japanese arch in plaza. 5 ROBERT VENTURI VANNA VENTURI HOUSE GUILD HOUSE (less is bore) Complexity and Inelegant windows; red POST MODERNISM contradiction; monumental clay; 6 storey; symmetrical faade; hole in the wall windows; basement; 5 rooms; 9m high; non- structural arch 6 ARCHIGRAM THE PLUG IN CITY INSTANT CITY PETER COOK, WARREN THE WALKING CITY INTERCHANGE PROJECT CHALK, RON HERRON THE LIVING CITY KUNSTHAUS BUILDING, AUSTRIA (only built project) 7 FIVE NEW YORK MICHAEL GRAVES JOHN HEJDUCK ARCHITECTS CHARLES GWAETHNEY RICHARD MEIER PETER EINSENMAN 8 MICHAEL GRAVES HITLER KETTLE, ST. COLLETE SCHOOL POST MODERNISM PORTLAND BUILDING Non-profit school for special (most hated building in children; Geometrical America); lots of small shapes, colour coded windows; many colours; houses with gardens for Next to Portland city hall easy access of children 9 CHARLES MOORE PIAZZA DIITALIA POST MODERNISM Deteriorated; forgotten next to surrounding development; redesigned; colourful; historic elements 10 CHARLES JENCKS GARDEN OF COSMIC OLYMPIC FOREST PARK, POST MODERNISM SPECULATION, SCOTLAND BEIJING For late wife; over a very Ying-yang; pulling towards large area of land; series of the black-hole centre; sense sculptures, landforms, of gravity terraces, gardens etc. 11 NORMAN FOSTER THE GHERKIN HEARST TOWER 41 floors,180m height; 41st Triangulated method, saves floor panoramic view, 20% reinforcement; base of 40th floor bar; 37th floor the tower is 6 storey; restaurant; 38th floor atrium, heat conducting private dining. Office limestone; green building, building, triangulated rain water harvesting design, lesser load of glass waters plants and floor faade; green building, 6 system and water fall that shafts, natural ventilation; cools the insides; tubing double glazing, provides under floor for warmth in insulation. winters and cooling in summers; 85% recycled material; 26% lesser energy consumption 12 REM KOOLHAS CCTV HEADQUARTERS SEATTLE CENTERAL LIBRARY DECONSTRUCTIVIST 234m tall; divided into 6 11-storey building; library in horizontal and vertical levels according to use; 56 sections; structural m high; floating platforms, challenge, seismic zone; 12 glass and steel building; studios for TV making functions dictated form 13 ALDARO SIZA BOA TEA HOUSE SERPENTINE GALLERY,2003 POETIC MODERNISM Vernacular; platforms and Exhibition in 2003; structure staircases made of grid 14 TADAO ANDO CHURCH OF LIGHT KOBE WATERFRONT PLAZA CRITICAL REGIONALISM Solid/ void; stark/ serene; Recreational plaza, sports, nature, geometry, outdoor auditorium; next to substance; concrete waterfront; nature, structure to replace the geometry, substance; existing structure, reserve area for refugees minimalist architecture and fire barrier 15 PETER EISENMAN HOUSE VI HOLOCAUST MEMORIAL FUTURISTIC, Criticized for physical Concrete blocks; 2.38 X .95, DECONSTRUCTIVISM problems, difficult to use; height varies from 0.2 to 4D design and 4.8m manipulation 16 ZAHA HADID PHAENO SCIENCE CENTRE CONTEMPORARY ARTS DECONSTRUCTIVIST Contemporary design, CENTRE (CAC) raised on stilts; thicker at Galleries float over main the bottom to support the lobby; series of ramps; inter structure; use of stilts to connection like 3D jigsaw give free space for the puzzle; concrete, glass and people; the base of the steel building is illuminated, concrete 17 LOUIS SULLIVAN AUDITORIUM BUILDING WAINWRIGHT BUILDING (father of skyscrapers) 3- tier- the base, the shaft, Steel clad masonry; 3 tier- the capital; 18- storey The base, the shaft, the office, 10 storey hotel; capital(cornice); the upper base is the auditorium, floors have round bullnose exterior rough granite; rest windows; structure is sandstone; the interiors promotes verticality; H are ornamented and shaped pan; organic decorated as compared to embellishments the plain exterior 18 FRANK LLOYD WRIGHT FALLING WATERS GUGGENHIEM MUSEUM, MODERNIST Built over water stream NEW YORK CITY called Bear run; use of Museum built as a ramp; rocks and stones to give the ramp/ building widens earthy look; glass windows, at the top; the walls are no visual imparity; inclined outwards from the outdoors to inside; ramp; white- serene colour; cantilevered platforms; light is provided through relaxation house the skylight; shell shaped structure 19 WALTER GROUPIS FAGUS SHOE FACTORY BAHAUS SCHOOL MODERNIST Revolution in modern Building divided into zones buildings; 3 storey; glass according to use; the faade with minimum workshop is connected to walls; steel piers support school by a 2-storey raised the glass which run bridge on piers; vertically; the glass faade asymmetrical; retractable is continued along the walls corners, glass faade makes the building less imposing and lighter; provides light 20 MEIS VANDER ROHE FARNSWORTH HOUSE BARCELONA PAVILLION (less is more) Minimalist building; 56 Hold worlds art fair; MODERNIST plinth; 8 I sections; glass Asymmetrical; glass steel; wall faade; white- serene; interior wall of marble and wiring etc. below floor or travertine; load bearing from the core; steel and walls; 8 steel posts, glass; 28ft X 77ft glass box concrete roof; next to oblong pool; loosely connected spaces 21 CORBUSIER VILLA SAVOYE RONCHAMP
22 CHANDIGARH ALBERT MAYER CORBUSIER
23 RAJ REWAL ASIAD VILLAGE,1982 PARLIAMENT LIBRARY CRITICAL REGIONALISM 24 F.W. STEVENS VICTORIA TERMINUS INDO-SARCENIC REVIVAL ARCHITECTURE 25 WILLIAM EMERSON VICTORIA MEMORIAL INDO- SARCENIC REVIVAL ARCHITECTURE 26 EDWARD LUTYENS PARLIAMENT INDO-SARCENIC ARCHITECTURE 27 LAURIE BAKER HAMLET VERNACULAR LOW COST HOUSING
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