Libretto PETER PAN Musical Based on the Play by James M. Barrie Lyrics by Carolyn Leigh Music by Mark Charlap Additional Music by Jule Styne Additional lyrics by Betty Comden and Adolph Green BO MOT DEFACE USE SOFT BLACK PENCIL OR LIGHT BLUE CHALK Do net use ink, crayon, felt racks lft in imerkers, 0 colored pencils ‘You wil be, charged at the rate of $500 par how for artng any thir book when returned, If any marks cannot be erased, you will com of replacing th book, Ingemant ‘7 adaptation sl any partion of this work, without GF this materiel doer nat conute autorty nor imply permission to roth in whale or in por, For all permission to perfor, apply lor SAMUEL FRENCH, INC. 25 WEST (Sh STREET, NEW YORK, W.. 1806 1 is in voltion of the lnernationat copysight Inwe and the laws of the Usted Stato America to copy or cepreduce the matral by any meant anywhere throughout the world. “npficaton mut be medo fr all public and private performance rik Seen ngenent af the copyright: ALL RIGHTS RESERVED, Rv! or purchasehe following 4s 9 copy of the progran of the first performace SE TEER PAN as produced at the Winter Garden, Now York Clty, the week, deginning October 19th, 195l: richard balliday presente Yavin Lester's Production Mary Mertin PETER Pan na New Mucical Based on the Play by James M. Barrie Iyries by Carolyn Leigh Music. by Mark Charlap Additional Music by Jule Styne AdAitiona) lyrics by Betty Conden and Adolph Green with Cyril Ritehara Katty Nolen Margelo G1ia0re Scenery Designed by Feter Larkin Costumes Designed by Motley Lighting by Peggy Clark Technical Direction of Richard Rodda Acciotant to the Director: Maxy Hunter * 5 Conductor: outs Adrtan Orchestral Arrangements by Albert Sendrey Tneidental Music by Trude Rittaan and Elmer Bernstein Production Directed and Staged by Jerone Robbingi I THE cast (im Order of Their Appearance) Kathy Nolen teeRobert Harrington seeesoHeller RelLiday Joseph Stafford ~Noran Shelly sieeeseargalo GéLimore feeeeee syria Ritehard Seteee Mary Martin tees -Carle Erbele ‘Joan Tewkeobury steves-Davdd Bean steeescTan Tucker +-Stanley Stenner is-Paris Theodore sieJackie Scholle, seeesDarry] Daran sGyril Ritchard EMER. ese ‘| serene B. Marke cRocopriE. : 21; orman Shelly +++Sondra Lee Frank Lindéay is Janes Waite TOMS I -Frank Bouley WBNDY GROWN-UP. 22.22 222II Ann Connolly SAME... s++eKathy NolenFIRATES: TIDTANS: Frank Lindsay, Frank Yarasco, Jamea Maite, Jobn Newton, Avthur Tockoyan, Robert Vanselow, Richard Winter, Tucky Kargo, Albert Linvi2le, Frank Bowley. Robert Banas, George Lake, Robert Piper, William Sumer, Richard Wyatt, Linde Dangetl, Lica lang, Suzanne Luckey, Joan Teukesbury. SYNOPSIS or _ somes I Beene 1. The Nursery of the Darling Residence. Scene 2, Flight to evortand, “fla Agta Scene 2. Neverland. Ve Scene 2. Path Through the Hood. Seene 3, Yoverloot fone Underground. non mar : Sconm 1. The Pirate Sip. Scene 2. Fath Through the Woods. wo Scene 3. The Nursery of the Darling Residence. Scene k. The Nursery many years later. i :MUSTCAL wuBERS Aon 2 scum 2 ‘Tender Shepherd. “Me, Darling, Wendy, John and Michael I've Got to Grow. Neverland... I'm Flying, seeePeter, Wendy, John end Michael ACT IT SCENE 2 Pirate Gong. s+esliook ond Piretes A Princely Scheuer .+eeseree sesersreellook ond Pirates Inttans... -Piger Idly and Indians Wendy-sesevereeeees seesesPeter and Boys Another Princely Scheme... Neverland Waltz... seeesHook and Pirates laze I Won't Grow Up. seetesseeeesseseseneeeeseePator and Boys Mysterious Lady. Peter and Hock SCENE 3 Vagra-Hings, ++-Peter, Tiger Lily, Ohildren ‘The Pow-Wow Polka ) Deven ) Distant Melody. Aon IT _scpme “3 To The Ship. sesseeessPoter and Company seeeseHook and Pirates Hook's Waltz....4 The Battles.eeeesseee tectessteeseeeessPeter, Hook and Company SCENE_2 se-Peter, Liza and Company Reprise: I've Got te Crow.. Reprise: Tender Shepherd... Reprise: I Won't Grow Up..ssereeeeee seeeteeeceseeeeeeceresslendy, Jobn and Michael seseThe Darling Fantly and Lost Boys Some Roprise: Wevorland...e+.++t f tans @ to, bed, Mane, T won't go to bed. Itza, dt don't six o'clock yet, is ier Yes. T won't wash up! (Consulting watch) (QUMA pushes MICHAEL out the door UR) aed Ac@T of sous a OVERTURE HOUSE To 2 NEVERLAND ROUSE TO 4 ast 6 "ry PLYTNG" HOUSE Dow/our ARTER CALL HOUSE CURTAIN UP faa 3 The exterior of the DARLING Residence ie seen ATER FIRST Clock canaEs 3 The lights fade thru the Darling Residence scrim into the Nursery tas? $ oP got cmmims scams our ee Across the back center 4¢ a huge, divided window whose shutters are oren. On stage L are two ‘beds (John & Michael's); stage R there 1s one bed, Wendy's = above her bed ie @ dresser end above the dresser thero 10 a flight of stairs Jeading up and off. Doors are ULC and URC on each side of the big center vindov. DL is a fireplace where a coal grate burns cheerily. On the mantel 1¢ a mikeglass jar that Tinker Belt Will use to hide in. A ctool 18 near the fireplace; DR there stands a hobby horse. Children's toys are all about the room. Behind the sorim, WENDY, dressed up vith her mother's hat and boa, and JOHN, wearing his father's top hat and coat, cone forward doing a ‘ately pavanne. LIZA ie ducting at the hearth. After the first phrase, NANA pushes MICHAEL on from the door UL. Michael : ize Michael i : T vont!ane Wenay. Iza, velve pretending we're Mother and Father and we're going to the bail tonight. Come and play! lata : 0h, T'@ love to! Joan (Referring to Tiza's duster) Madan, yhat lovely flowers. (ie bows) Yay I have the next dance? (GHEY try, but LIZA is awkward and SHE etops) Taga Ob, but T don't know how to dance. Wenay Just make believe you can. Ida (Picking up her bucket and going to DL portal) Zecantt. Boeides I have auch more important things to do than play at make: delfeve and dancing. Wondy ‘Oh please, Iza. lace No T can't =- T'm much too busy. (Bxtte) Wendy Dut Ltzasee (THEY continue the dance; MRS. DARLING enters UL and goes to the window. When the dance is over, MRS. DARLING epnlauds.) Mrs. Darling Bravo! Jona Mother! Oh, you lock lovely! Mrs, Dorling Yay, thank you. (to Hendy) What are you doing in uy old hat? Johe Wetze doing an act. QWatoY up to 1 of Jota) : ‘xe playing at being you and Father. I'm Fathér! (iinice hte father's volee) "A little less noise there--a little less noize: we Michael (Sntering UR) Mother!Mra, Darding What 45 it, Michacl? Michae), They nover let me play Father. ‘They never let me dence. Yrs. Darling Well, we'll soon fix that. (Sne takes the top hat fron John and places st on Michael) ow, there! May I have the honor of this dance, Mr. Darling? (MLGHAEL throws @ triumphant look at John, and tows to his mother, and all four dance.) ‘You dance beautifully, Mr. Darling! (As the Pavanne ends, MR. DARLING is heard calling from off UR) (HE te very conscientious, snd in the days vhen Mre. Darling gave up keeping the house books correctly and drow pictures instead -- vhich he called her guesses--he did all the totting up for her, holding her hand while he calculated vhether they could have Wendy or not, and coming dovn on the right cide. It ie with regret, therefore, that we introduce hin as a tornado, rushing into the nursery in evening drese, but holding his coat, and brandishing in his hand a recalcitrant vite tie) Ne. Darling Mother! Mother! BND OP DANCE ty (aplying that he has searched for her everyviere ant thet the mursery 40 0 obrange Place in which to find ner) Oh, here you are, Mother. Mrs. Darling (Knowing at once vhat is the matter) Why, vhat's the matter, Fatner dear? Mr. Darling (as if the vord vere monstrous) The Metter? ‘This tie, it will not tie. (He waxes sarcastic) Hot round ny neck. Round this bedpost, oh yes -- but round my neck, no! Oh dear no =- 4t begs to be excused! Michael (In a Joyous trensport) Soy it again, Father -- cay it again. 7 Me. Darling (Witheringly) A little less noise there! (Goaded by s ouspictously crocked smile on ‘MRS. DARLING'S face)| | | | ak Mr. Darling (Cont'a) varn you of thie, Mother, that unlese thie goes around my neck we don't go out to dimer tonight, and if I don't go out to dimer tonight, I never go to the office again, and if I don't go to the office again, you and T starve, end our ebildren will be flung into the streets. (The CHILDREN blanche as THEY grasp the gravity of the situation) Children Oh Father! (In a terrible silence their progeny cluster around then. Will she succeed? ‘heir fate depends on it. he fatls--no, she succeeds.) Mee, Darling Wait @ minute «+ I think I've got it Father dear -- there! (in another monent they are wildly gay, romping Found the room on each others! shoulder. FATHER is even a better horse than mother Sings "We're alright for another day!" ae MICHAEL rides on bis back. MICHABL is dropped upon his bed, WENDY retires to prepare for her's, OEN runs from NANA who has roappeared with a ‘bath towel) He ‘Jobn I won't teke e bath! Nena, T von't take a bath. Mr. Darling (Tn @ grand warner) John, go teke your bath at once. (With bent head JOM follows NANA into the bathroom) Cone here, Michael -- no more nonsense. (UNA has collided vith his trousers, the first Pair he has ever had with braid on then) Oh Mother, lock here! Hair all over ay trousere!! Clussy! Clumsy! (NANA goes, a drooping figure) Mrs. Darding 1/1. brush you off father dear. Mr. Darling Thank you. You know, Mother, sometimes T think it's a mistake to have a dog for a nurce. Mrs. Dorking Why George, Nana ice treasure. Me. Darling Yeo. No doubt, but at tines -- I have an uneasy feeling at tines that she Looks upon the children as her puppies. a = aEaed-5 Mo. Darling George, we wust keep Nana. T'21 tell you why = (Her seriousness. impresses him) Tonight I saw a face at the window. Me, Darling (Ineredulous) A face at the vindow ‘20 Hloore up. Mess Dorling ‘to vas the face of a Little boy. He was trying to got in. Me, Darling Inpossibie. Mrs. Dorling Thic is not the first time I have seen that boy. Me. DarLing (beginning to think thet this may be a man's char 9° Mire. Darling (Making sure that Michael doesn't hear) The first tine vas @ week ago -- I rewouber for it vas Nana's night out. I had been sitting there by the fire, vhen suddenly I felt a draught ae though the window vere open. I looked and I saw that boy -- in the room. screaned. Just then Nana came back and sprang at him at once. ‘The boy leapt at the window «» Nana closed it quickly, but it was too late to catch him. Mrs Darling (Who knows he would not have been tco late) T thought 50. Nee. Derling But wait! He escaped, but his shadow badn't tine to get out. T hip it! Z rolled it up and here it i! (SHE produces it froma drawer. They unroll and examine the flimsy thing, vhich 16 not more usterial than a puff of snoke, and 17 let go would probably float into the ceiling without Afscoloring 1t. Yet it bac hunan shape. Ao TMIBY nod their heads over it they present the most satiefying pictures on earth, two harry parents conspiring cozily by the fire for the good of their children) Mr, Darling Hoba! Well, I don't think 4t's anyone we know, though he does look a scoundrel! Mee. Darling ‘You know, George, I think he cones back trying to get bis ehadov. But vait-~ Thaven't told you all. The boy was not quite alone. He vas accompanied by--T don't know how to describe it ~- by e ball of light no bigger than my fist, thet darted arounl the room like @ Living thing! |11-6 This i¢ most unusual! Mes. Darling (Sliding her hand into bis) George, what can all this mean? Me. Darling (Bver ready) Mhat, indeed? (This intimate scene is broken by the return of NANA with a large spoon in ber mouth} Miro. Darling Ob, what have ve there, Nana? Ob «= the medicine spoon of course. ‘haul you, Nana. Michael, it's time for your medicine. (SHB gets the medicine bottle from the sili UL) Michaed (Premptty) Won't take it =~ oh no == boo-co-o0! Me, Darling (fecet2ing his youth) Tow then Michael, be a wens Wichaed Von't, won't! Mes. Darling I'L give you a lovely stick of candy to take after it. (SHE leaves the room, though her husband calle after her.) Me, Darling Mother, don't pamper hin. Michael, Michael! When I was your age, T used to take ay medicine vithout « murmur.’ I used to say, “Thank you, kind parents, for giving me medicine to make me vell." "fic heare. this and belfoves) And as en example to you, I vould take my medicine now -- only I've lost the bottle. Wena (Always glad to be of service Oh, I know where 4t is, Father. I'22 bring st! (SWE is gone before HE can stop her. HE tune for help to JOHN, who has ccue from the bathroom arying his hair) Mr, Darling Wendy! ~~ JOHN! It's that horria stuff. The sticky evect kind. Sonn (who 4s perbaps still playing at parente) It!1L soon be over, Father.at (A spasm of 121-will to JOHN cuts through Mr. Darling end is gone. WENDY returns panting) Mer. Darling Ob, dear! Wenly ‘ve ‘been es quick as I could. Mr. Darling (iiith a sarcaon that is coupletely thrown avey on her) On yes. You have been wonderfully quick, precious quick. (HE 46 nov at the foot of Michael's bed; WANA 46 by its side, holding the medicine spoon insinuatingly in her wouth) Wendy (Proudly, as che poure out Hr, Darling's medicine Michael, you will eee how Father takes at. Me. Darling (Heaging) Michael firet. Achae) (Full of unvorthy suspicions) Father first. Me, Darling Oh! Tt wilt make me sick, you know. Wonty (Disturbed) I thought you took it quite easily, Father. Me, Darling That's not the point, the point is there's much more in my glass than there + is dn Michael's spoon, and 4t den't feir! Come on, Father! z Pala ; Le res | Father, I'm waiting. + Darling You're waiting? What about me -- I'm vaiting., Michael Father's a scare-dy cat.LeaeB Me. Darling Father's not a seare~y cat. Michel, Well, thon, take it. ‘ Me. Darling Well, then, you take it. Wendy (Butting in again) Way not both take it at the came tinct Mr. Darling (Haughtily) certainly, Ready, Michael? One-tvo =~ you know Michael, I don! think you're going to take yours after all! Michael Ten. Tom ‘Hendy (As nothing has happened) one = two = three! (HICHAEL yertakes, but MR, DARLING resorte to hanky-panky) John Father hasn't teken his. (MICHAEL howls) Me. Dorling Sunn? Michael Boo+co-00. Wendy and John (Inexpressibly pained) Oh Father! Me. Darling, (Who has been hiding the glass behind hin) Yat do you mean "Oh Father"? Stop it! Well, I meant to take it, but I -- micsed it, (WANA shakes her head eadly over him and goes into the bathroom. They are all looking as if ‘they did not admire him, and nothing so dashes a tewperamental man) Wo bed, the Jot of you! Michael. John. Wendy. (THEY cteal to their beds as MRS. DARLING returns with the chocolate) Mrs. Dorling Well, ie it ali over? Me. Darling Yes, Mother dear, it's 21 over and quite satisfactory. Micheel, Father @ian't ---11-9 Mr. Darling seh! : Mere. Daring f Father alan't whet, Mer. Darling (Uneasiiy) On, nothing dear, nothing et all. = (MAMA comes back. MR, DARLING stumbles over her) Chunsy = cluasy - Just look at my trousers, covered with hatr agein! Oh Weray (On her knees by the kenne?) Father, she's crying. Mr, Darling Go on! Codie her? Nobody ever coddies ne. I am only the bread winner. Way should I be coddled? Why, shy, vhy? Krs, Darling George, not 60 loud. Tiza will hear you. (tere 4s only one naid, absurdly snail, too.) Ne. Darling (Detiant) et the vole world know (ime desperate nan, vino hes not been in fresh waa air for days, hao now lost ail self-control) 5 I refuse to allow that dog to Jord it in my nursery for one hour longer. al Oh Father! My, Daring (HaNA oupplicates hin) In vain, in vain. Your place is in the yard. (IANA again retreats into the kennel, and the Children ada their prayers to hers) chitaren ob Father! Please Father Mrs. Darling (iho Imows how contrite he will be for this presently) George, George, reneuber vhat I told you ~= that boy! Me. Darling An I master in this house, or is shetMr. Darling (Cont'd) (fo Hana, ftereety) Cowe along, Nana! UAHA darks and snaps et hin. THBY a1 serean. : NANA 4s lying down upstage of Wendy's bed) Cone on Kane! GAIA cones ot4ght2y to bin ant retxeats quickay) Good Nana! (QM raiees her head end quickly overs 1t) and Mana! {Auta redses her head and shakes "Ro") Nice tana!” Pretty Mama! (HANA cones to Darling and rolls over ployfuily Hicking her feet in the air. DARLING grebo her.) Gotcha! There ve go! —Coue on! (BB drags her off by the DR portal) Chilaren (crying) Ob, Father? Please don't. Sne'l2 be a good dog! Mre. Darling Be brave, dears. Wenay ‘EXOT DAREING He's chaining Nana up. Ha 5 (This unfortunately is what he 18 doing, thought ve cannot see hin. Let us hope ‘that he then retires to Mie study, looks up the word "tenyer" in his Thesaurus, WARN and under the influence of those benign pages becomes a better man. In the moan- ‘time the CHILDREN have been put to ded in unvonted silence, and MRS, DARLING lights the night-lights over the beds.) Joba (As the barking below goes on) She's awfully unhappy. Wendy That'a not Nana's unhappy bark. ‘That's her bark when che euelle danger. Mes. Darling (Renenbering that boy) Danger! Are you sure, Wemy? ; Venty (the one of the family, for there is one in every family, who can be trusted to know or not to know) on yes! (Her mother looks this way and that from the window) Is there anything there?Mes. Darling c1ose wrswoN 6 Nothing. ALL quiet and still. I vish'T weren't going out to dinner tonight. Michael Can enything hara us, Mumy, after the night-Lights are it? Mrs. Darling Yothing, precious. ‘hey are the eyes a mother leaves behind to guard her children. low sing your goodnight song and dnto your beds. (Nevertheless ve may be sure she means to tell Liza, the 1ittle maid, to look in on then frequently till che cones back. She goes from bed to bed, after her custom, tucking them in and crooning @ lullaby) (Song: "DENDER SHEPHERD" Unison: ‘ender Shepherd Tender Shepherd Let me help you count your sheep One in the meadow wo in the garden Three in the nuraery Fast aoleep! Spoken: “Fast asleep” Mre. Dorling? Round: (1 Wendy 2 John 3 Michael) Tender Shepherd Tender Shepherd Watches over all his sheep 2 van One, say your prayers, and wo, close your eyes, and Three, safe ard happily Fall asleep! 8,9, 10, 31. 22 alee} ith @ last look around) Dear night-Lighte that protect ny sleeping children, bum clear and steadfast tonight. ooR croses 8 (The nursery darkens, and SHE is gone, intentionally leaving the door ajar. BARIC 2 Something uncanny is going to happen, we expect, for a quiver has passed TINK LEE ‘through the room, Just sufficient to PLASHING ‘touch the night-lights) (TIMER BELL flashes around outside the END_OF 3rd shutters end finally finds an entrance at the CHIME Tae vottom center. She flies around the nursery, Jocks at the clock, then tneeks SuNDow OPENSaeLel2 Wendy on the shoulder, causing her to stir in her sleep. ‘hon she flies into the Jug on the mantel, causing it to light up and rock back and forth. ‘The windows open and PETER flies into down center, searching for Tinker Bell. PETER IN ‘The huge windows close.) Poter Tinker Bell! Tink! Tink! (WANA barks, and dn fright PETER hides behind the drapes UR) ‘Tinker Bell! (PEYER comes from behind drapes) Where are yout (Zignt appears in the Jug on the mantel. PETER runs to the fireplace) Oh, there you are! Do come out of that jug. « / (TINK anewers) ‘Tink, do you know where they put 4t7 (TINK flashes onee in the jug and darts to the drescer R.) Over there? (xamines drawers of dresser) But which drawer? (TINK replies, and Jumps to the top draver) Mat (PETER polis draver open, seizes his shadow and closes the draver unknowingly with TINKER BELL inside of it) ‘Oh, my shadow. T'11 stick you on vith soap. (Picke up large bar of white scap from the dresser and goes DC. Soaps the chadov's head and tries to paste it to his forehead--it falls. He then soaps his backside end lies on it and wiggles. This failing he motions the prone shadow to return. ‘this fails and he loses hope and sits sobbing audibly. ) Oh, my shadow! “What's the matter with you? Wendy (Sitting up in bea) Boy, why are you erying? (PETER Jumps King to C., bows == she 1s surprised Dut pleased by his politeness and curtseys to him from bed) Peter What's your nane? Wendy 4 Wendy Moira Angela Darling. What's your name? Peter Potor Pan. Wenay Is that oll? SES13 Peter (Ashaied ) Yes. ‘ Weray (ianaly)) I'm 0 sorry. Peter (Bravely, stifling shane) Tt deosn't matter: Wendy Were ao you live? Peter Second to the right and otraieht on till morning. Wendy What a funny address. Peter No, 1 dente. Wendy Teen, ie that woot they put on your letters? Peter Don't get any letters, Wendy But yeur nother gete letters. Fotor Don't have a mother. Wendy On, Fetert (SB teaps out of bed to put her amas eround hin, Dut he draws back; he does not know why, but he knowe he aust drav back) Peter You mustn't touch me. Wendy my? Peter io one hag ever touched me. (HB ie never touched by anyone in the play) Wendy Wy note : ware Peter 2 T don"t know. Wendy No wonder you were erying. Peter T wasn't crying about that. = But I can't get my shadow to stick on.alah Wenay Yt hae coe off? How avful! Why (Looking at the spot vhere he bad lain) Feter, you have been trying to stick it on with soap. Peter (Snapptiy) Well, then? Wendy Te must be sewn on. Peter What's sewn? Wenay You're dreudfully ignorant, Peter Wo, I'm not. Wenay I shall eew it on for you, ay little aan. (WENDY goes to the dresser for the sewing box) Peter Thank you. Wonay But we must have @ little more Light. B There! (SHE touches something, and to his astonishment ‘the room is {1luminated) Sit there, I dare say it will hurt a little. WARN Peter (A recent remark of her's rankling) ag I never ery. (She seems to attach the shadow.) Wenty Peter (He tests the combination) Ut isn't quite itself yet. There. Wendy Perhaps I should have ironed it. Ba Peter Wendy Loot (Moves) My shadow! My very own shadow! Wendy It's only @ ehadov!Peter Yee, but it's all mine! Ch I'm clever! Oh, the cleverness of ne! Wendy f Of course, I @id nothing. You're conceited. ‘sone: "r corm cRoW" YBRSE FOR "I GOTTA CROW" ‘CONCELTED-. HOR ME IT's JUS? THAT TAM WAT TAM, AND I'M ME WHRN T LOOK AD MYSELY, AND I SEE IN MYSELF, ALL QE WeNDERFUL TINGS THAT T SuB, IF 1'M FLRASED WITH MISBLE HAVE EVERY GOOD REASON TO BE. SURE BAgiTIC TL GOrPA crow I gotta crow I'm Just the cleverest fellow 'tvas ever my fortune to know I taught a trick to my shadow to stick to the tip of my toe T gotta crow. I gotta brag TE think 46's aveet I have fingers and fect T can viggle and wag; Z can climb trees and play tag with the breeze In the wesdows belov = T gotta crow; Ie T were a very - ordinary - everyday thing Ta never be heard cock-a-doolling ‘round like « bird - so Naturally When I discover the clevercess of a renarkable me How can I hide it, vhen deep dovn inside it Just tickles we £0 Taat I gotta let go = And crovesssseseee (Pantomime ) I'm really a rare thing - such a fair thing I can't keep still ~ I'm bursting with pride, and I Just couldn't keep it inside If T tried, 80 i Naturally When I discover the cleverness of @ remarkable me Hiow can I hide it, when deep down inside it Just tiekles me 60 - That I gotta let go And crowasesess ARN LAPS HANDS ded-15 WARN ed ROWS i1 12-16 Wenty ©b, Peter - you are so clever! Shall I give you a kisa? Peter Thank you, (HB holds out bis hand) Wendy (aghast) Don't you know whet a kiss ds? Feter I ehall know when you give it to me. Giot to hurt his feelings she gives him her thimble) Now chall I give you a kiso? Wenay (Primly) If you please. (HB pulls an acorn button off bis person and bestows it on her. She ie shocked but considerate) A button! Why, Peter I'l) wear 4¢ on this chain round my neck. Fever, how old are you? Peter (Blitheiy) I don't know. I ran avay from hone the day I vas born. Wendy Fan avey. Way? Peter Bocause I heard Father and Mother discussing what I vas to be when I become aman. I vant always to be a little boy and to have fun. So I ran evay ani I've lived a long time auong thefeiries. Wendy (Witth great oyes) Peter! You really know faintest! Peter (Surprised that this should be a recommendstion) Yes, but they are nearly all dead now. Wendy Way? Peter You see, Wendy, when the first baby laughed for the first tine, the laugh broke into a thousand pieces and they all went skipping about, and thet vas ‘the beginning of fairies. So there ought to be a fairy for every gir] and boy. 7 Wendy Ought to be? Ian't there? Peter Oh no. Children know such a lot now. Soon, they don’t believe, and every time a child says 'I don't believe in fairies! there 4s a fairy someplace thet falle dovn dead.ante Lede? Wendy Poor things! Peter : (To whom this statement recalls o forgotten friend) Tean"t think where she has gone to -- Tinker-Bell. Tink! Wendy (Turiliing) Peter, you don't mean te tell me that there ie « fairy right here in this Poter (Plitting about in search) She came with me. You don't hear anything, do you? Wendy No, the only sound I hear is -- like the tinkle of a bell. Poter That's Tink -- that's the fairy longuage- Wendy Tt seems to cout froa over there. Potor (ith shameless glee) Wendy, I believe I chut her up in that drawer. (HE releases TINK, who darts about in a fury using language 1t'is perbaps as well ve don't understand) Weli you needn't say that(?.B.) I'm very sorry, (T.B.) -~ Well how could I knew you vere in that éraver? Wendy (her eyes dancing in pursuit of the delicious creature) Ch, Peter, 4¢ she would only stand still end let ne see her. Peter (inaitferentiy) Se hardly ever stants otii1. wendy 70G oN au oF Woere ie she now? del Ros oe Peter 4a the Jug. iat, thie aedy wiabee yox were bor febsy. (The answer comes imnediately) FLASH ANSWER Wenay What did she sey? ‘ Poter She's not very yolite. She says you're # great ugly girl - and th she's mine. Wenay ont1-18 Peter ‘Tink, you know you can't be my fairy because T! a lady. fa gentlenan and you're Wendy . Peter She said, "You silly ase." She's quite a comon girl, you know. What 41 che say? (Dog barks -- PETER ducke behind stool) Wendy Tele all right =» she's chained up. Peter, vhere do you live? Peter (Pointing toward window) Voy out there. ma Weray How do you find your vay home? Poter ‘You Just follow a2 the golden arrows Wenay But vhere do they lead yout Peter It's a secret place. Wendy Please tell ne! Peter Woula you believe me if I told you? Wenay 1 promine, Peter For pure? Wenty For cure! Peter MBVEREAND T have a place where dreane are born And time i¢ never planned; t's not on any chart You must find it with your heart Never never lend. ‘Te might be miles beyond the moon Or right there vhere you etand ‘Just Keep an open mind : And then suddenly you'll find Meyer never land. You'll have a treasure 4f you stay there More precious far than gold For once you have found your vay there You can never never grow ola.1-19 And that's my hone vhere dreams are born ‘And time is never planned Just think of lovely things And your heart vill fly on wings Forever In never never land. Wecay Waat does 4 ook Ike, Feter? Peter Tt's an island, Wendy. Wendy A lergd one? Peter Ho, quite onal) - and nicely crammed with hardly any space between one adventure and another. And it's ounuer and winter and cpring and fall, 21 at the same time on different parte of the island. Wenay I wisn I could see it. Peter You can. Just close your eyes tight. Now, what do you sec? Wendy I see 2 pool of lovely, pale colors - Peter Squeeze them tighter == Vendy Yee! Poter And the pool vill take on different shapes - end the colors becone brighter Wenay Yes! Peter 2 bright that in a wonent they'll go on fire = and in that moment - just before they do =~ Wendy Z see at! I see it! Peter ‘Thet's it, Wendy! ‘That's ay Leland: You'll have a treasure if you stay there More precious far than gold. : For once you have found your vay there You can never never grov old ‘And that's my hone where dreams are born WARM 273 ‘And time i never planned ‘Just think of lovely things11-20 Peter (Cont'a) dnd your heart will fly on wings Torever In never never land, . BB Wendy Oh, 4b sounds lovely ~ neverland! Who else lives there, Peter? Peter The Lost Boys, Wendy ho are they? Peter They are the children vho fall out of their carriages when the nurse is looking the other vay. If they aren't claiued in seven days, they're sent far avey to Never Tani. I'm Captain. Wendy What fun it must be. Peter (Crartily) Yes, but we're rather lonely. You see Wendy, we have no feusle conpanion- ship. Wendy Are none of the others girl Feter ©h, no. Gtrle, you know, ere much too clever to fai out of their carriages. Wendy Reter, it's perfectly lovely the vay you talk about girls. You may give me okies. Peter (cyntcaliy) I thought you vould want it back. (HE offere her the thimble) Vendy (artfunty) No Poter, T didn't mean a kino, I mean a thinble. Peter (Only half plecated) Woat's that? Wendy It's ike this. Ov! : (SHE leans forvard to give a denonstration, but conething prevents thé meeting of their faces) (Before he can even draw near, she screams) Pater What is st? SBE IraeAssad Wendy It wae exactly a6 4f souebody were pulling ay hair. Feter That's Mink. I never knew her so naughty before. (TENK opeaks. She 46 in the Jug again) Wendy What aia she say? Poter She soya she'll do that every time I give you a thinble. Wendy But why? Peter (Equally nonplussed) iy, Tink? (HE has to translate the anewer) She sald, "You silly ees" again. Wendy She's very impertinent. Peter, why did you coue to our nursery window? Feter To hear the stories. None of us knowe any stories. Wendy How perfectly awful. Foter Oh, Wendy, your mother vas telling you such a lovely stoxy. Weray Gh? Which story 4s it? Peter Zt wan about the Prince and he couldn't find the lady vho wore the glass slipper. Hendy Oh, that's Cinderella. He found her end they were happy ever after. Peter Im glad! (THEY have vorked their vay along the floor close to each other, but he nov Juape up) Venay 7 Where are you going? Peter (Atreedy on his vay to the window) To tell the other boys. Wemty Don't go, Peter. I know lots of stories.1-22 Peter Do yout Vendy Sh, the stories I could tell the boys. . Peter WAR Come ont We'll fly! Vendy 18 Fly? You can fly? (iow he vould like to rip those stories out of her} he is dangerous nov.) Peter Wendy, come with me--hov ve should all respect you. You could tuck us in et night and make pockets for us. None of us has any pockets. Wenly It's avfully fascinating. Will you teach Jobn and Michael to fly? Peter If you Likes Vendy John, Michael, vake up us to fly. wake up, there's a boy here who is going to teach Jon Te there? then Z/22 get up. (1a berks) Quick! Someone's ccming! Out with the lights! MICHAEL MAIN 18° (MICHAEL runs up staire ond turns off lights YARH tnd ait bide. LIZA entero top of evaire bee hotaing Hana) a liza Tore, you see! They are perfectly safe and sound asleep in bed, aren't they? (ta baree) Now no more of it Nana. If you bark again, T shall have to go straight for the master--and you know the master! Go along, you naughty dog! Tow no more! (322A exite Leading the uheppy HANA, BOR CLOSES _19 FETER energes from his hiding place.) (SURIKE CABIES RIGHT) (they tiptoe out) WARN Poter ALL clear! 20 Michael Come ont (TLWKER BELL--music ) John Can you really fly?Peter I'L teach you!!! (Music Starts) Wendy How lovely to fly! Peter e223 112 teach you how to junp on the wind's back, and then avay we'll go!!! Wenay Gott Peter Wondy, when you are sleeping in your silly bed, you might be flying about with me, saying funny things to the stare. Michel, How do you do it? Peter Xou Just think lovely wonderful thoughts. (f8 starts up in the air) ‘And up you'll go! Wenty Oh how sweet! Peter (He gooa up slowly like a feather. HS exbraces Manele with sheer pleasure) I'm sweet = Ch, Tin evoet! al Nets flying!!! He's flying! (gona: 2ST CHORUS ~ "I'm FLYING") T'M FLYING, LOOK AP ME, WAY UP RIGA, SUODRILY BERE AM T, 1% FLYING TM FLYING, T CAN SOAR, T CAN WEAVE, AND WHAT'S MORE, TIN Nor EVEN aEING HIGH UP AND aS LIGHT AS 1 caw BE, I MUS? BS A SIGHT LOVELY 70 SEE TMM FLYING, NOTENG VILL STOP ME Now, HIGHER STULL LOOK AT HOW T CAN ZOOM AROUND WAY UP OFF {HE GROUND, TM FLT T FLY AND TM ALL OVER THE PLACE, YoU TRY AND YOU FALL FLAP OW YOUR FACE I'M FLYING, OVER BED OVER-GHATR, DUCK YOUR HEAR, CLEAR ‘HE ATR OH WAT LOVELY FUN, WATCH ME EVERYONE, TAKE A 100K AP MB {AND SEE‘HOW BASTLY 13*8 DOME, 1M FLYING w fi(Spoken) Like 181 Want to learn? (Spoken) Oh, teach us, please do! (Spoken) Peter a Peter Very well, but firet I must blow the fairy dust on you. (HE blows) Teugha ) (sung) ‘NOW THINK LOVELY THOUGHTS (Sung) ‘TALNK LOVELY THOUGHTS, THINK LOVELY THOUGHTS (Spoken) ishing - Hopscotch ~ Candy ~ Picnics = Sumer = Candy ~ Sailing = Flowers - canay ~ Toviier thoughts, Michael! Christaae! Yean! ‘That's it! a Joba. Wenay Michael Joba Menay Michaed Jobn Wendy Michael Peter Michael Peter dean waRN 22, 22h, 23 PORTAL out ROLLER G0 SORIM IHae (MICHAEL goes up in the air) Michoed, T flevea! (nll three cniidren fly) Peter Cone on! 1111 take you to Never Lend! Wendy Neverland! Ch, it would be heavenly! Poter ‘There are Pirates, and Indians! Joan Pirates! Michae), Indiana! Jobn Let's go at once! Peter Got ready! (then sings) You ready? Wendy (Spoken) Ready. John, (Spoken) Ready. Michael (Spoken) Ready. Foter (Snug) DON'T FORGER, DON'T BE SLOW READY SET, HERE WE GO WONDY MICHAEL JOHN ‘TINKER BELL Cans ON HURRY UP AND FOLLOW ME FOR SOOW T WILL BE GONE TM FLYING! (Exits, WENDY and JOHN folow) Michael Watt for me! Wait for we! (128 enters)141-26 Liza Waat are you doing? Michael ‘T'm flying! Ceme on, Liza, ve're going to Neverland! (HE pewe duet on Liza and flies outs LIZA vhiris) conaBD Pires psnone 20 wamDoH 2 orm oun pou 6o SOR 14 228 CHILDREN UP (SBP CLEAR, 212-2T Act I Seane_2 d OPEN AIR ABRIAL BALLED: I'M FLYING i (oncmestRA - Ho SINOTIG) i Peter set : ! ri FES ' con, ' | Wendy t ! FLING : i oh, 25 ; | Sou ' | FLETO ' i Michael | | FLIES i : Peter ik IEKE AN OWL, LIKE A BAT, ON TRE PROWL, TI'S 90 SATZSFYING 1M WHEZZING Wonay warazrn' Jon, warzzrNt : WEE2ZINt ‘warZza Michael j FLYING Peter THRYUGH A CLOUD, PAST A STAR : T'M S® PROUD, LOOK HOW PAR I'VE RISE i Michael : 31m wartzarw : Peter HIGH OVER THE MOOH RICHER T ¥LY ‘BYE, OLD MISTER WOON, f BID ME GOODBYE : 1M FLYING Wendy ‘FLXINGFLYING FLYING BEADING FAR OUT_OF STOUT SECOND STAR TO THE RIOHT NOW THE WAY IS CLEAR NEVERLAND TS NBAR FOLLOW ALL THE ARROWS I'M ABOUP 10 DISAPPEAR TM FLYING ot Micheed Peter om musro BuTLD CURTAIN 12-28 g URDAIN mouse 1zcHTS\ | | | CLOUD soRIN Ac? IL - SCENE 1 SORTS TRAV, IN WARN CURTATY NEVERLAND AFTER "FLYING" ON ERAN TTR coma YEH ome NEVERLAND” ” count § sex out wow C28 ) TREES co comm mee oFat 2» TREES 3/l, OPEN +) TRAV, OPEN (ieee HOOK, SME, and PIRATES Off Up Left on Rasp BEFORE CURTAIN: KANGAROO Off Down Left in One ~ Bird Kneeling by tree Up Right - Lion Off Up Right in ‘Throe - Slightly Off Right in Two Twins in Stage Right Portable Trees Tootles in Up Left Tree Curley in Down Left Tree Nibs by Up Left Flowering Tree AT RISS, THE STAGE IS DARK, BEHIND CLOUD ScRIM AND FAMTWGO ScRIN ‘TRAVELLER. Gradually the Sky Lights Up and the Trees begin flowering in silhouette. THS CLOUD SCRIM FLIES OUT. YORE LIGHT, The Flamingo Traveller opens slowly and Lights Cone Up to Bright Sunlight. We are 4n a forest clearing: four trees range in front of the Neverland backdrop while an inclitie leads off UL and off.'.Down L there Ja a large pink toadstool. : THE LION enters from Up Right, having just. Wakened, scratches himself thoroughly, looks over the audience holding his pince nex. Hi exits Up Ramp. From Down Left the KANOAROO hops on, goes conter, faces front, takes large21-2 Powder Puff from pocketbook pouch, powders nose, replaces puff in puch and Exits Left in ‘Two,’ OSTRICH rises from praying position and cones down Center, squats and preens hersclf. LOST BOYS advance and try to catch her. SHE escapes Left in Two. : Slightly Dia you eater her? eeieueicte A No we nigeaiat-again We Kas Poter come back yet, Slightly? Slightly No twin. curdy I wish Petor would cone back. #2 and f2 $0 do ve. Tooties ‘Tim always afraid of the pirates and Indians when Peter's not here to protect va. Nibe I wonder what's keeping him so long. Shightly Maybe he's waiting to hoar the end of "Cinderella". Tootles "Cinderella" : Curly Not knowing anything about ay own mother, I am fond of thinking she vas just like Cinderella. Slightly My nother was fonder of ne than your mothers were of you. # Twin No che waan't! Slightly Yoo, she was. Peter had to make up nanes for you, but my mother hed wrote ny hane on the clothes I vas lost in, "Slightly Soiled” -- that's my nane. (THEY £011 upon him pugnaciously; not that they are really worrying about their mothers, who are now as inportant to thom aa a piece of string, but because any excuse is good enough for © shindy. Wot for long 4s ho belabored, for a sound ip heard that sends them scurrying to their holes) #L Twin What's thet? Lightly Pirates!Bald an Paretes! Pirates! (1H8Y hide) 3 Pirate March AE We're bloody buchaneers GROUT ‘And each a murderous crook GRON ite nassacre Indians, kill little boys ‘nd cater to Coptain Hook : Yoho GRUNT Yoho Yoho Yoho GRUNT GRUNT « We're bloody buchaneers GRUNT And each @ murderous ,crook GRUNT We massacre Indians, kill Little boys And cater to Captain Hook Yoho Yoho the terrible Captain Hook (Gruelest Jewel in that dark setting 1s HOOK hinsoll, cadaverous and bleckavised, his hair dressed in long curls which look like black candles about to melt, his eyes blue ag the forget-ne-not and of a profound Angenaibility save when he claws, at which tine a red spot sppears in them. fe has an iron double hook Instead of a right hand, and it ie with this he clavs. He is never more sinister than when he is most polite, and the elegance of his diction, the distinction of his deneanor, show hin one of a different class from his crew, a solitary snong uncultured companions. Thie courtliness improgses even his victins on the high seas, who note that he always says "Sorry" when prodding then along the plank. A man of indomitable courage, the only thing st vhich be flinches is the eight of his own blood, which is thick and of an unugual eolor, In dross he apes tho dandiacal associated with Charles II, having heard it said 4n an earlier poriod of his career that he bore ‘9 atrange resemblance to the ill-fated Stuarts. Those, however, who have seen him in the flesh, whichis an inadequate tera for his earthly tenenent, agree that the grimest part of him is his iron claw. HOOK ia carried on a litter and when DC ia dumped fon the ground, HOOK kicks one Pirate, yelling "Qlungy!", and claws another with "Buéterfingers!" Footles runs from hia tree and is geen for a moment, ‘and Noodler's pistol is at once up-raised. The Captain twists his hook in him.) Woodler Cow! tio, Captain, not : Hook WARN Drop that pistol first! 30 Noodier Tt was one of those boys you hate, I could have shot hin dead! Hook Aye, end the fret erack would bring Tiger Lily's Indians upon us! (The pirates oringe and shake at the word "Indians" D'you want to lose your sealps? iSmee é. (Wirdgeling his outlass pleasantiy) That te true, Shall I after him, Captain, and tickle hn with Johny ~ Corksorex, Johnny's a silent fellow! Hook ot now Smee! (HE slaps Snec's bared head) He's only one, ond I went to mischief all the seven. They ust live ‘round here somevhere. Scatter and look for then! (The BOATSWAIN whistles hia inatructions, and the MEN disperse on their frightful errand, With none to hear gave Snee, HOOK becomes confidential) Most of all, T want their captain, Peter Pan. "Iwas ha cut off ne arm. Oh, have waited long to shake hands with him with this. (Luxuriating) Oh, I'D tear him! Smee (Always ready for a chat) Yet I have oft heard you say your hook was worth @ score of handa combing the hair, and other honely uses. for Hook Aye, Smee, if I were a mother, I should pray that me children be born with this....instead of that. (iis left arm creeps nervously behind him, He has a galling remerbrance) But Peter threw me hand to a crocodile that happened to be paseing by. Smee I have often noticed your strange dread of crocodiles. Hook (Petttsnly) Yiot of crocodiles, but of that one crocodile. (He lays bare @ lacerated heart) He Liked me hand so much, that he has followed me ever since--from lend to land, from ea to sea, he follows the ship, licking his lips for the rest, of me. Snoe (Locking for the bright side) In a woy it's a sort of conplinent. (S¥ZE renove hat) Hock Well, I vant no: such complinants! i (Slaps Snee's pate) I want Peter Pan, who firet gave the brute his taste for me. Smee, that . crocedile would have got. me long ere thia 4f he could have crept. spon ne i tunevares, “But, by some lucky chance, he swallowed a clocke== Snoe : A clock? Hook And it goes on~-tick tock tick within hin, and so, before he can reach ne, Lhoar the tick and bolt. (He enits a hollow rumble) Once I heard it strike six inside of him!21S ‘Smee (Sonberly) Some day the clock'I1 run down and then he'll get you. Hook , (A broken man) Aye, that's the fear that heunte me. (Suddenly he rises) o See 1 What's the matter, Captain? , Hook This seat'e hot. Oh! It's very hob! (SEE turns on snoke unit) f Odds bods, hammer and tongs, I'm burning! Snoe--help ne! I (lie has been sitting, he thinks, on one of the : lend mushrooms, oF tree stunpa, which are of enormous size, Sub this is a hand-painted one 2 placed here in tine of danger to conceal a chimney. coceap They ronove it, and tell-tale smoke isoues; also, af lap, the sound of children's voices) warn A Chinnoy! “Peter and the boys mist be Living underground! sm (itt Laughs) Spee (As he turns off the snoke unit) Listen! Hook They say that Peter Pan's avey fron hone. (He replaces the mushroom or stump. His brain works tortuously) att back ‘the (sued histles|on bosun's whistle. MEN return.) -* Hook ee I mot think! Inspire ne--play you dogs! w] fat Smee Mang Wuat tempo, Captain? hk Hooke A tango! ou vee Sree A tangot (HOOK Laughs 26 he circles chimney) ik Unrip your plan, Captain! Hook To cook a cake quite large, and £111 each layer in between, Wath icing mixed with poison, ‘til 4% turns a tempting green We'll plece it near the house just where the boys are sure to come And being greedy, they won't care to question auch a plum, ‘The boys who have no mother ewect, no one to ahoy them their mistake Won't know it's dangerous to eat 80 darp and richée cake : And 20, before the winking of an eye P ‘Those boys will eat that poison cake And one by one they'll die! Holey!2-1-6 Pirates Bravo! Pls! Encore! A nanvelous plan! Hook Thank you, Thank you, but that wag nothing. wary (haste recunes for encore) 3 Horrid Little boys, their tine haz come! (The sound of ticking 19 heard above the music) nook 1 Hook soe The creck! ‘The crock? Smee How do you know? Hook T hear him ticking, Protect me Smee! Protect me! Ov! (Faints and 1s dragged off Right) Snee (Following) Don't leave me, Captain. (A huge crocodile, of ono thought compact, passes across, ticking, and oozes after them. The wood ia now'eo silent that you may be sure it is full of redskeins. The BOTS stick their heads out ~ ‘and then energe) Slightly #2 Twin (Ninost Losing confidence in hinself) I do wish Peter were here! ‘They are gone. lst Twin What's that? Curly It's 80 quiet! (Four flaming arrows shoot right to left over then) Shigntty Indians! ‘TIGER SNEEZE WARN (BOYS Bxit taking Portable Trees off) cacao an Troe _"waK" Indians! (Again they disappear) (INDIANS enter) (TIOER LILY comes first. She is the belle of the Henny Penny trite, whose braves would ell have her to wife, but abe wards then off with a hatchet. She puts her ear to the ground and listens, theri beckons and GREAT BIG LITTLE PANTHER and the tribe ero around her, carpeting the ground, Far avay ‘someone treada’on a dry leaf) BND OF DANCE‘Tiger Lily Makan too mch noise, Listen to Mger Lily--when on War Path--Shhhh! Uga Wuga wigeam! TNDTAN DANCE, ‘Mger Lily Would ike to eatchun lost boy. Pest! (Brave discovers boy under ramp, signals to ‘ger, vho says very loudly) Let's go hone now! Back to teepee. Tes? Indians Ye (Sono stomp off, the rest flatten beside opening) Tootles (Bnerging) ‘They're gone! ‘Scea Indians) Yor (Indians grab hin; other lost boys grab from other side--a tug of war, Suddenly CURLY looks up) curly Look! A bird! (ALL look up, stopping tug of war) al ‘A bird! We (From off, voico amplified) Poor Wendy! Poor Wendy! Shightly It's a Wendy dire! Nibs How white it 1s! Mager Lily Bird mist be omen. : Ni Braves (Banas) Good or bad onen? Tiger Lily Fanous old proverb: vben in doubt--run! (TUEY do. Tinker Bell speaks fron tree) Slightly It's Tinker Bell! (r.B.) 42 Twin ‘ She says Peter wants us to shoot the Wendy! Slightly Ayen-shoot it quick--bows and arrow! (Boys scurry for weapons) curly Out of the way, Tink--I'D1 shoot it! 2-7 TALK MIKE Bune wai comn (IKE OFF) wanw2leB Curly (Conta) (CURLY shoots bird and boys cheer, WENDY f1ies in with an arrow in her heart; they put her down) Tive killed it! “Peter will be so plesged with me! crow (PETER'S crow 4s heard off) fee Boye It's Peter! #2 Tin Let's surprise hin! (THEY Line up in front of Wendy as PETER and procession enter. PETER rides pick-a-back and the Lion, Ostriteh carries pan flag, Kangaroo preceeds ‘throwing confetti, JOHN, in silk hat, MIGHAEL, with teddy boar, follow then on.) Poter Greetings boys! I'm pack! I have a great surprise. Slightly So have wet Curly We killed the big vhite bird, aul And look! (THEY stand aside. PETER sees Wendy) Peter Mendy! With en arrow in her heart! This is not a bird -- it's @ lady! Boys (Dismayed) A lady! - Peter 1 was bringing her here to be our mother--and you have killed her. Whose arrow? Curly Mine, Peter. Peter (Raises Oh dastard han (Wendy's arm comes up and grasps Peter's free arm) cannot strike. Sonething stops me, row ike dagger) Nibs Look at her arn. Peter (Investigating) She Lives! (Boys cheer) See--the arrow struck against thie, It's a kiss I gave her. Tootlos T remember klases, Let me cee -- aye, that's a kiss. Peter WARN Are you asleep, Wendy? (WENDY’ sits up and nods, Lies down again, PSTER gets pillow fron kangaroo for her head)21-9 Peter (Cont'd) Thank-you. Don't you want to gst up and play? (WENDY shakes head, turno over on side-~settling confortably and happily) Tootles What shell we do with Wendy? Shightly Let's carry her down into the house, Poter No nof You mustn't touch her. That wouldn't be sufficiently respectful. (Boys jump back) I know--ve'll build a house around her! Boys ‘A house! { roter | 1 have a plan tt 2 (Kangaroo, Lion, and Bird Exit Up Right) some: wer peter WoL. noed Iota of wood Need lots of leaves Need lots of paint But hush, hush, huch, hush husb. Letts bo quict as a mouse And build a lovely 1ittle house for Wendy AIL for Wendy--she's cone to stay Boys And bo our mother ‘At last we have a nother Peter Home eweot, hone upon the val. ‘A welcome mat down in the hell for Wendy waRN ‘ So that Wondy won't go away 2 Boys We have a nother At last ve have a nother | Peter Oh what pleasure she'll bring to us | Make us pockets and sing to us Toll us stories we've been longing to hear ‘ Over and over ‘She'l1 be waiting at the door We won't be lonely any nore Since Wendy, lovely Wendy's here to stay j Boys We have a mother At last we have a nother. Poter Bring the best of what we have! 7 (they puta a house) an footer? We have & mother At last we have a mother Slightly Help Peter! How do we get out? iei 22-20 4 Peter Now! (Boys eneree) Poter Oh what pleagure she'22 bring to us Yake us pockets and sing to us 1 Tell us stories we've been longing to hear 3 Over and over She'll be waiting at the door We won't be lonely any nore Since Wendy an Lovely Wendy's here to stoy Boys We have a mother (WENDY turns on ssoke unit, ‘Turns off when snoke appears) At last ve have a nother Peter She'll be our nother It's nice to have a mother AL Wendy's here to otay WARN (WENDY emerges) “Hh Peter Wendy lady, for you we have built this house. Say that you're pleased. Wendy Lovely, darling house! #2 tin And we're your children. : Wendy : on? Boye Wendy lady, be our nother. Wendy re 1'8 love to be your nother provided Peter will be the father. : Peter (Hesitating, shy) 222 right, (John gives Peter top hat) As long as it's only make-believe. (Boys cheer and all dance around house) a (HOOK, SMEE, PIRATES enter behind bushes - long arn pushes poison cake out ~ boys discover it - breaie and run to it) ; Boy 3 ook! A cake! A cake! & (AIL josn tn elanor) aa Wenay Ex (Takes cake) 2 chitdren!. I'm gure this cake ie mich too darp and rich for you, 3 (Boys groan) : How you go on inside the house but before I put you to slecp I'11 have just é enough time to finish tho story of - Cinderella! (Boye troop happily inside the house, followed by Wendy ond Peter = the door closes after then.) Hook ‘The game ie up, Those boys have found a mother!mae eel Sxoe What's @ nother? Rook (striking at Snee) 7 Tsot! I must think! Suoe (they Yeap down into place) What tenpo, Captain? : Hook : A Tarentella! (paces) wR 5 i i: ; : ‘A Tarantella! Hook MG THINKS I SBE A SPARK, A OLEAM, A GLIMMER OF A PLAN : WITH WHICH PERHAPS I MAY REDEEM ME HONOR AS A MAN t KIDNAP WENDY, SSIZE THE BOYS AND YOU'LL HAVE HOOK 70 THANK FOR WHEN THE’ TDG Is RIPE YOU'LL SEE THE CHILDREN WALK THE PLANK. OH WHEN WAS SUCH A PRINCELY PLOT CONCOCTED BY ANOTHER TO MURDER ALL THE BOYS AND KESP THE WENDY FOR OUR MOTHER an OW WHEN WAS SUGH'A PRINCELY PLOT CONCOCTED BY ANOTHER 70 MURDER ALL THE BOYS AND KEEP THE WENDY FOR OUR MOTHER. ‘70 THE SHIP! 10 THE SHIP! 42 (THEY echo this as they Exit followed by HOOK) a “B ea (PBTER and WENDY come out of the house--PETER “wears his top hat--vBNDY pauses in the doorvay) Wendy Goodnight, Peter. Peter | Goodnight, Wendy. Wendy Guard the house well. D Peter fe T wilt, (WENDY retires; PETER stretches out in the night eir using his top hat for e pillow. After a monent, LIZA flies in and dances with the trees ‘and aninals.)24-22 Lisa Shhh! : LIZA PLAGES FLOWERS — Ub as cs urea cans “wh ub BIRD TAKES PEARLS SCRIM & NEUTRAL FEN 3/4 50222-13 Agr, Soone 2. PATH IN THE Woops ‘There are five cutout trees lining the Path In The Woods, behind which is @ green backdrop with eerie nists floating upon it, Crocodile crosses Left to Right in One, Lion and Kangaroo cone on from Left in One, Kangaroo carrying i hand mirror, Lion large wicker sewing box with a t string of oversized pearls. The Ostrich enters fron i Aight and 4g handed the pearls which she dons. The Traveller opens on path drops, The Ostrich sees Pirates off Left pulls @ tall feather and throws it down disdainfully, All 3 Exit Right Excited. Tiger Lily and her Indians cone fron behind trees - she aces feather, picks it up and puts St on replacing fer own feather thich she dropa. ; Tiger Lily Ue Fuge Osteicht ' Indians Uge Wuga Ootritch! Tiger Lily Ugh Ugh Wet Indians Ugh Ugh Wah! INDIANS Exit, PIRATES cone on down Left carrying HOOK on litter, SNE discovors feather and hands At to Hook, Hook. (Yells) MIndione! Porsue ' (OUBY Exit Right quickly) WARN SoA, PURSUE TM" 5 PATH IN WooDS Wendy and Boys enter, she carrying teat unbrelia, a1 singing Wendy". ‘Boys have on collars and ties, Poter , (Behind tree, imitating Hook) l Ahoy there, you rogues! ‘ (Children freeze) : Children It's Hook! (THEY run and scatter)22th Peter Don't, nova! We have you surrounded! : {Boys cluster around Wendy) “ (oys jump, then laugh) Wendy Oh Peter, you're always playing games! You should be setting an exemple for our children. Michael Wendy, mother I'm hungry! wan enay a Oh yes. It's nearly dinner time; I'11 go hone and get it started. And Peter, you'll have just enough tine to give our children their daily Lesson, Like a good father. Peter Very well mother, I'11 do ny best. Wendy Goodbye Lather, goodbye children, Boys Goodbye momy. ‘Bye! Peter Line up over there, Are you ready for today's lesson? Boys Yes, Peter. Peter Then Listen to your teacher. Repeat after me, BOYS CENTR SOB ‘SONG: I WON'T GROW_UP I won't grow up I won't grow up I don't wanna go to school I don't wanna go to school Just te learn to be a parrot Just to learn to be a parrot AND RECITE a silly rule And recite a ellly rule If growing up means it would be Beneath ny dignity to clinb a tree I'LL never grow up, never grow up, never grow U---p Hot me Wot T Wot me. Wot me. T.won't grow up T won't grow up I don't went to wear a tie I don't went to wear a tie Or a serious expression Or a serious expressionT.MON'T GROW UP (Continued) In the middle of July In the middle of July And if it means T must prepare To shoulder burdens with a worried air I'LL never grow up, never grow up, never grow u-~ ot me Not I Not me So there! lever gonna be a nan I von't Like to see somebody try and make me ‘Any one who vante to try: and make me Turn into a man, catch me if you cen T won't grow up T won't grow up Not a penny will T pinch Not a penny wi21 I pinch Iwill never grow a mustache I will never grow a mustache Or a fraction of an ineh Or a fraction of an inch "Cause growing up is avfuller Than all the awful things that ever were, I'21 never grow up, never grow up, never grow u- Wo sir Not I ot me So there Tvon!t grow up Tvon't grow up I will never even try I will never even try I will do what Peter tells me Iwill do what Peter tell ne And I'11 never ask hin why And I'LL never ask hin why We won't grow up We won't grow up. We will never grow a day We will never grow a day And 4f someone tries to wake us And 4f someone tries to make us : We will simply run away We will simply ran away I won't grow up Twon't grow up No, I promise that I won't No I promise that T won't 22-18262-16 WON'T GROW UP (Continued) SLIGHTLY: I will stay a boy forever I will stay a boy forever And be banished if I don't, And be banished af T don't sans es an And Neverland vil alwaya be The hone of youth and joy and Liberty, fare & ‘I'l never grow up, never row up, Newer grow % BOS: JOR & MEOH, Wot me Not me Not me Not me No sir Not ne. Peter EY Slightly Parates! (Lost Boys Michael and John exit Left Peter hides behind tree.) Boys S88 on_52 Pirates. Smee (Zotlowed by Cecco carrying Tiger Lily, and three Pirates) aa Nove you spalpeen, move! The captain ordered us to the hor See and leave her Shere for the volves! ; Tiger Lity iowa oasa Starkey Fo-the tree WOON Tr} nate, nee Not so rough, Starkey, Roughish, but not so rough, Peter Poor Tiger Lily! ecco hat vas that? Peter (iiixics Hooks voice) Aney thore, you Iubbere! Starkey He de the Ceptain, he must be ologe by. (Caring) en : 1 ied the redskin to the tree, Captain, Peter Set hor free! suee But, Captaina~attests ti anna na Natit latinas Peter Cut her bonda, or I'LL plunge me hook in you. Starkey Better do what the Captain orders. Smee Ay Ay! (They undo her thongs and she runs off left whooping, Petor minics the whoop. Tiger Lily and Peter shake hands before she oxits) Hook Ahoy there! Snee (Relieved) Tt is the Captain! (HOOK enters in gloomy mood) Starkey Captain, is al) well? (HOOK screeches) Hook Alls very well. (Shrieks) Where 4s the redskin? Smee (Shaken) It's ell right, Captain; we let her go. Hook (Terrible) Let her go? Sree "Twas your own orders, Captain, Starkey (Whimpering) You called to ue to let her go. Hook Brimstone and gel, what cozening 19 here? (Disturbed by their faithful faces) Lads, I gave no such order, ‘Snee ‘Ms passing queer, (PETER Laughs) Hook (Addressing the imrensities) Spirit that haunts thie dark forest tonight, dost. hear mo? Poter (In the sane voice) Odds bods, hammer end tongs, I hear you. Hook (Gripping the stave for support) Sponk, stranger, who are you? 262-17202-18 Peter (Wino 4 only too ready to speak) T an Hooke Hook : Hook’! Peter Coptain of the Jolly Roger. Hook If you are Hlook=--who an 17 Peter A codtion. Hook (aghast) A codtion? Smee (Drawing back fron him) Have we been captained all this time by a codfieh? Starkey It's lowering to our pride. Hook (Feeling that his ego ia slipping fron him) Don't desert me, bullies. (SHEE and STARKEY melt avay) (There is a touch of the feminine in HOOK, 43 in all the greatest pirates, and it prompts him to try the guessing game) Hook Speak again Stranger -- Have you snother name? (at this point HOOK and PETER onter into a mocking BCHO SONG and pantomine routine in which they Bursie each other stealthily through the trees - HOOK trying to trap PETER into exposure by voice changes, sounds, calls and so forth, PETER not only initates HOOK's voice exactly, but aloo each ‘time HOOK catches a glimpse of hin, PETER mirrors his movement exactly. PETER has mysteriously acquired HOOK's hat and curls) Peter (Falling to the lure) Un - yes! Hook (Thiretaay) Vegetsbie? Peter : Wo. Hook Mineral? Peter No. Hook Animal?202-19 Poter (Pauses to think) i Hook . Nan? : ) Poter With scorn No, Hook Have you another voice? Poter Yes! PETER: HOOK: (Spoken) Perm: 100K: (Spoken) PETER: HOOK: PETER: HOOK: PETER: ) HOOK: ) HOOK: PETER: HOOK: FETER: PBTER: ) HOOK: ) HOOK: PSTER: OH MY Mysrenrous LADY Ah, ah, oh, ah, ha. Ant a’ lagy! Ah, ah, ahy ah, ah, ah, ah, ab, Oh, a beautiful Lady! Ob! My mysterious lady, what is your nane? Ohi My nysterious lady, from whence have you came? La, Le. Anower ny plea, who may ye be? Ah, sh, ah, ab, ah, ah, ah, ah, oh, ah. Oh, ny nysterious lady, what 419 your name? Take off your veil and let ne seo your face, Why hide your beauty beneath that ton of 1 Bhe--== Take off your veil and Let ne see your face Why hide your beauty beneath a ton of lace? he ‘Take off your veil and let mo see your face Why hide your beauty beneath a ton of lace? Hey! Tell your secret. Ah, oh, ah, ah, ah. What's your secret? ah, ah, ah, ah, ah, ah, ah, ah, ah. How you tennt me, Ah, how you haunt we. MAR Speake, oh speak, oh speak, I pray thee ss Tell ne, oh tell me thy name. Ha, ha, "ha, ha, ha, ha, ha, ah Ha, ha, ha, ha, heh Any ab, sh, eh, eh, ah, ah, ah, eh, ah, ah. ab: ‘eke off your veil and let me see your face Why hide your beauty beneath a ton of lace? (PETER does series of Cadenzas not realizing HOOK has Giscovered instead of the ‘sensuous lady she is Peter Pan, ‘During the cadenzas he calls the Pirates.) 4h, ah, eh, ah, ab, sh, oh, oh. ab, ah, oh, oh, ah, hi Ah, Ah, ah, eh, ah, ah, ah, ah, oh, sh, ah, ah, ah, ah, ‘sh, 8h, ah, Oh, my mysterious, lovely nysterious--Hey!262-20 ‘YSIL OFF, 53 TIGER & LILY SHAKE NEUTRAL See TaneeeeE ~cros* WEN SET) W.L, OUT ( NeuiRa OFEN ) at (PIRATES are chased off Right by the INDTANS who cone from left, PETER and TIGER LILY shake hands end Neutral Traveller Closes in.)SE 23-22 ‘The path cutout flies out, the backdrop flies out, and ‘the full border fites out. The neutral traveller opens to the Home Underground. There i a fireplace RC, to the right of this is a red Nelvet bench arc~ing around a tree trunk. An fron kettle hangs in the fireplace, and there are several kitchen utensils too. A clothesline to the R. of the tree trunk holde soveral little-boya-shirts and an ompty raffia cage. Below this io a oradie nestling againet a ranp leading off R. Going onatege this ramp becomes the top of the hone underground - UL there is a door from the romp into the Hone underground, opening on to e fireman's pole, To the L of the pole ie a ladder, Three ladders can be seen thru arches UC, There is a small shelf ULC holding Peter's medicine and a glass, To the L of this 4s a pegged coat rack. As the curtain opens SLIGHTLY, TOOTLES and NIBS are at a large tin tub DR washing and drying dishes. WENDY i clearing @ table Center = and the boys pile stools upon the table before taking 4t UC, A rocking chair is UC and ‘tree-stump is DR, Wendy Ponts (ear, your father's missed hie dinner again, Another late dey at the orest.. Tootlea Semother, it was such a wonderful dinner. Stravberry shorteske, vanilla fee crean, chocolate pudding, lemon merangue pie and fudge for iessert, Wendy iors Feklwava believe in @ well-balanced dict. Now get the rest of the house (To Tink) Plager Belt (2B) 48 your room straightened up? (t) Now really, Tink! Tatil net go hone--Foter needs me.” (TB) Why can't we talk tide ence Lake ‘wo civilized hunan beings, Ow! Ow! Tink let go! (1B) #2 Twin Yow that we've finished, tell use story. Wendy Very well. curly 7 Tell us the end of Gindere2ia. i Wendy warn Well, the Prince found her, and- Boys And?4 i 2-34-22 Wondy ‘And they ali. lives happily ever after. (Boye cheer) 42 Tin ‘ ‘Tell us the end of the Sleeping Beauty. Wendy Well, the Prince woke her up, and--- Boys And? Wendy And they a2] Lived happily ever after! (Boys cheer) Tootles Tell us the end of Hamlet! Wendy Hanlet? Well, the Prince Hamlet died, and the King died, and the Queen died, and Ophelia died, and Polonius died, and Laertes died, and~- Boys Ana? Wendy. Woll, the rest of then Lived happily ever aftert (Boys cheer) 8 Vow no more stories until four father comes hone. INDIANS DOWN_59 (The Indiens ron up the raxp fron R, open the door and slide down the pole into the hone underground. WENDY, MICHAEL, end JOIW and the LOS? BOYS grab nake-shift ‘weapons-- ‘broom, dustpan, rolling pin, and WENDY aina a rifle at them, In the mick of tine PETER arrives wearing his new Indian headdress) wan Peter sy Don't shoot! We're friends now! Boys Frienda? Potor I eaved Tiger Lily's Life in the forest, and she saved my life. ‘Tiger Lily Peter Pan is the sun and the moon and the stars. Peter Yes. I know. (Slides down pole) 7 Wo hands! Come on, boy, shake hands with your new brothers. Don't be afraid! Oh, cone on--Let's make two tribes into one, Tiger Lily, let! ‘snokun peace pipe! Ugh a ug Munberoe al 2423 Ss wo Ugh 2 wug, ugh a wg, ugh a wig, ugh a wg, ~ wah, Ugh 0 wug, ogh a wug, ugh a wug, ugh a we, ~ wah: : Gog a bluck, gug a biuck, gug a’bluck, gug’a bluck - wahoo Ugh a wug, ugh @ wug, ugh a wg, ugh @ wig- ubble wbble Whon we get. in trouble, ugh a soo fe There's just one thing ta I just send for Tiger Lily ro I'11 Just send for Peter Pan We'll’ be coming, willy-nilly Lily Beat on a drum - and I will come And I will cone and save the brave, noble redskin Boon Boom Ugh a vug, ugh a wug, ugh a mug, ugh @ wug ~ woh Ugh 2 vog, ups a wg, Ugh a mg, Ugh @ Mug © wen Ugh 58 Ugh wah Wen Ibbity bivbity bivbity bibbity - sab Ibbity, bibbity, bibbity, bibbity - sab Puff a wuff, puff a wtf, puff a wiff, puff a muff pow pow bity, bibbity, bibbity, bitbity, sabble seevil If we come to evil sable 300 There's just one thing to do We'll just send for Mger Lily We'll just send for Peter Pan We'll be coming, willy-nilly - Lily waRN Send up a flare “oO ‘Shhh vroLIN And I'21 be there Shhh You know you really got a friend - A friend! We'll be true blood brothers to the end - end - end - UGH! HANDSHNKE 60, Dance 23D WNDSHNKE_vIOLTH Tgor Lily: Malum too much notse! (spoken) Ssh! Pirates will hear us! ‘WARN 61 Hibbs om All: Pirates! 30 Ugh a mug, ugh @ wg, ugh a mug, ugh @ wug, waht Sen! Ugh a wg, weh a mg, ugh = wag, ugh a wugy wah? Ssh? WARM Boop a dcop, boop a doop, boop & doop, boop « doop eS War whoop! ‘Ssh! Ugh ® wug, ugh @ wag, ugh a wug, ugh a wug, ugh a wetche If the Pirates getcha - and you're took evay by Capt. Hook Hooke! What'11-we do? IM1 just send for Tiger Liny T'11 Gust send for Peter Pan (ota)ed a i 23-2 UGH_AWUG (continued) We'll be coming willy-nilly Lay! ey Send up a flare : ‘Wnooo0ce And T'21 be thore ‘Wnoo000 You know you really got a friend A friend! We'll be true = blood - brothers to the end......,UGH! "FINISH war Wendy Tiger Lily, I'L nover got my children to sleep after all this 83 excitenent, ‘Neer Lily We go up now. Keep guerd, Watch for Pirates. (General goodnights. Indians exit and nount ladders, Settle dowa and sleep. on ramp above cave.) . Wendy Vow children, make your father confortable. Slightly Here's your chair, Father, ‘Tina Here are your slippers, father. John Here's your pipe, father. Michael Here's your paper, Daddy. Wendy Now go wash up---it's your bed time. (Boya run off; Wendy drawa stool down sits) ‘They are sveet, aren't they Peter? Peter ‘There's nothing better than sitting by the fireside with the little ones close by--other. Michael (Rising in cradie) A Little less noise there! (A serious expression cones over Peter's face; Wendy notices.) Wendy - Potor, vhet 49 4t? Peter I was just thinking--it's only pretend, don't it, that I'm their father?4 tne tet ce al 2325 Wendy Oh yes. But they are ours, Peter, yours and nine. Peter (Determined to get at facts, the only things 7 that puzzle hia) But not really? Wendy Well, no, not 4f you don't wish it. : : Peter ; T don't. Wendy Peter, what are your exact feelings for ne? : Peter : (In the elase-roon) swany i Those of a devoted gon, Wendy. Wend (Turning away) " T thought a0. I Peter (Puzzled) You're so strange. Tinker Bell's just the same. ‘There's something she wants to be to me, but sho gays it's not my mother. | a Mn sty asst Wendy I elmost agree with her! (Boys return with nightolothes, and pallets) } curiy Wotre all ready for bed now, mother. Tootles I even brushed my teeth, Wendy Then in you go! (Boys settle) \i2e Peter, do you know a-lullaby; to-sing-te-our-children? Poter/2s 4 = 4 Lullaby? A lullaby--T think go, Sometines late at night T occa to Tenenber=- SONG: DISTANT MsLODY ‘Once upon a time and long ago I heard soneone singing soft and Jow Wow when day is dono and night is near I recall this song I used to hears My child, ny very own - Don't be afraid, you're not alone Sleep until the dawn for all 4s well warn Long ago this song was sung to me eS How it's just a distant melody 7 Somewhere from the past I used to know Once upon a time and long ago APPLAUSE on MICHIEL ’s WHIvPER223-26 Michaol I want to go hone! Wendy, I'm homesick: Jobn So do I. Wendy Yea, we must go home, Perhaps mother's in half-nourning by this tine. #1 Tin You're not leaving us, Wendy? Wendy I migt--at once, Peter, I appeal to you to make the necessary arrangenents Peter If you like. Tink, you are to get up at once and take Wendy on a journey across the sea. Wendy Dear ones, if you all cone with ne I feel alnost sure my nother and father would adopt you. (Al cheer) A Tin Peter, can we go? Poter All right. (AL cheer) Wendy ‘Then put your beds away quickly, and ronenber to bring the beby clothes you were lost in. (Boys exit) Peter, I'm going to give you your medicine before your Journey. (She pours medicine into glass on shelf) Get your things, Peter. Peter Tin not going with you Wendy. WARN, Wendy Yes, Peter! Poter No. Wendy But why not? Peter I don't want to grov up and learn about solenn things. I just want to always be alittle boy and to have fun. No one's going to catch ne and make me a man. (Boya reenter with bundles) Slightly We're all ready to go now, : Wendy Peter Jan't coming with us. 42 Twin Peter's not coming? Curley ‘Then Peter, Wo won't leave you.anil 23-27 Peter That'o aii right, If you find your nothers I hope you will Like thon, (Boya ory) fad Now then, no fuss, mo biubbering, just, aay goodbye, (Piretes attack the guarding Indians . a and rout then, the children all huddle around Peter) It's over, Wendy But who won? Peter ! If the Indians have won they will beat the tomtom. Listen! (Pirates beat out cadence) ‘The tontom! & Post! Hook (The Pirates freeze) Poter Joamiltan victory! You're perfectly eafe now, Wendy. Tiger Lily wilt escort Tanks Peter, I won't forget it Peter, i f } i You through the forest as flying tires you so. ‘Goody boys. | | | {the boys file past Peter saying goodbye and. shakioe ands; Wendy io last and Peter turns avay from her) Are you rendy? ‘hen lead the way, Peter Wa Wendy Wenay ste or wtie, yn | ; i for me once a year, I'21 do your epring cleaning. | if you cor WA22 you cone! i Peter If you like. Wendy Fetes yt FePGOR? Peter, 4¢ another Tittle gird, one younger than I--oh, Peter, Yeo, I Wendy! Past! plank, how I wish T could take you up end sqedse yons (Peter punts evay) know. "Goodbye. Peter ESTER NEAR BENGH 70 (WENDY turns back hopefully; PETER returns == NEAR BEN the ‘thimble and Wendy turas away to climb the ladder. “Peter lies doxn on the bench.) pe (The travellers tart upon their journey, 2ittle guessing that HOOK has issued his silent orders, @ nan to the nouth of each tree, Hook Past! Tako then all to the ship! and Wendy will be our Mother!223-28 ‘Smee But what about Peter? Hook ‘This is for Peter! See : Poison! Hook aye! (Laughs) Hots doomed? (HOOK end PETER are now, as it wore, alone on the island. Below, FETER 1s on the bed, asleep, no ‘weapon near him; above, HOOK, arned’to the teeth, is searching noisclessiy for sone tree dow which ‘the nastiness of him cen descend. Don't be too uch alarned by this; it 49 precisely the situation PETER would have chosen; indeed if the whole thing were pretend --. ) (HOOK finds the tree and descends. He sees the nedicine shelf within easy reach and to Wendy's draught he adde from a bottle five drops of poison.) (HOOK worme his way upwards, and winding his cloak around him, as if to conceal his person from the night of which he 4e the blackest part, he stalks moodily toward the Lagoon.) HOOK CLOSES DOOR 71. (A dot of Light flashes past hin and darts down the nearest tree, looking for Peter, only for Poter, quite indifferent about the others when she finds hin safe) 7 ' Peter td Who's that? on (Sitting up) Is anyone there? (TINK has to tell her tale, in one long ungramatical sentence) What! ‘The Redakins were defeated and Wendy and the boys have been captured by the pirates! I'l rescue her. I'21 regoue her. (He leaps first at his dagger and then at his grindstone, to sherpen it, TIMK alights near the shell. and rings out a warning cry) What? Oh, that's just my medicine. (TB) Poisoned? Nonsense! Who could have poisoned it? “I promised Wendy to take it and I'm going to, a9 soon aa I've sharpened wy dagger. (EDK, who se00 ite red color and renenbora the red in the pirates! eye, nobly svallovs the draught as PBTER'S hand 'is reaching for it) 1 Tink, you've drunk my medicine! (TB) (She flutters strangely about the roon, answering him now in a very thin tinkle) What's the matter with you? (TB) It was poisoned! You drank it to save wy life, Tink, dear ~- Mink -- you're dying? (TB)229 Peter (Conta) (He has never called her dear Pink before, and for a nonont she is gay; sho alights'on hie shoulder, gives his china loving bite, watepera > You sitly ass," and fella on her tiny'bed. She voudoir, whichis 1it by her, flickers oninously. He 4s on his knoos by the opening) (ore orchestra begine to support Tinker Bolt) Your Light 4s growing faint, and if it goes out that means you're dead, |Your voice 1s so low I can scarcely hear vhat you're aaying. You say, ....you think..,.you think you gould get well again if... .4¢ what Tink?....,.4£ children bolieved in fairies. (He rises and throws out his arms he knows not: to whom, perhaps to the boys and girls ef whom he is not one) 7o,You believe? Say quick that you believe. If you believe, clap your hands, clap, clap! (7B) (Many clap, sone don't, @ few hiss. Then perhaps there is a rush of Nanas to the nurseries to see what on earth is happening, But TINK is saved) Onn t det Mink die! She's gotting better! Her liglt's getting etronger! Oh, she's alright now! Oh, thank you. ‘Thank you. ‘Thank you, BR (TRIE thanks the audience by bouncing down to the footlights and flashing dizaily all over the auditorium like a ekyrocket buret. PETER follows her down stage. Ae the curtain Closes behind him, TINK returne to the stage) Gone on Tink! Let's resete Wendy! CURTAIN (@ons up ladder) —_— House Limes PRESET _(W.L.OUT) WARK fe House umes rs HOUSE 7 1/2 SEND_LovIs HOUSE DowN/our FLASH ORGH, ON MUSTC ) CURTAIN "3 | | | |‘Ag THREE SCENE & : GROSSOVER BEFORE SHIP (R to L) LIA is discovered conter dusting. Pirates enter singing PIRATE MARCH, dragging WEIDS, MICHAEL, JOHN and the lost’ boys, all gaggod, KANGAROO, LION, BIND entor all Kxited; they’ see PETER and INDIANS and hide on Apron DR, FSTER and INDIANS enter. Poter Uga wuga Piratost Indians Uga wiga Piratest Peter Uga wuga Hoolet wan Indians my Uga wuga Hooks pROF Our Peter eae Ugh revenget Indians Ugh revenge whoop whoop whoopt Poter When on warpath--sssesht Indians Ssssssht (FBTR notions TNDTANS off) Potor Cone ont (fo animals) You too, (to Iza) ‘To the shipt (Zo crocodile as PETER accompanies him) To the shipl To the shipt To the ship! To the ship! 4 ROCK AT ¢ 7h Mol nusre pRoP out 2 BbACT THREE ri 4 e Beene _2. : SOBNE: ‘The Ship, In the strango light of @ moonlit night we soo what is happening on ‘the deck of the Jolly Rogor, which is flying the sku and cross-bones and lies low in the water, Sone pirates are pre paring torture instruments, A quartet on ‘the poop prepare their music, HOOK paces. On the poop MULLTIS is visible, in the only greatcoat on tho ship, raking with his glass the monstrous rocks within which the lagoon is cooped, STARKEY leans over the buluark, silently surveying the sullen waters. The only sounds are nade by SEB at his sewing machine and the, moiclans tuning up, WOOK 4s now leaning against the mast, now Browling the deck, Wary Hook Te (Contng with his ego - to music) How still the night is. Nothing sounds alive, Now is the hour when children im their hones are a-beds their lips bright-browned with the goodnight chooolate, and their tongues drovsily searching for belated crumbs housed insecurely on their shining checks. Conpare with them the captive children Prats beats) Split ma infinitives, but Mts no hour of triuphl Peter kiMted-wt 1a6% and all the boys about, to walk the plank. At last Itve reached ne peak) (Laughs) Zim the greatest villain of all timel who was Bluebeard? Pirates Wobodyt Hook Who was Nero? Pirates Noboayt Hook ‘Who was Jack The Ripper? Pirates Nobody} A SONG: HOOK!S WALTZ, Hook Who's the swinfest swine in the world? » Yon Captain Hookt Captain Holt Hook Who's the dirtiest dog ‘in this wonderful world? Mon Gaptain Hook! Captain Hook! Hook Captain of villainy murder and loot WARN Eager to kill any who says BE That ny hock isn't cute.33 SOND: HOOKS WALTZ (Cont'd) Smee Itls cutet Hook. (laughs) Who's the sLimiost rat in the pack? Men Gaptain Hook! Captain Hook! Hooke Whots unloveble (Vent You) Who's unliveble (Men: Yor i Whots existence 4s quite unforgivable (Men: You!) Who would stoop to the lowest ‘And cheapest of tricks in the book? (Men: Tricks in the book) an Blimeyt Slimey! Captain Hooks WOOK LIFTED 758 P| Wart % Hook on wollt B Pirates Hurraht Hook (Laughs) 121 nortals envy me, yet better perhaps for Hook to have had less anbi tion, Oh, fanet Fanol Thou glittering bauble, in searching for thee what fane havo I not loot. (Snee toare cloth as Hook lifts leg to kegs Hook site) WARN Yo Little children love wo, Itm told they play at Peter Pan, = “TT” ‘and that tho strongest. always chooses to be Peter, ‘They force tho baby to bo Hook, ‘Tho babyt ‘That's where the canker gnaws. Tim told they find Smee lovable, How can I break it to him that ‘thoy think hin lovable? loo--bi--carbonate of soda--no, not even-- (Snee tears cloth again as Hook bends overs Hook signals Smee to look over his backside) a ~ amt 21 in one ptecet Hook Who's the ewiniect (Mon: ‘he swiniest) ‘The dogiest (Men: The dogiest) Tho elimiest (Men: The slimiest) Whole the creepiest creep in the world? WARN Yen Captain Hookt Captain Hooks “TA Hook hots dispencible (Men: Yout) reprensible (Men: You) Whose bohavior is just indefensibio (Yon: You! Whots the cravlingest oruelost orunmiest crockodest orock? Mor Grockedest crock What 2 priset What a Joyt Hook Misous Hookts 2ittle baby bor, A ‘The scourge of the sea Hook: Just little ole ne JE all Captain Hookt Hook Hook Hook Hook Hock Hook Hook Hookl ““. _” (Song and Dance for HOOK and CHORUS) BW AVPLAISE TTA “Gn, Hook 7 Ayo all ‘ 2 prisoners unchained? ‘Smee Ay, ay, the Little birds are.eit ie | Hook Then hoist them up, : (the torrified boys are prodded up and tossed 47, about the deck, HOOK seems to have forgotten ‘then; he is sitting by the barrel with his : cards as the boys huddle) <7 Yow thon, you Bellies, six of you Ste shout to valk the plank, but I have Foow fer two cabin boye--which of you is it going to bo? #2 Nain (ter hudate) Zou see, Six, I dontt think my other would Like ne to be a pirate, Would your nother like you to be a pirate, Slightly? Slightly Fdontt think so, Would your mother like you to bo a pirate, Iwin? Ist Tein I dontt think 80, Nibs, would your mother -= Hook Stow that gab. Tou boy -- (Bo MICHAEL) Hou Look as though you had a little pluck in you, Didet ever drean of boconing a pirate, no bearty? Michael What would you call me if T join? Hook Blackbeard Joo, (PIRATES Laugh) Michael, John, what do you think? John Can we still be faithful to the flag? Hook ‘You would have to swear "Down with the flagt" Pirates Ay, ayt John Then I refuse. Michael, 4nd I refuset Hooke ‘That seals your doom, (To Prrare) ‘Bring up their nother, Michael, (Running to her) Wendy} Tea eT315 Hooke Wol2, wo proud beauty, you are about to soe your chiléren walk the plank Wondy hae they to die? Hook ; (Laughs) Troy aret an ayt {ad 18s, Lavebs) Book ug, Silencet Silence, ell, for a mother's last words to hor sons. Wendy ‘These are my last words. Dear, dear boys, I feel that-Z-havee-nesoage for you fron your real mothers, and it's this: we hope our sons will die-like gentienen, #2 Twin I'm going to do what my mother hopss, What are you going to do, ibe? Mibs What my wother hopes, What are you going to do, Curly? curly What ay mother hopes, “Jom, Whab-are =~ mt cA Hook Silence! Tie her upt! And fotch the plank 1B METRONOME (Start soon cHORUS) (as WENDY 4s tied up to the mast and the boys put into position to walk the planic) (421 eyes are fixed upon the plank now protruding fron the poop over the ship's side. A great change, however, occurs in the tine HOOK takes to raise his HOOK FANS claw and point to this deadly engine. ‘The tick, oe ae ‘tick of the crocodile is heard) ‘The Crock! The Grock! Save Net (Paints) Snee TH save yout (Ua eyes slew around to bear on HOOK, Otherwise, prisoners and captors are equally inert, Even the iron claw hangs inactive, as if avare that the crocodile is not coning for it. As tho menccing sound dravs nearer, they eloso their eyes respectfully or fearfully) WaRW EBLE (PEPER cones on board ao the pirates gather at the opposite ends of the rail listening to what they think 4s the crocodile, Then over the rail316 following PETER cone the Indians, the aninalo and LIZA last of a2, The BOYS and WEMDE greot ‘thon silently and PETER guides the INDIANS and ANIHALS into’ the cabin and below decks, ALL gourry to hiding places, OSTRICH puts his head 7 in a cannon, PETER throws a tarpaulin over his tail, FRTER_SVORD UP BELL i On LIZA bas no place to Ride, ALL boxes, nooks — BELIANT ETReAmneS and crannies are occupied, PATER opens the © ee cabin door and beckons to hor and pops a barrol waRw 79 cvor her, The nop still sticks up over the top. a WENDY and BOYS resuno their frightened abtitude as the tiolcing stops) ‘Smee (Hoarsely) Tt 4s gone, Captaint There is not a sound. (ho tononent that is HOOK heaves tumltuously and he is hinself again) (imencoly relieved HOOK leaps to action with a heel click) (With gay abandon to tho BOYS:) Hook seatent 7 yee Glehtenod, oh? How would you like a touch of tho eat before you walk the plank? {ile is more pitiless than over now that he Believes he has a charmed life) Feteh the cat, Jukes, it is dn tho eabin, 2B Jukes Ay ay, six, (io goos beter) Hook Hels off to got the oat ‘he mean and soratchety cat The sting of all nine of te terrible tails (Brom tho dark cabin cones a ourdling seresch SoRspcHt (sms) which walls through the ship and dies away, Tt 40 followed by @ sound that can only TAPE be likened to the crowing of a cock) ¢ What was that? Warn (c2000 swings into the cabin, and in a nonont TE returns, livia) ook (with an effort) Whats the matter with Bi21 Jukes, you dog? Cocco Hots dead ~~ stabbed, an Ee SS Teae 3 1-7 Pirates BLlL Jukes deadt Ceooc0 The cabin io ao black ao a pit, but thore is sonothing terrible in there the thing you hoard a-crowing. Hook (Slowly) Cecco, go back and fotch me out that doodle-doo, Ceeco (Unstrung) io, Captain, nos (io supplicatos on his imeos, but his xaster advances on him implacably) Hook (In his most syrupy voice) Did you say you would go, Cocco? Cocco No, nob Please Captain, don't make wo{ Alright -~ Alrightt (CECCO goss, All listen, There is one screech, one crow) scREoH py Hook 'sdeath and oddsfish, who 4e to bring me out that doodle-doo? Starkey (Injudiciously) Wait 1121 Cocco cones out. (The black looks of some others encourage him) Book vary I think I heard you voluntoor, Starkey, BEIM Starkey (Bapbaticatiy) Yo, by thundert Hoole (in tho syrupy voice which might be more engaging vhen acconpanied by his flute) Ny hook thinks you did, I'wondor if it would not be advisable, Starkey, to Iunor the hook? Starkey INL swing before I go in there, an Ay = ay ~ ate. Hook (Cleaning) * Is it mutiny? Starkey is ringleader. Shake hands, Starkey (STARKEY rocoils from the claw, It follows RIGE THROW hin 111 he leaps ovesboard) Did any other gentlonan say mitiiy? (They indicate that they did not even know the late Starkey)Hook. Twill bring out that doodle-deo myself. (He raises a blunderbucs but casts it from him with a menacing’ gesture which means ‘that ho has nore faith in the claw. With a Lighted lantern in his hand he enters ‘the cobin. Not a sound is to be hoard how on the ship, unless it be SLIGHTLY Wotting his lips to say "Four!" HOOK staggers out) (Unetoadily) Sonething blew out the Light, Wooder (ith dark meaning) Some ~ thing? ‘ Pirate, Wherets Coceo? Hooke He is as doad as Jukes. (Panle among tho MEH, General ad 14) (Tels Hook's fault. Hots a devil. Wetre doomed, The ship's doomed. The Devil's aboard. Ay and he has a hook) {iinives and pistols cone to hand. Hearing something Like a cheer from the boys, HOOK wheels around and his face brings thom to their knees) Noodler Poor Ceccot Pirate Tels Hook's fault Hook 5 440 My ¢ Hu jade, here ta @ notion: open tho eatin door’ and drive them in, Lot then fight the doodle-doo, Ir they ki22 him we are so much the betiory if he Wits ‘thom ve are none the worse. (Inis nasteriy stroke restores their confidences and tho BOYS, affecting fear, are driven into tho cabin, Desperadoss though the pirates are, ‘some of them have been boys thenselves, and all turn their backs to the oabin and listen, eves shut, with arms outstrotched to it ag if ‘0 ward off the horrors that are being enacted there. The barrel shifts ite position to keap near Wendy) \ (Driven into cabin) : (Belioved by FETER of thotr manacles and armed with such weapons as they can lay thoir hands on, the BOYS ateal out softly as snowflakes, and undor their captain's hushed order find hiding-places on the poop. Teter is now disguised as a uhiskered pirate and takes his place with tho eros) 31-8 BLINK DA treme en a tymePirate i/ ; The doodle-doo has killed then alll i oodier ‘he ship's bewitchod. (Choy are onapping at Hook again) i Poter & A12 ‘The ship's bowitchodt Hook Tho ship's bewitched! ‘hore!s a Jonah aboard. } Potor i (avancing on him) Ay, Stts the man with a hook, Pirates Ay, tts the man with @ hook, Hook (Tenporizing) No, lads, mo, it is the girl, Peter ayo, hye, Tt!s the girl} a Ay, the girli Hook Never was luck in a pirate ship wit a woman aboard, Poter No, No, not with a woman aboard, an A woman aboard} Gee WARN Hook - a Take hor to the plank, Peter -“ To the plank > al Ay = ay ~ Captain. Hook (Jeering) There 4s none can save you nov, missy. Poter ‘There 4s on Hook Who 4s that?ehiRE 3120 Peter (Casting off the disguise) Foter Pan, the avenger, (He continues: standing there to let ‘the effect sink in) eet Hook Back, back, you mice, It's Hook; do you Like hin? (iio 1ifts up Michaol with his claw and uses hin asa bucklor, A terrible vole breaks in) Poter Voit, boys, This man 42 mine, warn, (HOOK shakos MICHAEL off his elaw ao if he were sr 2 drop of water, and these two antagonists face each other for their final bout, They measure swords at arme' length, make a sweeping motion with thon, and bringing the points to the deck rest their hands upon the hilts) Hook: i (ith curling 1p) 7 So, Pan, this is all your doing! 7 Poter } | yy Hook, 4% 45 a2 ny doingt i Hook Proud and impudent youth, prepare to mest thy doom, i ' Poter : : i i ie Terk and sinister man, have at thes, j (4s they begin to duel PETER flies about Hook's head and swoops down on him. BCOK 1 is unable to fight him properly) Hook TE toute fair, Tsay 26 thougn 00% wy dant nrsatht | Te ion't fair. i (Fight ‘contamues) ! Hook ; "Tis some fiend fighting mol Pan, who and what art thou? I (the ehizdren ston eagerly’ for tho anever, i Rone quite so eagerly: ae KADY) | ; i Poter i (At a venture) Aim youtht I'm joy!’ I'm freedont (“ying to topmost point in rigging), Hook ‘Then $f T am to. die you'll alz die with me, I (Stung to nadnese) i TL Light a bomb and blow ‘Up the shipt (He disappoars ‘they Imow not here) f Children Poter, save ust (281m, alas, goos the wrong wey, and HOOK returns)3 Hook (Sitting on the hold with gloomy satisfaction) In two minutes the ship will be blown to pieces. (They cast thonselves before hin in entreaty) Children a Mercy, meroyl HOOK cLINa MeTRONIa Hook: Backt Back you povling spawn, I'11 show you now the road to dusty death, {Morera feloonunt-okshindcon, there 49 ooking grand tothe Aden % ‘the cFécddKiei The crocodilet (They al. rush overboard in a mad plunge ~~ all except the CROCODILE) (PBTER appears with the smoking bonb in his hand and tosses it overboard, ‘he GROCODILE appears on board, He slithers after Hook. Caught between PSTER and the CROCODILE, HOOK is forced up the steps of the plank, Thus we the is down to the very edge) (As he teeters on the edgo) é Fan ~ no words of mine can express mo utter contempt for you, (lio thon splashes into tho water and the Jaws of the 26 ba ‘GROCODILE) NBUTRAL OW ‘ groor FOR HAT CRO —— cross WLi 32-12 ACT THREE Scene 2 : GROSSOVER FROM THE SHIP RUM SraRt 97 Path dn the woods. any Kangaroo cones on with the érun fost Boys drag Pirates on with long rope. Hen 4s carrying Peter Pan flag Indians carry Peter on litter Bird corries umbrella Twins play flute and violin ELAG OW 8, pine Pirate Yarch with "Yoho Yoho, - “tS —__#8 Tho wonderful Peter Pani Tiger Lity Peter Pan 12 the sun, the moon, and the atavot AND Hooray gor Lily Foter Fan 4s 2 luup of delight, ma Hoarayt Tiger Lay Peter Pan do the bravest and strongest of all. boys. 89. 90 a Hoorayt Poter Sig T mows Tdontt say 4 to boasts but because T cannot, tell a lie I gotta crow, Zim Just the clevorest fellow {Twas ever my fortune to. know { give the sign and the sunlight will shine And the forest will grow And the rivers wil flow I've gotta crow (crows: company joins) : 9 (Company exits except Liza) aera Away with them} ABTER 1Vo BARS 90 ARTER JO BARS 90~awan Oh, Peter, youtve the most wonderful boy in the whole Te’ there anything you couldn't do? Poter Vothing. tier VA Foter, will you toach me how to crow? Peter suret Lise ~ Yo? Poter Yest Foter You do tt too ‘and 4£ you chooce, you will find such unusual Things You can do (Ita tiny crow) You're gotting warn Dut your nouth choula be forming A happier (ize York) Dont be ouch a sisoy Prim ard prisoy let out © crow You've nothing to fear Cone and whisper it close to my ear (Liza crous tinidly, then stronger, then Loud) Poter Thatts better, Poter and Lina And now we can crow (crow) Just Like a rooster Wo! be our om booster And et out @ crow (crow) Wetlt give the proudest And gayest and lowest Of crows that we know (Loud Crows) Everybody let co (Loud Gros) Jind orow (Crow) (they dance L, then R, and oxit) 362-13, world! WARN 51, 92 TAL a ON MUSIC _NBUTRAL OFENAct torme Scene 3 SOBNE: lorseRy Tb ds the nursery again, only the toya aro gone, and IR the fore part of a argo doghouse can be seen, A green velvet chair has replaced the firestool. (irs, Parting is looking out windows Nana is wary finishing turning down Wendy's bed) a Yrs, Darling Che nants, St touches ny heart to soo you turn down their beds night after night. But they'll never come back--nover! 4 me | | | ! (lana winpors then crosses to dog house and scratches) } se erenamt disturb the master. “He uses your house as hia homo, out i of renorse, I'21 wake hin when it's tine for hie dienes, f (Wendy poops in window, otions John and Hichael in Hes and closes window, They sing LAZY SHEPHERD, loses wim Nana finally soos’ then, nuszles against Hes? a BR 4 Darling and barks exeitediy) t Wendy! Michael Johnt wae : rc} Tea Children j i Yothert } H (hey rush to her and enbrace her) | [ee : te. dg i i ‘As he enorges fron dog house on all fours morass 93 t ae 4 little Joos noise theres t i Mee, DarLing Fathor, the children have cono eno! | cnizazen Fathert : (thoy run and onbrace him, wana folowing) Mr, Darling Méchaelt Johnt Wendy} (Window opens revealing Idza and Lost Boys) Mee, Darl teat coe (Liza rushes to Yrs, Darling) Who are they? 1 Wendy Theyre & few more of us, Won't you adopt then? Mr, Darling What? All dix of thom? at a aaWendy Please fathert Yrs, Darling George, don't you think we could manage? 7 2 Me, Darling Well, what's another sie or sevens (To Wendy) must say you doh! do things by halves. (Beye cheer) Would you treat mo as a oypher in ny ovn house? 7 Win Bxouse me, bir, but vhabts a eysher? Mr, Darling A cyphor is the'synbol zero, A nothing. A porson or thing without value or power. ‘Tootilos I don't think hota a.eyphor,, do you boys? Boys Oh no eax, and welll be good chiléron, Me, Darling 401 rightt oh (Boys cheer) pat Father “Wi you treat mo with respect? e Boys Yos oir Fathor Let me have a little peace and quist Boys We will elnays try to Da s0 quict (sung loudly) Quieter than nice (softly) Father Wouldn't that ‘be nico Boys Wo wil. grow up Family They wil. grow up Boys We wA21 mind our pts and ts Fonlly They will mind their pie and ate Boys Wo will never be a bother Family ‘They will never be « bother ‘Boys And wetl) always shine our shoe: Father Oh to think of a1 those shoes 5 We have no roon to spare it's true Boys But ch what of Jt we'll protend we do * Welxe going to grow up, going to grow up, \going to grow up Rother Like ne Boys Tike T : Father ‘Tike no : Nana Woot woot Boys Like moYe, Darling (ANt exit sdliboing, except Wendy Now make yourselves ot hone! who goes to window, You won't forget to cone far me Pet don't forgett ltenay ter--Pleace, please 33-16 5 96 WHEN ser 98, on inst cue OSI FERASE Gai,3h-1T Tho Lights dim up on the nursery, PUTER IN Jane 4s in bed DR. Wondy-grown-up WINDOWS CLOSED 99 4s sowing by the fre, Peter Holo Wendy, Weney Potort Peter Wnore's John? Wendy Hots not here nov. Peter waN Te Michael asleep? Woney Yes, No -- that's not Michaol. 200 Poter Is it a new ono? Woney Yoo, Poter Boy or girl? Wendy Itts a pink. Poter What's hor nano? Wendy Jano, Fotor Jaro} Wondy Foter, are you expecting no to fly avay with you? Petor Of course, Thatts vhy I cane. ave you forgotten it's spring cloaning tine? Wendy T can't come, I've forgotten hov to fly. Poter IN21 teach you again, Wendy Oh no, Peter ~ dontt waste the fatry dust on mo. | Potor (Petghtoned and shrinking) WHEN sur What is it? UP STAGE 300Sed Wendy Pim od Fetor. Itm over so much more then twenty, I grow up a long ‘timo ago. ‘You pronized not tot Peter Wendy Teouldnit help 4t. It a married woman now, Peter, Potor Wot Youtre noty Wendy Yes. And the little girl in the bed - 4s my child. Potor No sho's not! tb she's nob! (He sinks to his knees, sobbing, Wendy goes to Fotor to confort him ~ turns’ and runs from the room, Jane 4s avakoned by his sobbing) Jaro Boy, why are you crying? Poter (Straightons ~ bows) 0. Jane Hello, Poter : Zim Peter Pan, Jane Yeo Tinos, Petor T camo to take my nother ~~ back to Neverland, Jane Yoo I now. ive boon waiting for you. Poter For mo? Jane Yos, Will you teach me how to fly? Poter Do you know any stories? Jane I imow Lote of stories, Poter warw WEIL you tuck ne in at night and mond ny pockéte for no? i Jane Oh yes Peter! Tal ne with you, i tBeles Peter (Crows) But first I mst blow the fairy dust on you, (He dove 80) Yow think lovely, wonderful thoughte, and up you gol (Jane £400) Jane Kow sveott Poter (x DR) Shots suectt Shots sveett (Wendy reenters) Jane Look at no, Mommy, Tim flying, ou miste 102 Peter (Pointing to Jane) She is ny Uother! Cone on Janet wR (Windows open) conta Wonay Not Wot Jano It's just for spring cleaning time, Ho vants me always to do his spring cleaning. Wendy Oh, Sf only I could go with you, Potor You can't, You see Wendy, you're too grow up. dre you ready, Jano? Jane Ready! Poter ‘THEN COM WITH ME WHERE DREANS ARE BORN AND TINE IS NEVER PLANNED: JUST THINK OF LOVELY 2HENGS AND YOUR HEAR? WILL FLY OM WINOS ‘FOREVER IN NEVER NEVER LAND, (HUTM f1i00 out, WENDY follove) PUTER 3/ oun __contmatw END OF act ITT