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The document discusses religious narratives and rituals in Utrecht, Netherlands between the 11th-12th centuries. Scripted "qes" roles were formulations that messaged insiders through cults directed from an abbey. An exult rite system was celebrated with references to evroult chant. Missal and breviary culture was influenced by privileges from Liege, Cologne, and Reims and depicted in visuals at Janskerk and Pieterskerk churches.

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Kathleen Broer
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144 views

Guilt Code Nexus

The document discusses religious narratives and rituals in Utrecht, Netherlands between the 11th-12th centuries. Scripted "qes" roles were formulations that messaged insiders through cults directed from an abbey. An exult rite system was celebrated with references to evroult chant. Missal and breviary culture was influenced by privileges from Liege, Cologne, and Reims and depicted in visuals at Janskerk and Pieterskerk churches.

Uploaded by

Kathleen Broer
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as PDF, TXT or read online on Scribd
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Religion and Testimony: ‘Qes’ Codes

Kathleen Broer, MM University of Toronto 1987

The narratives of Christ were mapped on to meusan narratives with


significant altering tones, suggestive of a ​dia-chronus​ dictate--such
as those found on sites of privilege, in Utrecht domains.

Scripted ‘​qes​’ roles in play within ​catedra​ districts were


formulations for a reordering system within upon privilege during
regnant rule--such as that of Traichtem on the Germanicus limes along
Rijn districts. As such, ​qes​ roles presaged a “​nonce​” cult which
messaged insiders in a group, through the evrout forum cults at both
Wognum​ and ​Woerden​ directed from ​l'Abbaye de Lyre, ca. 1046.

An exult rite system was thence forth celebrated in like manner;


as Pieterskerk Utrecht meusan text above Christ’s head indicates with
the words, ​“Jhc nat Yre ni Rex I ud eorx”​ meaning ​I​ ​here night right
nigh king here first waters--​a reference to evroult chant.

The St. Pieterskerk, Utrecht Sacramentary attached to the worship


culture of St Paul’s Abbey, was inculcated as an ordinance from the
‘kruisen’ in Utrecht [Ms. 163] and had been attributed to ​Sint
Odilbald​ and his patronized ​legates​ [d. 898 AD].

After a debilitating disagreement over the use of tone, the


patronage dictates were relieved, signalling a change in influence of
tone by means of ordinance. In the aftermath a romaans reliëf of
Meusan tile depicting John the Baptist had been commissioned and
installed at Janskerk between 1175-1200; meusan romaan relief choir
tiles of the ‘​passio​’ of Christ had also been installed at Pieterskerk
in 1180 to exchange on originating customaries.

Missal and Breviary culture from this period had been redressed
through Paris after having enjoyed privileges under a long rule from
Liege, Cologne, Munster and Reims patronages which had exchanged upon
‘virtue’ systems. Choral presentations of the rule were attributed to
the romaans relief materia of both Janskerk and Pieterskerk.

Both bishops Ansfried [d. 1010] and Bernold [d. 1054] were
involved in this redress process. Pieterskerk was built on the eastern
edge of the kerkenkruis in the city of Utrecht, dedicated to Peter the
Apostle.
Its re-originating foundation patronage was considered in a
series of cluniac collegiate churches at Utrecht in a spate of cultic
energy, beginning with Janskerk [1040], initialized after Pieterskerk
[1039; May 1, 1048] and Pauluskerk Abdij [1006, Ansfried; 1050,
Bernold] from a period of tumult within the registry under Bernold,
Bishop of Utrecht [1026/27–1054]. The tones were depicted through
originating customaries in visual detailing, through scriptural
notations.

APPENDIX

Ji-ro-lu-[pi]-ma-nem
B c d e f Bb

Qes = chess, Cb narras locrian


Bis = bishop C osirand ionian
Ub = opening, C sibimori ionian
Pre = play, D endore dorian
Cyn = king, E vlierum phrygian
Qin = queen E eide phrygian
Roq = rook F tor qx lydian
Nef = knight Bb devotas mixolydian
Gui = pawn B tos qi locrian

Ilt = officer B nic locrian


Jon = john D forosat dorian
Maq = mark F freses phrygian
Mat = matthias F putat lydian
Jaq = james G ruos qi mixolydian
Liq = luke A# felix aeolian

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