3 4 2+Understanding+Intervals
3 4 2+Understanding+Intervals
Understanding Intervals
An Interval is basically the relationship between 2 notes, measured by the distance from the
lowest pitch to the highest pitch. A Chord is the combination of 3 or more notes played
together.
Intervals are determined by their number and color quality, which can be analyzed in two
ways. By either the 2 notes being played together vertically, which is called a Harmonic
Interval, or by the 2 notes being played one after the other in a horizontal order, which are
called Melodic Intervals.
Here are the 5 different quality types of Intervals found in western harmony:
• Major (Maj)
• Minor (Min)
• Perfect (P)
• Diminished (Dim)
• Augmented (Aug)
There are 7 different notes within a standard scale and 8 if you count Root to Root. There are
8 different interval sizes to recognize and analyze within an octave. By an interval size, I'm
talking about a 3rd, 4th, 5th, etc.
On a staff, the combined number of lines and spaces, including both notes, determines the
intervals.
They are:
• Counting the degrees between the notes in question. (C to E: you count the first note C,
then count up D and E, which gives us an Interval of a 3rd of some quality)
• Counting from the space or line on the staff where the note lies, up to the space or
line from where the 2nd note lies.
Example 1
The Note C lies on the 2nd space up from the bottom of the staff. There is a line above that
where the note D would lay then the note E lies in the next space up.
The Interval number value is counted from the C in the space, the line above, and finally the
space where the E Lies. This tells the value of this interval is a 3rd of some kind.
Example 2
The note B lies on the 2nd line up from the bottom of the staff. There is a space above that
where the note C would lay, followed by a line in which the note D would lay, followed by a
space in which the E lies.
The Interval number value is counted from the B on the line, the space above, the line above
that, and finally the space where the E lies. This tells the value of this interval is a 4th of some
kind.
Visually there is a pattern that Intervals follow, which after experience and practice becomes
a valuable aide in sight-reading. All intervals that both are placed in the spaces and on the
lines of the staff have an odd numbered value.
All the intervals that appear on both a line and a space on the staff, or a space and a line on a
staff, have an even numbered value.
Example 3
Example 4
The different sizes and commonly used qualities for intervals found within an octave are as
follows:
Once we understand the size of an interval, we combine that information along with the
quality. For example, a Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th etc.
• Diatonic Intervals
• Non-Diatonic Intervals (Chromatic Intervals)
• Compound Intervals.