The GMC Group-Photography Holidays & Courses - Ultimate Guide 2016-The GMC Group (2016)
The GMC Group-Photography Holidays & Courses - Ultimate Guide 2016-The GMC Group (2016)
holidays
& courses
Please contact us today to discuss your requirements and book your place.
www.leica-storemayfair.co.uk/collections/akademie-workshops
or call 020 7629 1351
WELCOME
L
earn by doing, learn from skilled teachers – and learn in the company
of like-minded individuals who share your passion. That’s what the
photography workshops, courses and holidays contained within these
pages are all about. They aim to inform, inspire and entertain – they also help
to bridge the gap between knowledge and experience. Whether it’s a one-day
training near your home or a week on the other side of the globe; whether you’re
a professional or beginner, you’re sure to discover what you need to take your
photography to another level.
To whet your appetite and help get you in the mood for discovery, we’ve also
included an array of features from top photographers that share their tips and
techniques to help you get the most out of your camera.
To be the best we can, we must never stop learning. So book the course that’s right
for you, pick up your camera, pack a spare battery, and remember the words of the
great Imogen Cunningham: ‘Which of my photographs is my favourite? The one
I’m going to take tomorrow.’
Josh Alliston
Bl ack + White
Photography
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www.andyhoward.co.uk
003_PHOTO_HOL2016_SUPP.indd 3 12/9/15 5:01 PM
contents
© Y.Macherez
HOLIDAYS
& COURSES
7 Landscape
Courses to capture stunning
scenes and locations
59 Wildlife
An opportunity to photograph
rare animals and birds
73 Portraiture 60
Focus on mastering the art
of portraits: expression,
personality and mood
features 27 An epic shoot
in Morocco
8 Wild white horses Tim Mannakee catches a
77 Courses with with a difference spectacular scene on the coast
a difference Serge Krouglikoff shares the of Morocco
Find inspiration and learn thrill of the Camargue festival
new techniques 34 Why use a
16 Shooting into graduated filter?
87 Understanding the sun Michael Pilkington explains
your camera Stephen Studd gives us his why we should not give up
Get to know how your top tips using graduated filters
camera works
20 In the footsteps 37 Winter landscape
91 Post-production of giants photography
Find out how to work with Jonathan Chritchley walks in John Gravett outlines some
your images the path of photographic greats simple steps to help stay safe
50 45
82
42 Capturing 60 Preparing for a 82 Into the
landscape wildlife adventure wilderness
Charlie Waite shares his top Mike Peters gives some advice Vlad Donkov shares his
tips for perfect landscape shots on the right equipment and passion for adventure and
how to be well prepared for a photography
46 Cornish virtues wildlife adventure
Carla Regler on the popular 86 Travel
Cornish landscape 74 From Cameron adventures
to Kander Wilf James goes around the
50 Catching waves Paul Ellis looks at how the world... and sees his own
Chris Simmons reveals some style of portraiture has backyard with a fresh
of the techniques he uses for changed through the years perspective
capturing dramatic seascapes
78 Staying local 88 Long lens
54 Our legendary Rachael Talibart and landscape
coasts Tony Antoniou share the photography
Andy Habin and David knowledge of their local area Gary Groucutt encourages
Clapp unlock the secrets and their favourite locations the use of a long lens for
of our dynamic coastlines for photography landscape shots
92 Managing a
40 digital workflow
Colin Reynolds shows you
how to manage your digital
workflow effectively from
import to print
© Tim Mannakee
photogr aphy HOLIDAYS & COURSES 2016 5
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W: alanranger.com
E: [email protected]
T: 0781 701 7994
Anthony Blake
Photography
Landscape photography
workshops in the South
& South West
To photograph some of the most
Highland Photography picturesque coastlines in the UK,
Landscape & wildlife adventures why not join award-winning
Join award winning photographer and qualified mountain leader, professional photographer
Chris Stuart, for a landscape or wildlife photography adventure. Anthony Blake on a landscape
Opt for easy walks or guiding to wild and remote locations. photography workshop in Dorset
Experience a variety of wildlife species according to seasons. or the West Country. Our group
Small groups or one-to-one tuition is available or courses can be sizes are small (with a maximum
tailored to suit you. of three) so there will be plenty
Location planning, digital techniques in the field and image of personal attention.
processing for web and print are all covered. We visit classic Dorset locations
such as Durdle Door, Kimmeridge
W: highlandphotography.co.uk Bay and Corfe Castle. Other
E: [email protected] workshops include, Cornwall,
T: 07850 915042 Wiltshire and the New Forest.
Anthony covers all aspects
of camera craft from correct
exposure to using filters
creatively. One-to-one tuition
is tailored to the individual.
One, two and three-day group
workshops are available to
suit all abilities.
W: anthonyblakephotography.co.uk
E: tony@anthonyblakephotography.
co.uk
T: 01258 863436 / 07710 400586
W: digitalphotography
holidays.com
E: info@
digitalphotographyholidays.com
T: 07706 119609
BOOK NOW
www.cherylhamer.com, [email protected],
07837 014534
T
hough shooting KEEP YOUR LENS CLEAN: gives you control over the
into the sun can be Dust, grease and scratches desired effect you are after.
quite challenging, increases the risk of getting Underexposing the image
backlight images can distracting flare. If you have a will give you dark silhouettes;
infuse drama and mystery into lens-protecting filter on, take it while overexposing gives
your photography. Here are a off as sunlight can bounce in detail in the subject and a
few of my tips: between the filter and the lens. more dreamy effect.
...OR SUBSCRIBE TO
THE DIGITAL EDITION
(our lowest-price option!)
VISIT WWW.THEGMCGROUP.COM
OFFER EXPIRES 31/12/2016
VISIT
WWW.POCKETMAGS.COM
A
s I made my way down discovered the work of shirt, jeans and a smile that
the steps to the beach photographer Brett Weston and could light up a darkroom, was
and looked along its the photograph he made here Cara Weston, granddaughter
silvery shore, I could in 1954. Brett Weston is from a of Edward, niece of Brett,
feel the percussive power of dynasty that is mentioned in daughter of Cole, and herself
the Pacific Ocean, complaining every photography history a very talented photographer.
as her progress was halted by book worth its salt. Edward Last year I had been lucky
the land on which I stood. Weston, Brett’s father, was enough to work with some
Behind me, from the road, born in 1886 and is dubbed photographers whose work
I could just hear, over the ‘one of the most innovative I had admired for some time.
crashing surf, the sound of and influential American This had a positive effect on
heavy V8 motors; huge, photographers of all time; my own work and led to me
chrome-encrusted pick-up Brett’s brother Cole Weston, booking a fl ight to the place
trucks, too early that, in my mind
and too utilitarian
“I couldn’t help but be slightly at least, had been
to be tourists. the epicentre
Workers, starting awestruck; this wasn’t just any beach. of landscape
the day early, paper photography in
coffee cups in little This was Garrapata Beach.” the last century.
holders below the A place where
dashboard, winding their way is another hugely successful Ansel Adams created some
along Highway 1, the legendary landscape photographer and of his most beautiful work, a
Pacific Coast Highway in the the only man allowed to print place where the Weston family
soft, misty light of dawn. his father’s photographs after live and work to this day. This
My attention turned back to his death. Their family friend, is the Big Sur, the stunning
the beach, its dark triangular was ‘uncle’ Ansel, who used to stretch of Californian
rocks and soft light sand, the drop into their family home in coastline south of Carmel and
little sand flies darting in and the mountains right above the Monterey Peninsular,
out of bunches of black seaweed where I was standing, to drink where the Santa Lucia
washed up during high tide. I coffee and discuss the light. mountains rise abruptly from
couldn’t help but be slightly ‘Hi Jonathan!’ came a voice the cold, blue Pacific Ocean.
awestruck; this wasn’t just any behind me, and as I turned the Cara and I talked for hours;
beach. This was Garrapata moment just became even more about her childhood, growing
Beach. A name I had been surreal, for there striding along up around the Weston men,
familiar with for years, having the beach, in a checked cowboy the trips with her father and
grandfather, about Big Sur photographic journey. To be decent wine. And I reminded
and the surrounding area, inspired by one’s peers, to shoot, myself, not for the first time,
and about her own work. She talk, laugh, share and drink that I really love my job.
suggested that we go back to
her studio, in the grounds of
the family home high above
PROFILE
Jonathan Chritchley is a fi ne art photographer based in
Garrapata beach and after a
France. His company, Ocean Capture, was formed in 2006
death defying drive we arrived, and provides high quality workshops, courses and tours
greeted by Cara’s daughters, for small groups to the best water locations worldwide –
both of whom have inherited including to Big Sur with Cara Weston.
her smile. And I thought to W: oceancapture.com
myself, this is a true E: [email protected]
PHOTOGR APHY HOLIDAYS & COURSES 2016 21
Chris Simmons
Photography
Cornish seascapes –
one-to-one workshops
Image Seen with Chris Simmons
Creative landscape photography workshops Come and hone your landscape
Run by leading landscape photographer, Sarah Howard, Image photography skills by learning
Seen specialises in small group workshops. Locations include the how to approach the sea and
Cotswolds, the Lake District, the Peak District, the Yorkshire Dales start catching waves.
and Dorset’s Jurassic coast. Award-winning photographer
Whatever your level of ability, our workshops are designed to both Chris Simmons invites you to
challenge and inspire you. With our expert guidance and friendly explore Cornwall’s best coastal
hands-on tuition, you will gain a greater understanding of your locations. It’s just you and him
camera, improve your compositional skills and refine your technique on a three, four or five-day
to enable you to produce more satisfying and creative images. seascape adventure that
Join us and take your photography to the next level. focuses on advancing your
DSLR photography and Raw
W: imageseen.co.uk post-production.
E: [email protected] Learn to approach coastal
T: 07760 498112 locations, read the conditions
and select the ideal techniques
to capture superb images. From
composition, manual settings
and filtering through to advanced
Photoshop post-production, your
workshop will be a hugely
rewarding experience.
W: c-simmonsworkshops.co.uk
E: [email protected]
T: 01637 831251
W: lakelandphotohols.com
E: [email protected]
T: 017687 78459
Slawek
Staszczuk
Photography
Affordable
landscape
photography
You’ve got as far as reading workshops
this – now take the next step! We offer one-day
photography workshops
W: theimageproject.xyz across a variety of locations in Sussex and South-East England,
E: [email protected] led by an experienced local photographer and tutor.
T: 07793 046079 With small groups with a maximum of six people, so everyone
gets individual attention. All levels of experience are welcome on
our one-day weekend dates. Bespoke one-to-one sessions can
be arranged at the location of your choice.
Improve your photography skills in an informal and relaxed
atmosphere, amidst some of England’s most beautiful countryside.
W: photoss.net
E: [email protected]
T: 07892 682898
W
e had reached our seagulls, literally thousands of which is already full of energy.
final destination them, agitated by the storm. When I processed the Raw file,
at the end of a The waves crashed on the rocks I increased the contrast to give
15-day tour of and dark clouds gathered. We the image a gritty feel which I
Morocco. Everything had set up our tripods and waited think suits the mood. As there
gone our way so far. From the for the scene to unravel. And is so much going on, the image
moment we left our fi rst hotel what a scene! The seagulls looks great as a large print.
in Rabat we only managed to dive-bombed us, shrieking as The next morning, the clouds
drive 50 metres before we they flew millimetres away had given way to clear skies and
stopped to capture the from our cameras. the seagulls had settled on the
beautifully lit town and moody We stood fast as the sky rocks after a hard night. The
sky. We’d had rainbows over darkened. We added graduated storm seemed a distant memory
turquoise lakes, a friendly filters to increase the drama and we felt privileged to have
shepherd appearing with her in the sky. For a busy scene witnessed such an epic scene.
flock, fabulous skies in the like this, composition is key.
Sahara… but nothing could I used the boats to fill the PROFILE
have prepared us for what foreground and placed the Tim Mannakee is
came next. town to the far right of an accomplished
Essaouira, on the Atlantic the image to cut out the photographer and
coast, has been used for distraction of people gathered tour leader with
numerous films, most recently on the walkways. The dark sky over 25 years of
Game of Thrones, and it is like balanced the image, giving it an experience in the travel business.
a giant film set. A storm had extra dynamic. Finally, I chose He has lived in south-west France
since 1992 and runs photo tours
been brewing, so all the blue not to use my neutral density
and workshops throughout the
rowing boats were moored up filter to create a smooth sea
year in Europe and Asia. When not
together for shelter. The tide and blurry clouds. I prefer a
running tours, he supplies images
was high and the sky full of more natural look for a scene, for travel stock libraries and
regularly accepts commissions
“We set up our tripods and waited for the for work, principally in France.
W: timmannakee.com
scene to unravel. And what a scene!” E: [email protected]
W: yorkshirelandscapephotography.com/hebrides-harris-lewis
E: [email protected]
T: 07530 850198
W: aspect2i.co.uk
E: [email protected]
T: 0845 505 1455
W: glencoephotography.co.uk
E: [email protected]
T: 07769 809236
PHOTOGR APHY HOLIDAYS & COURSES 2016 31
W: timmannakee.com
E: [email protected]
T: (00) +33 633 17 64 93
From £69
From £99
EXCLUSIVELY SMALL
FOR GROUP
CANON EOS SIZES
W
ith the continuously blacks are all in without any given over to the whites and
increasing dynamic clipping. Well, this may be highlights than the blacks and
range of modern true, but the answer is you still shadows. In fact, the brightest
cameras, why do we need to need to use a graduated filter. stop occupies half of the
use a graduated filter? The The reason for this is simply storage. The next brightest stop
argument is that if we look at the way in which picture occupies a quarter, the brightest
the back of the camera at the information in the Raw file stop after that occupies an
histogram the whites and is stored. Much more space is eighth and so on. So our blacks
and shadow details are given You will have heard of ETTR PROFILE
very little space to record the or ‘exposing to the right’ and Michael Pilkington
different tones that we want to this is the reason why. We is a professional
pull out during post-processing are able to move the blacks landscape
and printing. Furthermore, we and shadows to the right of photographer
fight to keep the whites and the histogram, thereby giving and a co-founder and director
highlights in check. them more space to record of aspect2i one of the leading
In this image (Figure 1), different tones. landscape photography workshops
in the UK. Landscape Photography
taken without a graduated Of course, the image on
workshops are held in Scotland,
filter, we see a clear peak on the screen on the back of your
Wales and England as well as
the right of the histogram, camera looks overexposed
internationally in the USA, Norway,
which is the sky. Using a (Figure 3), but it is not – as no Iceland and Faroe Islands. As
graduated filter, this peak is whites or highlights have been well as running workshops in the
completely flattened and the clipped. This is the biggest field, Michael is a principal tutor
whole histogram has moved to hurdle for most people. They at the Epson Print Academy,
the left (Figure 2). This gives want the image on the back which specialises in all aspects
us the opportunity to increase of the camera to look great, of post-processing and printing.
the exposure and move the whereas I want the image after W: aspect2i.co.uk
whole histogram to the right. post-processing to look great! E: [email protected]
O
ne of the questions SELF-PREPARATION aids such as studs or better
I get asked more than With low temperatures, still, decent spikes should
any is ‘what is your keeping warm is vital. Modern keep you upright in all but the
favourite season?’ clothing allows layering with steepest conditions. If you are
Whilst I love every season, fabrics such as merino wool. going high up steep mountains
there’s something really special Add a fleece or down jacket in the snow, crampons and
about shooting in the winter and a waterproof layer and you an ice axe are the best choice.
months. The Lake District should keep your body warm But remember, walking aids
usually gets a covering of and dry. A hat and gloves are don’t keep you safe; you still
snow, especially on the essential to keep your have to concentrate.
tops of the slopes. With a few extremities warm, too. Boots With the shorter days, you
simple steps, photography in should be waterproof and have should carry a headtorch and
cold conditions can be safe, plenty of grip on the snow. As some food, such as energy
rewarding and great fun. an added safeguard, walking bars. Always keep a change of
PROFILE
John Gravett is
a professional
photographer with over
25 years of experience and is one
of Britain’s foremost landscape
photographers and tutors. John
is the Photography Director of
Lakeland Photographic Holidays,
based in Braithwaite near Keswick.
W: lakelandphotohols.com
E: [email protected]
PHOTOGR APHY HOLIDAYS & COURSES 2016 39
W: create-away.com
E: [email protected]
T: 020 3642 2448
W: wildphotographyholidays.com
E: [email protected]
T: 01630 647828
W: tommackie.com
E: [email protected]
T: 01603 465292
Capturing
to see whether it is too great
for the capacity of the sensor
or fi lm to handle. Try devoting
three-quarters of the image
landscape
to the sky if it is remarkable.
Include whole clouds if
possible. With reflections too,
try to include entire clouds.
It’s a matter of time: Try not
Light & Land’s Charlie Waite shares his top to photograph expansive views
tips for capturing the perfect landscape shots in the middle of the day. Early
light, offering long shadows, is
T
here are a number of key For flare-free shots, do not preferable. Late evening just
points for all aspiring assume that the lens hood will after the sun has set, the
landscape photographers cover it. Use your hand, a piece ‘afterglow’, can also produce
to remember when out in the of card or, better still, a friend a lovely, luminous light.
field. Here are a few of my tips: standing alongside to keep
Be aware of the light: unwanted light from your lens.
A photographer must be High dynamic range (HDR):
PROFILE
Charlie Waite is
acutely aware of the nature To use HDR, ensure you are widely regarded as
and quality of light, and how familiar with natural lighting the doyen of English
the light is falling on the ratios and how certain landscape photographers. His style
subject. Light is everything! surfaces absorb and reflect combines graphic finesse with an
almost spiritual quality of calm and
serenity. His distinctive treatment
of historic Mediterranean
landscapes in particular is instantly
recognisable. Charlie is also an
inspirational public speaker, who
combines an actor’s training with
his passion for landscape and
photography. His reputation means
his work is in demand worldwide.
Charlie never fails to inspire and
encourage the participants in his
photographic workshops.
W: lightandland.co.uk
E: [email protected]
W: aspect2i.co.uk
E: [email protected]
T: 0845 505 1455
W: wildphotographyholidays.com
E: [email protected]
T: 01630 647828
PHOTOGR APHY HOLIDAYS & COURSES 2016 45
I
t’s true, we’re forever to cherish forever. And with and she tailors the time around
extolling Cornwall’s virtues. Carla’s help, you can improve you. She also takes her courses
But there’s good reason! your photography skills and all around the world too, so
We challenge you to find get those perfect shots too. if you fancy trying your
anywhere else with golden The award-winning photography even further
beaches, rugged cliffs, river photographer runs a range of afield, Carla is planning some
inlets and bewitching relaxed but comprehensive amazing ventures. For more
moorland all within a stone’s courses, workshops and information, visit Carla’s
throw of each other. No wonder one-to-one sessions, giving website, then get snapping!
Cornwall’s stunning landscapes you a solid grounding in
and incredible coastline are the photography, both on-location PROFILE
muse of many writers, artists and in post-production. Carla Regler’s interest
and photographers. Why not join Carla for a in photography began
When Carla moved to half-day or full day one-to-one in 2010 after a move
Porthleven on the southern workshop, or a residential to Cornwall to run a
coast of Cornwall, she found workshop, or simply some time restaurant. It was from here that
herself beguiled by the area’s away in Cornwall? There are so she fell in love with the amazing
natural beauty, and started many fantastic locations on the landscapes, seascapes and wildlife
photographing the landscape, doorstep. With her extensive in the area, and her passion for
photography grew from there.
soon building up a local knowledge of the area, and also
Since then she has taken a step
reputation, before reaching being a successful restaurateur,
back from running the restaurant
global acclaim for her now Carla has excellent inside
to spend more time doing
widely celebrated shots of the knowledge of great places to photography. Carla has had work
great storms of 2014. make every workshop complete published in various magazines
Whether visiting or lucky with Cornish specialities! and newspapers, as well as online.
enough to call Cornwall home, Carla’s workshops are open W: carlaregler.com
there’ll be moments you want to photographers of all abilities E: [email protected]
W: patagoniaphoto.com
E: [email protected]
T: 56 98 290 9371
W: timmannakee.com
E: [email protected]
T: (00) +33 633 17 64 93
Wild Photography
Holidays
Travel, landscape
& people photography
Our travel photography holidays take
you to some truly inspirational locations
– in Iceland, Greenland, Ladakh, Assam
and Nagaland, south India, Burma,
Norway, Spain, the UK and Ireland.
On-the-spot expert help and guidance
from professional photographers will
help you to create some magical
images including landscape, nature,
people, architectural photography and
the northern lights in Iceland. Our tuition naturally extends to post-processing,
enabling participants to return home with a portfolio of professionally finished images.
Going on one of our trips or workshops is a holiday, lots of fun and a great learning
experience with like-minded people.
W: wildphotographyholidays.com
E: [email protected]
T: 01630 647828
PHOTOGR APHY HOLIDAYS & COURSES 2016 49
T
he sea conjures an the sea’sbpredictable the light is just right, to freeze
elemental dynamic unpredictability. Get your a wave, catch swirling motion
that, in my view, approach, settings and timing or add ethereal ghosting.
sets seascapes apart right and you can reflect the The second; accept that the
from the generalised category scene’s emotion and start tides will constantly move
of landscape photography. For ‘catching waves’. the goalposts and seascapes
from tempestuous lashings to Seascapes are governed by become an exciting
lapping caresses, the sea’s two fundamental truths. The photographic adventure.
expressive fluidity is uniquely first; compared to land mass, A rolling breaker can
demanding when successfully a large reflective body of water add a cornerstone to your
interpreting its ever-changing will see scudding clouds composition, yet its foaming
moods. In the viewfi nder its mopping-up more light, while wake will send your metering
textures and reflections dawn and dusk levels will rise see-sawing. You must watch
constantly evolve. Yet show and fall exponentially. In time, closely and balance the action.
patience; study and respect an inner sense tells you when Consider ND fi lters to gain a
“Get your approach, settings and timing right and you can reflect
the scene’s emotion and start ‘catching waves’.”
PHOTOGR APHY HOLIDAYS & COURSES 2016 51
slightly longer exposure Atlantic coast. From here coastline. You will learn to use
and instil foreground motion. I offer one-to-one, B&B and rely on manual settings
Mid-ground focusing and a workshops to DSLR and capture images ‘in camera’
tighter f-stop will retain detail photographers of all levels who with refinement of Raw files
in the following wave ranks. want to hone their seascape through considered use of
Maybe even punctuate with skills on some of the UK’s finest Photoshop post-production.
bounced second-curtain
flash to bring the crest to a PROFILE
sparkling full stop. These are Chris Simmons has been fascinated by photography since
just a few options from a childhood. After developing his camera and darkroom skills
in college, he moved to London and a career in advertising as
whole range of techniques.
an art director. He also travelled widely around the UK and abroad, building
For me, the sea engenders a
a body of ‘vista’ seascape work in remote coastal locations. In 2011, Chris
tremendous spirit of freedom
won the ‘Cornish Point of View’ award, then held his first exhibition and
that inspires me to constantly launched a dedicated website in 2012.
evolve my award-winning In 2013, he moved to Cornwall to live the
photographic approach. That’s dream and extend his photographic work.
why I moved to Crantock on W: c-simmonsworkshops.co.uk
Cornwall’s magnificent E: [email protected]
W
ith hundreds of miles experience will be unique and carpeted with bluebells, thrift
of beautiful coastline truly memorable. and coastal flowers that turn the
in the Channel The Channel Islands offer paths and viewpoints into a
Islands and Northern France, a unique and charismatic wash of colour. In winter, the
Fototonic invites you to explore experience. Photogenic islands drama of the sea captures the
a landscape like no other. From like Jersey, Guernsey, Sark and heart and invigorates the spirit.
beautiful beaches and coves, to Alderney are renowned for their No matter where you are, no
lighthouses and breathtaking island life and maritime charm. matter what time of year, great
clifftop vistas, your landscape In springtime the coast is photography is always within
PROFILES
Andy Habin was born
and brought up in
Jersey. He worked at
the top of the photography business
Brittany tour covers the very intimately and will ensure
in the UK and has now returned to
best that the French coastline that you get to the very best
his island home to lead photography
can offer. locations in the best possible workshops and continue with
Andy Habin and David Clapp light. Andy’s years as an commercial photography.
are your leaders and inspiration. adventure guide have paid
They know the entire coastline dividends and his remarkable David Clapp is one
of the UK’s leading
professional
landscape and
travel photographers
with a career spanning ten years.
He has taken photographs in
over 40 countries and is highly
regarded for his technical and
compositional teaching.
W: fototonic.co.uk
E: [email protected]
©dangdumrong
PHOTOGR APHY HOLIDAYS & COURSES 2016 59
P
reparation is key to suggest a minimum of 200mm, spectacular landscapes.
getting the best shots but 400mm or more will get Having got your equipment
and that starts before you much closer to the action. in place, make sure you are
you even leave home. It’s not all about the animals, familiar with your camera and
Firstly, make sure you travel though. Pack a wideangle lens its operation before you leave.
with the right equipment. For too; it should be something in There’s nothing worse than
wildlife photography you are the region of 18–22mm, so you missing out on that magical
going to need a long lens. I’d don’t miss out on those shot because you are fumbling
TOP TIPS
1. Be well prepared for
your trip.
2. Know your equipment
and how to use it.
3. Find a way to support
your equipment, especially
when using fast shutter
speeds or long lenses.
Improvise if necessary.
4. Trust local knowledge
about where to get the
best shots.
5. Be patient! Observing
or tracking wildlife takes
time. You may need to
return to the same place
a number of times to get
the shots you want.
6. Get close to the action
by using a long lens.
However, a wideangle lens
gives a better sense of
habitat and you can shoot
spectacular landscapes.
7. Get down low with your
camera. Try and get an
eye level perspective or
get down lower if you can
for more impact.
8. Enjoy the moment,
stay safe and have fun.
“Preparation is
key to getting the
best shots and that
starts before you
even leave home.”
with the controls, trying to your camera rock steady with vehicle door frames,
fi nd the right setting. a long lens can be difficult, convenient rocks or even on
Pin-sharp images require a especially in situations where tree branches. If you are
fast shutter speed and steady a tripod is impractical. worried about carrying a
hands. Whilst fast shutter That is where the humble heavy bean bag in your
speeds are not usually too bean bag can come to the luggage, you can always fi ll
much of a problem in the rescue, allowing you to an empty bag with beans or
bright African sun, holding support your long lens on rice when you get there.
PHOTOGR APHY HOLIDAYS & COURSES 2016 61
These images are the work of photography-keen ACE travellers and showcase
their experience of Africa and its wildlife.
You’ll need to rely on local wildlife conservation projects. opportunities for close-up
knowledge of the wildlife to get Spending all day tracking wildlife encounters.
you the best shots possible. and observing wildlife, Finally, remain safe – and
Travellers with African equipped with monitoring remember occasionally to put
Conservation Experience equipment and accompanied by down your equipment and
(ACE), the organisation that experienced researchers with a enjoy the scenery and wildlife
I work for part-time, have wealth of knowledge of wildlife for what it is rather seeing it
placements at professional behaviour gives them amazing only through a camera lens.
© B.Vogel
PROFILE
Mike Peters splits his
time between working
as ACE’s resident techie and
freelancing. At ACE Mike is
responsible for the smooth running
of the IT infrastructure and website.
Working for ACE allows Mike to
combine his passion for wildlife
and conservation with his technical
expertise. Outside of ACE he works
as a freelance web developer
and photographer, specialising in
landscape and wildlife photography.
W: conservationafrica.net
E: [email protected]
Take the next step up in your photography, contact us for latest tour dates:
e. [email protected] t. 07913 415 701 www. naturalwondersphotography.co.uk
UK, Zambia, India, Myanmar, France, Finland, Madagascar, Sri Lanka, Slovenia
Highland Photography
Landscape & wildlife adventures
Join award winning photographer and qualified mountain leader,
Chris Stuart, for a landscape or wildlife photography adventure.
Opt for easy walks or guiding to wild and remote locations.
John Daniels is a professional Experience a variety of wildlife species according to seasons.
wildlife photographer with Small groups or one-to-one tuition is available or courses can be
over 25 years’ experience. tailored to suit you.
His one-to-one courses are Location planning, digital techniques in the fi eld and image
tailored to your needs, so you processing for web and print are all covered.
learn at your own pace.
Based at Bird Cottage in W: highlandphotography.co.uk
mid-Wales, with Redstarts, E: [email protected]
Flycatchers and Warblers nesting T: 07850 915042
in the garden, you won’t have to
go far to get great shots, and a
Kite-feeding centre 20 minutes
away offers fantastic flight shots.
Courses are
suitable for
both beginners
and more
accomplished
photographers.
W: birdphotographycourses.co.uk
E: [email protected]
T: 01483 200079
W: reisen-in-die-natur.de
E: [email protected]
T: +49 7151 99 46 10
66 PHOTOGR APHY HOLIDAYS & COURSES 2016
W: wildphotographyholidays.com
E: [email protected]
T: 01630 647828
PHOTOGR APHY HOLIDAYS & COURSES 2016 67
W: imagesinnature.co.uk
T: 01950 422385
W: falklandislandsholidays.com
E: info@
falklandislandsholidays.com
Tel: +500 22622
w w w.wildphotographyholidays.com
W: galapagostravel.com
E: [email protected]
T: ++1 831 689 9192
Red-footed Falcon
by Stuart Elsom
Take the next step up in your photography, contact us for latest tour dates:
e. [email protected] t. 07913 415 701 www.naturalwondersphotography.co.uk
UK, Zambia, India, Myanmar, France, Finland, Madagascar, Sri Lanka, Slovenia
©Zoeytoja
PHOTOGR APHY HOLIDAYS & COURSES 2016 73
to Kander
influences back to Julia
Margaret Cameron.
This year at Photofusion
we will be exploring styles
Photofusion’s Paul Ellis looks at how of portraiture in a series of
J
‘In Search of Julia Margaret
ulia Margaret Cameron popular from the 1960s. Cameron’, takes place over the
had a huge influence For the viewer the only weekend of 27–28 February
on studio portrait ‘clues’ to the sitter’s inner 2016, and will include the
photographers. Her identity are found through the opportunity to study and
shallow depth of field style, sitter’s expression and work in her manner, both in
with an emphasis on capturing gestures. The exemplars of the studio and in the
emotion as opposed to the this tradition would be Karsh darkroom where we will be
technical perfection of of Ottawa, Irving Penn and making albumen prints.
capturing a likeness, influenced Richard Avedon. Penn and Other workshops will look
generations of photographers. Avedon in particular stripped at the work of Paul Strand
Photographers wanted more back everything to simple (to coincide with the much
than to simply reproduce a lighting and plain grey or anticipated exhibition at the
likeness; they wanted their white backgrounds. This V&A) and Irving Penn.
portraits to signify the psyche minimal approach to studio Please see our website below
of their sitter, to reveal the portraiture influenced another for booking information.
individual’s character and generation of portrait
essential nature. Now 150 photographers.
years later we might think this The current pre-eminent
to be audacious, to say the studio portrait photographer
least, but for many generations is Nadav Kander. Where Profile
this was the aspiration of the Cameron used long exposures Paul Ellis is
serious portrait photographer. (because of Victorian technical Photofusion’s
The studio portrait limitations) combined with in-house tutor and
photographer, as opposed to shallow depth of field to create Education Manager. Paul has
the environmental portrait her signature style, Kander over 30 years of photography
photographer, tended to also uses long exposures but experience. He specialises in
concentrate their lens on the combined with flash to create lighting and alternative and
historical processes and has
face (or waist-up portraits) his signature style. This
taught everything from large
against a plain background of creates a blur-flash image.
format camera workshops to
white, grey or black. For many That is, the blur part of the
cameraless image-making.
years north daylight was the image is made by the long Paul believes in learning by
preferred light source with exposure under continuous doing, with detailed theory
artificial light gaining in lighting combined with an underpinning the learning process.
popularity last century and instant of flash to freeze the W: photofusion.org
flash becoming increasingly subject. Kander neatly E: [email protected]
photogr aphy HOLIDAYS & COURSES 2016 75
W: pauls-studio.co.uk
E: [email protected]
T: 07930 462906
Tim
Mannakee
Photography
Holidays
Travel and
portraiture
From the exquisite
costumes of the Venice
Carnival to the smiling
faces of Burma, we offer
tours and workshops that
give you the opportunity
to capture some
outstanding images to
add to your portfolio.
Learn new skills under the expert guidance of professional travel photographer, Tim Mannakee. With
years of experience photographing different parts of the globe, Tim will help you take the best possible
photographs and have an unforgettable holiday.
W: timmannakee.com
E: [email protected]
T: (00) +33 633 17 64 93
© FreeProd33
PHOTOGR APHY HOLIDAYS & COURSES 2016 77
T
here are many that is a little bit different Rachael and Tony are
pleasures in running from the norm. experienced photographers
workshops. One dedicated to leading small
of the greatest is “Clients are often group workshops with
introducing clients to our
favourite places. Local
amazed to discover individual attention. Their
workshops are based around
knowledge is so important, exciting locations areas of London, Surrey and
enabling us to understand
how angles of light and other
practically on West Sussex and cater for
all levels of photographer
variables, such as tide and their doorstep” from beginner to experienced.
weather, will affect a
particular landscape. This
means we get you there at
the right moment. All of our
workshops are in places where
one of us has actually lived.
Clients are often amazed to
discover exciting locations
almost on their doorstep, and
we make sure they know how
to find them again, should they
want to return on their own.
We do not make our own
images while leading tours,
so we can concentrate on our
clients, but seeing them
discover favourite places is
enough reward. Prioritising
lesser-known locations means
there is no jostling with other
photographers for space.
Other landscapes may draw
the crowds, but photographers
overlook their local area at
their cost and, who knows,
there is even a chance you
might bring home an image
PROFILE
Rachael Talibart
is a fine art
landscape
photographer,
and a judge and lecturer for the
Surrey Photographic Association.
She exhibits frequently, including
a solo exhibition, ‘Focused
Moments’, in autumn 2015.
PROFILE
Tony Antoniou is
an award-winning
post-production
expert with a specific
interest in urban photography and
enjoys all aspects of studio work.
W: f11workshops.com
E: [email protected]
W: permajet.com/academy
E: [email protected]
T: 01789 739200
80 PHOTOGR APHY HOLIDAYS & COURSES 2016
W: brigitte-lucke-photography.com
E: [email protected]
W: create-away.com
E: [email protected]
T: 020 3642 2448
photogr aphy HOLIDAYS & COURSES 2016 81
F
rom the very start of my Vertical Shot Expeditions PROFILE
photography career, it was born out of the need to Vlad Donkov is an
became clear that regular run photography expeditions outdoor photographer
photography workshops and the way we all feel they should and adventurer with a
tours did not work for me. be run – full of interest and passion for polar areas
I felt uncomfortable with large adventure, and at great and remote mountains. He has
groups of photographers – locations where you can shoot travelled alone and unsupported for
sardined into minivans undisturbed. up to two months in a remote area
of Greenland, has been rescued
turning up at over-popular On our trips, we don’t take
from K2 on horseback, and has
locations. So although I tended more than six photographers
hitched boat rides with Inuits in
to work alone, I was keen to on an expedition with us.
the Arctic. Vlad’s work has been
share my experiences in We also don’t drive packed published internationally and he is
remote locations with smaller, minivans. Instead we sail on a regular speaker for organisations
dedicated groups. yachts, mush dog sleds, cross such as the Royal Geographical
To take others with me on ice-caps, paddle kayaks and Society. Together with his
location, I needed means of trek to some of the world’s colleagues at Vertical Shot
getting there that was safe, most amazing remote Expeditions, he runs adventures for
but also an adventure for locations. photographers in remote locations.
those taking part. This didn’t Our photography is driven W: verticalshotexpeditions.com
seem possible until I gathered forward by the same thing that E: [email protected]
together the right team of has always driven humans to
Arctic sailors, dog mushers, remote landscapes: exploration.
kayakers and photographers. We hope you can join us.
W: worldphotoadventure.com
E: [email protected]
T: 01306 230004
P
hotography and travel deep breaths and with cameras courses, workshops, and tours.
go hand in hand and, for ready did we begin to really We hope you will join us.
a photographer, little see what was around us.
can beat the excitement of We returned home having PROFILE
going on a trip – cameras, witnessed wonderful sights, but Over the past
four decades,
lenses and a multitude of also came to realise there is
photographer and
accessories packed with great much everyday that we do not
World Photo Adventure Founder
care and anticipation. Arriving see. We started to appreciate
Wilf James has gathered a wealth
at the new destination the eye what is right here, in our own of experience by doing what he
seems to adapt and become backyards. We discovered that does best: taking photographs.
revitalised. Everything is new great images were to be had in Today Wilf takes pleasure in sharing
and we are ready for anything. the garden, in nearby cityscapes his lifelong passion of taking
On one trip we arrived in and landscapes, and suddenly, photograph with others through
Death Valley, Nevada, with as if for the first time, we were the photo courses, workshops and
the sun rapidly descending ‘seeing’ with fresh eyes. tours by World Photo Adventure.
towards the horizon. We found That was many years ago. W: worldphotoadventure.com
images were being created And ‘seeing’ is a very important E: [email protected]
everywhere and changing lesson has become the core
constantly. It was exhilarating philosophy of World Photo
and yet, it was only after a few Adventure’s approach to our
© elvistudio
PHOTOGR APHY HOLIDAYS & COURSES 2016 87
L
andscape photography generally just have to position or four images. By going
doesn’t always have yourself further back to frame lower and further away from
to be with a super up what you want. Over the your intended subject you
wideangle lens. It’s not tops of trees with a far-off vista can then produce your shots.
always necessary to show your can work perfectly; the distant Once back in the studio,
admiring viewer the whole horizon is brought forward so stitch them together to create
world! With a longer lens you it’s right in front of you. This a perfect wideangle image, but
can give your interpretation makes abstract framing so with a 50mm lens. The beauty
of the scene in front of you. much easier too: buildings here is that the foreground
So, why not just reach for trees, reflections can all has masses of detail and the
the long lens? This lens can become fine art masterpieces. horizon is middle distance.
be anything from 50mm to It can only get a little tricky This makes it much easier to
upwards of 300mm. With a when you want to produce a see and it is revealed with
long lens the world becomes wider shot using a 50mm lens. stunning clarity. So, give long
compressed in your viewfi nder. If you shoot portrait and set lenses a go. I guarantee you’ll
Life through a long lens is the tripod level, it’s possible be hooked. Here’s a few
very liberating. You can work to make images like a vertical pointers to remember when
low down or high up – but you panoramic, but just using three shooting with long lenses:
PROFILE
Gary Groucutt leads
workshops in the UK
and Europe and his
photographs and paintings are
held in collections all over the
world. All his workshops include
an additional free post-production
day at his studio in Shropshire.
See his website for details and
more examples of his work.
W: garygroucutt.com
E: [email protected]
PHOTOGR APHY HOLIDAYS & COURSES 2016 89
W: colinreynoldsphotography.co.uk
E: [email protected]
T: 07768 225099
90 photogr aphy HOLIDAYS & COURSES 2016
©lightpoet
PHOTOGR APHY HOLIDAYS & COURSES 2016 91
M
any people are it is relatively easy to create a the power of the Catalog,
daunted by the simple digital workflow from Keywords, Ratings and
perceived import, cataloguing and Collections it is relatively
complexities of creating a development through to simple to keep track of your
digital workflow, especially if export and printing. images in a straightforward
they are making the transition With the advent of large and logical manner.
from fi lm. However, with most memory cards photographers Additionally, in the days
modern software such as are tending to take more and of digital images, tablets and
Lightroom and Photoshop, more photographs. By using smartphones, less than 3% of
PROFILE
Colin Reynolds
has been taking
photographs for most
of his life His passion is for black
& white or subdued minimal colour
“Printing is the only way that a photographer photography. In the last four years
can be sure that the colour rendition of the he has set up Colin Reynolds
Photography and has a studio/
image is to their specification and not left gallery in Kendal, Cumbria. He
to the vagaries of the viewer’s screen.” runs a selection of residential,
one-day courses and bespoke,
the total images taken are to the vagaries of the viewer’s tailored one-to-one courses,
actually printed. I believe individual screen. including digital workfl ow.
that to realise the full potential At its simplest, a digital W: colinreynoldsphotography.co.uk
of an image, it needs to be workflow will take you from E: colin@colinreynoldsphotography.
printed. Printing is the only import, through cataloguing co.uk
way that a photographer can and indexing. Then you can
be sure that the colour move into development via the
rendition of the image is to same software or additional
their specification and not left software or plugins. Finally,
PHOTOGR APHY HOLIDAYS & COURSES 2016 93
W: permajet.com/academy
E: [email protected]
T: 01789 739200
W: colinreynoldsphotography.co.uk
E: [email protected]
T: 07768 225099
W: c-simmonsworkshops.co.uk
E: [email protected]
T: 01637 831251
PAUL’S EVENTS
Web: pauls-studio.co.uk
Email: [email protected]
Tel: 07930 462906
PERMAJET
PRINT ACADEMY
Web: permajet.com/academy
Email: [email protected]
Tel: 01789 739200
PHOTOFUSION
PHOTOGRAPHY CENTRE
Web: photofusion.org
Email: [email protected]
Tel: 020 7738 5774
PHOTOGRAPH WEST
CORNWALL
Web: photographwestcornwall.com
Email: info@
photographwestcornwall.com
Tel: 07973 321181
© Wild Photography Holidays