Cake Masters
Cake Masters
ISSUE 68
MAY 2018 £4.20
2018
Wedding
Trends
Feature
10
Fantastic
TUTORIALS
Gold Lantern
Cake Tutorial
+LEARN step-by-step
WIN!
Art of Embroidery
Cake Tutorial
A set of
new
moulds from Kar
Davies Sugarcra en
ft
worth over £70!
ROYAL WEDDING
COVER STAR
REVEALED! Reader's Wedding
Cake Feature
WWW.CAKEMASTERSMAGAZINE.COM 1
ISSUE 68 | MAY 2018
THE COMPLETE
RAINBOW DUST RANGE
P ro s
f e s si o o ur
n al Fo o d C o l
Edition
Contributors:
Brown’s Cakes
Sugar Magic by An
Fransiska Wongso Cake Design
CAKED by Cynthia White
Editor's
Carasmatic Cake Studio
Karen Davies Sugarcraft
Welcome to this VERY
Top
The Little Vintage Baking Company
Taste Couture SPECIAL wedding edition!
Picks
The Cake Duchess
Sugar Geek Show
La Dolce Vita Luxury Cakes
Since it is the month
Truly Scrumptious Cakes By Design of the Royal Wedding,
Sara’s Sweets Austin we are delighted to
Shani’s Sweet Creations
Shannon Bond Cake Design
announce the winner of
our Design a Royal Wedding
20
The Sweet Spot
Nicky B's Cakes Cake on the front cover of this edition. In association
Sweets Geeky Cakes with Renshaw, we had a very difficult decision
Whipped Up by Mimi choosing the winner and have also published some
Learn to Cake with Susan Trianos
A Cake Come True
of our favourite entries. Many congratulations to
Claudia Prati Torte Creative Natasha Brown of Brown’s Cakes for winning, the
Sweet Deer Hand-painted Cakes cake looks perfect on the front cover and I’m sure
Sarah's Sweets Austin the royal couple will be proud!
Ayşem Öztürk
Aygül Doğan
Evgenia In this issue, expect elegant and creative wedding
Evren Dağdeviren cake tutorials and inspiration! Starting with the
Inci Orfanlı Erol gorgeous Gold Lantern Cake How’d They Do That?!
Natasha Ananyeva
Alena Ujshag
Just Because CaKes
tutorial by Antonia Lazarova of Sugar Magic by An
and the artistic Black Lace Wedding Cake by Cynthia
47
Mrs B's Bespoke Cakes Hsu of Taste Couture. We asked you, our readers,
Scrumptious Buns for your best advice on wedding consultations and
CUPCAKES & DREAMS
Daisy & Fred
also showcase some of your trendy double-sided
wedding cakes.
Front Cover Star
Renshaw Front Cover Winner: Natasha Brown of New for 2018, we are interviewing CAKE ICONS that
Brown's Cakes have shaped the industry into what it is today. This
month, we’re talking to the fabulous Marina Sousa
Editor on how the industry has grown and developed, her
Rosie Mazumder
[email protected]
top tips to becoming an expert cake decorator and
her views on the industry.
Editorial Team
Hanaa Foura. Rhona Lavis and Laura Loukaides WIN Karen Davies moulds in this month's Elevenses
competition; find the missing moulds in our chaotic
81
Advertisements wedding scene for your chance to win.
Hanaa Foura
[email protected]
We have two amazing wedding themed
Tel: 0208 432 6051 or 07939 562567 collaborations this month, the Wedding Trends
collaboration and the Modern Wedding Cakes
USA Representative - Patty Stovall
[email protected] collaboration featuring artists from all over the
world. Both collaborations show a range of
imaginative and beautiful wedding cake designs
France Representative - Wendy Brobbey
[email protected] which will definitely inspire your own.
Best wishes,
India Representative - Khushi Malani khushi@
cakemastersmagazine.com
Published by:
Cake Masters Limited
Head Office: 0208 432 6051
© COPYRIGHT Cake Masters Limited 2016
Subscribe!
from only £35 a year
No part of this magazine nor any supplement may be copied or
reproduced, nor stored in a retrieval system by any means without Find out more at WWW.CAKEMASTERSMAGAZINE.COM 3
prior specific written authorisation given by the publisher. www.cakemastersmagazine.com
ISSUE 68 | MAY 2018
17 47
17
20
12 82 78
Essential Information
Our tutorials are divided into simple
steps with an image to accompany
part of the process. We have difficulty
ratings for the different levels of
project. One piping bag is the easiest
and four is the most advanced.
If you would like to be featured in 10 Afternoon Tea - Dubai, UAE 12 Renshaw Royal Wedding Cake
Winner Brown's Cakes
Cake Masters Magazine, join our 36 Elevenses – Ask the Expert,
contributors list to be sent email Competitions, Book Reviews + 39 Product Review Rolkem Metallic
updates of how you can get involved. More! Lustre from Cake Stuff
Sign up via our website, under the
‘Contact Us’ tab. 37 Social Snippets - Amazing 50 Cake Collaboration Modern
cakes we have spotted online Wedding Cakes
Keep in Touch 68 Cake Events - Cake events 53 Fit for a Queen Recreation of the
Like our Facebook page
and things we are looking Queen's Wedding Cake
forward to!
Facebook.com/CakeMasters 65 Cupcake Day The Alzheimer's
Follow us on Twitter @CakeMasters 50 Society
78
29
WIN!
a set of new mou
from Karen Dav lds
20 ie
Sugarcraft wort s
h
over £70!
82
Tutorials Competitions 54
17 How'd They Do That?! Gold 82 Find the missing moulds!
Lantern Cake Sugar Magic by An Win a set of new moulds
from Karen Davies Sugarcraft
20 Art of Embroidery,
worth over £70!
Fransiska Wongso Cake
29 Dark and Romantic,
CAKED by Cynthia White
41 Purple and Rose Gold,
Carasmatic Cake Studio
47 Wild Meadow,
Alice Kayley, Karen Davies Sugarcraft
54 Royal Wedding Cake,
Karen Davies Sugarcraft
58
74 Black Lace,
Taste Couture
81 How'd They Do That?! Fantasy
Flower The Cake Duchess
WWW.CAKEMASTERSMAGAZINE.COM 5
Baking Wish List
ISSUE 68 | MAY 2018
Store your sweet treats conveniently in this wonderful Woolly the Sheep
Cookie Jar. The jar is ceramic and also contains Grandma Wild's Bitesize
Clotted Cream Shortie Biscuits which are suitable for vegetarians. This is
the perfect gift for anyone who loves cookies!
£15.99
Lakeland.com
This cute scale is a great piece to add a bright touch to your kitchen
decor. The scale is capable of swapping between metric and imperial
measurements, as well as either dry or wet ingredients for perfect
measurements every time!
£25
Prices correct at point of printing Dexam.com
6 MAGAZINE
ISSUE 68 | MAY 2018
Since its launch a couple of years ago, Couture has very quickly become one of
the top selling and most sought after sugarpastes available. Made exclusively for
Cake Stuff in the UK using ultra-fine icing sugar and the finest gum tragacanth to
create a flawless, satin smooth finish for those special cakes.
Available in white and ivory in 2.5kg packs and 5kg boxes (with other colours
coming soon), Couture offers luxury quality at an everyday price.
£14.95 for a 5kg box
Cake-stuff.com
The Boho Chic trend is hot hot hot this summer! This mould
from Karen Davies Sugarcraft allows you to create perfect
Satin Ice fondant and gum paste is a great choice for cake artists around
feathers for your cakes and bakes. It also gives you tassels,
the world for its premium quality, workability and taste. Available in a
strands, beads and braids - the perfect accessories for
wide range of colours and sizes for your convenience.
dream catchers.
From £9.99
£17.99
Thecakedecoratingcompany.co.uk
Karendaviescakes.co.uk
WWW.CAKEMASTERSMAGAZINE.COM 7
Trends
ISSUE 68 | MAY 2018
Double-Sided
Reader's Cakes
Torn between two designs?
Try a doublesided wedding cake for that special surprise!
Photography by Alexis Jaworski
Photography by Jo Hastings
Scrumptious Buns
8 MAGAZINE
ISSUE 68 | MAY 2018
★★★★★
E IN AMERIC
AD
M
HU
DSO NY
N VALLEY,
The greatest cake artists in the world choose Satin Ice for its premium quality, workability and taste.
When your cakes need to be the best… choose the best!
Afternoon Tea
in the UAE
WWW.CAKEMASTERSMAGAZINE.COM 11
Congratulations!
ISSUE 68 | MAY 2018
WINNER!
Natasha Brown,
Brown's Cakes
12 MAGAZINE
ISSUE 68 | MAY 2018
4 5 6
Sugar Flowers
Step 1. Make small cone shaped buds from Step 3. Pinch the edge of the petals at the Petunias
white flower and modelling paste and glue middle to create a softer edge.
onto the end of a cocktail stick. Allow to Step 5. Thinly roll out white flower and
dry overnight. Colour a pack of flower and Step 4. Roll out some white flower and modelling paste. Cut out a flower using a
modelling paste light pink. Roll out the modelling paste and cut out another rose petunia cutter and veiner set.
pink paste and cut out a small rose shape petal shape. Soften the edges as in Step Dust the mould with cornflour and place
using a rose cutter. 4 and apply sugar glue to the bottom half the cut out shape into the mould. Press
of each petal. Curl the first petal over the the mould to create the flower.
Step 2. Stretch the edges of the rose by bud, tuck the edge of the next petal inside
rolling over with a ball tool. Turn the rose the first and the edge of the third into the Step 6. Leave the flower for at least an
over. Paint sugar glue over one whole last one. Continue until tucking the last hour to dry before attaching to the cake.
petal and half way up the other petals. edge into the first petal. Pinch the edges of Once on the cake, dust with Rose Rainbow
Wrap the petal that’s completely covered the petals at the middle to create a softer Dust colour. A small bead of white royal
with sugar glue around the bud. Wrap the edge. Leave to dry for at least an hour then icing piped in the centre finishes these
petal opposite around the bud then the apply a second layer of petals using the petunias off.
one opposite that. Finally, wrap the two same process as Steps 9 &10 but with a
remaining petals round the bud. larger rose cutter.
1 2 3
4 5 6
WWW.CAKEMASTERSMAGAZINE.COM 13
ISSUE 68 | MAY 2018
Sugar Models 1 2
Groom
Step 1. Roll two small balls of black
sugarpaste and form into oval shapes
to make feet. Attach feet to the ends of
two thin sausages of sugarpaste.
Bride
Step 5. The bride’s lower body is made
from one piece of ivory sugarpaste
which has been moulded to give the
effect of creases. The body is formed
from coloured flower and modelling
paste, a little wider at the shoulders
and narrower at the waist. A skewer
is inserted as with the groom. For the 6 7
bust shape, roll two balls of flower and
modelling paste and blend into position.
Form a head shape from flower and
modelling paste, pulling down a section
to create a neck. Gently push the head
onto the skewer and blend the neck into
the body. Add ears, nose, laughter lines
and create a mouth using a dresden
tool.
Dress
Cut out a piece of thinly rolled ivory 8a 8b
sugarpaste to cover the back of the
bride. Attach with sugar glue and trim
across the shoulders and down the
sides. Cut a V shape into a piece of ivory
sugarpaste and glue to the front of the
bride. Trim across the shoulders, down
the side and across the waist. Blend the
dress where it meets at the sides and
shoulders. Cut a large triangle of ivory
sugarpaste for the bottom of the dress. 9 10
Cut the narrower end into a curve to fit
into the waist. Soften the wider end of
the dress with a CelStick to create a bit
of movement. Attach the dress, blend
in at the waist and curl the edges at the
bottom to attach to the cake.
Apply fine royal icing piping and some
brush embroidery to add detail to the
bride’s dress.
the hand into an oval shape. Cut into the and eyebrows using a fine paintbrush
Faces and Arms hand, pulling the knife sideways to create and edible food colour. Add a small dot
Step 6. Fill the mouths with white flower the thumb. Mark fingers onto the hand of black royal icing for the pupils and a
and modelling paste and make small with a sharp knife. tiny white dot of white royal icing for the
cuts into the corners of the paste with a highlights. Attach sugarpaste in place
knife to give the impression of teeth. Step 8a. For the groom, dress the arms for the groom’s hair and beard and add
Form lips from small sausages of pink in a thin layer of sugarpaste and for the texture with a dresden tool.
sugarpaste attached with water. Paint bride, leave the arms bare.
the whites of the eyes using edible Step 10. Roll long thin sausages for the
white paint. Step 8b. Bend the arms at the elbow and bride’s hair and glue into place, adding a
cut the top of the arms at an angle to little texture by bending the strand and
Step 7. Make the arms while the white attach to the body. applying lines with a dresden tool.
paint dries. Form two thin sausages for Using a no.1 nozzle, add royal piped detail
the arms. Roll the wrist between your Step 9. Once the white paint on the eyes to the groom’s uniform. When dry, paint
fingertips to make it narrow and flatten is dry, paint the eye colour, eyelashes the detail with edible gold paint.
14 MAGAZINE
ISSUE 68 | MAY 2018
Congratulations
to the
Runners Up!
Agnieszka Partyka and Grzegorz Grabowski
Academy 3D Cake
WWW.CAKEMASTERSMAGAZINE.COM 15
ISSUE 68 | MAY 2018
cupcakeday.org.uk
By Antonia Lazarova,
Sugar Magic by An
www.facebook.com/Sugar.Magic.by.An
www.facebook.com/antonia.lazarova
Photography by Daniela WWW.CAKEMASTERSMAGAZINE.COM
Bogdanova 17
ISSUE 68 | MAY 2018
Textured Sphere
Step 1. Colour white fondant in light template. Repeat except in the You might have to adjust the fondant
teal and cover a sphere cake. middle of the two elements of the pieces a little but don’t worry, we
wavy shape as shown. will cover the areas which are not
Step 2. Draw a wavy template from that smooth.
paper and cut with a scalpel, it will Step 4. Put a small ball under the
be used for both tiers with texture. areas with no holes. Step 6. Use an extruder to make rope
Roll out the fondant to 2mm thick pieces. Apply a piece of rope along
and cut the outline of the wavy Step 5. Place a little edible glue the top edge of the wavy element of
template using a scalpel. on the cake and wrap the fondant the tier. Emboss with a veining tool.
around the tier vertically, slightly
Step 3. Using a no.3 piping tip, overlapping the chain pattern next
cut small holes into the fondant to each other by alternating them.
1 2 3
4 5 6
Gold Colouring
Tip: Using a flat food safe brush, dust the cake with various dry gold edible lustre dusts to produce a high sheen
metallic texture. I also tagged some elements with teal dust.
1 2 3
18 MAGAZINE
ISSUE 68 | MAY 2018
Dahlia
Step 1. Colour white gum paste with burgundy elongate each petal. Go over with a dresden Step 4. Dust the edges of each petal with a
gel and fuchsia paste. Cut an 18 gauge wire tool and pull outwards. Attach around the soft brush to enhance its colour. Play with
in half and make a tiny hook. Roll a ball of the ball with edible glue. Repeat for the second different tone dusts to create a more realistic
paste, dip the wire in edible glue and insert in and the third layers, keeping them a little look.
the middle of the ball. Let dry for at least 2-3 open. Repeat again but this time, use a rose
hours or preferably overnight. calyx cutter. Pinch the tips and gently fold Step 5. Tape the wired petals into the flower
the bottom sides of the petals. The last layer centre using half width green floral tape. Place
Step 2. Roll out gum paste thinly, use a small needs a wire. Cut out the largest petals, dip each petal between the petals on the previous
daisy cutter to cut out a set of petals and the end of a third length white 30 gauge wire layer as shown. Steam the flowers to seal the
detach each from its centre. into a little edible glue and insert about a dust in place.
third into the ridge in each petal. Thin out the
Steps 3a & b. Use a small ball tool to thin and edges and place on a foam former to dry.
1 2 3a
3b 4 5
Bougainvillea
Step 1. Attach a small amount of white gum Step 2. Roll out some gum paste and using a Step 4. With a couple of clean soft brushes,
paste on the end of a glued 28 gauge wire to leaf cutter, cut out three bracts. Cut the tips decant a little of some petal dusts onto a
create a small bud. Flatten the edges slightly. off or use a bougainvillea cutter. Insert about a piece of kitchen paper. Dust the bud and the
Make a hole on the top with a cocktail or third of a glued 28 gauge wire into each base. outside of the blossom. Dust the bracts from
toothpick. Mould a small ball of white gum the base up to the centre, the top down to the
paste and form into a teardrop. Insert a glued Step 3. Lay the petals on a foam pad and thin centre and the sides towards the centre.
28 gauge wire into the narrow end. Divide the bract using a ball tool half on the bract
the bulbous part into equal sections with a and half on the pad. Vein each petal in a leaf Steps 5a & b. Arrange the bougainvillea using
dresden tool, thin the edges and slightly frill. veiner. Leave the veined bracts on a flower green half width green floral tape. Tape one
former or in plastic spoons and let dry. To bud with two blossoms. Tape three bracts to
create three bougainvilleas, you will need nine the blossom centre. Steam the flowers to seal
bracts. Keep in mind that it will be better to the dust in place.
make a few extra in case of breakage.
1 2 3
4 5a
5b
WWW.CAKEMASTERSMAGAZINE.COM 19
Art of Embroidery
ISSUE 68 | MAY 2018
Cake Tutorial
Learn to create
embroidery
designs
Stencil and
pearl detail
20 MAGAZINE
ISSUE 68 | MAY 2018
Art of Embroidery
By Fransiska Wongso, Fransiska Wongso Cake Design
Difficulty Rating
Equipment Required
• 6” round x 12” high • Measuring tape • Thin fabric mesh with medium and • CelBoard
cake, covered in skin • Small and medium • Royal icing, stiff large round discs • Foam pad
tone fondant rolling pin consistency • Baroque brooch and • Needle nose pliers
• 8” round x 6” high • Mini airbrush • Icing spatula damask moulds • Wire cutter
cake, covered in white • Pearl sheen liquid • Plastic scraper • Dresden tool • Scissors
fondant airbrush • Masking tape • Ball tool • Wire: 26 gauge, 24
• Gum paste: white, • Sugar pearl • Pins • Small heart cutter gauge, 18 gauge, cut
green • Gold dust • Printed embroidery • Pasta roller (optional) into third lengths
• Cornstarch • Vodka pattern • Ribbon cutter • Dusts: yellow, blush
• Shortening • Small soft brush • Wax paper • Magnolia cutters pink, burgundy, green
• Edible glue • Flower lace stencil • 6x8” round Styrofoam • Large and medium • Apple tray
• X-acto knife (I’m using Evil Cake dummy leaf cutter • Brown flower tape
• Ruler Genius stencil) • Fondant extruder, • Leaf veiner
WWW.CAKEMASTERSMAGAZINE.COM 21
ISSUE 68 | MAY 2018
Step 1a. 1a 1b
For the stigma, roll 10g of white gum
paste into a teardrop shape. Dip a
hooked 18 gauge wire into edible glue
and insert. Pinch the bottom to secure.
Step 1b.
Using small scissors, snip the peaks at
45-degrees starting from the top to
the bottom.
Magnolia Flower 2a 2b
Step 2a.
For the petals, roll out gum paste
thinly on the CelBoard. Using the
magnolia cutters, cut out three small,
three medium and six large petals.
Step 2b.
Keep all cut petals in a plastic folder to
prevent from drying.
Step 3a.
Thin the edges of the petals using the 3a 3b
ball tool on the foam pad.
Step 3b.
Curl the petals by gently pulling from
the peak of the petals down to the
bottom.
Step 3c. 3c 3d
Dip 26 gauge wire into edible glue and
insert into the centre of the petals at
approximately a third of the petal’s
height. Be careful not insert too
high as the wire will be visible once
assembled.
Step 3d.
Repeat Steps 3a-c for all petals. Dry in
the apple tray for at least 24 hours.
Step 4. 4 5a
Dust the flower stigma with yellow on
the top and gradually to pink on the
bottom. Shade burgundy on the lower
end of the stigma.
Step 5a.
Dust the flower petal with shades of
yellow and pink. Shade thicker on the
centre to hide the visibility of the wire.
Step 5b. 5b 6a
Repeat Step 5a for all petals. Once
done, bend the wire to 90-degrees
from the edge of the petals down. This
is the preparation for assembly.
Step 6a.
Gather the three small petals around
the flower centre and tape using
flower tape.
22 MAGAZINE
ISSUE 68 | MAY 2018
Step 6b. 6b 6c
Attach three medium petals, tape
together and arrange to fill up the gap
between the small petals.
Step 6c.
Finally, attach the last six large petals
and tape together. If too difficult,
attach three by three petals.
Step 7a. 7a 7b
To make the magnolia bud, prepare a
teardrop centre like in Step 1a. Cover
with three small unwired petals and
finish with yellow and pink dust.
Step 7b.
Repeat Steps 2-6 but only for small and
medium wired petals. Tape together.
Step 8a.
For the leaves, roll out green gum 8a 8b
paste and cut with large and medium
leaf cutters.
Step 8b.
Dip 24 gauge wire into edible glue and
insert into the centre of the leaves.
Vein using the leaf veiner.
Step 8c.
Using the flower tape, combine the 8c 8d
wired leaves into a composition. A
longer arrangement is preferred for a
better look.
Step 8d.
Arrange the leaves around the flower.
Once you are comfortable, tape
together.
Embroidery Pattern
Step 9a. 9a 9b
Print out an embroidery pattern of
your choice and pin on the Styrofoam
dummy, not on the real cake. Lay wax
paper on top of the pattern. Apply
shortening evenly on the wax paper
for the fondant to stick.
Step 9b.
Using the fondant extruder, create
long fondant ropes.
Step 9c. 9c
Slowly attach according to the pattern.
Using the dresden tool, create a dent
along the centre of the fondant.
WWW.CAKEMASTERSMAGAZINE.COM 23
ISSUE 68 | MAY 2018
Step 9d. 9d 9e
Continue attaching according to the
pattern. Use the ball tool to dent the
large circles on the fondant.
Step 9e.
To make the work easier, do the main
spine of the pattern first as shown and
follow with the finer ones. Complete
the entire pattern with fondant ropes
and leave out the leaf portion.
Step 10c.
Thin out the edges of each leaf and
create indentations using the small
rolling pin. Vein using the leaf veiner
and let dry overnight.
Steps 11b-d.
Prepare the pearl white dust and small
brush for dusting. Dust both fondant
ropes and mini leaves until they look
shimmery.
11c 11d
24 MAGAZINE
ISSUE 68 | MAY 2018
Step 14b.
Slowly pick up the pattern and
apply edible glue at the back. Start
with the bigger piece. Don’t worry
if it separates, it can be fixed when
transferring.
Structured Ruffles 1
Step 15a.
For the ruffles, roll out white gumpaste
to create long stripes. Use a pasta
roller if you have one, it helps to make
the thickness of the fondant stripes
more even.
Step 15c.
Roll up the long gum paste stripes
before attaching to the cake.
WWW.CAKEMASTERSMAGAZINE.COM 25
ISSUE 68 | MAY 2018
Step 16c.
Complete all the ruffles for the
upper tier, approximately 7-8 layers
depending on how dense you want the
ruffles to be.
Step 18b.
Do the same on the opposite side and
the back of the cake.
Step 18d.
Prepare a triangular shape of gum
paste and thin out the edges using the
ball tool.
26 MAGAZINE
ISSUE 68 | MAY 2018
Step 19a.
Using the baroque brooch mould,
create three pieces of brooch and let
dry.
Step 19c.
Apply shortening to the brooch and
damask pattern and dust with pearl
dust.
Step 20b.
Paste the subsequent brooches to the
second and third meeting point on the
bottom tier of the cake.
Step 20d.
Paint some gold on the edges of the
ruffles to create a rustic effect.
20e 20f
Step 20e.
Paint gold on the magnolia flowers.
Step 20f.
Finally, as a finishing touch, airbrush
the entire cake with pearl sheen
airbrush colour. It will create a
shimmering effect on the cake.
WWW.CAKEMASTERSMAGAZINE.COM 27
ISSUE 68 | MAY 2018
28 MAGAZINE
Dark and Romantic ISSUE 68 | MAY 2018
Create this
metallic effect
Glitter effect
Textured tier
floral
geode detail
WWW.CAKEMASTERSMAGAZINE.COM 29
ISSUE 68 | MAY 2018
Difficulty Rating
Equipment Required
30 MAGAZINE
ISSUE 68 | MAY 2018
Step 1. 1 2
Mix a bit of gold highlighter into black
fondant. Do not over mix, the gold will
streak and create interest as you roll
it out.
Step 2.
Cover a 10x3” round cake with the
black/gold fondant.
Step 3.
Cover an 8x4” round cake with violet 3 4
fondant.
Step 4.
Using a food processor, crush the
crackers (vanilla wafers or shortbread
cookies will work as well) until a
fine crumb is achieved and you have
approximately two cups.
Step 5. 5 6
Place the crumbs in the Ziploc bag.
Step 6.
Mix together three tablespoons of
clear high proof alcohol and two
teaspoons of violet gel colour.
Step 7. 7 8
Pour into the bag containing the
crumbs.
Step 8.
Toss together until the crumbs are
completely saturated.
Step 9. 9 10
Spread the coloured crumbs onto a
parchment lined baking sheet and
bake at 325°F for 8 minutes or until the
crumbs are dry to the touch.
Step 10.
Stack the 8” tier onto the 10” tier
not forgetting your choice of support
before stacking (I prefer 0.25” poly
dowels). You will be removing and
working on the purple tier separately
after the next couple of steps so don’t
adhere the tiers together yet. Outline
the area for the bas-relief on the
bottom two tiers. 11 12
Step 11.
Using the sharp knife, cut out just a bit
of the outlined area creating a shallow
dip to place the bas-relief into.
Step 12.
Patch cut the area with fondant.
WWW.CAKEMASTERSMAGAZINE.COM 31
ISSUE 68 | MAY 2018
Step 13. 13 14
Remove the purple tier and place on
the work area. Place the 6” round
piece of parchment paper in the
centre of the cake (this will keep the
area clean and flat to easily stack the
next tier). Brush piping gel on the rest
of the cake taking care not to brush gel
under the parchment.
Step 14.
Place the purple tier onto a 6”
Styrofoam dummy (or anything else
that will raise the cake) in the centre of
the baking sheet.
Steps 15a & b. 15a 15b
Apply the cooled crumbs onto the
cake. The baking sheet should catch
the crumbs that drop.
Step 16. 16 17
Place the purple crumb tier back
onto the bottom tier and remove the
parchment round.
Step 17.
Use the small flower moulds and
cutters. The beauty of bas-relief is the
delicate play of many different shapes
and patterns.
Step 19. 19 20
Once finished, very lightly dry brush
more highlighter onto the bottom tier.
Step 20.
Colour the buttercream with a mixture
of black and violet.
Step 21. 21 22
Rough ice a 6x6” cake and a 5x1” cake
with the coloured buttercream. Chill
until firm to touch and then stack onto
the bottom two tiers, once again not
forgetting to add support to each tier.
Step 22.
Cover a 4x3” round cake with the
black/gold fondant. Brush all over with
piping gel.
32 MAGAZINE
ISSUE 68 | MAY 2018
Step 25. 25 26
Outline the area for the bas-relief onto
the buttercream tiers.
Step 26.
Add the bas-relief to the buttercream
tiers.
Place the entire cake into the fridge to
cool while you create dried roses.
Step 27. 27 28
Mix alcohol and gel colours together in
separate containers. Use at least two
different purple gels to create variation
of colours on the petals.
Step 28.
Cut out a 0.25” thin strip of wafer
paper in a wave pattern.
WWW.CAKEMASTERSMAGAZINE.COM 33
ISSUE 68 | MAY 2018
Step 32. 32 33
Dip one end of 18 gauge wire into
water and attach the rose bud.
Step 33.
Place the smallest petal onto the
veiner and brush the alcohol colour
mixture onto the petal. The smaller
petals should get more of the deeper
colour brushed onto them with the
colour gradually getting lighter as the
petals get larger. Brush green at the
bottom of each petal. Set aside to dry.
For faster drying, a hairdryer (one only
used for sugar/wafer work of course)
can be used to speed things along. 34a 34b
Step 34a & b.
Remove the dried petal from the
veiner.
Step 35. 35 36
Brush a tiny amount of water at the
bottom of the petal.
Step 36.
Attach the petal to the wired bud.
Step 38. 38 39
Once happy with the shape and size
of the rose, wrap the stem with floral
tape and create more roses as desired.
Step 39.
Arrange the roses onto the cake.
Subscribe!
from only £35 a year For more information about Cynthia
Find out more at and her work, visit:
www.cakemastersmagazine.com
www.CAKEDbyCynthiaWhite.com
34 MAGAZINE
ISSUE 68 | MAY 2018
Elevenses
Advice ~ Competitions ~ Cake Hacks ~ Reviews
8A Edwards Road, Erdington, Birmingham, B24 9EP TEL: 0121 384 8236
6kg
£18.0 Not another sugar paste?!
Nope... this is THE SUGAR PASTE™
4* High quality at a low price.
We think it's possibly the best sugar paste you'll ever use.
WWW.CAKEMASTERSMAGAZINE.COM 37
Elevenses
ISSUE 68 | MAY 2018
Join us every Friday for #FreebieFriday for your chance to WIN books,
38 tutorials MAGAZINE
and lots of other goodies! Head to Facebook.com/cakemasters
Elevenses ISSUE 68 | MAY 2018
Place the hair donut in a container Run the stained brush across the The brush is now clean and you can
that can hold it snugly. Let’s put it to donut, give it a few good swirls to switch to the next colour. To wash
the test with dark brown petal dust, make sure all of the colour particles the donut, run water over it (and
because those stain pretty well. are removed. mild soap if you wish), squeeze off
the excess water and let it air dry.
WWW.CAKEMASTERSMAGAZINE.COM 39
ISSUE 68 | MAY 2018
Snippets
Facebook, Twitter or
Instagram, we see some
amazing stuff online.
Here’s this month’s
round up…
Ruth Rickey
Ruth is an ICES Certified Master
Sugar Artist who has appeared
on Wedding Cake Wars, TLC’s
Ultimate Cake Off as well as three
specials on Food Network.
40 MAGAZINE
ISSUE 68 | MAY 2018
Equipment Required
• Fondtastic veiner
fondant: black, • Floral wire: 20
white, purple gauge, 22 gauge
• Fondtastic gum • Foam balls
paste: white, • Green floral tape
light pink/peach • Sugar glue
• Mondo royal • Rose spirit or
icing clear alcohol
• Mondo cake • Large makeup
boards: 6”, 8”, brush
9”, 10” • Smaller
• Fondtastic non- paintbrushes
stick mat • Clean sponge
• Caking It Up • Bubble tea
Harvest stencil straws
• Large and small • Extruder with
rolling pin semi-circle
• Gel colour: fitting
funky fuchsia, • Petal dusts: rose
sunset orange, gold, silver, gold
black (mixed), violet,
• Large ball tool plum
• Flower foam pad • Barco Lavender
• Grooved CelPad glitter (non-
• Aluminium foil toxic, should not
• Small scissors be eaten)
• Small pliers • Airbrush
• Pizza cutter • Dark blue/black
• Rice bubbles airbrush colour
• Poppy seeds with a little silver
• Sharp knife or lustre added
razor blades • Ganached cakes:
• Rose leaf cutter 10x9” dark grey
set marble, 9x3”
• Rose petal cutter dark grey, 8x6”
set mid-purple, 6x6”
• Rose leaf veiner light grey
• Rose petal
WWW.CAKEMASTERSMAGAZINE.COM 41
ISSUE 68 | MAY 2018
Steps 1-2e. 1 2a
Prepare the 10” base tier for fondant.
To create the look, knead together
black and white fondant to create a
streaky deep grey marble colour.
Steps 3a & b. 3a 3b
Cover the 9” cake the same as the base
tier (I used my leftover fondant). Using
780g of purple fondant, cover the 8”
cake. Mix a small ball of the dark grey
and some purple together. Using just
a pinch, add this to 600g of white
fondant and cover the 6” cake.
Steps 4a-c. 4a 4b
Take a brush and coat the entire 9” tier
in sugar glue. Use the large makeup
brush to dab on the lavender glitter.
NOTE: this glitter is non-toxic and
should not be consumed. I used a
fake tier for this as it is for decoration
purposes only. If this was made in
real cake, the glitter would need to be
removed before consumption. Edible
glitter tutorials are available on the
internet.
Steps 5a-d. 4c 5a
Taking the harvest stencil, tape up the
area of the stencil that is not needed.
42 MAGAZINE
ISSUE 68 | MAY 2018
Steps 6a & b. 6a 6b
Using bubble tea straws, place
supports in each tier of cake except
for the top tier. Push all the way to the
base and using small pointy scissors,
cut off at the exact height of the top of
the cake. Use a minimum of five straws
per tier.
Step 7. 7 8a
Add a dollop of royal icing to the top of
each tier and stack the cake.
Steps 8a & b.
Mix together rose gold, silver and gold
petal dust with rose spirit to create a
rose gold paint. Paint random blobs on
both the top and base tier.
Step 9. 9
Add a bubble tea straw to the side of
the cake where the flower bouquet
will be positioned.
Do the same to the top tier.
WWW.CAKEMASTERSMAGAZINE.COM 43
ISSUE 68 | MAY 2018
Roses
Steps 11a–c. 11a
Using a 2cm foam ball, insert a 20
gauge floral wire all the way through
the centre. Pull both tails down and
twist tightly together.
44 MAGAZINE
ISSUE 68 | MAY 2018
14c 14d
Step 15. 15 16
Repeat with the remaining three petals
taking care to overlap the previous row
of petals joins.
Step 16.
Roll more gum paste and cut another
five petals with the cutter the next size
up. Repeat the process of the previous
petals. Apply glue to all petals and
place on the flower tucking each petal
under the first. Take care to make sure
they are all evenly spaced and do not
go lower than the centre of the rose.
Repeat with another five petals.
Steps 17a-d. 17a 17b
Roll out a ball of gum paste onto a
CelBoard over a groove. Using the next
size up petal cutter, cut the petal out.
WWW.CAKEMASTERSMAGAZINE.COM 45
ISSUE 68 | MAY 2018
46 MAGAZINE
ISSUE 68 | MAY 2018
Wild Meadow
Wedding Cake
By Alice Kayley,
Karen Davies Sugarcraft
Photography by Dan Burns - Natural Selection Design
Difficulty Rating
Equipment Required
• 2 x 10” round 4” deep cakes • Paintbrushes
• 8” round 3” deep cake • Dusting brushes
• 6” round 4” deep cake • Airbrush
• 4” round 4” deep cake • Airbrush colour: green, pink, blue,
• 14” cake drum purple
• Cake card: 8”, 6”, 4” • Powder colour: dark green, brown,
• 1kg Karen Davies sugarpaste or a lavender, yellow, pink, blue, black,
modelling paste white, orange, silver
• Karen Davies Wild Meadow mould • Sugarflair Spruce Green paste colour
• Karen Davies Butterfly & Insect • Cornflour dusting pouch
Brooch mould • Angled palette knife
• Dresden tool
• Isopropyl alcohol
WWW.CAKEMASTERSMAGAZINE.COM 47
ISSUE 68 | MAY 2018
48 MAGAZINE
ISSUE 68 | MAY 2018
Step 12. 12 13
Colour royal icing green and place in
a piping bag. Use the royal icing to
attach the taller grass to the side of
the 8” tier and the short grass to the
top edge of the 10”. Add the flowers
and leaves.
Step 13.
Attach the flowers around the bottom
tier.
Step 14. 14
Attach the butterflies and dragonflies
at random working their way up the
cake.
Step 15. 15
Small groups of flowers and grass can
be added to the top two tiers.
WWW.CAKEMASTERSMAGAZINE.COM 49
ISSUE 68 | MAY 2018
Cake Collaboration
Be inspired by this Tell us about your beautiful cake using a quilling
beautiful collaboration collaboration technique. Ayşem Öztürk
showing a modern Wedding cake is just as created a very romantic and
important as the bride’s modern cake. Alena Ujshag’s
take on the traditional wedding dress and the venue/ cake is so beautiful with
wedding cake. location of the wedding. sugar flowers. All creations
Founder, Umran We decided to make this have been very modern and
Yalcinkaya, tells us collaboration to give ideas for included many techniques.
more. modern weddings.
How many members are in
What inspired you to do this your collaboration?
theme? There are 19 Turkish and 12
I talked with GSARN founder/ Russian cake/sugar artists in
director, Aslı Bulut, and the collaboration.
mentioned I would like to
make a wedding cake themed How did you decide on this
collaboration. She encouraged group of people?
me and supported during We invited artists to our
the process. She also said the collaboration by making
collaboration should not be announcements on social
limited just with Turkey but media.
with Russia as well. Thus, we
decided to create a team with Did anything go wrong
GSARN Russia Manager, Aygül during the process?
Doğan. Nothing bad or serious
happened during the process.
Tell us about a few of the
pieces that have been made If you were to do it again,
İnci Orfanlı Erol’s cake is what would you do
inspired by iconic hat differently?
designer, Philip Treacy. In If I were to do it again, I
order to reflect a mirror would love to make a short
effect on pyramids, she presentation video for each
used edible crystals. artist.
Inspired by Iznik pottery,
Natasha Ananyeva used If you were to do another
royal icing Lambeth collaboration, how should
technique. Evren others get involved?
Dağdeviren created a If I were to do another
collaboration, I would invite
artists through social media by
arranging a private survey.
WWW.CAKEMASTERSMAGAZINE.COM 51
ISSUE 68 | MAY 2018
52 MAGAZINE
Fit for a Queen
ISSUE 68 | MAY 2018
Difficulty Rating
Equipment Required
• 12” round 3” deep cake • Edible glue
• 10”round 4” deep cake • Pearl lustre spray or
• 8” round 4” deep cake powder
• 2 x 6” round 4” deep cakes • Dusting brush
• 4” round 4” deep cake • Cornflour dusting pouch
• 15” cake drum • Karen Davies Buttercream
• Cake card:, 10”, 8”, 6”, 4” Flowers mould
• 6kg sugarpaste • Karen Davies Wild
• 2kg Karen Davies Meadow mould
sugarpaste or a modelling • Karen Davies Piped Shell
paste, for using in the Border mould, or a no.42
moulds piping nozzle
• Royal icing
54 MAGAZINE
ISSUE 68 | MAY 2018
Step 1.
If using lustre for the shimmer on the
flowers and leaves, brush the mould
with pearl lustre. If using a lustre spray,
once all the flowers are moulded, dust
the mould with cornflour.
Step 2. 2 3a
Press a smooth piece of paste into the
flower mould. Make sure the paste
is level with the mould and there
is no excess paste over the edge of
the flower. Turn the mould over and
release the paste.
Step 3a.
Smaller flowers can be made by using
less paste in the mould.
Step 3b. 3b 4
This is possible with the rose, daisy
and bunch of blossoms from the
Buttercream Flowers mould and with
the gypsophila on the Wild Meadow
mould. One or two rose leaves can be
moulded instead of the three together.
Step 4.
Mould the long fern leaves, lavender
and gypsophila from the Wild Meadow
mould. The long pieces can be shaped
and curved. Leave to dry.
Step 5. 5 6
If using the Piped Shell Border mould
for the border, dust with lustre.
Step 6.
Roll a thin sausage of paste, it should
be thinner than the shells. Lay on the
mould and press into the shells. Start
at one end and make sure the paste
is level with the mould and not going
over the edge before you move along.
Turn over and release.
Step 7. 7 8
Brush edible glue around the base of
the cake and attach the shell border.
Repeat around the base of each cake.
Step 8.
Using royal icing, start to attach the
leaves and flowers around the side of
the bottom tier. They can be attached
randomly or in a repeated design. If
the flowers are difficult to attach over
the leaves, attach a little sugarpaste
ball with royal icing to the flower then
attach to the cake with royal icing.
WWW.CAKEMASTERSMAGAZINE.COM 55
ISSUE 68 | MAY 2018
Step 9. 9 10
To obtain the shape of the small sprays
of flowers and leaves between the two
tiers, you will need to attach pieces
of sugarpaste first. Decide how many
sprays and how far apart you want
them to be then measure accurately
and mark their positions. Attach with
royal icing.
Step 10.
Attach the background leaves/flowers
first using royal icing.
Step 11. 11 12
Keep adding the flowers until you are
happy with the design.
Step 12.
Before attaching the flowers and
leaves to make the appliqué on the
tall 6” cake, lay them out on the
worktop to check you have the design
right. Measure the design to make
sure it will fit the cake. Now take a
photograph so you have something to
refer to as you start to place onto the
cake.
13
Step 13.
Attach the leaves and flowers as a
border around the top tier.
56 MAGAZINE
ISSUE 68 | MAY 2018
Alzheimer’s Society’s
Cupcake Day
Get ready for the tastiest day of the year! Dust off your baking bowls
and whip out your whisks – Alzheimer’s Society’s Cupcake Day is back
on Thursday 14 June!
Wedding Cake
Trends 2018 BY LIZ MAREK, SUGAR GEEK SHOW
58 MAGAZINE
ISSUE 68 | MAY 2018
Geode to Marble
Last year, we saw a lot of geode cakes and marble. This year, that trend is
evolving and you’ll see more versions of mineral cakes but in different forms,
including crystals, agates and textured stones.
Christine Leaming
of Sweets Geeky
Cakes - 'I took my
interpretation literally. I recreated the
agate coaster with isomalt. I love the
deep, moody style and wanted the cake
to mirror that. I love the mix of deep
blue, splash of gold and subtle addition
of the agate. It's on-trend but not in a
traditional way and that's why I love it.'
WWW.CAKEMASTERSMAGAZINE.COM 59
ISSUE 68 | MAY 2018
White Textures
One colour cakes and textures are popular in 2018. Layers of visual interest are
seen everywhere, from invitations to place settings and yes, of course, cakes!
Mimi
Ospina of
Whipped
Up by Mimi
- 'I chose
my design
based on
current
fashion
trends. We are seeing more
fluidity and textures in
wedding gowns; I wanted to
incorporate that into my cake
design in a sleek and simple
way. I feel my design is simple
enough to attract an array of
clients and it offers that little
artistic pop of texture to keep
their interest.'
Shannon Bond
of Shannon
Bond Cake
Design - 'I love
white wedding
cakes, keeping
the design
monochromatic in colour
really allows the use of varying
textures without overwhelming
the cake. For my cake, I chose
shades of white and mixed
mediums. My inspiration was a
1950s bridal fascinator hat that
jumped out to me as so timeless
and elegant, very Audrey
Hepburn and Grace Kelly. It had
beautiful combined textures of
fishnet lace netting, silk flowers
and delicate pearls. I decided
to put a modern twist on my
cake version and kept the cake
very modern in shape, using
edible lace netting with piped
buttercream roses, dahlias and
pearls. I finished with a pearl
sheen to bring out the lines of
the lace and the delicate edges
of the buttercream flowers.'
60 MAGAZINE
ISSUE 68 | MAY 2018
Shani Christenson
of Shani's Sweet
Creations - 'I live in
an area where rustic
themed weddings are
the norm. It’s a rugged
and rural area and most
venues are old wooden
barns, natural forested settings or on the
cliffs of the rugged northern California
coast line. The style just fits with the
natural beauty of the area. Lately, many of
my brides are stepping up their vision of a
rustic styled wedding and trending away
from just a simple rustic styled cake. We
are designing beautiful dessert tables that
include several smaller, complementary
styled cakes along with multiple dessert
options for their guests. Traditional rustic
cake designs like textured buttercream
finishes and semi-naked cakes are getting
a makeover with trendy colours and gold
accents. Piles of fresh berries and fruit
Photography by Shani Christenson
Liz Marek of
Sugar Geek
Show - 'Rustic
cakes are very
popular in my
area. Brides
have always
loved birch,
chalkboard and
rustic iced cakes. With Portland
being such a foodie city, I have
really noticed a change to more
organic looking cakes decorated
with fresh fruits and berries
that are local and in season and
focus more on the taste of the
cake and the ingredients. I loved
making this semi-naked cake
with a pop of metallic gold leaf
and some colourful buttercream
topped with yummy berries,
pomegranates, lemons and an
apricot glaze drip.'
WWW.CAKEMASTERSMAGAZINE.COM 61
ISSUE 68 | MAY 2018
62 MAGAZINE
ISSUE 68 | MAY 2018
New Modern
New modern is a nod to the past. Mid-century boho is all the rage right now in
home decor, wedding themes and, of course, cakes. We’re seeing lots of tropical
greenery paired with sleek geometric patterns, pops of gold (forever on-trend)
wood tones and, of course, marble.
Susan Trianos
of Learn to Cake
with Susan
Trianos - 'This
inspiration
spoke to me
as these are
the elements
I’ve been using
to redesign my home kitchen.
Its natural organic elements of
marble, wood, gold and greenery
give a beautifully clean and
crisp look. I love a cake with
architectural details and tend to
incorporate them whenever I can
(when I have complete control
over the design). I created wood
effect boxes out of pastillage filled
with gum paste greenery to create
wreaths. The boxed wreaths are
supported by the thin wood effect
strips attached to the side of the
cake, making the boxed wreaths
completely removable and can
be enjoyed as great centrepieces
following the event.'
64 MAGAZINE
ISSUE 68 | MAY 2018
Industrial Chic
Industrial chic is all the rage right now! Masculine touches like square cakes,
stone textures resembling concrete and metallics like coppers and bronze are
really taking centre stage.
Nature
Nature and greenery will never go out of style when it comes to weddings. This year, we
are seeing a lot of greenery used on cakes, sometimes alone, resulting in a whole new
aesthetic in floral trends. When it comes to flowers, brides are loving floral wreaths in lieu
of bouquets or even in backdrops or wedding alters. When bouquets are used, we’re
seeing lots of pops of colours that can be described as juicy and bright.
Ashley Barbey
of The Little
Vintage
Bakery - 'I was
really inspired
by garland
style wedding
centrepieces
and garland
framed wedding decor.
Eucalyptus and ruscus are super
popular in wedding bouquets
and floral pieces so I wanted to
highlight those in particular. I
chose to pair those with open,
airy florals like ivory poppies
and pale blush ranunculus. The
backdrop to the floral garlands on
the cake is a champagne colour
fondant, also a popular neutral
colour for 2018 weddings. Since
metallics are also bigger than
ever, I added little clusters of gold
berries to add a little pop.'
Emma Stewart of
Truly Scrumptious
Cakes by Design - 'I took inspiration
from hoops I have seen recently
used for bridesmaids instead of
traditional bouquets and also for
wedding decor as hanging details. I
choose to use more vibrant colours
in my flower selection. I arranged
them around the base of the hoop
and displayed it resting on a dark
lustred cake, which I see being
another trend in 2018.'
WWW.CAKEMASTERSMAGAZINE.COM 67
ISSUE 68 | MAY 2018
4
3 5
Cake
Events
1. Cake & Bake Germany 2. ACADA's International Cake Show 3. The Cake Bar Cake Show
Messe Essen Australia Renaissance Hotel
Germany Brisbane Showgrounds Exhibition Long Beach, California
5th-6th May 2018 Building 7th-8th July 2018
Brisbane, Australia
Head to Germany for the Cake & Bake 18th-20th May 2018 If you want to enjoy all things cake in
Germany show which is expected to be an 80s setting, this is the show for you.
an exciting event with worldwide artists. Ready to learn or improve your cake, The Cake Bar Cake Show in Long Beach
The show will include a cake contest, fun chocolate or cookie decorating skills? Then was founded by Kassy Jimenez of Cakes
demonstrations, workshops, live shows, ACADA's International Cake Show Australia & Crafts by Kassy and Joyce Marcellus of
great exhibitors and famous cake artists (ICSA) is the place to be! Includes more than Toxic Sweets Shop to bring together all of
such as Daniel Diéguez, Theresa Täubrich, 70 FREE demonstrations, lots of hands-on their successes and the cake community in
Betty’s Sugar Dreams, Ludmilla Lard, Queen workshops, live cake sculpture and chocolate a fun one of a cake event. The show is the
of Hearts Couture Cakes, Cassie Brown, shows, and Australia's ultimate cake first annual Cake Bar Cake Show and will
Silvia Mancini, Mary Cake, Maria Cristina decorating competition and display. Don't host a range of fun classes, vendors and
Schiazza, Mr Sugar Ciok, Tal Tsafrir, Jennifer forget to visit the new haute couture wedding an exciting competition which showcases
Holst and many more... giving you the unique cake designers' marquis and Bridal Lane. Get amazing cake showpieces that are all 80s
opportunity to interact with your favourite hands-on training at the Cookie Zone, Kids themed. There will even be an 80s prom
cake designers! There will also be a raffle Corner and Make & Take learning academy. after party cake bar social event, prizes,
and a variety of vendors perfect for cake With 90 pop up shops, you will be able to find raffles swags and fun!
decorating and baking enthusiasts. great specials and everything you need. If you For more information, visit:
For more information, visit: want to shop 'til you drop, grab a delectable www.thecakebarshow.com
www.cakeandbakemesse.de sweet treat from the sweet market or pick up
a healthy (or not so healthy) alternative at
Chill Cafe. There's something for everyone, so
bring the whole family.
For more information, visit:
www.acada.com.au
68 MAGAZINE
ISSUE 68 | MAY 2018
WWW.CAKEMASTERSMAGAZINE.COM 69
Cake Icons
ISSUE 68 | MAY 2018
Marina Sousa
It's great to recognise cake icons in the industry for their
expertise and phenomenal designs. This month, we speak to Marina Sousa.
Marina Sousa has been creating regard to baking. Because I started imagination and your willingness
beautiful celebration and wedding my career as a designer, I didn’t to take risks - which may often end
cakes for 20 years and has have any real baking experience. in failure. Without a doubt, I have
appeared on the Oprah Winfrey So I decided to go back to school learned more about myself and my
Show and Food Network with her and attended the Culinary Institute craft from failure than success. I
incredible designs! Read more of America and completed their believe failure is just an opportunity
here. Baking and Pastry Arts program. I to begin again with more experience
started Just Cake a few months after under your belt. Things have
Can you tell us a little bit about your graduating. changed so much since I began in
cake decorating journey - where did it
all begin? How did you go from working
I began decorating cakes in a cake in visual merchandising and
studio in Beverly Hills almost the entertainment industry to
20 years ago. I was living in creating impressively beautiful
Southern California working in the wedding cakes? Was is a hard
entertainment industry like just transition?
about everyone else there. I left a Although it seems like an unlikely
job in entertainment advertising and path, it really wasn’t a hard
between jobs, I walked by a cake transition. My varied experiences
shop in Beverly Hills; as they say, the really dovetailed one into the
rest is history. Rosebud Cakes was other and allowed me to view the
doing then what is very common process from a couple of different
now in cake design. It was an edible perspectives. I think that has truly
art studio and given my background benefitted me over the years.
in fashion, theatre and event
production, I was fascinated and How long have you been in the
had truly never seen anything like cake decorating industry?
it. There were so many transferable I believe I am approaching 20 years.
skills just with different, in this case Yikes!
edible, mediums. In a very short
time, I was working full time as a What have you learnt in your
cake designer. Less than two years career that has moulded you into
after starting at Rosebud Cakes, the icon you are today?
I really wanted to open my own I’ve learnt there is always more
business. I knew enough to know learning to do. As an artist, I believe
there was so much I didn’t know in you are only constrained by your
70 MAGAZINE
ISSUE 68 | MAY 2018
,,
I think the most elaborate wedding
cake I’ve made, if only for the amount
simple colour
of pearls individually placed on it palette or random
with tweezers, was one I made for
my friends, Keegan Gerhard (host
shape. You literally
of Food News Challenge) and Lisa never know how or
Bailey. They got married outside of
Austin, Texas. It was the first time where inspiration
I travelled with real cake where
competition wasn’t involved. I
can strike.
designed the cake on a napkin on a were all hand rolled and hand strung
flight home from a Food Network and ultimately, the basis for the
Challenge. Keegan had proposed to sugar bead moulds that resulted
Lisa the night before and yet he came in my eventual collaboration with
to help me rebuild a wedding cake Marvelous Molds. That wedding was
for a Food Network Special, Food also transformative for my career.
Network Caters Your Wedding. I Keegan and Lisa’s friends, both being
always loved when part of the ‘prize’ pastry chefs themselves, were pretty
was sticking around for a couple much the who’s who of the pastry
of days (without your assistant) to world. I met so many incredible
remake the cake you had just won chefs... Ewald Notter, Jackie Pfeiffer,
with for an actual event. In this Vincent Pilon, Sebastien Cannon.
case, the cake had been placed in a It created this bridge to the pastry
hotel’s produce cooler for two days. world which at the time, was not
Produce begets moisture and we all easily crossed. It opened up many
know how much fondant loves that, teaching opportunities and countless
right?! It was pretty much a disaster extraordinary experiences in the
and required starting over. Keegan cake and pastry world for which I am
had given me his phone number, truly grateful.
WWW.CAKEMASTERSMAGAZINE.COM 71
ISSUE 68 | MAY 2018
The entire top half of the cake I I learnt so much! Being amongst the architecture, a simple colour palette
presented on The Oprah Winfrey first to do anything is always a bit or random shape. You literally never
Show was suspended from the of trial by fire and Food Network know how or where inspiration can
ceiling. I made hanging cupcake Challenge was no different. I think strike.
towers, suspended cakes in mid- the most important thing I learnt
air and designed a cake for Miley is that no matter how much you What is your one piece of advice
Cyrus’ 16th birthday based on the prepare and plan, there will always that you would give to budding
same concept. It was a really great be a curveball (or 3!) headed cake artists now?
experiment that made me think so your way. As time went on, I feel In a world where Pinterest reigns
outside the box as far as traditional like Challenge fell prey to the supreme, develop your own style and
cake goes. That’s what truly excited newly emerging reality TV format have a unique design point of view.
me about it. Eventually, I taught and became about drama and Replicating others’ work is tedious
classes on building the structures manufactured mistakes as opposed and for me, not at all what cake
and supports for these types of cakes to the art of it. That was a hard design at the highest level should be
and then worked with Dominic at transition to watch and became about.
Marvelous Molds to design a mould impossible for many of us to go
that resulted in strings of sugar along with. You inspire so many people in
beads. It was a really fun project. this industry, who are your cake
What has been the biggest heroes?
You have been on MANY episodes highlight of your career? Colette Peters, Mike McCarey,
of various Well, being on Oprah is certainly Margaret Braun, Wendy Kromer,
Food at the top of that list! Prior to that, Elisa Strauss... the list goes on!
Network there were a couple of memorable
shows, benchmarks along the way. The Have you spotted any up and
what first time I saw my work in print in coming talent? Please tell us who
was that an issue of Modern Bride. My cake they are and what you like about
like and was nestled between pages of cakes their work?
what designed by Sylvia Weinstock and Maggie Austin has been around for
did you Ron Ben-Israel. That was pretty a few years now so I can’t call her
learn amazing personally, having my work up and coming but I adore her work.
the alongside those in the industry She is the prime example of having
most whose work I had admired for so a unique design point of view. You
from long. I was also really excited about can look at a cake of many different
it? being named one of the Top 50 styles and know that it is hers. She
Sugar Artists in America by Brides has her own signature style. She is so
magazine and on one of the first Top humble and down to earth which is
10 Cake Designers lists by Dessert very refreshing and becoming harder
Professional magazine. All proud to find. There are many people out
moments in my career. there doing good work but I often
feel like their motivation is fame
What is your biggest inspiration verses love of the craft. I have found
for your work? that it’s the passion that has carried
I find inspiration just about me through the challenges. This is
everywhere. Fashion, tough work, not at all glamorous as it
72 MAGAZINE
ISSUE 68 | MAY 2018
already onto the next thing. Recently, it’s a pretty personal process. I have
I think darker cakes with metallics lost about half of my body weight.
and bright pops of colour are fun. Most people don’t recognise me
There’s the always controversial (which I’m actually kind of secretly
naked cake trend and the geode happy about as someone who has
cakes which don’t seem to be going never been comfortable being
anywhere too fast. I used to be able the centre of attention). However,
to answer this question by saying, in this lovely social media world
“whatever is on the cover of the most we live in, there have been some
recent Martha Stewart Weddings comments made and messages
magazine”. I think many designers sent about the weight loss. I was
of my generation would concur. We recently confronted at a cake show
now live in such a content driven by someone who felt I wasn’t
world. Between Google, Pinterest being honest and was refusing to
and Instagram, a bride can tell you offer advice to others dealing with
precisely what she wants with a click similar situations. It’s something
of a button. On one hand, it can be I’m completely comfortable talking
nice to deal with decisive clients but about when people have approached
on the other hand, I feel like it has me individually, I’ve just never
taken so much of the design process wanted to be the poster child for
out of the mix. That’s the part I truly anything I suppose. But obesity is
love and it can be frustrating to be an issue that affects so many in our
given the same inspiration images community and I do feel compelled
tends to be portrayed on TV. I think over and over again! I usually try to share my experiences in the hope
it’s important for new decorators and steer clients in the direction of it might help someone to simply take
to go in with clear eyes about what making some alterations to a design the first step towards a healthier life.
it really takes to have sustainable they have their heart set on by This isn’t the forum to get into it here
success. suggesting personal touches that are but I will be posting a series of posts
unique to each couple. That tends to in June on my blog and look forward
We know that you judge at many open up the design process and we to interacting with anyone who feels
cake shows around the world, is end up in a more interesting place like it’s of interest to them.
this a difficult job? when all is said and done.
Yes and no. I feel being a former And with all of that being said... I
competitor is really helpful because Is there anything else you would want to thank Rosie and the entire
I can approach it knowing the like to add about your plans in Cake Masters team for always being
constraints and limitations the 2018? so generous with me! Your team
competitors face. Live competition The past few years have been less has set the standard. It’s been such
is an entirely different beast than cake focused for me as I made the an honour to be a part of the Cake
a presented piece where the choice to deal with my health. I Masters Awards judging team. Seeing
competitors have had no time realised I wasn’t getting any younger new talent rise is really inspiring for
restraints placed on them. It’s truly and I honestly didn’t have any type me and at the end of the day, what
comparing apples to oranges. I feel of life outside of my business and the it is all about. When people share
strongly that judges should have cake world. For the first time ever, I with me that they got into cake as
experiences as a competitor in both forced myself to focus strictly on me, a result of watching my career, I
formats to be really effective. From which let me tell you, was a more of a am really humbled and it makes
an artistry standpoint, as with any challenge than any FN competition I all the shenanigans Food Network
art, it’s subjective. Everyone brings participated in. When you’ve been so Challenge put us through worth
different styles and things that are driven for so long and always knew it. Well, maybe with exception of
important to them to the mix. As what was coming next, uncertainty is walking from one end of a pool to
a judge, I just try and approach a terrifying place to step into. After I another in Las Vegas carrying a cake
every cake I am asked to judge in a lost my mother quite unexpectedly, over my head.
way I would have appreciated as a it really made me re-evaluate things
competitor myself. Feedback can be and I made the conscious choice Find out more at
invaluable when offered in the right to put my business on autopilot justcake.com
spirit and one of the best ways to (which wouldn’t have been possible
improve. without the support of my friend
and amazing fellow designer, Dawn
As a cake decorator, what tool Nemec and my baker, Zen Reis).
can’t you live without? I was very fortunate to be able to
I finally was able to purchase a take a step back and allow myself to
Somerset sheeter a few years ago. dig into issues both physically and
I can’t imagine a time without it! It emotionally that I had sidelined for
saves so much wear and tear on your far too long. Now on the flip side of
wrists and hands which can really that journey, I’ve found myself in the
take a beating the longer you are in midst of a bit of an identity crisis of
the industry. Prior to that, I would sorts and am not completely clear
have said my hands. I’ve been in what I want my next steps to be.
more situations without the ‘proper That’s what 2018 is about for me -
tool’ and have always made do with finding what truly lights me up and
my hands. The one tool you can’t inspires me again and going after
forget back at the bakery. that in every aspect of my life, cake
and otherwise.
What trends have you seen make a
comeback in the industry? I haven’t ever openly addressed
It’s so hard to say. As soon as my weight loss. Not because I had
something is printed, the world is anything to hide but more because
WWW.CAKEMASTERSMAGAZINE.COM 73
ISSUE 68 | MAY 2018
Black Lace
Wedding Cake By Cynthia Hsu, Taste Couture
Photography by Michelle Bai
Difficulty Rating
Equipment Required
• Black fondant • Brushes
• Silicone mat • Large rolling pin
• Lace mat • Black food colouring
• Smoother • Small offset spatula
• Pizza cutter • Scissors
• Royal icing with tip no.1.5 • Piping gel
• Cornstarch • Flexique
74 MAGAZINE
ISSUE 68 | MAY 2018
Step 1. 1 2a
Mix the Flexique according to the
instructions and add black food
colouring. Mix well and spread onto
the mat. Take the excess off with the
offset spatula and let air dry for 3-5
hours.
Steps 2a-d.
Cover the cakes with black fondant.
Start to put the cakes together, making
sure they are dowelled correctly. Royal
ice each dowel and place the next cake
on.
2b 2c
Step 3. 2d 3
Remove the lace from the mat.
Steps 4a & b. 4a
Immediately attach on the bottom two
cakes. Adhere with piping gel.
Starting from the bottom tier, use
your hand to make sure the lace is
completely attached.
Step 5.
Start piping white lace with royal icing 4b 5
on the front side from top to bottom.
Use a small brush with cooled boiled
water if needed.
WWW.CAKEMASTERSMAGAZINE.COM 75
Advertorial
ISSUE 68 | MAY 2018
Stars of Channel 4's 'Extreme Cake Makers', Christine and Phil Jensen (www.
peboryon.com) created two stunning 6ft seahorses at Cake International
Birmingham 2017 using their preferred sugarpaste, Couture.
,,
With comparable quality
350kg at a time and some of removed any risk of sugarpastes costing up to
the ingredients are added little inconsistencies three times as much, Couture
manually. We found this human and we’re producing remains the sugarpaste of
involvement could cause a little choice for thousands of busy
inconsistency between mixing
tonnes of beautiful
cake makers in the UK and
batches so every now and then, sugarpaste icing across Europe.
we’d hear about a box that every week.
was too soft or another that We’re confident that once
was too firm. We’re delighted Couture is suitable for you try Couture, you’ll be
that because Couture is now vegetarian, vegan, gluten- converted. Even if you tried it in
in such demand, production free and dairy-free diets, it is the past and felt it wasn’t quite
has moved to the ‘big line’ – a certified kosher and suitable for right for you then, years of little
million pound, state of the art, halal. Even the palm oil used is tweaks have all added up to
fully automated, computer RSPO certified sustainable and help create what is now a quite
controlled production ethically produced to avoid remarkable sugarpaste.
line. Because everything is damaging valuable wildlife
automated, we’ve removed habitats – no orangutans were So, yes, the best has just got
any risk of little inconsistencies harmed in the making of this even better! What better time
and we’re producing tonnes icing! to give the new Couture a try?
cake-stuff.com
WWW.CAKEMASTERSMAGAZINE.COM 77
Tropical Wedding
ISSUE 68 | MAY 2018
WWW.CAKEMASTERSMAGAZINE.COM 79
Advice
ISSUE 68 | MAY 2018
Wedding
Consultation Tips
We asked wedding cake experts their top tips on consultations
6.
can’t tell you how many "Don’t hide any charges – if
stories I hear of all focus on the you charge for delivery and
bride. A bit of groom attention set up then let them know all the
goes a long way so if he likes a costs upfront and also if they make
flavour and the bride says no, any changes. Advise them of your
say to the couple, “I will provide payment terms and put everything
a dozen cupcakes on the day just in writing and of course, the
for you both in the groom’s fave golden rule is always always take a
flavour.”- a winning closer every deposit."
time." - Clairella Cakes
- Moreish Cakes
80 MAGAZINE
ISSUE 68 | MAY 2018
By Sumaiya Omar,
The Cake Duchess
1
4 5 6
Missing Moulds!
Spot the 10 Karen Davies Moulds for your
chance to win this amazing set of moulds
including the new Crochet Piece, Chunky
Knit, Patchwork Quilt, and Buttons
moulds worth over £70!
WIN
!
82 MAGAZINE
HARRY’S GRANNY’S HOUSE The palace kitchen BUT FROM WHOm ?
ISSUE 68 | MAY 2018
HARRY,
CAN I REALLY IF THAT’S THE
HAVE A NAUGHTY SIZE SHE WANTS, WE’RE
CAKE FOR MY GOING TO NEED A LOT
BACHELORETTE MORE FLESH COLOURED
PARTY? ICING!�
WE CALL IT WE
A HEN NIGHT NEED
MEGHAN BUT, HELP!
YES, ONE CAN
HAVE WHATEVER
ONE LIKES.�
FEAR NOT! THANK YOU
WITH OVER 8,000 CAPTAIN CAKE STUFF
PRODUCTS (INCLUDING – YOU SAVED THE DAY.
ALL THE TOP BRANDS I’VE BEEN TOLD
OF SUGARPASTE), MEGHAN’S HEN PARTY
WE CAN HELP.� WAS A HUGE
SUCCESS.�
�IT WAS
AN HONOUR SIR.
AFTER ALL, US
GINGER BEARDIES
HAVE GOT TO
STICK
TOGETHER.�
YES, THE
CAKE WAS
NEARLY AS BIG
AS THE REAL
THING!�
cake-stuff.com
facebook.com/CakeStuffLtd
TO BE CONTINUED . . .
@CakeStuffLtd
WWW.CAKEMASTERSMAGAZINE.COM 83
ISSUE 68 | MAY 2018
84 MAGAZINE