0% found this document useful (0 votes)
161 views

Art Program s2 Picasso

This document outlines an art program focused on the work of Pablo Picasso. It includes 3 learning experiences that have students: [1] Appropriate Picasso's style by recreating one of his pieces using oil pastels; [2] Create analytical cubist portraits through printing and collage; [3] Make synthetic cubist collages by deconstructing musical instruments into geometric shapes. The program aims to develop students' observational, analytical, and creative skills through exploring Picasso's techniques.

Uploaded by

api-298492369
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOC, PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
161 views

Art Program s2 Picasso

This document outlines an art program focused on the work of Pablo Picasso. It includes 3 learning experiences that have students: [1] Appropriate Picasso's style by recreating one of his pieces using oil pastels; [2] Create analytical cubist portraits through printing and collage; [3] Make synthetic cubist collages by deconstructing musical instruments into geometric shapes. The program aims to develop students' observational, analytical, and creative skills through exploring Picasso's techniques.

Uploaded by

api-298492369
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOC, PDF, TXT or read online on Scribd
You are on page 1/ 3

ART PROGRAM

PICASSO

STAGE 2
OUTCOMES VAS3.1
VAS3.2
VAS3.3
VAS3.4
INDICATORS - closely observe details of things in the world and seek
to make artworks about these using various
techniques including ideas from memories
- examines a range of concepts and their relationships
to selected forms and experiments with abstract ideas
- discusses the characteristics of the human form and
their individuality and seeks to render them in
artworks
- recognises themselves as artists
SUBJECT
MATTER PICASSO
FORMS Drawing, Painting, Collage, Printmaking
RESOURCES RESOURCES: visuals and colour photocopies of the Pablo
Picassos artwork, portraits by a variety of artists, images of
portraiture in sculpture including those of Picasso, Braque,
Giacometti
MATERIALS: paper, oil pastels, pencil, acrylic paints,
polytray, printing ink and rollers, collage papers
APPRECIATION - talks and writes about the meaning of artworks and
recognises how artworks can be valued in different
ways by themselves and an audience
- identifies some of the reasons why artworks are made
PERSPECTIVES Literacy, Traditional Practices
LINKS HSIE
ASSESSMENT Students were able to:
- use media that requires a high level of skill in its
manipulation
- critically look at another artists work andrender
similarities in technique and show qualities of subject
matter
- discuss the artwork with an audience and recount the
process giving a subjective opinion of their own work
LEARNING EXPERIENCES

STAGE 2
SUBJECT MATTER: PICASSO

1.PICASSO APPPROPRIATION DURATION: Two Lessons


Students will-
- Critically view an artists work
- Discuss the work of the artist concentrating on style, colour and form
- Identify the large forms in the artwork
- Come to agreement on colour hues in particular areas
- Discuss plotting and mapping of the main areas in the work
- Recognise the shape of both the ‘piece’ and the artpaper ie. Landscape or
portrait
- Take note of the number of the ‘piece’
- Use black oil pastel to draw the main forms of the appropriated ‘piece’
- Concentrate on areas of different colour
- Select a colour palette for their ‘piece’
- Constantly refer to the appropriated work also using the whole work
displayed at the front of the classroom
- Blend colours and overlay colours to achieve the desired effect
- Fill all spaces in the work in oil pastel using white as a colour if needed
- Delineate areas in black again if the detail has been obscured
- Number their ‘piece’ on the back
- Complete their work and bring it and the ‘piece’ to the front of the
classroom
- Be guided by a numbered sequence to lay their work on the floor in the
correct order with numbers upmost
- When all the works are in place, turn the works over to their correct side
and view the work as a whole
- Discuss the appropriated work and how they have created a new artwork
from the original
- Talk about the style of the new artwork and its intended use

Date Completed Revised / Extended / Comment


2. PRINT AND COLLAGE DURATION: Four Lessons
Students will-
- Observe the Picasso profile/ full face portraits noting the use of geometrical
shapes (analytical cubism)
- Draw a simple profile and a full face portrait of a classmate
- Abstract both drawings and employ only straight lines in the subsequent
drawings
- Compile a portrait using both a profile and a full face in the analytical style
- Transfer this drawing to polytray
- As evidenced in Picasso’s portraits complete the polytray by adding a
wallpaper background to the work
- Print the work on coloured paper
- Use different colour and texture papers to collage significant details onto
the work eg. eyes, lips clothing
- Refer back to Picasso to review the use of style and media

Date Completed Revised / Extended / Comment

3. SYNTHETIC CUBISM DURATION: Three Lessons


Students will-
- View works by Picasso that involve synthetic cubism (collage) and
deconstruct the process
- Make drawings of musical instruments and abstract them to simplified
forms
- Use varied collage papers to cut out the shapes of the instruments
- Arrange these shapes on a piece of bremex paper
- Add detail in artline pen and create a border that encompasses the design
without any large empty space
- Cut out this work and mount on artpaper
- Discuss their own interpretation of the artwork and acknowledge the legacy
of Picasso in modern art

Date Completed Revised / Extended / Comment

You might also like