Sensory Writing Slides
Sensory Writing Slides
● Alliteration
● Onomatopoeia
● Hyperbole
● Personification
Personification
Personification is a figurative element that attributes human
thoughts, actions, characteristics or emotions to something that is
not human.
“The fire hissed softly and the log shifted with a little shower of sparks.”
The dog barked loudly at the squirrel, which quickly ran up the tree.
The eyes of the lady’s portrait followed Jean around the room, waiting for a misdeed.
The stairs groaned in agony as Philip carried the heavy boxes to the attic.
The wind blew steady for three days before the hurricane reached the shore.
Wearing a top hat and bow tie, the rabbit bowed politely to the turtle.
Audio Activity
https://www.youtube.com/watch?v=LZbEIxhiJRM
Comparisons help
your reader to
experience what you
experience.
Examples
“Food?” Chris inquired, popping out of his seat like a toaster strudel.
“Paula carried her science project to school like she was transporting explosive glass.”
Of all the senses, smell has the strongest psychological effect. The mere
mention of a smell evokes memories and triggers associations in the
reader’s subconscious.
How Do I Write About Smells?
● The place reeked/stank of [___] and [___].
● The odors of [___] and [___] mingled with the smells of [___] and [___].
● Her nostrils detected a whiff of [___] beneath the smells of [___] and [___].
● The smell of [___] warred with the stronger odor of [___].
● The air was rich with the scents of [___] and [___].
● The smell of [___] failed to mask the stench of [___].
● The stench of [___] hit him first, followed by the odor of [___].
● Beneath the scent of [___] lay the more ominous odors of [___] and [___].
● The scents of [___] and [___] greeted her.
● The smells of [___] and [___] made his mouth water.
● He braced himself against the stench of [___] and [___].
Writing About Smells: Examples
“The air reeked of hot metal, overheated electronic components, scorched insulation –
and gasoline.” (Dean Koontz: The Bad Place)
“The air held the warm odours of honey and earth, of pine resin and goat sweat,
mingled with the scents of frying oil and spice.” (Rayne Hall: Storm Dancer)
“I took a couple of deep breaths, smelled rain, diesel and the pungent
dead-fish-and-salt stench off the river.” (Devon Monk: Magic to the Bone)
“The room smelled like stale smoke and Italian salad dressing.” (Michael Connelly: The Poet)
Why Should I Write About Taste?
As human beings, we have an intense relationship with food in one way or
another. There are countless television shows dedicated to food, magazines
about food on the shelves, books, blogs, and discussions at the lunchroom
table about what everyone ate for dinner last night.
Food is primal. Food is life. By adding descriptions of taste, you’ll deepen your readers’
experience of your work.
How Can I Write About Taste?
Most writers convey a flavor by comparing it with something else.
How can we make comparisons?
The other way, using adjectives, can be just as effective. The range
of adjectives to describe taste is slightly limited, though, and too
many can overload your writing. Succulent, aromatic, savory,
fragrant are a few examples of taste adjectives.
Your sense of touch can tell you so much more than just if you made
contact with an object. For example, is the surface you are touching
rough or smooth? Is it hot or cold? Is it dry or wet? Is it still or
vibrating? Your body is able to sense pressure, vibration,
temperature, and pain.
Why should we write about textures? When should we write about textures?
How Can I Write About Touch (Textures)?
Touch can be nice, like the feel of cool cotton sheets on a summer night.
Textures might be divided into two categories, namely, tactile and visual textures.
Tactile textures refer to the immediate tangible feel of a surface. Visual textures
refer to the visual impression that textures produce to human observer.
Describing Setting with Touch
The ground under your feet. Is it hard, soft, rough, spongey, treacherous or
shifting as they walk?
The sun on your skin. Is it weak, scorching, burning, diluted, or perhaps absent?
The wind on your arms. Is it caressing them softly or savagely whipping at your
clothes? Is there no wind at all?
The moisture in the air. Is it damp and humid or dry and arid?
The texture of the closest object under your hand. Is it the rough bark of a tree
or the cool smoothness of hospital walls?
Describe That Texture
Your job during this activity is to describe the texture of 6
different items. You should refer to your “Touch Words
Handout” for inspiration as needed. Try to incorporate
similes and/or metaphors when appropriate.
Day 4
Why Should I Write About Sight?
What does the house look like? Is it big or small? Is it new or rundown? Is it fenced in
or not?
What does the door look like? Are there any lights on? What’s on the table? Is it food?
Old mail? Garbage?
What does the cup look like? What color is it? Is it new or old? Is it broken or
undamaged? Does it have a decoration or design on it?
What kind of body of water did you picture? River, lake, stream, ocean? Is the water
blue? Is it saltwater or fresh-water? Is it calm or are there waves?
Postcard Activity Instructions
1. What visual observations can you make? What is in your image?
Consider colors, shapes, weather, textures, smells, sounds etc. in
addition to objects/buildings you notice. If you recognize a
landmark in your image, try to describe it without using its name or
title.
2. Describe the image shown on the postcard to your partner using
sensory language to help them visualize it. It will be interesting to
see if your partner’s mental image matches the actual image on the
postcard.