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The Step Outline: Getting To The Barebones of Your Idea

The document discusses the step outline process for developing a story idea. It explains that a step outline uses one or two sentence descriptions to outline each scene and how it advances the story, without details like dialogue. This helps the writer flesh out the overall story structure and direction before writing a full first draft. The outline allows exploring different options to find the best way to present the story. Writers should not fear running out of ideas but rather settling for mediocrity. Creating a detailed step outline provides a roadmap for the story and allows writers to discard less successful elements and identify the exceptional 10% that makes a great story.

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Zeisenberg White
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158 views

The Step Outline: Getting To The Barebones of Your Idea

The document discusses the step outline process for developing a story idea. It explains that a step outline uses one or two sentence descriptions to outline each scene and how it advances the story, without details like dialogue. This helps the writer flesh out the overall story structure and direction before writing a full first draft. The outline allows exploring different options to find the best way to present the story. Writers should not fear running out of ideas but rather settling for mediocrity. Creating a detailed step outline provides a roadmap for the story and allows writers to discard less successful elements and identify the exceptional 10% that makes a great story.

Uploaded by

Zeisenberg White
Copyright
© © All Rights Reserved
Available Formats
Download as PDF, TXT or read online on Scribd
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THE STEP OUTLINE

Getting to the Barebones of Your Idea


Adapted from The Screenwriter’s Workshop
www.screenwritersworkshop.com

You have an idea for a story. It's been rolling around in your head a while. Characters are
starting to take shape, as well as a key scene or two. But right now, they are all just fragments.
How do you begin putting these fragments together? Screenwriting guru Robert McKee
suggests in his book, “Story: Substance, Structure, Style, and the Principles of Screenwriting,”
that you begin writing “from the inside out” by using a step-outline.

What's a step outline?


“As the term implies, a step-outline is the story told in steps,” McKee says. It's a method that
combines the traditional outline form with “story boards,” or pictures depicting each scene.
However, rather than using pictures, you use one- or two-sentence statements to describe the
action in the scene and how it builds.

On paper, you build a list of these statements, one statement per scene. Each of the statements
should clearly describe what happens in that scene. At this point, you're not really concerned
about the details: no dialogue, no set dressing, no minor characters unrelated to the central
action of the scene. All of that will come later.

For example, say you’re writing a story about two lovers torn apart by an old family feud (Romeo
and Juliet). You decide your first scene should take place in the city streets, where your hero
and his gang meet the gang of the rival family. They fight, and the hero kills the rival family’s
leader. You might write a statement like this:

“Romeo and Tybalt meet in the city. They fight and Romeo kills Tybalt.”
Simply stated, but it captures the main tension in the scene. A step-outline is your entire story,
written in this simple outline form.

Why do you need a step-outline?


A step-outline is your road map, where you find the direction of your story. As you search for
what works and what doesn’t, technically you’re flushing out and gutting your story to prevent
yourself from writing a story that has no real direction.

You may only use twenty percent of your first step-outline, and may write the same scene over
fifteen times. Robert McKee, a true master of the art of storytelling says, “A writer secure in his
talents knows there's no limit to what he can create, and so he trashes everything less than his
best on a quest for a gem quality story.” A writer should never fear that he/she has run out of
ideas, they should only fear if they settle for mediocrity. Once your step-outline is created, the
dialogue will pour onto the pages and into your characters more truthfully because you
know exactly what they’re doing and where they are going.

Destroying your own work: Writing is re-writing.


When you write a step outline, you’re free to explore all your options in order to discover the
best way to present your story. Or, as McKee says, you should try to “destroy” your work: “Taste
and experience tell (the writer) that ninety percent of everything he writes, regardless of his
genius, is mediocre at best. In his patient search for quality, he must create far more material
than he can use, then destroy it.” In all this extra material, the remaining exceptional ten percent
will emerge, and you’ll be well on your way to a great screen story.
Example Step-Outline: Eyeball Eddie
(part of a longer outline)
Scene 1. A montage of black and white photographs introduces Eddie (our hero), a high school wrestler
with a glass eye.

Scene 2. Before wrestling practice, Skelly, the team bully, brags about being mean, and makes a joke
about Eddie's eye.

Scene 3. During practice, Eddie tries to be a meaner wrestler like Skelly, but it doesn't work.

Scene 4. Coach tells Eddie he's an embarrassment, needs to get some fire in him.

Scene 5. At home that night, Eddie practices mean poses in the mirror. He wants to be tough and learn
to win.

Scene 6. At next day's match, Eddie's glass eye accidentally comes out, distracting his opponent. Eddie
wins the match. Layla photographs it all - she likes him.

Scene 7. Coach talks with Eddie in his office. Eddie wants to quit, but Coach tells him he's a winner now.

Scene 8. Next match, Eddie pops his eye out on purpose, freaks out his opponent and wins the match.  

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