The Step Outline: Getting To The Barebones of Your Idea
The Step Outline: Getting To The Barebones of Your Idea
You have an idea for a story. It's been rolling around in your head a while. Characters are
starting to take shape, as well as a key scene or two. But right now, they are all just fragments.
How do you begin putting these fragments together? Screenwriting guru Robert McKee
suggests in his book, “Story: Substance, Structure, Style, and the Principles of Screenwriting,”
that you begin writing “from the inside out” by using a step-outline.
On paper, you build a list of these statements, one statement per scene. Each of the statements
should clearly describe what happens in that scene. At this point, you're not really concerned
about the details: no dialogue, no set dressing, no minor characters unrelated to the central
action of the scene. All of that will come later.
For example, say you’re writing a story about two lovers torn apart by an old family feud (Romeo
and Juliet). You decide your first scene should take place in the city streets, where your hero
and his gang meet the gang of the rival family. They fight, and the hero kills the rival family’s
leader. You might write a statement like this:
“Romeo and Tybalt meet in the city. They fight and Romeo kills Tybalt.”
Simply stated, but it captures the main tension in the scene. A step-outline is your entire story,
written in this simple outline form.
You may only use twenty percent of your first step-outline, and may write the same scene over
fifteen times. Robert McKee, a true master of the art of storytelling says, “A writer secure in his
talents knows there's no limit to what he can create, and so he trashes everything less than his
best on a quest for a gem quality story.” A writer should never fear that he/she has run out of
ideas, they should only fear if they settle for mediocrity. Once your step-outline is created, the
dialogue will pour onto the pages and into your characters more truthfully because you
know exactly what they’re doing and where they are going.
Scene 2. Before wrestling practice, Skelly, the team bully, brags about being mean, and makes a joke
about Eddie's eye.
Scene 3. During practice, Eddie tries to be a meaner wrestler like Skelly, but it doesn't work.
Scene 4. Coach tells Eddie he's an embarrassment, needs to get some fire in him.
Scene 5. At home that night, Eddie practices mean poses in the mirror. He wants to be tough and learn
to win.
Scene 6. At next day's match, Eddie's glass eye accidentally comes out, distracting his opponent. Eddie
wins the match. Layla photographs it all - she likes him.
Scene 7. Coach talks with Eddie in his office. Eddie wants to quit, but Coach tells him he's a winner now.
Scene 8. Next match, Eddie pops his eye out on purpose, freaks out his opponent and wins the match.