A5 Gerry Zhu
A5 Gerry Zhu
Gerry Zhu
Art Critique
April 5th, 2019
Joseph Boyd
The Great Wave off Kanagawa (1829~1833) by Katsushika Hokusai
Japanese woodblock printing.
Viewed at numerous locations: Metropolitan Museum of Art, British Museum, Art Institute of
Chicago, etc.
As a young child, Hokusai grew up with the art of painting. He had worked as
the foremost ukiyo-e(woodblock painters) at the time. From there, he became a famous
Buddhist monk, and his famous Thirty-six Views of Mount Fuji, where The Great Wave
off Kanagawa originates. His frequent depiction of Mount Fuji stems from his religious
beliefs. He was a member of the Nichiren sect of Buddhism, who associate the North
Star with a deity. His chosen name is an abbreviation of Hokushinsai, which means
“North Star Studio”. Hokusai had an obsession with the mountain, as it was the symbol
His most famous work, and the our subject, is The Great Wave off
sometime between 1829 and 1833 (Edo period), with the original block produced over
5000 images. The printing shows a gigantic wave crashing onto three boats, off the coast
of Kanagawa, a town now known as the city of Yokohama, with Mt. Fuji in the
background. The background offsets the roaring waves with its mellow tone and
intensity. This adds contrast, and makes the lower half of the printing the main focus of
the work. The intense blue tones grab the viewer’s attention, and makes them stay. The
use of white in the water emphasize the speed of the waves, depicting this as a split-
second image. The white particles in the air also help to show the impending crash, as
Assignment #5
Gerry Zhu
Art Critique
April 5th, 2019
Joseph Boyd
they are the harbinger to the tidal waves. The waves’ shape also curls, showing that it is
about to break. This line curving in draws the viewer’s eye to the centre of the piece,
where Mount Fuji is depicted in the background. The quality of the work is notable, as
not many colours are used to create such an interesting scene. There are clear lines
between the colours, with the background having the only blend in the work. There is
repetition in colour, line, and shape within the waves, giving us a sense of rhythm and
Judging from the illustrator’s obsession with Mount Fuji, it is very likely that it is
behind the meaning of this work. This scene is a dangerous one, but has a sense of
serenity as well. The rowers are in peril, as the waves come to crash on them, yet the
circular droplets seem as though they are not in motion, and the blended background
calms the printing, and surrounds Mount Fuji. As a symbol of immortality, this work
could symbolize the power of the mountain, and the possibility of it saving these men
from the waves. While it may appear doomed for them, the scene shows an ominous and
I believe this work is very interesting, especially when the inspiration for it is
known. Not only does it look aesthetically pleasing, with nothing being too heavy or
confusing, but it also has meaning beyond an image, as a religious symbol. There is a
reason this work, out of all of those that Hokusai made, is the most famous. It is because
it is a perfect representation of the time that he lived in, and what he believed in
culturally. Just imagine: you were one of those rowers, about to be swallowed by the
tide. Now imagine that time freezes, the water stops, and all you see is the mountain,
Assignment #5
Gerry Zhu
Art Critique
April 5th, 2019
Joseph Boyd
glaring back at you. I personally love this artwork, and believe it is one of the best that I
have seen.