Group Uke - Book 2 - Playing Notes
Group Uke - Book 2 - Playing Notes
for 3 or more Ukuleles. These pieces are ideal for Ukulele clubs,
for use in the classroom, for playing along with friends and family
and much, much more. Each piece has been arranged to have a
lead melody line, a complimentary/harmony part and a ‘bass’ line.
The chord symbols are also included. The difficulty levels range
from easy to challenging and each piece will offer something new
and exciting. Playing with other musicians can be a very
rewarding experience and I hope that you enjoy the pieces I have
selected.
Enjoy this book and feel free to contact me at [email protected] if you have any questions.
http://ukeofcarl.com
I have tried not to include many tempo and dynamic markings in this book as I feel
these can be added according to your personal preference. Experiment. See which
pieces sound better fast or with varied tempo. See which pieces or parts sound good
loud, quiet or in between. It’s up to you.
1. Fur Elise
This is perhaps one of only two pieces that many people can play on piano.
However, this ukulele version is a little different. I’ve given it a little Spanish feel with
the chord stabs on E7 and Am implying a Flamenco style guitar. The piece develops
with this feel until page 2, where the more familiar melody begins. Uke parts 2 and 3
are relatively straight forward here. Look out for some stretches in part 1 though.
2. Gavotte
Each part has a very different approach here. Part 1 plays the standard
melody, where I’ve tried to utilise the open G to the full advantage. Part 2 is the most
accessible by far. Look out for Part 3, as it doesn’t always play the note you may
expect to hear. This piece sounds great with the suggested dynamics and played at
a steady pace.
3. Hava Nagila
This classic and instantly recognisable melody is great fun to play on the Uke.
Part 1 may prove a challenge with some quick stretches, so make the most of your
ability to use pull offs and hammer ons. Ideally you’ll want someone playing Part 3 or
strumming along on the chords to give a solid foundation. This piece works really
well if you begin slowly and speed up toward the end or on any further repeats.
4. Hene
Time for a change of pace. ‘Hene’ is a relaxed, lazy waltz that works well over
a few Ukes. Part 1 implies the melody and Part 2 provides implied chords. Work on
the counting and rhythms here to make sure everything is fully locked together.
This is the most ambitious piece in the book. Originally based on, ‘In The Hall
of the Mountain King’, I’ve given this piece a more jazzy and exciting feel. Parts 1 and
2 require the most work, especially when played at pace. Take care to ensure each
note is played clearly. Part 3 is an implied bass line, so work on this being locked
solid into the beat. Have fun with the chords on this one. Experiment with different
rhythms and see what fits. Also, look out for the dynamic markings as they really
help the piece breathe.
This piece was designed to change after every round. Part 1 plays the same
throughout while the other parts develop their harmony on each section. This piece
has a grand feel to it, so try to express that in the playing. No need to rush. Look out
for the quicker rhythms in Part 2. Apart from this, it shouldn’t prove too difficult.
7. Largo
This instantly recognisable piece was written by Antonin Dvorak in 1893. Part
1 offers the most challenge here, with it being high up the neck and using three
strings. I’ve also tried to include a campanella style Part 2 to really explore the Uke.
8. Minuet
A Minuet is a dance for two people, often in 3/4 time. Use that as your
inspiration when performing this. I’ve included two different ways to play the melody
on Part 1 and you’ll see that is changes half way through. You don’t have to try this
variation but it’s a good challenge.
9. Surprise Symphony
This is an original composition. Part 1 plays the main melody and doesn’t
provide too much of a challenge. Part 2 is a complimentary part, designed to be
played a little quieter than part 1. Part 3 implies the bass line and works well with the
suggested chords. I’ve included a change from major to minor in the bridge section.
Perhaps play around with the dynamics at this point. Have fun with this piece.
Enjoy this book and feel free to contact me at [email protected] if you have any questions.
http://ukeofcarl.com